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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #137A7B it is the complementary color #EC8584. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #137A7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #137A7B shade: #187A76, #298C89, #3A9E9C, #4BB0AF and #5CC2C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #137A7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #137A7B shade: #137A7B, #026868, #005655, #004442 and #00322F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #137A7B shade: #137A7B, #135E7B, #13427B, #13267B and #1C137B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #137A7B shade: #137A7B, #135E7B, #13427B, #13267B and #13137B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #137A7B shade matches the following richer shades: #137A7B and #078587

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #137A7B shade: #137A7B, #1E6F6F, #2A6364, #355858 and #414D4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #137A7B shade: #137B43, #137B5F, #137B7B, #135F7B and #13437B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #137A7B shade: #083334, #0D5757, #137A7B, #189D9F and #1EC1C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #137A7B shade: #137A7B, #28137B and #7B5113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #137A7B shade: #137A7B, #7B137B and #7B7B13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #137A7B shade: #137A7B, #28137B, #7B1313 and #667B13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #137A7B shade: #137A7B, #47137B, #7B1313 and #477B13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 1 / 0 / 52

HEX #137A7B

RGB 19 122 123

HSL 180.58, 0.73%, 0.28%

LAB 46.29, -26.31, -8.44

 

Complementary color

CMYK 0 / 44 / 44 / 7

HEX #EC8584

RGB 236 133 132

HSL 0.58, 0.73%, 0.72%

LAB 66.73, 39.2, 18.01

 

CMYK 80 / 0 / 3 / 52

HEX #187A76

RGB 24 122 118

HSL 177.55, 0.67%, 0.29%

LAB 46.21, -27.41, -5.59

 

CMYK 71 / 0 / 2 / 45

HEX #298C89

RGB 41 140 137

HSL 178.18, 0.55%, 0.35%

LAB 52.99, -28.31, -6.63

 

CMYK 63 / 0 / 1 / 38

HEX #3A9E9C

RGB 58 158 156

HSL 178.8, 0.46%, 0.42%

LAB 59.67, -28.89, -7.53

 

CMYK 57 / 0 / 1 / 31

HEX #4BB0AF

RGB 75 176 175

HSL 179.41, 0.4%, 0.49%

LAB 66.25, -29.25, -8.33

 

CMYK 53 / 0 / 0 / 24

HEX #5CC2C2

RGB 92 194 194

HSL 180, 0.46%, 0.56%

LAB 72.73, -29.47, -9.06

 

CMYK 85 / 1 / 0 / 52

HEX #137A7B

RGB 19 122 123

HSL 180.58, 0.73%, 0.28%

LAB 46.29, -26.31, -8.44

 

CMYK 98 / 0 / 0 / 59

HEX #026868

RGB 2 104 104

HSL 180, 0.96%, 0.21%

LAB 39.43, -24.73, -7.28

 

CMYK 100 / 0 / 1 / 66

HEX #005655

RGB 0 86 85

HSL 179.3, 1%, 0.17%

LAB 32.51, -22.14, -5.83

 

CMYK 100 / 0 / 3 / 73

HEX #004442

RGB 0 68 66

HSL 178.24, 1%, 0.13%

LAB 25.34, -19.31, -4.26

 

CMYK 100 / 0 / 6 / 80

HEX #00322F

RGB 0 50 47

HSL 176.4, 1%, 0.1%

LAB 17.86, -16.37, -2.58

 

CMYK 85 / 1 / 0 / 52

HEX #137A7B

RGB 19 122 123

HSL 180.58, 0.73%, 0.28%

LAB 46.29, -26.31, -8.44

 

CMYK 85 / 24 / 0 / 52

HEX #135E7B

RGB 19 94 123

HSL 196.73, 0.73%, 0.28%

LAB 37.07, -11.02, -22.52

 

CMYK 85 / 46 / 0 / 52

HEX #13427B

RGB 19 66 123

HSL 212.88, 0.73%, 0.28%

LAB 28.02, 7.01, -36.81

 

CMYK 85 / 69 / 0 / 52

HEX #13267B

RGB 19 38 123

HSL 229.04, 0.73%, 0.28%

LAB 19.86, 26.8, -50.07

 

CMYK 77 / 85 / 0 / 52

HEX #1C137B

RGB 28 19 123

HSL 245.19, 0.73%, 0.28%

LAB 16.22, 39.11, -56.07

 

CMYK 85 / 1 / 0 / 52

HEX #137A7B

RGB 19 122 123

HSL 180.58, 0.73%, 0.28%

LAB 46.29, -26.31, -8.44

 

CMYK 85 / 24 / 0 / 52

HEX #135E7B

RGB 19 94 123

HSL 196.73, 0.73%, 0.28%

LAB 37.07, -11.02, -22.52

 

CMYK 85 / 46 / 0 / 52

HEX #13427B

RGB 19 66 123

HSL 212.88, 0.73%, 0.28%

LAB 28.02, 7.01, -36.81

 

CMYK 85 / 69 / 0 / 52

HEX #13267B

RGB 19 38 123

HSL 229.04, 0.73%, 0.28%

LAB 19.86, 26.8, -50.07

 

CMYK 85 / 85 / 0 / 52

HEX #13137B

RGB 19 19 123

HSL 240, 0.73%, 0.28%

LAB 15.67, 38.53, -57

 

CMYK 85 / 1 / 0 / 52

HEX #137A7B

RGB 19 122 123

HSL 180.58, 0.73%, 0.28%

LAB 46.29, -26.31, -8.44

 

CMYK 95 / 1 / 0 / 47

HEX #078587

RGB 7 133 135

HSL 180.94, 0.9%, 0.28%

LAB 50.18, -28.65, -9.7

 

