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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #139141 it is the complementary color #EC6EBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #139141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #139141 shade: #18913C, #29A34F, #3AB562, #4BC775 and #5CD988

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #139141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #139141 shade: #139141, #027F2E, #006D1B, #005B08 and #004900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #139141 shade: #129040, #12901E, #289012, #4A9012 and #6C9012

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #139141 shade: #129040, #129062, #129084, #127A90 and #125890

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #139141 shade matches the following richer shades: #129040 and #059D3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #139141 shade: #129040, #1F8344, #2D7647, #3A684B and #475B4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #139141 shade: #299012, #12901D, #12903E, #129060 and #129081

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #139141 shade: #09471F, #0E6B30, #129040, #17B450 and #1CD961

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #139141 shade: #139141, #124B90 and #901219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #139141 shade: #139141, #3E1290 and #903E12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #139141 shade: #139141, #124B90, #901264 and #905712

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #139141 shade: #139141, #122590, #901264 and #907D12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 55 / 43

HEX #139141

RGB 19 145 65

HSL 141.9, 0.77%, 0.32%

LAB 52.7, -49.91, 33.26

 

Complementary color

CMYK 0 / 53 / 19 / 7

HEX #EC6EBE

RGB 236 110 190

HSL 321.9, 0.77%, 0.68%

LAB 63.92, 57.7, -18.96

 

CMYK 83 / 0 / 59 / 43

HEX #18913C

RGB 24 145 60

HSL 137.85, 0.72%, 0.33%

LAB 52.7, -50.13, 35.78

 

CMYK 75 / 0 / 52 / 36

HEX #29A34F

RGB 41 163 79

HSL 138.69, 0.6%, 0.4%

LAB 59.19, -51.36, 34.17

 

CMYK 68 / 0 / 46 / 29

HEX #3AB562

RGB 58 181 98

HSL 139.51, 0.51%, 0.47%

LAB 65.62, -52.07, 32.6

 

CMYK 62 / 0 / 41 / 22

HEX #4BC775

RGB 75 199 117

HSL 140.32, 0.53%, 0.54%

LAB 71.98, -52.43, 31.12

 

CMYK 58 / 0 / 37 / 15

HEX #5CD988

RGB 92 217 136

HSL 141.12, 0.62%, 0.61%

LAB 78.27, -52.57, 29.74

 

CMYK 87 / 0 / 55 / 43

HEX #139141

RGB 19 145 65

HSL 141.9, 0.77%, 0.32%

LAB 52.7, -49.91, 33.26

 

CMYK 98 / 0 / 64 / 50

HEX #027F2E

RGB 2 127 46

HSL 141.12, 0.97%, 0.25%

LAB 46.16, -47.84, 34.95

 

CMYK 100 / 0 / 75 / 57

HEX #006D1B

RGB 0 109 27

HSL 134.86, 1%, 0.21%

LAB 39.61, -44.36, 36.39

 

CMYK 100 / 0 / 91 / 64

HEX #005B08

RGB 0 91 8

HSL 125.27, 1%, 0.18%

LAB 32.92, -40.11, 36.63

 

CMYK 100 / 0 / 100 / 71

HEX #004900

RGB 0 73 0

HSL 120, 1%, 0.14%

LAB 26.05, -34.94, 33.56

 

CMYK 88 / 0 / 56 / 44

HEX #129040

RGB 18 144 64

HSL 141.9, 0.78%, 0.32%

LAB 52.34, -49.8, 33.33

 

CMYK 88 / 0 / 79 / 44

HEX #12901E

RGB 18 144 30

HSL 125.71, 0.78%, 0.32%

LAB 52.03, -53.64, 47.78

 

CMYK 72 / 0 / 88 / 44

HEX #289012

RGB 40 144 18

HSL 109.52, 0.78%, 0.32%

LAB 52.33, -51.19, 51.66

 

CMYK 49 / 0 / 88 / 44

HEX #4A9012

RGB 74 144 18

HSL 93.33, 0.78%, 0.32%

LAB 53.43, -42.29, 53.05

 

CMYK 25 / 0 / 88 / 44

HEX #6C9012

RGB 108 144 18

HSL 77.14, 0.78%, 0.32%

LAB 55.26, -29.53, 55.34

 

CMYK 88 / 0 / 56 / 44

HEX #129040

RGB 18 144 64

HSL 141.9, 0.78%, 0.32%

LAB 52.34, -49.8, 33.33

 

CMYK 88 / 0 / 32 / 44

HEX #129062

RGB 18 144 98

HSL 158.1, 0.78%, 0.32%

LAB 52.9, -43.22, 15.63

 

CMYK 88 / 0 / 8 / 44

HEX #129084

RGB 18 144 132

HSL 174.29, 0.78%, 0.32%

LAB 53.75, -34.18, -2.64

 

CMYK 88 / 15 / 0 / 44

HEX #127A90

RGB 18 122 144

HSL 190.48, 0.78%, 0.32%

LAB 47.05, -19.27, -19.73

 

CMYK 88 / 39 / 0 / 44

HEX #125890

RGB 18 88 144

HSL 206.67, 0.78%, 0.32%

LAB 36.22, 0.89, -36.67

 

CMYK 88 / 0 / 56 / 44

HEX #129040

RGB 18 144 64

HSL 141.9, 0.78%, 0.32%

LAB 52.34, -49.8, 33.33

 

CMYK 97 / 0 / 61 / 38

HEX #059D3D

RGB 5 157 61

HSL 142.11, 0.94%, 0.32%

LAB 56.57, -55.43, 39.78

 

