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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #137B65 it is the complementary color #EC849A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #137B65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #137B65 shade: #187B60, #298D73, #3A9F86, #4BB199 and #5CC3AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #137B65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #137B65 shade: #137B65, #026952, #00573F, #00452C and #003319

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #137B65 shade: #137B65, #137B49, #137B2D, #157B13 and #317B13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #137B65 shade: #137B65, #13757B, #13597B, #133D7B and #13217B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #137B65 shade matches the following richer shades: #137B65 and #07876C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #137B65 shade: #137B65, #1E6F5E, #2A6458, #355851 and #414D4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #137B65 shade: #137B2D, #137B49, #137B64, #13767B and #135A7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #137B65 shade: #08342A, #0D5748, #137B65, #189F82 and #1EC2A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #137B65 shade: #137B65, #13157B and #7B3B13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #137B65 shade: #137B65, #64137B and #7B6413

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #137B65 shade: #137B65, #13157B, #7B1329 and #7B7913

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #137B65 shade: #137B65, #30137B, #7B1329 and #5D7B13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 18 / 52

HEX #137B65

RGB 19 123 101

HSL 167.31, 0.73%, 0.28%

LAB 45.97, -33.43, 4.14

 

Complementary color

CMYK 0 / 44 / 35 / 7

HEX #EC849A

RGB 236 132 154

HSL 347.31, 0.73%, 0.72%

LAB 67.03, 42.16, 6.04

 

CMYK 80 / 0 / 22 / 52

HEX #187B60

RGB 24 123 96

HSL 163.64, 0.67%, 0.29%

LAB 45.91, -34.25, 7.03

 

CMYK 71 / 0 / 18 / 45

HEX #298D73

RGB 41 141 115

HSL 164.4, 0.55%, 0.36%

LAB 52.68, -34.96, 5.66

 

CMYK 64 / 0 / 16 / 38

HEX #3A9F86

RGB 58 159 134

HSL 165.15, 0.47%, 0.43%

LAB 59.36, -35.34, 4.47

 

CMYK 58 / 0 / 14 / 31

HEX #4BB199

RGB 75 177 153

HSL 165.88, 0.4%, 0.49%

LAB 65.94, -35.51, 3.42

 

CMYK 53 / 0 / 12 / 24

HEX #5CC3AC

RGB 92 195 172

HSL 166.6, 0.46%, 0.56%

LAB 72.42, -35.56, 2.46

 

CMYK 85 / 0 / 18 / 52

HEX #137B65

RGB 19 123 101

HSL 167.31, 0.73%, 0.28%

LAB 45.97, -33.43, 4.14

 

CMYK 98 / 0 / 22 / 59

HEX #026952

RGB 2 105 82

HSL 166.6, 0.96%, 0.21%

LAB 39.11, -32.05, 5.68

 

CMYK 100 / 0 / 28 / 66

HEX #00573F

RGB 0 87 63

HSL 163.45, 1%, 0.17%

LAB 32.2, -29.53, 7.59

HEX #00573F

CMYK 100 / 0 / 36 / 73

HEX #00452C

RGB 0 69 44

HSL 158.26, 1%, 0.14%

LAB 25.07, -26.71, 9.72

HEX #00452C

CMYK 100 / 0 / 51 / 80

HEX #003319

RGB 0 51 25

HSL 149.41, 1%, 0.1%

LAB 17.64, -23.61, 12.06

HEX #003319

CMYK 85 / 0 / 18 / 52

HEX #137B65

RGB 19 123 101

HSL 167.31, 0.73%, 0.28%

LAB 45.97, -33.43, 4.14

 

CMYK 85 / 0 / 41 / 52

HEX #137B49

RGB 19 123 73

HSL 151.15, 0.73%, 0.28%

LAB 45.34, -40.32, 19.59

 

CMYK 85 / 0 / 63 / 52

HEX #137B2D

RGB 19 123 45

HSL 135, 0.73%, 0.28%

LAB 44.93, -45.13, 34.07

 

CMYK 83 / 0 / 85 / 52

HEX #157B13

RGB 21 123 19

HSL 118.85, 0.73%, 0.28%

LAB 44.76, -47.35, 44.39

 

CMYK 60 / 0 / 85 / 52

HEX #317B13

RGB 49 123 19

HSL 102.69, 0.73%, 0.28%

LAB 45.45, -41.56, 45.28

 

CMYK 85 / 0 / 18 / 52

HEX #137B65

RGB 19 123 101

HSL 167.31, 0.73%, 0.28%

LAB 45.97, -33.43, 4.14

 

CMYK 85 / 5 / 0 / 52

HEX #13757B

RGB 19 117 123

HSL 183.46, 0.73%, 0.28%

LAB 44.65, -23.77, -10.91

 

CMYK 85 / 28 / 0 / 52

HEX #13597B

RGB 19 89 123

HSL 199.62, 0.73%, 0.28%

LAB 35.43, -8.01, -25.08

 

CMYK 85 / 50 / 0 / 52

HEX #133D7B

RGB 19 61 123

HSL 215.77, 0.73%, 0.28%

LAB 26.47, 10.5, -39.32

 

CMYK 85 / 73 / 0 / 52

HEX #13217B

RGB 19 33 123

HSL 231.92, 0.73%, 0.28%

LAB 18.61, 30.18, -52.13

 

CMYK 85 / 0 / 18 / 52

HEX #137B65

RGB 19 123 101

HSL 167.31, 0.73%, 0.28%

LAB 45.97, -33.43, 4.14

 

CMYK 95 / 0 / 20 / 47

HEX #07876C

RGB 7 135 108

HSL 167.34, 0.9%, 0.28%

LAB 50.04, -37.67, 5.87

 

