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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #135245 it is the complementary color #ECADBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #135245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #135245 shade: #185240, #296453, #3A7666, #4B8879 and #5C9A8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #135245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #135245 shade: #135245, #024032, #002E1F, #001C0C and #000A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #135245 shade: #135245, #135234, #135223, #145213 and #255213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #135245 shade: #135245, #134E52, #133D52, #132C52 and #131B52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #135245 shade matches the following richer shades: #135245, #0B5A4A and #02634F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #135245 shade: #135245, #1B4A40, #23423B, #2C3937 and #343132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #135245 shade: #135223, #135234, #135244, #134F52 and #133E52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #135245 shade: #030F0D, #0B3129, #135245, #1B7461 and #23957D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #135245 shade: #135245, #131452 and #522B13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #135245 shade: #135245, #441352 and #524413

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #135245 shade: #135245, #131452, #521321 and #525113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #135245 shade: #135245, #251352, #521321 and #405213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 16 / 68

HEX #135245

RGB 19 82 69

HSL 167.62, 0.62%, 0.2%

LAB 30.88, -23.1, 1.98

 

Complementary color

CMYK 0 / 27 / 21 / 7

HEX #ECADBA

RGB 236 173 186

HSL 347.62, 0.62%, 0.8%

LAB 76.84, 24.9, 2.47

 

CMYK 71 / 0 / 22 / 68

HEX #185240

RGB 24 82 64

HSL 161.38, 0.55%, 0.21%

LAB 30.88, -23.62, 5.15

 

CMYK 59 / 0 / 17 / 61

HEX #296453

RGB 41 100 83

HSL 162.71, 0.42%, 0.28%

LAB 38.22, -23.78, 3.9

 

CMYK 51 / 0 / 14 / 54

HEX #3A7666

RGB 58 118 102

HSL 164, 0.34%, 0.35%

LAB 45.38, -23.74, 2.83

 

CMYK 45 / 0 / 11 / 47

HEX #4B8879

RGB 75 136 121

HSL 165.25, 0.29%, 0.41%

LAB 52.38, -23.6, 1.9

 

CMYK 40 / 0 / 9 / 40

HEX #5C9A8C

RGB 92 154 140

HSL 166.45, 0.25%, 0.48%

LAB 59.23, -23.44, 1.05

 

CMYK 77 / 0 / 16 / 68

HEX #135245

RGB 19 82 69

HSL 167.62, 0.62%, 0.2%

LAB 30.88, -23.1, 1.98

 

CMYK 97 / 0 / 22 / 75

HEX #024032

RGB 2 64 50

HSL 166.45, 0.94%, 0.13%

LAB 23.37, -22.32, 3.43

 

CMYK 100 / 0 / 33 / 82

HEX #002E1F

RGB 0 46 31

HSL 160.43, 1%, 0.09%

LAB 15.76, -19.7, 5.49

 

CMYK 100 / 0 / 57 / 89

HEX #001C0C

RGB 0 28 12

HSL 145.71, 1%, 0.05%

LAB 7.74, -13.64, 6.37

 

CMYK 100 / 0 / 100 / 96

HEX #000A00

RGB 0 10 0

HSL 120, 1%, 0.02%

LAB 1.96, -4.01, 2.86

 

CMYK 77 / 0 / 16 / 68

HEX #135245

RGB 19 82 69

HSL 167.62, 0.62%, 0.2%

LAB 30.88, -23.1, 1.98

 

CMYK 77 / 0 / 37 / 68

HEX #135234

RGB 19 82 52

HSL 151.43, 0.62%, 0.2%

LAB 30.45, -27.68, 12.07

 

CMYK 77 / 0 / 57 / 68

HEX #135223

RGB 19 82 35

HSL 135.24, 0.62%, 0.2%

LAB 30.14, -31.15, 21.85

 

CMYK 76 / 0 / 77 / 68

HEX #145213

RGB 20 82 19

HSL 119.05, 0.62%, 0.2%

LAB 29.99, -33.09, 29.91

 

CMYK 55 / 0 / 77 / 68

HEX #255213

RGB 37 82 19

HSL 102.86, 0.62%, 0.2%

LAB 30.58, -28.35, 30.71

 

CMYK 77 / 0 / 16 / 68

HEX #135245

RGB 19 82 69

HSL 167.62, 0.62%, 0.2%

LAB 30.88, -23.1, 1.98

 

CMYK 77 / 5 / 0 / 68

HEX #134E52

RGB 19 78 82

HSL 183.81, 0.62%, 0.2%

LAB 29.9, -16.76, -7.79

 

CMYK 77 / 26 / 0 / 68

HEX #133D52

RGB 19 61 82

HSL 200, 0.62%, 0.2%

LAB 23.95, -6.49, -16.89

 

CMYK 77 / 46 / 0 / 68

HEX #132C52

RGB 19 44 82

HSL 216.19, 0.62%, 0.2%

LAB 18.14, 5.27, -26.05

 

CMYK 77 / 67 / 0 / 68

HEX #131B52

RGB 19 27 82

HSL 232.38, 0.62%, 0.2%

LAB 12.81, 17.97, -34.67

 

CMYK 77 / 0 / 16 / 68

HEX #135245

RGB 19 82 69

HSL 167.62, 0.62%, 0.2%

LAB 30.88, -23.1, 1.98

 

CMYK 88 / 0 / 18 / 65

HEX #0B5A4A

RGB 11 90 74

HSL 167.85, 0.78%, 0.2%

LAB 33.73, -26.62, 2.91

 

CMYK 98 / 0 / 20 / 61

HEX #02634F

RGB 2 99 79

HSL 167.63, 0.96%, 0.2%

LAB 36.93, -30.2, 4.4

 

