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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #138369 it is the complementary color #EC7C96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #138369. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #138369 shade: #188364, #299577, #3AA78A, #4BB99D and #5CCBB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #138369. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #138369 shade: #138369, #027156, #005F43, #004D30 and #003B1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #138369 shade: #128167, #128149, #12812B, #178112 and #348112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #138369 shade: #128167, #127D81, #125F81, #124181 and #122381

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #138369 shade matches the following richer shades: #128167 and #068D6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #138369 shade: #128167, #1E7561, #2A695A, #365D54 and #42514E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #138369 shade: #12812C, #128149, #128167, #127D81 and #126081

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #138369 shade: #08392D, #0D5D4A, #128167, #17A584 and #1CC9A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #138369 shade: #138369, #121681 and #813B12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #138369 shade: #138369, #671281 and #816712

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #138369 shade: #138369, #121681, #81122C and #817D12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #138369 shade: #138369, #301281, #81122C and #638112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 20 / 49

HEX #138369

RGB 19 131 105

HSL 166.07, 0.75%, 0.29%

LAB 48.75, -35.91, 5.78

 

Complementary color

CMYK 0 / 47 / 36 / 7

HEX #EC7C96

RGB 236 124 150

HSL 346.07, 0.75%, 0.71%

LAB 65.32, 45.73, 5.85

 

CMYK 82 / 0 / 24 / 49

HEX #188364

RGB 24 131 100

HSL 162.62, 0.69%, 0.3%

LAB 48.69, -36.73, 8.63

 

CMYK 72 / 0 / 20 / 42

HEX #299577

RGB 41 149 119

HSL 163.33, 0.57%, 0.37%

LAB 55.38, -37.51, 7.22

 

CMYK 65 / 0 / 17 / 35

HEX #3AA78A

RGB 58 167 138

HSL 164.04, 0.48%, 0.44%

LAB 61.97, -37.95, 5.99

 

CMYK 59 / 0 / 15 / 27

HEX #4BB99D

RGB 75 185 157

HSL 164.73, 0.44%, 0.51%

LAB 68.48, -38.17, 4.89

 

CMYK 55 / 0 / 13 / 20

HEX #5CCBB0

RGB 92 203 176

HSL 165.41, 0.52%, 0.58%

LAB 74.9, -38.26, 3.89

 

CMYK 85 / 0 / 20 / 49

HEX #138369

RGB 19 131 105

HSL 166.07, 0.75%, 0.29%

LAB 48.75, -35.91, 5.78

 

CMYK 98 / 0 / 24 / 56

HEX #027156

RGB 2 113 86

HSL 165.41, 0.97%, 0.23%

LAB 41.99, -34.47, 7.36

 

CMYK 100 / 0 / 29 / 63

HEX #005F43

RGB 0 95 67

HSL 162.32, 1%, 0.19%

LAB 35.18, -31.96, 9.29

 

CMYK 100 / 0 / 38 / 70

HEX #004D30

RGB 0 77 48

HSL 157.4, 1%, 0.15%

LAB 28.17, -29.15, 11.41

 

CMYK 100 / 0 / 51 / 77

HEX #003B1D

RGB 0 59 29

HSL 149.49, 1%, 0.12%

LAB 20.89, -26.09, 13.73

 

CMYK 86 / 0 / 20 / 49

HEX #128167

RGB 18 129 103

HSL 165.95, 0.76%, 0.29%

LAB 48.02, -35.66, 5.9

 

CMYK 86 / 0 / 43 / 49

HEX #128149

RGB 18 129 73

HSL 149.73, 0.76%, 0.29%

LAB 47.38, -42.76, 22.28

 

CMYK 86 / 0 / 67 / 49

HEX #12812B

RGB 18 129 43

HSL 133.51, 0.76%, 0.29%

LAB 46.98, -47.55, 37.33

 

CMYK 82 / 0 / 86 / 49

HEX #178112

RGB 23 129 18

HSL 117.3, 0.76%, 0.29%

LAB 46.88, -49.08, 46.64

 

CMYK 60 / 0 / 86 / 49

HEX #348112

RGB 52 129 18

HSL 101.62, 0.76%, 0.29%

LAB 47.59, -43.07, 47.55

 

CMYK 86 / 0 / 20 / 49

HEX #128167

RGB 18 129 103

HSL 165.95, 0.76%, 0.29%

LAB 48.02, -35.66, 5.9

 

CMYK 86 / 3 / 0 / 49

HEX #127D81

RGB 18 125 129

HSL 182.16, 0.76%, 0.29%

LAB 47.47, -25.95, -10.23

 

CMYK 86 / 26 / 0 / 49

HEX #125F81

RGB 18 95 129

HSL 198.38, 0.76%, 0.29%

LAB 37.66, -9.42, -25.27

 

CMYK 86 / 50 / 0 / 49

HEX #124181

RGB 18 65 129

HSL 214.59, 0.76%, 0.29%

LAB 28.1, 10.13, -40.45

 

CMYK 86 / 73 / 0 / 49

HEX #122381

RGB 18 35 129

HSL 230.81, 0.76%, 0.29%

LAB 19.7, 31.09, -54.14

 

CMYK 86 / 0 / 20 / 49

HEX #128167

RGB 18 129 103

HSL 165.95, 0.76%, 0.29%

LAB 48.02, -35.66, 5.9

 

CMYK 96 / 0 / 22 / 45

HEX #068D6E

RGB 6 141 110

HSL 166.22, 0.92%, 0.29%

LAB 52.08, -39.75, 7.61

 

