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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #139F5F it is the complementary color #EC60A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #139F5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #139F5F shade: #189F5A, #29B16D, #3AC380, #4BD593 and #5CE7A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #139F5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #139F5F shade: #139F5F, #028D4C, #007B39, #006926 and #005713

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #139F5F shade: #129F5F, #129F39, #129F13, #389F12 and #5E9F12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #139F5F shade: #129F5F, #129F85, #12949F, #126E9F and #12489F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #139F5F shade matches the following richer shades: #129F5F and #04AE60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #139F5F shade: #129F5F, #21915E, #2F825C, #3E745B and #4C655A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #139F5F shade: #129F12, #129F38, #129F5D, #129F83 and #12969F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #139F5F shade: #0A5533, #0E7A49, #129F5F, #17C475 and #20E48A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #139F5F shade: #139F5F, #12389F and #9F2512

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #139F5F shade: #139F5F, #5D129F and #9F5D12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #139F5F shade: #139F5F, #12389F, #9F1254 and #9F7A12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #139F5F shade: #139F5F, #17129F, #9F1254 and #9B9F12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 40 / 38

HEX #139F5F

RGB 19 159 95

HSL 152.57, 0.79%, 0.35%

LAB 57.81, -49.56, 23.91

 

Complementary color

CMYK 0 / 59 / 32 / 7

HEX #EC60A0

RGB 236 96 160

HSL 332.57, 0.79%, 0.65%

LAB 60.55, 60.09, -6.86

 

CMYK 85 / 0 / 43 / 38

HEX #189F5A

RGB 24 159 90

HSL 149.33, 0.74%, 0.36%

LAB 57.78, -50.11, 26.58

 

CMYK 77 / 0 / 38 / 31

HEX #29B16D

RGB 41 177 109

HSL 150, 0.62%, 0.43%

LAB 64.18, -51.22, 24.89

 

CMYK 70 / 0 / 34 / 24

HEX #3AC380

RGB 58 195 128

HSL 150.66, 0.54%, 0.5%

LAB 70.52, -51.89, 23.35

 

CMYK 65 / 0 / 31 / 16

HEX #4BD593

RGB 75 213 147

HSL 151.3, 0.62%, 0.56%

LAB 76.79, -52.28, 21.95

 

CMYK 60 / 0 / 28 / 9

HEX #5CE7A6

RGB 92 231 166

HSL 151.94, 0.74%, 0.63%

LAB 83.01, -52.47, 20.66

 

CMYK 88 / 0 / 40 / 38

HEX #139F5F

RGB 19 159 95

HSL 152.57, 0.79%, 0.35%

LAB 57.81, -49.56, 23.91

 

CMYK 99 / 0 / 46 / 45

HEX #028D4C

RGB 2 141 76

HSL 151.94, 0.97%, 0.28%

LAB 51.36, -47.78, 25.77

 

CMYK 100 / 0 / 54 / 52

HEX #007B39

RGB 0 123 57

HSL 147.8, 1%, 0.24%

LAB 44.89, -44.97, 27.83

 

CMYK 100 / 0 / 64 / 59

HEX #006926

RGB 0 105 38

HSL 141.71, 1%, 0.21%

LAB 38.28, -41.71, 29.83

 

CMYK 100 / 0 / 78 / 66

HEX #005713

RGB 0 87 19

HSL 133.1, 1%, 0.17%

LAB 31.49, -37.96, 31.37

 

CMYK 89 / 0 / 40 / 38

HEX #129F5F

RGB 18 159 95

HSL 152.77, 0.8%, 0.35%

LAB 57.8, -49.64, 23.9

 

CMYK 89 / 0 / 64 / 38

HEX #129F39

RGB 18 159 57

HSL 136.6, 0.8%, 0.35%

LAB 57.29, -55.76, 42.48

 

CMYK 89 / 0 / 88 / 38

HEX #129F13

RGB 18 159 19

HSL 120.43, 0.8%, 0.35%

LAB 57.05, -58.81, 55.47

 

CMYK 65 / 0 / 89 / 38

HEX #389F12

RGB 56 159 18

HSL 103.83, 0.8%, 0.35%

LAB 57.73, -52.89, 56.55

 

CMYK 41 / 0 / 89 / 38

HEX #5E9F12

RGB 94 159 18

HSL 87.66, 0.8%, 0.35%

LAB 59.18, -41.65, 58.36

 

CMYK 89 / 0 / 40 / 38

HEX #129F5F

RGB 18 159 95

HSL 152.77, 0.8%, 0.35%

LAB 57.8, -49.64, 23.9

 

CMYK 89 / 0 / 16 / 38

HEX #129F85

RGB 18 159 133

HSL 168.94, 0.8%, 0.35%

LAB 58.62, -40.58, 3.88

 

CMYK 89 / 7 / 0 / 38

HEX #12949F

RGB 18 148 159

HSL 184.68, 0.8%, 0.35%

LAB 55.9, -27.66, -14.97

 

CMYK 89 / 31 / 0 / 38

HEX #126E9F

RGB 18 110 159

HSL 200.85, 0.8%, 0.35%

LAB 43.92, -6.87, -33.46

 

CMYK 89 / 55 / 0 / 38

HEX #12489F

RGB 18 72 159

HSL 217.02, 0.8%, 0.35%

LAB 32.41, 17.76, -51.88

 

CMYK 89 / 0 / 40 / 38

HEX #129F5F

RGB 18 159 95

HSL 152.77, 0.8%, 0.35%

LAB 57.8, -49.64, 23.9

 

CMYK 98 / 0 / 45 / 32

HEX #04AE60

RGB 4 174 96

HSL 152.47, 0.96%, 0.35%

LAB 62.63, -55.57, 29.66

 

