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Color name
HEX #1372EB

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1372EB it is the complementary color #EC8D14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1372EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1372EB shade: #1872E6, #2984F9, #3A96FF, #4BA8FF and #5CBAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1372EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1372EB shade: #1372EB, #0260D8, #004EC5, #003CB2 and #002A9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1372EB shade: #1372EB, #1338EB, #2813EB, #6313EB and #9D13EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1372EB shade: #1372EB, #1338EB and #1313EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1372EB shade matches the following richer shades: #1372EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1372EB shade: #1372EB, #2774D7, #3C77C2, #5179AD and #657C99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1372EB shade: #13E8EB, #13AEEB, #1374EB, #133AEB and #2513EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1372EB shade: #0C4D9F, #105FC5, #1372EB, #3989EE and #5F9FF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1372EB shade: #1372EB, #B513EB and #CBEB13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1372EB shade: #1372EB, #EB1374 and #74EB13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1372EB shade: #1372EB, #B513EB, #EB8A13 and #49EB13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1372EB shade: #1372EB, #EB13E1, #EB8A13 and #13EB1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 51 / 0 / 8

HEX #1372EB

RGB 19 114 235

HSL 213.61, 0.85%, 0.5%

LAB 49.7, 20.41, -67.93

 

Complementary color

CMYK 0 / 40 / 92 / 7

HEX #EC8D14

RGB 236 141 20

HSL 33.61, 0.85%, 0.5%

LAB 67.23, 28.76, 69.75

 

CMYK 90 / 50 / 0 / 10

HEX #1872E6

RGB 24 114 230

HSL 213.79, 0.81%, 0.5%

LAB 49.43, 18.71, -65.57

 

CMYK 84 / 47 / 0 / 2

HEX #2984F9

RGB 41 132 249

HSL 213.75, 0.95%, 0.57%

LAB 55.9, 15.76, -65.68

 

CMYK 77 / 41 / 0 / 0

HEX #3A96FF

RGB 58 150 255

HSL 211.98, 1%, 0.61%

LAB 61.6, 8.6, -59.82

 

CMYK 71 / 34 / 0 / 0

HEX #4BA8FF

RGB 75 168 255

HSL 209, 1%, 0.65%

LAB 67.07, 0.18, -51.09

 

CMYK 64 / 27 / 0 / 0

HEX #5CBAFF

RGB 92 186 255

HSL 205.4, 1%, 0.68%

LAB 72.64, -7.29, -42.3

 

CMYK 92 / 51 / 0 / 8

HEX #1372EB

RGB 19 114 235

HSL 213.61, 0.85%, 0.5%

LAB 49.7, 20.41, -67.93

 

CMYK 99 / 56 / 0 / 15

HEX #0260D8

RGB 2 96 216

HSL 213.64, 0.98%, 0.43%

LAB 43.27, 24.04, -67.65

 

CMYK 100 / 60 / 0 / 23

HEX #004EC5

RGB 0 78 197

HSL 216.24, 1%, 0.39%

LAB 36.89, 28.32, -67.09

 

CMYK 100 / 66 / 0 / 30

HEX #003CB2

RGB 0 60 178

HSL 219.78, 1%, 0.35%

LAB 30.51, 32.79, -66.38

 

CMYK 100 / 74 / 0 / 38

HEX #002A9F

RGB 0 42 159

HSL 224.15, 1%, 0.31%

LAB 24.19, 37.2, -65.36

 

CMYK 92 / 51 / 0 / 8

HEX #1372EB

RGB 19 114 235

HSL 213.61, 0.85%, 0.5%

LAB 49.7, 20.41, -67.93

 

CMYK 92 / 76 / 0 / 8

HEX #1338EB

RGB 19 56 235

HSL 229.72, 0.85%, 0.5%

LAB 35.92, 56.14, -90.54

 

CMYK 83 / 92 / 0 / 8

HEX #2813EB

RGB 40 19 235

HSL 245.83, 0.85%, 0.5%

LAB 31.61, 71.44, -97.69

 

CMYK 58 / 92 / 0 / 8

HEX #6313EB

RGB 99 19 235

HSL 262.22, 0.85%, 0.5%

LAB 36.21, 74.2, -89.92

 

CMYK 33 / 92 / 0 / 8

HEX #9D13EB

RGB 157 19 235

HSL 278.33, 0.85%, 0.5%

LAB 43.7, 79.79, -77.31

 

CMYK 92 / 51 / 0 / 8

HEX #1372EB

RGB 19 114 235

HSL 213.61, 0.85%, 0.5%

LAB 49.7, 20.41, -67.93

 

CMYK 92 / 76 / 0 / 8

HEX #1338EB

RGB 19 56 235

HSL 229.72, 0.85%, 0.5%

LAB 35.92, 56.14, -90.54

 

CMYK 92 / 92 / 0 / 8

HEX #1313EB

RGB 19 19 235

HSL 240, 0.85%, 0.5%

LAB 30.88, 71.07, -98.92

 

CMYK 92 / 51 / 0 / 8

HEX #1372EB

RGB 19 114 235

HSL 213.61, 0.85%, 0.5%

LAB 49.7, 20.41, -67.93

 

CMYK 92 / 51 / 0 / 8

HEX #1372EB

RGB 19 114 235

HSL 213.61, 0.85%, 0.5%

LAB 49.7, 20.41, -67.93

 

CMYK 82 / 46 / 0 / 16

HEX #2774D7

RGB 39 116 215

HSL 213.75, 0.69%, 0.5%

LAB 49.29, 12.72, -57.3

 

