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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #137580 it is the complementary color #EC8A7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #137580. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #137580 shade: #18757B, #29878E, #3A99A1, #4BABB4 and #5CBDC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #137580. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #137580 shade: #137580, #02636D, #00515A, #003F47 and #002D34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #137580 shade: #137580, #135880, #133A80, #131D80 and #261380

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #137580 shade: #137580, #135880, #133A80, #131D80 and #131380

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #137580 shade matches the following richer shades: #137580 and #077F8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #137580 shade: #137580, #1F6C74, #2B6268, #37585C and #434F50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #137580 shade: #138051, #13806E, #137580, #135880 and #133B80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #137580 shade: #083338, #0D545C, #137580, #1896A4 and #1DB7C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #137580 shade: #137580, #341380 and #805F13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #137580 shade: #137580, #801375 and #758013

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #137580 shade: #137580, #341380, #801E13 and #5F8013

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #137580 shade: #137580, #541380, #801E13 and #3F8013

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 9 / 0 / 50

HEX #137580

RGB 19 117 128

HSL 186.06, 0.74%, 0.29%

LAB 44.83, -22.08, -13.63

 

Complementary color

CMYK 0 / 42 / 46 / 7

HEX #EC8A7F

RGB 236 138 127

HSL 6.06, 0.74%, 0.71%

LAB 67.68, 36.12, 22.1

 

CMYK 80 / 5 / 0 / 52

HEX #18757B

RGB 24 117 123

HSL 183.64, 0.67%, 0.29%

LAB 44.73, -23.27, -10.79

 

CMYK 71 / 5 / 0 / 44

HEX #29878E

RGB 41 135 142

HSL 184.16, 0.55%, 0.36%

LAB 51.56, -24.27, -11.67

 

CMYK 64 / 5 / 0 / 37

HEX #3A99A1

RGB 58 153 161

HSL 184.66, 0.47%, 0.43%

LAB 58.28, -24.92, -12.44

 

CMYK 58 / 5 / 0 / 29

HEX #4BABB4

RGB 75 171 180

HSL 185.14, 0.41%, 0.5%

LAB 64.9, -25.36, -13.13

 

CMYK 54 / 5 / 0 / 22

HEX #5CBDC7

RGB 92 189 199

HSL 185.61, 0.49%, 0.57%

LAB 71.41, -25.65, -13.76

 

CMYK 85 / 9 / 0 / 50

HEX #137580

RGB 19 117 128

HSL 186.06, 0.74%, 0.29%

LAB 44.83, -22.08, -13.63

 

CMYK 98 / 9 / 0 / 57

HEX #02636D

RGB 2 99 109

HSL 185.61, 0.96%, 0.22%

LAB 37.92, -20.37, -12.64

 

CMYK 100 / 10 / 0 / 65

HEX #00515A

RGB 0 81 90

HSL 186, 1%, 0.18%

LAB 30.93, -17.64, -11.37

 

CMYK 100 / 11 / 0 / 72

HEX #003F47

RGB 0 63 71

HSL 186.76, 1%, 0.14%

LAB 23.7, -14.63, -10.04

 

CMYK 100 / 13 / 0 / 80

HEX #002D34

RGB 0 45 52

HSL 188.08, 1%, 0.1%

LAB 16.13, -11.47, -8.66

 

CMYK 85 / 9 / 0 / 50

HEX #137580

RGB 19 117 128

HSL 186.06, 0.74%, 0.29%

LAB 44.83, -22.08, -13.63

 

CMYK 85 / 31 / 0 / 50

HEX #135880

RGB 19 88 128

HSL 202.02, 0.74%, 0.29%

LAB 35.35, -5.43, -28.27

 

CMYK 85 / 55 / 0 / 50

HEX #133A80

RGB 19 58 128

HSL 218.53, 0.74%, 0.29%

LAB 25.93, 14.72, -43.32

 

CMYK 85 / 77 / 0 / 50

HEX #131D80

RGB 19 29 128

HSL 234.5, 0.74%, 0.29%

LAB 18.26, 34.61, -55.89

 

CMYK 70 / 85 / 0 / 50

HEX #261380

RGB 38 19 128

HSL 250.46, 0.74%, 0.29%

LAB 17.63, 41.5, -56.9

 

CMYK 85 / 9 / 0 / 50

HEX #137580

RGB 19 117 128

HSL 186.06, 0.74%, 0.29%

LAB 44.83, -22.08, -13.63

 

CMYK 85 / 31 / 0 / 50

HEX #135880

RGB 19 88 128

HSL 202.02, 0.74%, 0.29%

LAB 35.35, -5.43, -28.27

 

CMYK 85 / 55 / 0 / 50

HEX #133A80

RGB 19 58 128

HSL 218.53, 0.74%, 0.29%

LAB 25.93, 14.72, -43.32

 

CMYK 85 / 77 / 0 / 50

HEX #131D80

RGB 19 29 128

HSL 234.5, 0.74%, 0.29%

LAB 18.26, 34.61, -55.89

 

CMYK 85 / 85 / 0 / 50

HEX #131380

RGB 19 19 128

HSL 240, 0.74%, 0.29%

LAB 16.32, 40.19, -59.11

 

CMYK 85 / 9 / 0 / 50

HEX #137580

RGB 19 117 128

HSL 186.06, 0.74%, 0.29%

LAB 44.83, -22.08, -13.63

 

CMYK 95 / 9 / 0 / 45

HEX #077F8C

RGB 7 127 140

HSL 185.86, 0.9%, 0.29%

LAB 48.41, -23.96, -15.31

 

