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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13697A it is the complementary color #EC9685. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13697A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13697A shade: #186975, #297B88, #3A8D9B, #4B9FAE and #5CB1C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13697A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13697A shade: #13697A, #025767, #004554, #003341 and #00212E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13697A shade: #136A7B, #134E7B, #13327B, #13157B and #2C137B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13697A shade: #136A7B, #134E7B, #13327B, #13157B and #13137B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13697A shade matches the following richer shades: #136A7B and #077287

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13697A shade: #136A7B, #1E626F, #2A5A64, #355358 and #414B4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13697A shade: #137B53, #137B6F, #136B7B, #13507B and #13347B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13697A shade: #082C34, #0D4B57, #136A7B, #18899F and #1EA7C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13697A shade: #13697A, #37137B and #7B6113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13697A shade: #13697A, #7B136B and #6B7B13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13697A shade: #13697A, #37137B, #7B2213 and #577B13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13697A shade: #13697A, #57137B, #7B2213 and #377B13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 14 / 0 / 52

HEX #13697A

RGB 19 105 122

HSL 189.9, 0.73%, 0.28%

LAB 40.65, -17.7, -16.39

 

Complementary color

CMYK 0 / 36 / 44 / 7

HEX #EC9685

RGB 236 150 133

HSL 9.9, 0.73%, 0.72%

LAB 70.41, 30.44, 22.49

 

CMYK 79 / 10 / 0 / 54

HEX #186975

RGB 24 105 117

HSL 187.74, 0.66%, 0.28%

LAB 40.54, -18.91, -13.5

 

CMYK 70 / 10 / 0 / 47

HEX #297B88

RGB 41 123 136

HSL 188.21, 0.54%, 0.35%

LAB 47.51, -19.9, -14.26

 

CMYK 63 / 9 / 0 / 39

HEX #3A8D9B

RGB 58 141 155

HSL 188.66, 0.46%, 0.42%

LAB 54.36, -20.54, -14.92

 

CMYK 57 / 9 / 0 / 32

HEX #4B9FAE

RGB 75 159 174

HSL 189.09, 0.4%, 0.49%

LAB 61.09, -20.97, -15.51

 

CMYK 52 / 8 / 0 / 24

HEX #5CB1C1

RGB 92 177 193

HSL 189.5, 0.45%, 0.56%

LAB 67.7, -21.26, -16.06

 

CMYK 84 / 14 / 0 / 52

HEX #13697A

RGB 19 105 122

HSL 189.9, 0.73%, 0.28%

LAB 40.65, -17.7, -16.39

 

CMYK 98 / 16 / 0 / 60

HEX #025767

RGB 2 87 103

HSL 189.5, 0.96%, 0.21%

LAB 33.58, -15.95, -15.53

 

CMYK 100 / 18 / 0 / 67

HEX #004554

RGB 0 69 84

HSL 190.71, 1%, 0.16%

LAB 26.44, -13.03, -14.39

 

CMYK 100 / 22 / 0 / 75

HEX #003341

RGB 0 51 65

HSL 192.92, 1%, 0.13%

LAB 19.01, -9.77, -13.2

 

CMYK 100 / 28 / 0 / 82

HEX #00212E

RGB 0 33 46

HSL 196.96, 1%, 0.09%

LAB 11.17, -6.22, -12.03

 

CMYK 85 / 14 / 0 / 52

HEX #136A7B

RGB 19 106 123

HSL 189.81, 0.73%, 0.28%

LAB 41.02, -17.9, -16.43

 

CMYK 85 / 37 / 0 / 52

HEX #134E7B

RGB 19 78 123

HSL 205.96, 0.73%, 0.28%

LAB 31.85, -1.05, -30.71

 

CMYK 85 / 59 / 0 / 52

HEX #13327B

RGB 19 50 123

HSL 222.12, 0.73%, 0.28%

LAB 23.17, 18.32, -44.66

 

CMYK 85 / 83 / 0 / 52

HEX #13157B

RGB 19 21 123

HSL 238.85, 0.73%, 0.28%

LAB 16.03, 37.47, -56.4

 

CMYK 64 / 85 / 0 / 52

HEX #2C137B

RGB 44 19 123

HSL 254.42, 0.73%, 0.28%

LAB 17.6, 40.56, -53.73

 

CMYK 85 / 14 / 0 / 52

HEX #136A7B

RGB 19 106 123

HSL 189.81, 0.73%, 0.28%

LAB 41.02, -17.9, -16.43

 

CMYK 85 / 37 / 0 / 52

HEX #134E7B

RGB 19 78 123

HSL 205.96, 0.73%, 0.28%

LAB 31.85, -1.05, -30.71

 

CMYK 85 / 59 / 0 / 52

HEX #13327B

RGB 19 50 123

HSL 222.12, 0.73%, 0.28%

LAB 23.17, 18.32, -44.66

 

CMYK 85 / 83 / 0 / 52

HEX #13157B

RGB 19 21 123

HSL 238.85, 0.73%, 0.28%

LAB 16.03, 37.47, -56.4

 

CMYK 85 / 85 / 0 / 52

HEX #13137B

RGB 19 19 123

HSL 240, 0.73%, 0.28%

LAB 15.67, 38.53, -57

 

CMYK 85 / 14 / 0 / 52

HEX #136A7B

RGB 19 106 123

HSL 189.81, 0.73%, 0.28%

LAB 41.02, -17.9, -16.43

 

CMYK 95 / 16 / 0 / 47

HEX #077287

RGB 7 114 135

HSL 189.84, 0.9%, 0.28%

LAB 43.99, -18.82, -19.11

 