CMYK 77 / 0 / 16 / 68

HEX #135245

RGB 19 82 69

HSL 167.62, 0.62%, 0.2%

LAB 30.88, -23.1, 1.98

 

CMYK 64 / 0 / 14 / 71

HEX #1B4A40

RGB 27 74 64

HSL 167.23, 0.47%, 0.2%

LAB 28.12, -18.79, 1.2

 

CMYK 47 / 0 / 11 / 74

HEX #23423B

RGB 35 66 59

HSL 166.45, 0.31%, 0.2%

LAB 25.47, -13.51, 0.66

 

CMYK 23 / 0 / 4 / 78

HEX #2C3937

RGB 44 57 55

HSL 170.77, 0.13%, 0.2%

LAB 22.78, -5.87, -0.53

 

CMYK 0 / 6 / 4 / 80

HEX #343132

RGB 52 49 50

HSL 340, 0.03%, 0.2%

LAB 20.66, 1.56, -0.16

 

CMYK 77 / 0 / 57 / 68

HEX #135223

RGB 19 82 35

HSL 135.24, 0.62%, 0.2%

LAB 30.14, -31.15, 21.85

 

CMYK 77 / 0 / 37 / 68

HEX #135234

RGB 19 82 52

HSL 151.43, 0.62%, 0.2%

LAB 30.45, -27.68, 12.07

 

CMYK 77 / 0 / 17 / 68

HEX #135244

RGB 19 82 68

HSL 166.67, 0.62%, 0.2%

LAB 30.86, -23.4, 2.57

 

CMYK 77 / 4 / 0 / 68

HEX #134F52

RGB 19 79 82

HSL 182.86, 0.62%, 0.2%

LAB 30.25, -17.32, -7.26

 

CMYK 77 / 24 / 0 / 68

HEX #133E52

RGB 19 62 82

HSL 199.05, 0.62%, 0.2%

LAB 24.3, -7.13, -16.35

 

CMYK 80 / 0 / 13 / 94

HEX #030F0D

RGB 3 15 13

HSL 170, 0.67%, 0.04%

LAB 3.52, -3.68, -0.24

 

CMYK 78 / 0 / 16 / 81

HEX #0B3129

RGB 11 49 41

HSL 167.37, 0.63%, 0.12%

LAB 17.59, -15.67, 1.22

 

CMYK 77 / 0 / 16 / 68

HEX #135245

RGB 19 82 69

HSL 167.62, 0.62%, 0.2%

LAB 30.88, -23.1, 1.98

 

CMYK 77 / 0 / 16 / 55

HEX #1B7461

RGB 27 116 97

HSL 167.19, 0.62%, 0.28%

LAB 43.63, -30.38, 3.18

 

CMYK 77 / 0 / 16 / 42

HEX #23957D

RGB 35 149 125

HSL 167.37, 0.62%, 0.36%

LAB 55.41, -36.76, 3.83

 

CMYK 77 / 0 / 16 / 68

HEX #135245

RGB 19 82 69

HSL 167.62, 0.62%, 0.2%

LAB 30.88, -23.1, 1.98

 

CMYK 77 / 76 / 0 / 68

HEX #131452

RGB 19 20 82

HSL 239.05, 0.62%, 0.2%

LAB 10.91, 23.02, -37.78

 

CMYK 0 / 48 / 77 / 68

HEX #522B13

RGB 82 43 19

HSL 22.86, 0.62%, 0.2%

LAB 22.19, 15.74, 23.01

 

CMYK 77 / 0 / 16 / 68

HEX #135245

RGB 19 82 69

HSL 167.62, 0.62%, 0.2%

LAB 30.88, -23.1, 1.98

 

CMYK 17 / 77 / 0 / 68

HEX #441352

RGB 68 19 82

HSL 286.67, 0.62%, 0.2%

LAB 17.01, 33.65, -27.58

 

CMYK 0 / 17 / 77 / 68

HEX #524413

RGB 82 68 19

HSL 46.67, 0.62%, 0.2%

LAB 29.35, -0.17, 30.56

 

CMYK 77 / 0 / 16 / 68

HEX #135245

RGB 19 82 69

HSL 167.62, 0.62%, 0.2%

LAB 30.88, -23.1, 1.98

 

CMYK 77 / 76 / 0 / 68

HEX #131452

RGB 19 20 82

HSL 239.05, 0.62%, 0.2%

LAB 10.91, 23.02, -37.78

 

CMYK 0 / 77 / 60 / 68

HEX #521321

RGB 82 19 33

HSL 346.67, 0.62%, 0.2%

LAB 17.32, 30.12, 7.59

 

CMYK 0 / 1 / 77 / 68

HEX #525113

RGB 82 81 19

HSL 59.05, 0.62%, 0.2%

LAB 33.4, -8.07, 34.59

 

CMYK 77 / 0 / 16 / 68

HEX #135245

RGB 19 82 69

HSL 167.62, 0.62%, 0.2%

LAB 30.88, -23.1, 1.98

 

CMYK 55 / 77 / 0 / 68

HEX #251352

RGB 37 19 82

HSL 257.14, 0.62%, 0.2%

LAB 12.4, 26.64, -35.26

 

CMYK 0 / 77 / 60 / 68

HEX #521321

RGB 82 19 33

HSL 346.67, 0.62%, 0.2%

LAB 17.32, 30.12, 7.59

 

CMYK 22 / 0 / 77 / 68

HEX #405213

RGB 64 82 19

HSL 77.14, 0.62%, 0.2%

LAB 32.19, -17.33, 32.88

 

Description

Color code: HEX #135245 | qconv.com Color code: HEX #135245 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 82 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 82 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 16 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 16% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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