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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13665B it is the complementary color #EC99A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13665B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13665B shade: #186656, #297869, #3A8A7C, #4B9C8F and #5CAEA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13665B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13665B shade: #13665B, #025448, #004235, #003022 and #001E0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13665B shade: #12675C, #126745, #12672E, #126717 and #246712

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13665B shade: #12675C, #125B67, #124567, #122E67 and #121767

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13665B shade matches the following richer shades: #12675C and #097163

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13665B shade: #12675C, #1C5D54, #26534D, #304946 and #3A3F3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13665B shade: #12672F, #126745, #12675C, #125C67 and #124567

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13665B shade: #06211E, #0C443D, #12675C, #198A7B and #1FAD9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13665B shade: #13665B, #181267 and #673A12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13665B shade: #13665B, #5C1267 and #675C12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13665B shade: #13665B, #181267, #67121E and #616712

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13665B shade: #13665B, #311267, #67121E and #486712

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 11 / 60

HEX #13665B

RGB 19 102 91

HSL 172.05, 0.69%, 0.24%

LAB 38.54, -26.44, -0.61

 

Complementary color

CMYK 0 / 35 / 31 / 7

HEX #EC99A4

RGB 236 153 164

HSL 352.05, 0.69%, 0.76%

LAB 71.76, 32.47, 7.23

 

CMYK 76 / 0 / 16 / 60

HEX #186656

RGB 24 102 86

HSL 167.69, 0.62%, 0.25%

LAB 38.5, -27.25, 2.4

 

CMYK 66 / 0 / 13 / 53

HEX #297869

RGB 41 120 105

HSL 168.61, 0.49%, 0.32%

LAB 45.53, -27.76, 1.19

 

CMYK 58 / 0 / 10 / 46

HEX #3A8A7C

RGB 58 138 124

HSL 169.5, 0.41%, 0.38%

LAB 52.43, -27.98, 0.15

 

CMYK 52 / 0 / 8 / 39

HEX #4B9C8F

RGB 75 156 143

HSL 170.37, 0.35%, 0.45%

LAB 59.21, -28.04, -0.77

 

CMYK 47 / 0 / 7 / 32

HEX #5CAEA2

RGB 92 174 162

HSL 171.22, 0.34%, 0.52%

LAB 65.87, -28.02, -1.6

 

CMYK 81 / 0 / 11 / 60

HEX #13665B

RGB 19 102 91

HSL 172.05, 0.69%, 0.24%

LAB 38.54, -26.44, -0.61

 

CMYK 98 / 0 / 14 / 67

HEX #025448

RGB 2 84 72

HSL 171.22, 0.95%, 0.17%

LAB 31.4, -25.24, 0.78

 

CMYK 100 / 0 / 20 / 74

HEX #004235

RGB 0 66 53

HSL 168.18, 1%, 0.13%

LAB 24.17, -22.68, 2.59

 

CMYK 100 / 0 / 29 / 81

HEX #003022

RGB 0 48 34

HSL 162.5, 1%, 0.09%

LAB 16.65, -19.76, 4.66

 

CMYK 100 / 0 / 50 / 88

HEX #001E0F

RGB 0 30 15

HSL 150, 1%, 0.06%

LAB 8.68, -14.86, 6.26

 

CMYK 83 / 0 / 11 / 60

HEX #12675C

RGB 18 103 92

HSL 172.24, 0.7%, 0.24%

LAB 38.9, -26.75, -0.7

 

CMYK 83 / 0 / 33 / 60

HEX #126745

RGB 18 103 69

HSL 156, 0.7%, 0.24%

LAB 38.3, -33.07, 12.43

 

CMYK 83 / 0 / 55 / 60

HEX #12672E

RGB 18 103 46

HSL 139.76, 0.7%, 0.24%

LAB 37.89, -37.81, 25.2

 

CMYK 83 / 0 / 78 / 60

HEX #126717

RGB 18 103 23

HSL 123.53, 0.7%, 0.24%

LAB 37.65, -40.76, 36.09

 

CMYK 65 / 0 / 83 / 60

HEX #246712

RGB 36 103 18

HSL 107.29, 0.7%, 0.24%

LAB 38.06, -37.44, 38.51

 

CMYK 83 / 0 / 11 / 60

HEX #12675C

RGB 18 103 92

HSL 172.24, 0.7%, 0.24%

LAB 38.9, -26.75, -0.7

 

CMYK 83 / 12 / 0 / 60

HEX #125B67

RGB 18 91 103

HSL 188.47, 0.7%, 0.24%

LAB 35.18, -16.79, -13.06

 

CMYK 83 / 33 / 0 / 60

HEX #124567

RGB 18 69 103

HSL 204, 0.7%, 0.24%

LAB 27.75, -3.42, -24.58

 

CMYK 83 / 55 / 0 / 60

HEX #122E67

RGB 18 46 103

HSL 220.24, 0.7%, 0.24%

LAB 20.29, 12.65, -36.49

 

CMYK 83 / 78 / 0 / 60

HEX #121767

RGB 18 23 103

HSL 236.47, 0.7%, 0.24%

LAB 13.95, 29, -46.86

 

CMYK 83 / 0 / 11 / 60

HEX #12675C

RGB 18 103 92

HSL 172.24, 0.7%, 0.24%

LAB 38.9, -26.75, -0.7

 

CMYK 92 / 0 / 12 / 56

HEX #097163

RGB 9 113 99

HSL 171.92, 0.85%, 0.24%

LAB 42.41, -30.22, 0.17

 

