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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #137F2B it is the complementary color #EC80D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #137F2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #137F2B shade: #187F26, #299139, #3AA34C, #4BB55F and #5CC772

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #137F2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #137F2B shade: #137F2B, #026D18, #005B05, #004900 and #003700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #137F2B shade: #13802B, #188013, #358013, #538013 and #708013

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #137F2B shade: #13802B, #138049, #138066, #137D80 and #135F80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #137F2B shade matches the following richer shades: #13802B and #078C24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #137F2B shade: #13802B, #1F7432, #2B6838, #375C3F and #435046

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #137F2B shade: #358013, #188013, #13802A, #138048 and #138065

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #137F2B shade: #083813, #0D5C1F, #13802B, #18A437 and #1DC843

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #137F2B shade: #137F2B, #135380 and #801327

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #137F2B shade: #137F2B, #2A1380 and #802A13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #137F2B shade: #137F2B, #135380, #801368 and #804013

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #137F2B shade: #137F2B, #133280, #801368 and #806113

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 66 / 50

HEX #137F2B

RGB 19 127 43

HSL 133.33, 0.74%, 0.29%

LAB 46.3, -46.76, 36.57

 

Complementary color

CMYK 0 / 46 / 10 / 7

HEX #EC80D4

RGB 236 128 212

HSL 313.33, 0.74%, 0.71%

LAB 68.04, 52.38, -25.02

 

CMYK 81 / 0 / 70 / 50

HEX #187F26

RGB 24 127 38

HSL 128.16, 0.68%, 0.3%

LAB 46.33, -46.69, 38.88

 

CMYK 72 / 0 / 61 / 43

HEX #299139

RGB 41 145 57

HSL 129.23, 0.56%, 0.36%

LAB 52.97, -48, 37.64

 

CMYK 64 / 0 / 53 / 36

HEX #3AA34C

RGB 58 163 76

HSL 130.29, 0.48%, 0.43%

LAB 59.54, -48.69, 36.21

 

CMYK 59 / 0 / 48 / 29

HEX #4BB55F

RGB 75 181 95

HSL 131.32, 0.42%, 0.5%

LAB 66.04, -48.99, 34.77

 

CMYK 54 / 0 / 43 / 22

HEX #5CC772

RGB 92 199 114

HSL 132.34, 0.49%, 0.57%

LAB 72.45, -49.07, 33.38

 

CMYK 85 / 0 / 66 / 50

HEX #137F2B

RGB 19 127 43

HSL 133.33, 0.74%, 0.29%

LAB 46.3, -46.76, 36.57

 

CMYK 98 / 0 / 78 / 57

HEX #026D18

RGB 2 109 24

HSL 132.34, 0.96%, 0.22%

LAB 39.61, -44.45, 37.61

 

CMYK 100 / 0 / 95 / 64

HEX #005B05

RGB 0 91 5

HSL 123.3, 1%, 0.18%

LAB 32.9, -40.3, 37.56

 

CMYK 100 / 0 / 100 / 71

HEX #004900

RGB 0 73 0

HSL 120, 1%, 0.14%

LAB 26.05, -34.94, 33.56

 

CMYK 100 / 0 / 100 / 78

HEX #003700

RGB 0 55 0

HSL 120, 1%, 0.11%

LAB 18.94, -29.03, 26.14

 

CMYK 85 / 0 / 66 / 50

HEX #13802B

RGB 19 128 43

HSL 133.21, 0.74%, 0.29%

LAB 46.65, -47.1, 36.96

 

CMYK 81 / 0 / 85 / 50

HEX #188013

RGB 24 128 19

HSL 117.25, 0.74%, 0.29%

LAB 46.55, -48.56, 46.06

 

CMYK 59 / 0 / 85 / 50

HEX #358013

RGB 53 128 19

HSL 101.28, 0.74%, 0.29%

LAB 47.29, -42.36, 47.01

 

CMYK 35 / 0 / 85 / 50

HEX #538013

RGB 83 128 19

HSL 84.77, 0.74%, 0.29%

LAB 48.67, -32.12, 48.77

 

CMYK 13 / 0 / 85 / 50

HEX #708013

RGB 112 128 19

HSL 68.81, 0.74%, 0.29%

LAB 50.61, -19.81, 51.22

 

CMYK 85 / 0 / 66 / 50

HEX #13802B

RGB 19 128 43

HSL 133.21, 0.74%, 0.29%

LAB 46.65, -47.1, 36.96

 

CMYK 85 / 0 / 43 / 50

HEX #138049

RGB 19 128 73

HSL 149.72, 0.74%, 0.29%

LAB 47.05, -42.28, 21.85

 

CMYK 85 / 0 / 20 / 50

HEX #138066

RGB 19 128 102

HSL 165.69, 0.74%, 0.29%

LAB 47.67, -35.4, 5.99

 

CMYK 85 / 2 / 0 / 50

HEX #137D80

RGB 19 125 128

HSL 181.65, 0.74%, 0.29%

LAB 47.45, -26.2, -9.67

 

CMYK 85 / 26 / 0 / 50

HEX #135F80

RGB 19 95 128

HSL 198.17, 0.74%, 0.29%

LAB 37.63, -9.71, -24.71

 

CMYK 85 / 0 / 66 / 50

HEX #13802B

RGB 19 128 43

HSL 133.21, 0.74%, 0.29%

LAB 46.65, -47.1, 36.96

 

CMYK 95 / 0 / 74 / 45

HEX #078C24

RGB 7 140 36

HSL 133.08, 0.9%, 0.29%

LAB 50.6, -52.75, 44.15

 