CMYK 85 / 0 / 18 / 52

HEX #137B65

RGB 19 123 101

HSL 167.31, 0.73%, 0.28%

LAB 45.97, -33.43, 4.14

 

CMYK 73 / 0 / 15 / 56

HEX #1E6F5E

RGB 30 111 94

HSL 167.41, 0.57%, 0.28%

LAB 41.93, -28.39, 2.52

 

CMYK 58 / 0 / 12 / 61

HEX #2A6458

RGB 42 100 88

HSL 167.59, 0.41%, 0.28%

LAB 38.4, -22.18, 1.09

 

CMYK 40 / 0 / 8 / 65

HEX #355851

RGB 53 88 81

HSL 168, 0.25%, 0.28%

LAB 34.66, -14.5, 0.06

 

CMYK 16 / 0 / 4 / 70

HEX #414D4A

RGB 65 77 74

HSL 165, 0.08%, 0.28%

LAB 31.64, -5.48, 0.17

 

CMYK 85 / 0 / 63 / 52

HEX #137B2D

RGB 19 123 45

HSL 135, 0.73%, 0.28%

LAB 44.93, -45.13, 34.07

 

CMYK 85 / 0 / 41 / 52

HEX #137B49

RGB 19 123 73

HSL 151.15, 0.73%, 0.28%

LAB 45.34, -40.32, 19.59

 

CMYK 85 / 0 / 19 / 52

HEX #137B64

RGB 19 123 100

HSL 166.73, 0.73%, 0.28%

LAB 45.94, -33.71, 4.69

 

CMYK 85 / 4 / 0 / 52

HEX #13767B

RGB 19 118 123

HSL 182.88, 0.73%, 0.28%

LAB 44.98, -24.28, -10.42

 

CMYK 85 / 27 / 0 / 52

HEX #135A7B

RGB 19 90 123

HSL 199.04, 0.73%, 0.28%

LAB 35.75, -8.62, -24.57

 

CMYK 85 / 0 / 19 / 80

HEX #08342A

RGB 8 52 42

HSL 166.36, 0.73%, 0.12%

LAB 18.69, -17.6, 2.11

 

CMYK 85 / 0 / 17 / 66

HEX #0D5748

RGB 13 87 72

HSL 167.84, 0.74%, 0.2%

LAB 32.63, -25.54, 2.59

 

CMYK 85 / 0 / 18 / 52

HEX #137B65

RGB 19 123 101

HSL 167.31, 0.73%, 0.28%

LAB 45.97, -33.43, 4.14

 

CMYK 85 / 0 / 18 / 38

HEX #189F82

RGB 24 159 130

HSL 167.11, 0.74%, 0.36%

LAB 58.6, -40.94, 5.56

 

CMYK 85 / 0 / 18 / 24

HEX #1EC2A0

RGB 30 194 160

HSL 167.56, 0.73%, 0.44%

LAB 70.45, -47.35, 5.98

 

CMYK 85 / 0 / 18 / 52

HEX #137B65

RGB 19 123 101

HSL 167.31, 0.73%, 0.28%

LAB 45.97, -33.43, 4.14

 

CMYK 85 / 83 / 0 / 52

HEX #13157B

RGB 19 21 123

HSL 238.85, 0.73%, 0.28%

LAB 16.03, 37.47, -56.4

 

CMYK 0 / 52 / 85 / 52

HEX #7B3B13

RGB 123 59 19

HSL 23.08, 0.73%, 0.28%

LAB 32.67, 25.07, 35.73

 

CMYK 85 / 0 / 18 / 52

HEX #137B65

RGB 19 123 101

HSL 167.31, 0.73%, 0.28%

LAB 45.97, -33.43, 4.14

 

CMYK 19 / 85 / 0 / 52

HEX #64137B

RGB 100 19 123

HSL 286.73, 0.73%, 0.28%

LAB 25.58, 49.21, -40.37

 

CMYK 0 / 19 / 85 / 52

HEX #7B6413

RGB 123 100 19

HSL 46.73, 0.73%, 0.28%

LAB 43.32, 0.89, 45.28

 

CMYK 85 / 0 / 18 / 52

HEX #137B65

RGB 19 123 101

HSL 167.31, 0.73%, 0.28%

LAB 45.97, -33.43, 4.14

 

CMYK 85 / 83 / 0 / 52

HEX #13157B

RGB 19 21 123

HSL 238.85, 0.73%, 0.28%

LAB 16.03, 37.47, -56.4

 

CMYK 0 / 85 / 67 / 52

HEX #7B1329

RGB 123 19 41

HSL 347.31, 0.73%, 0.28%

LAB 26.26, 44.03, 15.52

 

CMYK 0 / 2 / 85 / 52

HEX #7B7913

RGB 123 121 19

HSL 58.85, 0.73%, 0.28%

LAB 49.41, -11.02, 50.55

 

CMYK 85 / 0 / 18 / 52

HEX #137B65

RGB 19 123 101

HSL 167.31, 0.73%, 0.28%

LAB 45.97, -33.43, 4.14

 

CMYK 61 / 85 / 0 / 52

HEX #30137B

RGB 48 19 123

HSL 256.73, 0.73%, 0.28%

LAB 18.03, 41.01, -53.02

 

CMYK 0 / 85 / 67 / 52

HEX #7B1329

RGB 123 19 41

HSL 347.31, 0.73%, 0.28%

LAB 26.26, 44.03, 15.52

 

CMYK 24 / 0 / 85 / 52

HEX #5D7B13

RGB 93 123 19

HSL 77.31, 0.73%, 0.28%

LAB 47.68, -25.63, 48.12

 

Description

Color code: HEX #137B65 | qconv.com Color code: HEX #137B65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 123 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 123 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 18 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 18% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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