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Color name
HEX #17AA80

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17AA80 it is the complementary color #E8557F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17AA80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17AA80 shade: #1CAA7B, #2DBC8E, #3ECEA1, #4FE0B4 and #60F2C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17AA80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17AA80 shade: #17AA80, #06986D, #00865A, #007447 and #006234

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17AA80 shade: #17AA80, #17AA58, #17AA31, #25AA17 and #4CAA17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17AA80 shade: #17AA80, #17AAA8, #1785AA, #175DAA and #1735AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17AA80 shade matches the following richer shades: #17AA80 and #07BA87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17AA80 shade: #17AA80, #269A79, #368B73, #467B6C and #556B65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17AA80 shade: #17AA2F, #17AA57, #17AA7E, #17AAA5 and #1788AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17AA80 shade: #0D6149, #128665, #17AA80, #1CCE9B and #31E2B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17AA80 shade: #17AA80, #1725AA and #AA4317

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17AA80 shade: #17AA80, #7E17AA and #AA7E17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17AA80 shade: #17AA80, #1725AA, #AA1743 and #AA9B17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17AA80 shade: #17AA80, #3417AA, #AA1743 and #8DAA17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 25 / 33

HEX #17AA80

RGB 23 170 128

HSL 162.86, 0.76%, 0.38%

LAB 62.07, -46.12, 11.61

 

Complementary color

CMYK 0 / 63 / 45 / 9

HEX #E8557F

RGB 232 85 127

HSL 342.86, 0.76%, 0.62%

LAB 57.26, 60.05, 7.52

 

CMYK 84 / 0 / 28 / 33

HEX #1CAA7B

RGB 28 170 123

HSL 160.14, 0.72%, 0.39%

LAB 62.02, -46.9, 14.31

 

CMYK 76 / 0 / 24 / 26

HEX #2DBC8E

RGB 45 188 142

HSL 160.7, 0.61%, 0.46%

LAB 68.37, -47.87, 12.83

 

CMYK 70 / 0 / 22 / 19

HEX #3ECEA1

RGB 62 206 161

HSL 161.25, 0.6%, 0.53%

LAB 74.66, -48.5, 11.51

 

CMYK 65 / 0 / 20 / 12

HEX #4FE0B4

RGB 79 224 180

HSL 161.79, 0.7%, 0.59%

LAB 80.89, -48.9, 10.3

 

CMYK 60 / 0 / 18 / 5

HEX #60F2C7

RGB 96 242 199

HSL 162.33, 0.85%, 0.66%

LAB 87.05, -49.13, 9.19

 

CMYK 86 / 0 / 25 / 33

HEX #17AA80

RGB 23 170 128

HSL 162.86, 0.76%, 0.38%

LAB 62.07, -46.12, 11.61

 

CMYK 96 / 0 / 28 / 40

HEX #06986D

RGB 6 152 109

HSL 162.33, 0.92%, 0.31%

LAB 55.68, -44.53, 13.26

 

CMYK 100 / 0 / 33 / 47

HEX #00865A

RGB 0 134 90

HSL 160.3, 1%, 0.26%

LAB 49.24, -42.28, 15.12

 

CMYK 100 / 0 / 39 / 55

HEX #007447

RGB 0 116 71

HSL 156.72, 1%, 0.23%

LAB 42.68, -39.6, 17.16

 

CMYK 100 / 0 / 47 / 62

HEX #006234

RGB 0 98 52

HSL 151.84, 1%, 0.19%

LAB 35.95, -36.74, 19.32

 

CMYK 86 / 0 / 25 / 33

HEX #17AA80

RGB 23 170 128

HSL 162.86, 0.76%, 0.38%

LAB 62.07, -46.12, 11.61

 

CMYK 86 / 0 / 48 / 33

HEX #17AA58

RGB 23 170 88

HSL 146.53, 0.76%, 0.38%

LAB 61.34, -54.49, 32.2

 

CMYK 86 / 0 / 71 / 33

HEX #17AA31

RGB 23 170 49

HSL 130.61, 0.76%, 0.38%

LAB 60.92, -59.65, 49.81

 

CMYK 78 / 0 / 86 / 33

HEX #25AA17

RGB 37 170 23

HSL 114.29, 0.76%, 0.38%

LAB 60.96, -59.79, 58.13

 

CMYK 55 / 0 / 86 / 33

HEX #4CAA17

RGB 76 170 23

HSL 98.37, 0.76%, 0.38%

LAB 61.95, -51.5, 59.39

 

CMYK 86 / 0 / 25 / 33

HEX #17AA80

RGB 23 170 128

HSL 162.86, 0.76%, 0.38%

LAB 62.07, -46.12, 11.61

 

CMYK 86 / 0 / 1 / 33

HEX #17AAA8

RGB 23 170 168

HSL 179.18, 0.76%, 0.38%

LAB 63.14, -35.09, -9.17

 

CMYK 86 / 22 / 0 / 33

HEX #1785AA

RGB 23 133 170

HSL 195.1, 0.76%, 0.38%

LAB 51.68, -15.66, -27.76

 