CMYK 88 / 0 / 56 / 44

HEX #129040

RGB 18 144 64

HSL 141.9, 0.78%, 0.32%

LAB 52.34, -49.8, 33.33

 

CMYK 76 / 0 / 48 / 49

HEX #1F8344

RGB 31 131 68

HSL 142.2, 0.62%, 0.32%

LAB 48.19, -42.81, 26.12

 

CMYK 62 / 0 / 40 / 54

HEX #2D7647

RGB 45 118 71

HSL 141.37, 0.45%, 0.32%

LAB 44.19, -34.12, 19.32

 

CMYK 44 / 0 / 28 / 59

HEX #3A684B

RGB 58 104 75

HSL 142.17, 0.28%, 0.32%

LAB 40.09, -22.98, 11.51

 

CMYK 22 / 0 / 14 / 64

HEX #475B4E

RGB 71 91 78

HSL 141, 0.12%, 0.32%

LAB 36.69, -10.63, 5

 

CMYK 72 / 0 / 88 / 44

HEX #299012

RGB 41 144 18

HSL 109.05, 0.78%, 0.32%

LAB 52.36, -51, 51.69

 

CMYK 88 / 0 / 80 / 44

HEX #12901D

RGB 18 144 29

HSL 125.24, 0.78%, 0.32%

LAB 52.02, -53.71, 48.11

 

CMYK 88 / 0 / 57 / 44

HEX #12903E

RGB 18 144 62

HSL 140.95, 0.78%, 0.32%

LAB 52.31, -50.11, 34.31

 

CMYK 88 / 0 / 33 / 44

HEX #129060

RGB 18 144 96

HSL 157.14, 0.78%, 0.32%

LAB 52.86, -43.68, 16.7

 

CMYK 88 / 0 / 10 / 44

HEX #129081

RGB 18 144 129

HSL 172.86, 0.78%, 0.32%

LAB 53.66, -35.06, -1.04

 

CMYK 87 / 0 / 56 / 72

HEX #09471F

RGB 9 71 31

HSL 141.29, 0.78%, 0.16%

LAB 25.75, -29.06, 18.71

 

CMYK 87 / 0 / 55 / 58

HEX #0E6B30

RGB 14 107 48

HSL 141.94, 0.77%, 0.24%

LAB 39.28, -39.49, 25.8

 

CMYK 88 / 0 / 56 / 44

HEX #129040

RGB 18 144 64

HSL 141.9, 0.78%, 0.32%

LAB 52.34, -49.8, 33.33

 

CMYK 87 / 0 / 56 / 29

HEX #17B450

RGB 23 180 80

HSL 141.78, 0.77%, 0.4%

LAB 64.49, -59.14, 40.08

 

CMYK 87 / 0 / 55 / 15

HEX #1CD961

RGB 28 217 97

HSL 141.9, 0.77%, 0.48%

LAB 76.52, -68.29, 46.48

 

CMYK 87 / 0 / 55 / 43

HEX #139141

RGB 19 145 65

HSL 141.9, 0.77%, 0.32%

LAB 52.7, -49.91, 33.26

 

CMYK 88 / 48 / 0 / 44

HEX #124B90

RGB 18 75 144

HSL 212.86, 0.78%, 0.32%

LAB 32.2, 9.52, -43.1

 

CMYK 0 / 88 / 83 / 44

HEX #901219

RGB 144 18 25

HSL 356.67, 0.78%, 0.32%

LAB 30.48, 49.75, 31.83

 

CMYK 87 / 0 / 55 / 43

HEX #139141

RGB 19 145 65

HSL 141.9, 0.77%, 0.32%

LAB 52.7, -49.91, 33.26

 

CMYK 57 / 88 / 0 / 44

HEX #3E1290

RGB 62 18 144

HSL 260.95, 0.78%, 0.32%

LAB 21.84, 48.83, -59.91

 

CMYK 0 / 57 / 88 / 44

HEX #903E12

RGB 144 62 18

HSL 20.95, 0.78%, 0.32%

LAB 36.78, 32.31, 41.13

 

CMYK 87 / 0 / 55 / 43

HEX #139141

RGB 19 145 65

HSL 141.9, 0.77%, 0.32%

LAB 52.7, -49.91, 33.26

 

CMYK 88 / 48 / 0 / 44

HEX #124B90

RGB 18 75 144

HSL 212.86, 0.78%, 0.32%

LAB 32.2, 9.52, -43.1

 

CMYK 0 / 88 / 31 / 44

HEX #901264

RGB 144 18 100

HSL 320.95, 0.78%, 0.32%

LAB 32.44, 55.38, -14.26

 

CMYK 0 / 40 / 88 / 44

HEX #905712

RGB 144 87 18

HSL 32.86, 0.78%, 0.32%

LAB 42.44, 18.4, 45.89

 

CMYK 87 / 0 / 55 / 43

HEX #139141

RGB 19 145 65

HSL 141.9, 0.77%, 0.32%

LAB 52.7, -49.91, 33.26

 

CMYK 88 / 74 / 0 / 44

HEX #122590

RGB 18 37 144

HSL 230.95, 0.78%, 0.32%

LAB 21.82, 35.46, -60.04

 

CMYK 0 / 88 / 31 / 44

HEX #901264

RGB 144 18 100

HSL 320.95, 0.78%, 0.32%

LAB 32.44, 55.38, -14.26

 

CMYK 0 / 13 / 88 / 44

HEX #907D12

RGB 144 125 18

HSL 50.95, 0.78%, 0.32%

LAB 52.55, -3.42, 54.26

 

Description

Color code: HEX #139141 | qconv.com Color code: HEX #139141 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 145 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 145 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 55 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 55% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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