CMYK 86 / 0 / 20 / 49

HEX #128167

RGB 18 129 103

HSL 165.95, 0.76%, 0.29%

LAB 48.02, -35.66, 5.9

 

CMYK 74 / 0 / 17 / 54

HEX #1E7561

RGB 30 117 97

HSL 166.21, 0.59%, 0.29%

LAB 44.03, -30.41, 3.76

 

CMYK 60 / 0 / 14 / 59

HEX #2A695A

RGB 42 105 90

HSL 165.71, 0.43%, 0.29%

LAB 40.14, -24.21, 2.4

 

CMYK 42 / 0 / 10 / 64

HEX #365D54

RGB 54 93 84

HSL 166.15, 0.27%, 0.29%

LAB 36.47, -16.21, 0.82

 

CMYK 19 / 0 / 4 / 68

HEX #42514E

RGB 66 81 78

HSL 168, 0.1%, 0.29%

LAB 33.12, -6.59, -0.2

 

CMYK 86 / 0 / 66 / 49

HEX #12812C

RGB 18 129 44

HSL 134.05, 0.76%, 0.29%

LAB 46.99, -47.43, 36.87

 

CMYK 86 / 0 / 43 / 49

HEX #128149

RGB 18 129 73

HSL 149.73, 0.76%, 0.29%

LAB 47.38, -42.76, 22.28

 

CMYK 86 / 0 / 20 / 49

HEX #128167

RGB 18 129 103

HSL 165.95, 0.76%, 0.29%

LAB 48.02, -35.66, 5.9

 

CMYK 86 / 3 / 0 / 49

HEX #127D81

RGB 18 125 129

HSL 182.16, 0.76%, 0.29%

LAB 47.47, -25.95, -10.23

 

CMYK 86 / 26 / 0 / 49

HEX #126081

RGB 18 96 129

HSL 197.84, 0.76%, 0.29%

LAB 37.98, -10.02, -24.76

 

CMYK 86 / 0 / 21 / 78

HEX #08392D

RGB 8 57 45

HSL 165.31, 0.75%, 0.13%

LAB 20.7, -19.32, 2.96

 

CMYK 86 / 0 / 20 / 64

HEX #0D5D4A

RGB 13 93 74

HSL 165.75, 0.75%, 0.21%

LAB 34.82, -27.83, 4.48

 

CMYK 86 / 0 / 20 / 49

HEX #128167

RGB 18 129 103

HSL 165.95, 0.76%, 0.29%

LAB 48.02, -35.66, 5.9

 

CMYK 86 / 0 / 20 / 35

HEX #17A584

RGB 23 165 132

HSL 166.06, 0.76%, 0.37%

LAB 60.57, -43.04, 7.25

 

CMYK 86 / 0 / 20 / 21

HEX #1CC9A1

RGB 28 201 161

HSL 166.13, 0.76%, 0.45%

LAB 72.62, -50.1, 8.54

 

CMYK 85 / 0 / 20 / 49

HEX #138369

RGB 19 131 105

HSL 166.07, 0.75%, 0.29%

LAB 48.75, -35.91, 5.78

 

CMYK 86 / 83 / 0 / 49

HEX #121681

RGB 18 22 129

HSL 237.84, 0.76%, 0.29%

LAB 16.93, 38.93, -58.73

 

CMYK 0 / 54 / 86 / 49

HEX #813B12

RGB 129 59 18

HSL 22.16, 0.76%, 0.29%

LAB 33.64, 27.64, 37.44

 

CMYK 85 / 0 / 20 / 49

HEX #138369

RGB 19 131 105

HSL 166.07, 0.75%, 0.29%

LAB 48.75, -35.91, 5.78

 

CMYK 20 / 86 / 0 / 49

HEX #671281

RGB 103 18 129

HSL 285.95, 0.76%, 0.29%

LAB 26.45, 51.26, -42.73

 

CMYK 0 / 20 / 86 / 49

HEX #816712

RGB 129 103 18

HSL 45.95, 0.76%, 0.29%

LAB 44.82, 2, 47.15

 

CMYK 85 / 0 / 20 / 49

HEX #138369

RGB 19 131 105

HSL 166.07, 0.75%, 0.29%

LAB 48.75, -35.91, 5.78

 

CMYK 86 / 83 / 0 / 49

HEX #121681

RGB 18 22 129

HSL 237.84, 0.76%, 0.29%

LAB 16.93, 38.93, -58.73

 

CMYK 0 / 86 / 66 / 49

HEX #81122C

RGB 129 18 44

HSL 345.95, 0.76%, 0.29%

LAB 27.52, 46.26, 15.38

 

CMYK 0 / 3 / 86 / 49

HEX #817D12

RGB 129 125 18

HSL 57.84, 0.76%, 0.29%

LAB 51.13, -10.44, 52.49

 

CMYK 85 / 0 / 20 / 49

HEX #138369

RGB 19 131 105

HSL 166.07, 0.75%, 0.29%

LAB 48.75, -35.91, 5.78

 

CMYK 63 / 86 / 0 / 49

HEX #301281

RGB 48 18 129

HSL 256.22, 0.76%, 0.29%

LAB 18.57, 43.2, -55.95

 

CMYK 0 / 86 / 66 / 49

HEX #81122C

RGB 129 18 44

HSL 345.95, 0.76%, 0.29%

LAB 27.52, 46.26, 15.38

 

CMYK 23 / 0 / 86 / 49

HEX #638112

RGB 99 129 18

HSL 76.22, 0.76%, 0.29%

LAB 49.97, -26.06, 50.57

 

Description

Color code: HEX #138369 | qconv.com Color code: HEX #138369 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 131 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 131 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 20 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 20% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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