CMYK 85 / 14 / 0 / 52

HEX #136A7B

RGB 19 106 123

HSL 189.81, 0.73%, 0.28%

LAB 41.02, -17.9, -16.43

 

CMYK 73 / 12 / 0 / 56

HEX #1E626F

RGB 30 98 111

HSL 189.63, 0.57%, 0.28%

LAB 38.13, -16.28, -13.5

 

CMYK 58 / 10 / 0 / 61

HEX #2A5A64

RGB 42 90 100

HSL 190.34, 0.41%, 0.28%

LAB 35.45, -13.07, -10.72

 

CMYK 40 / 6 / 0 / 65

HEX #355358

RGB 53 83 88

HSL 188.57, 0.25%, 0.28%

LAB 33.24, -9.64, -6.46

 

CMYK 16 / 3 / 0 / 70

HEX #414B4D

RGB 65 75 77

HSL 190, 0.08%, 0.28%

LAB 31.09, -3.52, -2.55

 

CMYK 85 / 0 / 33 / 52

HEX #137B53

RGB 19 123 83

HSL 156.92, 0.73%, 0.28%

LAB 45.54, -38.09, 14.11

 

CMYK 85 / 0 / 10 / 52

HEX #137B6F

RGB 19 123 111

HSL 173.08, 0.73%, 0.28%

LAB 46.25, -30.54, -1.38

 

CMYK 85 / 13 / 0 / 52

HEX #136B7B

RGB 19 107 123

HSL 189.23, 0.73%, 0.28%

LAB 41.35, -18.45, -15.92

 

CMYK 85 / 35 / 0 / 52

HEX #13507B

RGB 19 80 123

HSL 204.81, 0.73%, 0.28%

LAB 32.49, -2.35, -29.69

 

CMYK 85 / 58 / 0 / 52

HEX #13347B

RGB 19 52 123

HSL 220.96, 0.73%, 0.28%

LAB 23.75, 16.89, -43.71

 

CMYK 85 / 15 / 0 / 80

HEX #082C34

RGB 8 44 52

HSL 190.91, 0.73%, 0.12%

LAB 16.01, -9.27, -8.82

 

CMYK 85 / 14 / 0 / 66

HEX #0D4B57

RGB 13 75 87

HSL 189.73, 0.74%, 0.2%

LAB 28.92, -14.04, -12.51

 

CMYK 85 / 14 / 0 / 52

HEX #136A7B

RGB 19 106 123

HSL 189.81, 0.73%, 0.28%

LAB 41.02, -17.9, -16.43

 

CMYK 85 / 14 / 0 / 38

HEX #18899F

RGB 24 137 159

HSL 189.78, 0.74%, 0.36%

LAB 52.5, -21.6, -20.14

 

CMYK 85 / 14 / 0 / 24

HEX #1EA7C2

RGB 30 167 194

HSL 189.88, 0.73%, 0.44%

LAB 63.18, -24.88, -23.63

 

CMYK 84 / 14 / 0 / 52

HEX #13697A

RGB 19 105 122

HSL 189.9, 0.73%, 0.28%

LAB 40.65, -17.7, -16.39

 

CMYK 55 / 85 / 0 / 52

HEX #37137B

RGB 55 19 123

HSL 260.77, 0.73%, 0.28%

LAB 18.83, 41.87, -51.66

 

CMYK 0 / 21 / 85 / 52

HEX #7B6113

RGB 123 97 19

HSL 45, 0.73%, 0.28%

LAB 42.47, 2.65, 44.53

 

CMYK 84 / 14 / 0 / 52

HEX #13697A

RGB 19 105 122

HSL 189.9, 0.73%, 0.28%

LAB 40.65, -17.7, -16.39

 

CMYK 0 / 85 / 13 / 52

HEX #7B136B

RGB 123 19 107

HSL 309.23, 0.73%, 0.28%

LAB 28.74, 51.21, -24.84

 

CMYK 13 / 0 / 85 / 52

HEX #6B7B13

RGB 107 123 19

HSL 69.23, 0.73%, 0.28%

LAB 48.68, -19.46, 49.4

 

CMYK 84 / 14 / 0 / 52

HEX #13697A

RGB 19 105 122

HSL 189.9, 0.73%, 0.28%

LAB 40.65, -17.7, -16.39

 

CMYK 55 / 85 / 0 / 52

HEX #37137B

RGB 55 19 123

HSL 260.77, 0.73%, 0.28%

LAB 18.83, 41.87, -51.66

 

CMYK 0 / 72 / 85 / 52

HEX #7B2213

RGB 123 34 19

HSL 8.65, 0.73%, 0.28%

LAB 27.85, 37.68, 31.2

 

CMYK 29 / 0 / 85 / 52

HEX #577B13

RGB 87 123 19

HSL 80.77, 0.73%, 0.28%

LAB 47.29, -28.16, 47.63

 

CMYK 84 / 14 / 0 / 52

HEX #13697A

RGB 19 105 122

HSL 189.9, 0.73%, 0.28%

LAB 40.65, -17.7, -16.39

 

CMYK 29 / 85 / 0 / 52

HEX #57137B

RGB 87 19 123

HSL 279.23, 0.73%, 0.28%

LAB 23.41, 46.83, -43.98

 

CMYK 0 / 72 / 85 / 52

HEX #7B2213

RGB 123 34 19

HSL 8.65, 0.73%, 0.28%

LAB 27.85, 37.68, 31.2

 

CMYK 55 / 0 / 85 / 52

HEX #377B13

RGB 55 123 19

HSL 99.23, 0.73%, 0.28%

LAB 45.67, -39.82, 45.56

 

Description

Color code: HEX #13697A | qconv.com Color code: HEX #13697A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 105 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 105 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 14 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 14% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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