CMYK 83 / 0 / 11 / 60

HEX #12675C

RGB 18 103 92

HSL 172.24, 0.7%, 0.24%

LAB 38.9, -26.75, -0.7

 

CMYK 70 / 0 / 10 / 64

HEX #1C5D54

RGB 28 93 84

HSL 171.69, 0.54%, 0.24%

LAB 35.43, -22.67, -0.81

 

CMYK 54 / 0 / 7 / 67

HEX #26534D

RGB 38 83 77

HSL 172, 0.37%, 0.24%

LAB 32.11, -17.17, -1.24

 

CMYK 34 / 0 / 4 / 71

HEX #304946

RGB 48 73 70

HSL 172.8, 0.21%, 0.24%

LAB 28.99, -10.33, -1.28

 

CMYK 8 / 0 / 0 / 75

HEX #3A3F3F

RGB 58 63 63

HSL 180, 0.04%, 0.24%

LAB 26.2, -2.08, -0.72

 

CMYK 83 / 0 / 54 / 60

HEX #12672F

RGB 18 103 47

HSL 140.47, 0.7%, 0.24%

LAB 37.9, -37.64, 24.67

 

CMYK 83 / 0 / 33 / 60

HEX #126745

RGB 18 103 69

HSL 156, 0.7%, 0.24%

LAB 38.3, -33.07, 12.43

 

CMYK 83 / 0 / 11 / 60

HEX #12675C

RGB 18 103 92

HSL 172.24, 0.7%, 0.24%

LAB 38.9, -26.75, -0.7

 

CMYK 83 / 11 / 0 / 60

HEX #125C67

RGB 18 92 103

HSL 187.76, 0.7%, 0.24%

LAB 35.52, -17.35, -12.54

 

CMYK 83 / 33 / 0 / 60

HEX #124567

RGB 18 69 103

HSL 204, 0.7%, 0.24%

LAB 27.75, -3.42, -24.58

 

CMYK 82 / 0 / 9 / 87

HEX #06211E

RGB 6 33 30

HSL 173.33, 0.69%, 0.08%

LAB 10.71, -11.19, -1.02

 

CMYK 82 / 0 / 10 / 73

HEX #0C443D

RGB 12 68 61

HSL 172.5, 0.7%, 0.16%

LAB 25.41, -19.41, -0.85

 

CMYK 83 / 0 / 11 / 60

HEX #12675C

RGB 18 103 92

HSL 172.24, 0.7%, 0.24%

LAB 38.9, -26.75, -0.7

 

CMYK 82 / 0 / 11 / 46

HEX #198A7B

RGB 25 138 123

HSL 172.04, 0.69%, 0.32%

LAB 51.63, -33.45, -0.54

 

CMYK 82 / 0 / 11 / 32

HEX #1FAD9A

RGB 31 173 154

HSL 171.97, 0.7%, 0.4%

LAB 63.76, -39.91, -0.42

 

CMYK 81 / 0 / 11 / 60

HEX #13665B

RGB 19 102 91

HSL 172.05, 0.69%, 0.24%

LAB 38.54, -26.44, -0.61

 

CMYK 77 / 83 / 0 / 60

HEX #181267

RGB 24 18 103

HSL 244.24, 0.7%, 0.24%

LAB 13.27, 32.58, -47.98

 

CMYK 0 / 44 / 83 / 60

HEX #673A12

RGB 103 58 18

HSL 28.24, 0.7%, 0.24%

LAB 29.29, 16.48, 31.91

 

CMYK 81 / 0 / 11 / 60

HEX #13665B

RGB 19 102 91

HSL 172.05, 0.69%, 0.24%

LAB 38.54, -26.44, -0.61

 

CMYK 11 / 83 / 0 / 60

HEX #5C1267

RGB 92 18 103

HSL 292.24, 0.7%, 0.24%

LAB 22.61, 43.94, -32.34

 

CMYK 0 / 11 / 83 / 60

HEX #675C12

RGB 103 92 18

HSL 52.24, 0.7%, 0.24%

LAB 38.87, -4.21, 40.86

 

CMYK 81 / 0 / 11 / 60

HEX #13665B

RGB 19 102 91

HSL 172.05, 0.69%, 0.24%

LAB 38.54, -26.44, -0.61

 

CMYK 77 / 83 / 0 / 60

HEX #181267

RGB 24 18 103

HSL 244.24, 0.7%, 0.24%

LAB 13.27, 32.58, -47.98

 

CMYK 0 / 83 / 71 / 60

HEX #67121E

RGB 103 18 30

HSL 351.53, 0.7%, 0.24%

LAB 21.62, 37.44, 16.2

 

CMYK 6 / 0 / 83 / 60

HEX #616712

RGB 97 103 18

HSL 64.24, 0.7%, 0.24%

LAB 41.67, -13.39, 43.17

 

CMYK 81 / 0 / 11 / 60

HEX #13665B

RGB 19 102 91

HSL 172.05, 0.69%, 0.24%

LAB 38.54, -26.44, -0.61

 

CMYK 52 / 83 / 0 / 60

HEX #311267

RGB 49 18 103

HSL 261.88, 0.7%, 0.24%

LAB 15.82, 35.74, -43.67

 

CMYK 0 / 83 / 71 / 60

HEX #67121E

RGB 103 18 30

HSL 351.53, 0.7%, 0.24%

LAB 21.62, 37.44, 16.2

 

CMYK 30 / 0 / 83 / 60

HEX #486712

RGB 72 103 18

HSL 81.88, 0.7%, 0.24%

LAB 39.79, -24.74, 40.76

 

Description

Color code: HEX #13665B | qconv.com Color code: HEX #13665B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 102 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 102 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 11 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 11% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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