CMYK 89 / 0 / 40 / 38

HEX #129F5F

RGB 18 159 95

HSL 152.77, 0.8%, 0.35%

LAB 57.8, -49.64, 23.9

 

CMYK 77 / 0 / 35 / 43

HEX #21915E

RGB 33 145 94

HSL 152.68, 0.63%, 0.35%

LAB 53.37, -42.88, 18.55

 

CMYK 64 / 0 / 29 / 49

HEX #2F825C

RGB 47 130 92

HSL 152.53, 0.47%, 0.35%

LAB 48.69, -34.53, 13.33

 

CMYK 47 / 0 / 22 / 55

HEX #3E745B

RGB 62 116 91

HSL 152.22, 0.3%, 0.35%

LAB 44.62, -24.3, 8.31

 

CMYK 25 / 0 / 11 / 60

HEX #4C655A

RGB 76 101 90

HSL 153.6, 0.14%, 0.35%

LAB 40.54, -11.85, 3.2

 

CMYK 89 / 0 / 89 / 38

HEX #129F12

RGB 18 159 18

HSL 120, 0.8%, 0.35%

LAB 57.04, -58.85, 55.69

 

CMYK 89 / 0 / 65 / 38

HEX #129F38

RGB 18 159 56

HSL 136.17, 0.8%, 0.35%

LAB 57.28, -55.88, 42.92

 

CMYK 89 / 0 / 42 / 38

HEX #129F5D

RGB 18 159 93

HSL 151.91, 0.8%, 0.35%

LAB 57.77, -50.03, 24.94

 

CMYK 89 / 0 / 18 / 38

HEX #129F83

RGB 18 159 131

HSL 168.09, 0.8%, 0.35%

LAB 58.57, -41.12, 4.94

 

CMYK 89 / 6 / 0 / 38

HEX #12969F

RGB 18 150 159

HSL 183.83, 0.8%, 0.35%

LAB 56.53, -28.65, -14.01

 

CMYK 88 / 0 / 40 / 67

HEX #0A5533

RGB 10 85 51

HSL 152.8, 0.79%, 0.19%

LAB 31.35, -30.59, 13.87

 

CMYK 89 / 0 / 40 / 52

HEX #0E7A49

RGB 14 122 73

HSL 152.78, 0.79%, 0.27%

LAB 44.93, -40.43, 19.04

 

CMYK 89 / 0 / 40 / 38

HEX #129F5F

RGB 18 159 95

HSL 152.77, 0.8%, 0.35%

LAB 57.8, -49.64, 23.9

 

CMYK 88 / 0 / 40 / 23

HEX #17C475

RGB 23 196 117

HSL 152.6, 0.79%, 0.43%

LAB 70.14, -58.34, 28.54

 

CMYK 86 / 0 / 39 / 11

HEX #20E48A

RGB 32 228 138

HSL 152.45, 0.78%, 0.51%

LAB 80.53, -64.93, 31.51

 

CMYK 88 / 0 / 40 / 38

HEX #139F5F

RGB 19 159 95

HSL 152.57, 0.79%, 0.35%

LAB 57.81, -49.56, 23.91

 

CMYK 89 / 65 / 0 / 38

HEX #12389F

RGB 18 56 159

HSL 223.83, 0.8%, 0.35%

LAB 28.01, 28.72, -59.06

 

CMYK 0 / 77 / 89 / 38

HEX #9F2512

RGB 159 37 18

HSL 8.09, 0.8%, 0.35%

LAB 35.47, 48.74, 41.18

 

CMYK 88 / 0 / 40 / 38

HEX #139F5F

RGB 19 159 95

HSL 152.57, 0.79%, 0.35%

LAB 57.81, -49.56, 23.91

 

CMYK 42 / 89 / 0 / 38

HEX #5D129F

RGB 93 18 159

HSL 271.91, 0.8%, 0.35%

LAB 27.47, 56.2, -59.71

 

CMYK 0 / 42 / 89 / 38

HEX #9F5D12

RGB 159 93 18

HSL 31.91, 0.8%, 0.35%

LAB 45.97, 21.74, 49.62

 

CMYK 88 / 0 / 40 / 38

HEX #139F5F

RGB 19 159 95

HSL 152.57, 0.79%, 0.35%

LAB 57.81, -49.56, 23.91

 

CMYK 89 / 65 / 0 / 38

HEX #12389F

RGB 18 56 159

HSL 223.83, 0.8%, 0.35%

LAB 28.01, 28.72, -59.06

 

CMYK 0 / 89 / 47 / 38

HEX #9F1254

RGB 159 18 84

HSL 331.91, 0.8%, 0.35%

LAB 34.89, 57.38, 0.08

 

CMYK 0 / 23 / 89 / 38

HEX #9F7A12

RGB 159 122 18

HSL 44.26, 0.8%, 0.35%

LAB 53.31, 5.26, 55.53

 

CMYK 88 / 0 / 40 / 38

HEX #139F5F

RGB 19 159 95

HSL 152.57, 0.79%, 0.35%

LAB 57.81, -49.56, 23.91

 

CMYK 86 / 89 / 0 / 38

HEX #17129F

RGB 23 18 159

HSL 242.13, 0.8%, 0.35%

LAB 20.51, 50.48, -71.45

 

CMYK 0 / 89 / 47 / 38

HEX #9F1254

RGB 159 18 84

HSL 331.91, 0.8%, 0.35%

LAB 34.89, 57.38, 0.08

 

CMYK 3 / 0 / 89 / 38

HEX #9B9F12

RGB 155 159 18

HSL 61.7, 0.8%, 0.35%

LAB 63.18, -16.63, 63.32

 

Description

Color code: HEX #139F5F | qconv.com Color code: HEX #139F5F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 159 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 159 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 40 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 40% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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