CMYK 69 / 39 / 0 / 24

HEX #3C77C2

RGB 60 119 194

HSL 213.58, 0.53%, 0.5%

LAB 49.56, 5.61, -44.85

 

CMYK 53 / 30 / 0 / 32

HEX #5179AD

RGB 81 121 173

HSL 213.91, 0.36%, 0.5%

LAB 50.03, 1.32, -31.93

 

CMYK 34 / 19 / 0 / 40

HEX #657C99

RGB 101 124 153

HSL 213.46, 0.2%, 0.5%

LAB 51.25, -1.01, -18.31

 

CMYK 92 / 1 / 0 / 8

HEX #13E8EB

RGB 19 232 235

HSL 180.83, 0.85%, 0.5%

LAB 83.89, -43.41, -14.5

 

CMYK 92 / 26 / 0 / 8

HEX #13AEEB

RGB 19 174 235

HSL 196.94, 0.85%, 0.5%

LAB 66.83, -15.09, -40.63

 

CMYK 92 / 51 / 0 / 8

HEX #1374EB

RGB 19 116 235

HSL 213.06, 0.85%, 0.5%

LAB 50.25, 19.14, -67.04

 

CMYK 92 / 75 / 0 / 8

HEX #133AEB

RGB 19 58 235

HSL 229.17, 0.85%, 0.5%

LAB 36.3, 55.06, -89.91

 

CMYK 84 / 92 / 0 / 8

HEX #2513EB

RGB 37 19 235

HSL 245, 0.85%, 0.5%

LAB 31.48, 71.37, -97.91

 

CMYK 92 / 52 / 0 / 38

HEX #0C4D9F

RGB 12 77 159

HSL 213.47, 0.86%, 0.34%

LAB 33.75, 13.99, -49.7

 

CMYK 92 / 52 / 0 / 23

HEX #105FC5

RGB 16 95 197

HSL 213.81, 0.85%, 0.42%

LAB 41.73, 17.62, -59.21

 

CMYK 92 / 51 / 0 / 8

HEX #1372EB

RGB 19 114 235

HSL 213.61, 0.85%, 0.5%

LAB 49.7, 20.41, -67.93

 

CMYK 76 / 42 / 0 / 7

HEX #3989EE

RGB 57 137 238

HSL 213.48, 0.84%, 0.58%

LAB 57.01, 10.14, -57.79

 

CMYK 61 / 34 / 0 / 5

HEX #5F9FF2

RGB 95 159 242

HSL 213.88, 0.85%, 0.66%

LAB 64.68, 4.19, -47.73

 

CMYK 92 / 51 / 0 / 8

HEX #1372EB

RGB 19 114 235

HSL 213.61, 0.85%, 0.5%

LAB 49.7, 20.41, -67.93

 

CMYK 23 / 92 / 0 / 8

HEX #B513EB

RGB 181 19 235

HSL 285, 0.85%, 0.5%

LAB 47.35, 82.86, -71.2

 

CMYK 14 / 0 / 92 / 8

HEX #CBEB13

RGB 203 235 19

HSL 68.89, 0.85%, 0.5%

LAB 88.05, -33.2, 84.38

 

CMYK 92 / 51 / 0 / 8

HEX #1372EB

RGB 19 114 235

HSL 213.61, 0.85%, 0.5%

LAB 49.7, 20.41, -67.93

 

CMYK 0 / 92 / 51 / 8

HEX #EB1374

RGB 235 19 116

HSL 333.06, 0.85%, 0.5%

LAB 51.14, 77.8, 5.42

 

CMYK 51 / 0 / 92 / 8

HEX #74EB13

RGB 116 235 19

HSL 93.06, 0.85%, 0.5%

LAB 83.54, -63.86, 78.86

 

CMYK 92 / 51 / 0 / 8

HEX #1372EB

RGB 19 114 235

HSL 213.61, 0.85%, 0.5%

LAB 49.7, 20.41, -67.93

 

CMYK 23 / 92 / 0 / 8

HEX #B513EB

RGB 181 19 235

HSL 285, 0.85%, 0.5%

LAB 47.35, 82.86, -71.2

 

CMYK 0 / 41 / 92 / 8

HEX #EB8A13

RGB 235 138 19

HSL 33.06, 0.85%, 0.5%

LAB 66.43, 29.91, 69.32

 

CMYK 69 / 0 / 92 / 8

HEX #49EB13

RGB 73 235 19

HSL 105, 0.85%, 0.5%

LAB 82.31, -73.87, 77.36

 

CMYK 92 / 51 / 0 / 8

HEX #1372EB

RGB 19 114 235

HSL 213.61, 0.85%, 0.5%

LAB 49.7, 20.41, -67.93

 

CMYK 0 / 92 / 4 / 8

HEX #EB13E1

RGB 235 19 225

HSL 302.78, 0.85%, 0.5%

LAB 55.65, 89.57, -51.71

 

CMYK 0 / 41 / 92 / 8

HEX #EB8A13

RGB 235 138 19

HSL 33.06, 0.85%, 0.5%

LAB 66.43, 29.91, 69.32

 

CMYK 92 / 0 / 88 / 8

HEX #13EB1D

RGB 19 235 29

HSL 122.78, 0.85%, 0.5%

LAB 81.64, -79.7, 74.97

 

Description

Color code: HEX #1372EB | qconv.com Color code: HEX #1372EB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 114 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 114 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 51 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 51% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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