CMYK 85 / 9 / 0 / 50

HEX #137580

RGB 19 117 128

HSL 186.06, 0.74%, 0.29%

LAB 44.83, -22.08, -13.63

 

CMYK 73 / 7 / 0 / 55

HEX #1F6C74

RGB 31 108 116

HSL 185.65, 0.58%, 0.29%

LAB 41.65, -19.94, -11.2

 

CMYK 59 / 6 / 0 / 59

HEX #2B6268

RGB 43 98 104

HSL 185.9, 0.41%, 0.29%

LAB 38.28, -16.12, -8.91

 

CMYK 40 / 4 / 0 / 64

HEX #37585C

RGB 55 88 92

HSL 186.49, 0.25%, 0.29%

LAB 35.13, -10.84, -6.13

 

CMYK 16 / 1 / 0 / 69

HEX #434F50

RGB 67 79 80

HSL 184.62, 0.09%, 0.29%

LAB 32.62, -4.5, -2.2

 

CMYK 85 / 0 / 37 / 50

HEX #138051

RGB 19 128 81

HSL 154.13, 0.74%, 0.29%

LAB 47.2, -40.58, 17.52

 

CMYK 85 / 0 / 14 / 50

HEX #13806E

RGB 19 128 110

HSL 170.09, 0.74%, 0.29%

LAB 47.88, -33.17, 1.6

 

CMYK 85 / 9 / 0 / 50

HEX #137580

RGB 19 117 128

HSL 186.06, 0.74%, 0.29%

LAB 44.83, -22.08, -13.63

 

CMYK 85 / 31 / 0 / 50

HEX #135880

RGB 19 88 128

HSL 202.02, 0.74%, 0.29%

LAB 35.35, -5.43, -28.27

 

CMYK 85 / 54 / 0 / 50

HEX #133B80

RGB 19 59 128

HSL 217.98, 0.74%, 0.29%

LAB 26.23, 14.01, -42.84

 

CMYK 86 / 9 / 0 / 78

HEX #083338

RGB 8 51 56

HSL 186.25, 0.75%, 0.13%

LAB 18.82, -12.1, -7.32

 

CMYK 86 / 9 / 0 / 64

HEX #0D545C

RGB 13 84 92

HSL 186.08, 0.75%, 0.21%

LAB 32.26, -17.36, -10.61

 

CMYK 85 / 9 / 0 / 50

HEX #137580

RGB 19 117 128

HSL 186.06, 0.74%, 0.29%

LAB 44.83, -22.08, -13.63

 

CMYK 85 / 9 / 0 / 36

HEX #1896A4

RGB 24 150 164

HSL 186, 0.74%, 0.37%

LAB 56.77, -26.62, -16.5

 

CMYK 86 / 9 / 0 / 22

HEX #1DB7C8

RGB 29 183 200

HSL 185.96, 0.75%, 0.45%

LAB 68.24, -30.94, -19.24

 

CMYK 85 / 9 / 0 / 50

HEX #137580

RGB 19 117 128

HSL 186.06, 0.74%, 0.29%

LAB 44.83, -22.08, -13.63

 

CMYK 59 / 85 / 0 / 50

HEX #341380

RGB 52 19 128

HSL 258.17, 0.74%, 0.29%

LAB 19.03, 42.93, -54.53

 

CMYK 0 / 26 / 85 / 50

HEX #805F13

RGB 128 95 19

HSL 41.83, 0.74%, 0.29%

LAB 42.49, 6.23, 44.77

 

CMYK 85 / 9 / 0 / 50

HEX #137580

RGB 19 117 128

HSL 186.06, 0.74%, 0.29%

LAB 44.83, -22.08, -13.63

 

CMYK 0 / 85 / 9 / 50

HEX #801375

RGB 128 19 117

HSL 306.06, 0.74%, 0.29%

LAB 30.25, 53.85, -28.79

 

CMYK 9 / 0 / 85 / 50

HEX #758013

RGB 117 128 19

HSL 66.06, 0.74%, 0.29%

LAB 51, -17.55, 51.71

 

CMYK 85 / 9 / 0 / 50

HEX #137580

RGB 19 117 128

HSL 186.06, 0.74%, 0.29%

LAB 44.83, -22.08, -13.63

 

CMYK 59 / 85 / 0 / 50

HEX #341380

RGB 52 19 128

HSL 258.17, 0.74%, 0.29%

LAB 19.03, 42.93, -54.53

 

CMYK 0 / 77 / 85 / 50

HEX #801E13

RGB 128 30 19

HSL 6.06, 0.74%, 0.29%

LAB 28.29, 41.02, 31.97

 

CMYK 26 / 0 / 85 / 50

HEX #5F8013

RGB 95 128 19

HSL 78.17, 0.74%, 0.29%

LAB 49.4, -27.23, 49.69

 

CMYK 85 / 9 / 0 / 50

HEX #137580

RGB 19 117 128

HSL 186.06, 0.74%, 0.29%

LAB 44.83, -22.08, -13.63

 

CMYK 34 / 85 / 0 / 50

HEX #541380

RGB 84 19 128

HSL 275.78, 0.74%, 0.29%

LAB 23.37, 47.45, -47.25

 

CMYK 0 / 77 / 85 / 50

HEX #801E13

RGB 128 30 19

HSL 6.06, 0.74%, 0.29%

LAB 28.29, 41.02, 31.97

 

CMYK 51 / 0 / 85 / 50

HEX #3F8013

RGB 63 128 19

HSL 95.78, 0.74%, 0.29%

LAB 47.68, -39.33, 47.51

 

Description

Color code: HEX #137580 | qconv.com Color code: HEX #137580 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 117 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 117 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 9 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 9% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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