CMYK 85 / 0 / 66 / 50

HEX #13802B

RGB 19 128 43

HSL 133.21, 0.74%, 0.29%

LAB 46.65, -47.1, 36.96

 

CMYK 73 / 0 / 57 / 55

HEX #1F7432

RGB 31 116 50

HSL 133.41, 0.58%, 0.29%

LAB 42.78, -40, 29.07

 

CMYK 59 / 0 / 46 / 59

HEX #2B6838

RGB 43 104 56

HSL 132.79, 0.41%, 0.29%

LAB 39.07, -31.23, 21.22

 

CMYK 40 / 0 / 32 / 64

HEX #375C3F

RGB 55 92 63

HSL 132.97, 0.25%, 0.29%

LAB 35.65, -20.26, 12.63

 

CMYK 16 / 0 / 13 / 69

HEX #435046

RGB 67 80 70

HSL 133.85, 0.09%, 0.29%

LAB 32.64, -7.43, 4.18

 

CMYK 59 / 0 / 85 / 50

HEX #358013

RGB 53 128 19

HSL 101.28, 0.74%, 0.29%

LAB 47.29, -42.36, 47.01

 

CMYK 81 / 0 / 85 / 50

HEX #188013

RGB 24 128 19

HSL 117.25, 0.74%, 0.29%

LAB 46.55, -48.56, 46.06

 

CMYK 85 / 0 / 67 / 50

HEX #13802A

RGB 19 128 42

HSL 132.66, 0.74%, 0.29%

LAB 46.64, -47.22, 37.41

 

CMYK 85 / 0 / 44 / 50

HEX #138048

RGB 19 128 72

HSL 149.17, 0.74%, 0.29%

LAB 47.03, -42.48, 22.39

 

CMYK 85 / 0 / 21 / 50

HEX #138065

RGB 19 128 101

HSL 165.14, 0.74%, 0.29%

LAB 47.64, -35.67, 6.54

 

CMYK 86 / 0 / 66 / 78

HEX #083813

RGB 8 56 19

HSL 133.75, 0.75%, 0.13%

LAB 19.75, -25.1, 18.47

 

CMYK 86 / 0 / 66 / 64

HEX #0D5C1F

RGB 13 92 31

HSL 133.67, 0.75%, 0.21%

LAB 33.64, -36.65, 28.11

 

CMYK 85 / 0 / 66 / 50

HEX #13802B

RGB 19 128 43

HSL 133.21, 0.74%, 0.29%

LAB 46.65, -47.1, 36.96

 

CMYK 85 / 0 / 66 / 36

HEX #18A437

RGB 24 164 55

HSL 133.29, 0.74%, 0.37%

LAB 58.99, -57.06, 45.27

 

CMYK 86 / 0 / 67 / 22

HEX #1DC843

RGB 29 200 67

HSL 133.33, 0.75%, 0.45%

LAB 70.85, -66.57, 53.21

 

CMYK 85 / 0 / 66 / 50

HEX #137F2B

RGB 19 127 43

HSL 133.33, 0.74%, 0.29%

LAB 46.3, -46.76, 36.57

 

CMYK 85 / 35 / 0 / 50

HEX #135380

RGB 19 83 128

HSL 204.77, 0.74%, 0.29%

LAB 33.74, -2.26, -30.82

 

CMYK 0 / 85 / 70 / 50

HEX #801327

RGB 128 19 39

HSL 348.99, 0.74%, 0.29%

LAB 27.3, 45.41, 18.4

 

CMYK 85 / 0 / 66 / 50

HEX #137F2B

RGB 19 127 43

HSL 133.33, 0.74%, 0.29%

LAB 46.3, -46.76, 36.57

 

CMYK 67 / 85 / 0 / 50

HEX #2A1380

RGB 42 19 128

HSL 252.66, 0.74%, 0.29%

LAB 17.99, 41.87, -56.28

 

CMYK 0 / 67 / 85 / 50

HEX #802A13

RGB 128 42 19

HSL 12.66, 0.74%, 0.29%

LAB 30.14, 35.97, 33.7

 

CMYK 85 / 0 / 66 / 50

HEX #137F2B

RGB 19 127 43

HSL 133.33, 0.74%, 0.29%

LAB 46.3, -46.76, 36.57

 

CMYK 85 / 35 / 0 / 50

HEX #135380

RGB 19 83 128

HSL 204.77, 0.74%, 0.29%

LAB 33.74, -2.26, -30.82

 

CMYK 0 / 85 / 19 / 50

HEX #801368

RGB 128 19 104

HSL 313.21, 0.74%, 0.29%

LAB 29.55, 51.92, -21.57

 

CMYK 0 / 50 / 85 / 50

HEX #804013

RGB 128 64 19

HSL 24.77, 0.74%, 0.29%

LAB 34.61, 24.44, 37.79

 

CMYK 85 / 0 / 66 / 50

HEX #137F2B

RGB 19 127 43

HSL 133.33, 0.74%, 0.29%

LAB 46.3, -46.76, 36.57

 

CMYK 85 / 61 / 0 / 50

HEX #133280

RGB 19 50 128

HSL 222.94, 0.74%, 0.29%

LAB 23.6, 20.4, -47.11

 

CMYK 0 / 85 / 19 / 50

HEX #801368

RGB 128 19 104

HSL 313.21, 0.74%, 0.29%

LAB 29.55, 51.92, -21.57

 

CMYK 0 / 24 / 85 / 50

HEX #806113

RGB 128 97 19

HSL 42.94, 0.74%, 0.29%

LAB 43.04, 5.06, 45.25

 

Description

Color code: HEX #137F2B | qconv.com Color code: HEX #137F2B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 127 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 127 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 66 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 66% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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