CMYK 85 / 1 / 0 / 52

HEX #137A7B

RGB 19 122 123

HSL 180.58, 0.73%, 0.28%

LAB 46.29, -26.31, -8.44

 

CMYK 73 / 0 / 0 / 56

HEX #1E6F6F

RGB 30 111 111

HSL 180, 0.57%, 0.28%

LAB 42.45, -23.29, -6.98

 

CMYK 58 / 1 / 0 / 61

HEX #2A6364

RGB 42 99 100

HSL 181.03, 0.41%, 0.28%

LAB 38.44, -18.14, -6.22

 

CMYK 40 / 0 / 0 / 65

HEX #355858

RGB 53 88 88

HSL 180, 0.25%, 0.28%

LAB 34.88, -12.59, -4

 

CMYK 16 / 0 / 0 / 70

HEX #414D4D

RGB 65 77 77

HSL 180, 0.08%, 0.28%

LAB 31.73, -4.76, -1.61

 

CMYK 85 / 0 / 46 / 52

HEX #137B43

RGB 19 123 67

HSL 147.69, 0.73%, 0.28%

LAB 45.23, -41.54, 22.84

 

CMYK 85 / 0 / 23 / 52

HEX #137B5F

RGB 19 123 95

HSL 163.85, 0.73%, 0.28%

LAB 45.81, -35.07, 7.46

 

CMYK 85 / 0 / 0 / 52

HEX #137B7B

RGB 19 123 123

HSL 180, 0.73%, 0.28%

LAB 46.62, -26.81, -7.95

 

CMYK 85 / 23 / 0 / 52

HEX #135F7B

RGB 19 95 123

HSL 196.15, 0.73%, 0.28%

LAB 37.4, -11.62, -22.01

 

CMYK 85 / 46 / 0 / 52

HEX #13437B

RGB 19 67 123

HSL 212.31, 0.73%, 0.28%

LAB 28.33, 6.33, -36.31

 

CMYK 85 / 2 / 0 / 80

HEX #083334

RGB 8 51 52

HSL 181.36, 0.73%, 0.12%

LAB 18.66, -13.6, -4.81

 

CMYK 85 / 0 / 0 / 66

HEX #0D5757

RGB 13 87 87

HSL 180, 0.74%, 0.2%

LAB 33.11, -20.74, -6.16

 

CMYK 85 / 1 / 0 / 52

HEX #137A7B

RGB 19 122 123

HSL 180.58, 0.73%, 0.28%

LAB 46.29, -26.31, -8.44

 

CMYK 85 / 1 / 0 / 38

HEX #189D9F

RGB 24 157 159

HSL 180.89, 0.74%, 0.36%

LAB 58.8, -31.65, -10.59

 

CMYK 85 / 1 / 0 / 24

HEX #1EC1C2

RGB 30 193 194

HSL 180.37, 0.73%, 0.44%

LAB 71.08, -37.44, -11.66

 

CMYK 85 / 1 / 0 / 52

HEX #137A7B

RGB 19 122 123

HSL 180.58, 0.73%, 0.28%

LAB 46.29, -26.31, -8.44

 

CMYK 67 / 85 / 0 / 52

HEX #28137B

RGB 40 19 123

HSL 252.12, 0.73%, 0.28%

LAB 17.21, 40.15, -54.39

 

CMYK 0 / 34 / 85 / 52

HEX #7B5113

RGB 123 81 19

HSL 35.77, 0.73%, 0.28%

LAB 38.1, 12.16, 40.66

 

CMYK 85 / 1 / 0 / 52

HEX #137A7B

RGB 19 122 123

HSL 180.58, 0.73%, 0.28%

LAB 46.29, -26.31, -8.44

 

CMYK 0 / 85 / 0 / 52

HEX #7B137B

RGB 123 19 123

HSL 300, 0.73%, 0.28%

LAB 29.68, 53.77, -33.56

 

CMYK 0 / 0 / 85 / 52

HEX #7B7B13

RGB 123 123 19

HSL 60, 0.73%, 0.28%

LAB 50.01, -12.11, 51.06

 

CMYK 85 / 1 / 0 / 52

HEX #137A7B

RGB 19 122 123

HSL 180.58, 0.73%, 0.28%

LAB 46.29, -26.31, -8.44

 

CMYK 67 / 85 / 0 / 52

HEX #28137B

RGB 40 19 123

HSL 252.12, 0.73%, 0.28%

LAB 17.21, 40.15, -54.39

 

CMYK 0 / 85 / 85 / 52

HEX #7B1313

RGB 123 19 19

HSL 0, 0.73%, 0.28%

LAB 25.93, 43.02, 29.34

 

CMYK 17 / 0 / 85 / 52

HEX #667B13

RGB 102 123 19

HSL 72.12, 0.73%, 0.28%

LAB 48.31, -21.7, 48.92

 

CMYK 85 / 1 / 0 / 52

HEX #137A7B

RGB 19 122 123

HSL 180.58, 0.73%, 0.28%

LAB 46.29, -26.31, -8.44

 

CMYK 42 / 85 / 0 / 52

HEX #47137B

RGB 71 19 123

HSL 270, 0.73%, 0.28%

LAB 20.96, 44.16, -48.08

 

CMYK 0 / 85 / 85 / 52

HEX #7B1313

RGB 123 19 19

HSL 0, 0.73%, 0.28%

LAB 25.93, 43.02, 29.34

 

CMYK 42 / 0 / 85 / 52

HEX #477B13

RGB 71 123 19

HSL 90, 0.73%, 0.28%

LAB 46.38, -34.44, 46.47

 

Description

Color code: HEX #137A7B | qconv.com Color code: HEX #137A7B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 122 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 122 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 1 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 1% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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