CMYK 86 / 45 / 0 / 33

HEX #175DAA

RGB 23 93 170

HSL 211.43, 0.76%, 0.38%

LAB 39.43, 8.53, -47.1

 

CMYK 86 / 69 / 0 / 33

HEX #1735AA

RGB 23 53 170

HSL 227.76, 0.76%, 0.38%

LAB 28.46, 35.26, -64.95

 

CMYK 86 / 0 / 25 / 33

HEX #17AA80

RGB 23 170 128

HSL 162.86, 0.76%, 0.38%

LAB 62.07, -46.12, 11.61

 

CMYK 96 / 0 / 27 / 27

HEX #07BA87

RGB 7 186 135

HSL 162.91, 0.93%, 0.38%

LAB 67.21, -51.58, 14.96

 

CMYK 86 / 0 / 25 / 33

HEX #17AA80

RGB 23 170 128

HSL 162.86, 0.76%, 0.38%

LAB 62.07, -46.12, 11.61

 

CMYK 75 / 0 / 21 / 40

HEX #269A79

RGB 38 154 121

HSL 162.93, 0.6%, 0.38%

LAB 56.98, -39.62, 8.36

 

CMYK 61 / 0 / 17 / 45

HEX #368B73

RGB 54 139 115

HSL 163.06, 0.44%, 0.38%

LAB 52.38, -31.66, 5.28

 

CMYK 43 / 0 / 12 / 52

HEX #467B6C

RGB 70 123 108

HSL 163.02, 0.27%, 0.38%

LAB 47.69, -21.51, 2.68

 

CMYK 21 / 0 / 6 / 58

HEX #556B65

RGB 85 107 101

HSL 163.64, 0.11%, 0.38%

LAB 43.34, -9.53, 0.65

 

CMYK 86 / 0 / 72 / 33

HEX #17AA2F

RGB 23 170 47

HSL 129.8, 0.76%, 0.38%

LAB 60.9, -59.83, 50.57

 

CMYK 86 / 0 / 49 / 33

HEX #17AA57

RGB 23 170 87

HSL 146.12, 0.76%, 0.38%

LAB 61.32, -54.66, 32.69

 

CMYK 86 / 0 / 26 / 33

HEX #17AA7E

RGB 23 170 126

HSL 162.04, 0.76%, 0.38%

LAB 62.03, -46.6, 12.66

 

CMYK 86 / 0 / 3 / 33

HEX #17AAA5

RGB 23 170 165

HSL 177.96, 0.76%, 0.38%

LAB 63.05, -35.99, -7.62

 

CMYK 86 / 20 / 0 / 33

HEX #1788AA

RGB 23 136 170

HSL 193.88, 0.76%, 0.38%

LAB 52.61, -17.31, -26.31

 

CMYK 87 / 0 / 25 / 62

HEX #0D6149

RGB 13 97 73

HSL 162.86, 0.76%, 0.22%

LAB 36.21, -29.97, 7.07

 

CMYK 87 / 0 / 25 / 47

HEX #128665

RGB 18 134 101

HSL 162.93, 0.76%, 0.3%

LAB 49.64, -38.36, 9.37

 

CMYK 86 / 0 / 25 / 33

HEX #17AA80

RGB 23 170 128

HSL 162.86, 0.76%, 0.38%

LAB 62.07, -46.12, 11.61

 

CMYK 86 / 0 / 25 / 19

HEX #1CCE9B

RGB 28 206 155

HSL 162.81, 0.76%, 0.46%

LAB 74.03, -53.54, 13.76

 

CMYK 78 / 0 / 22 / 11

HEX #31E2B0

RGB 49 226 176

HSL 163.05, 0.75%, 0.54%

LAB 80.84, -54.65, 12.26

 

CMYK 86 / 0 / 25 / 33

HEX #17AA80

RGB 23 170 128

HSL 162.86, 0.76%, 0.38%

LAB 62.07, -46.12, 11.61

 

CMYK 86 / 78 / 0 / 33

HEX #1725AA

RGB 23 37 170

HSL 234.29, 0.76%, 0.38%

LAB 24.98, 44.95, -70.71

 

CMYK 0 / 61 / 86 / 33

HEX #AA4317

RGB 170 67 23

HSL 17.96, 0.76%, 0.38%

LAB 42.19, 40.2, 45.37

 

CMYK 86 / 0 / 25 / 33

HEX #17AA80

RGB 23 170 128

HSL 162.86, 0.76%, 0.38%

LAB 62.07, -46.12, 11.61

 

CMYK 26 / 86 / 0 / 33

HEX #7E17AA

RGB 126 23 170

HSL 282.04, 0.76%, 0.38%

LAB 33.88, 62.03, -55.69

 

CMYK 0 / 26 / 86 / 33

HEX #AA7E17

RGB 170 126 23

HSL 42.04, 0.76%, 0.38%

LAB 55.61, 8.19, 56.56

 

CMYK 86 / 0 / 25 / 33

HEX #17AA80

RGB 23 170 128

HSL 162.86, 0.76%, 0.38%

LAB 62.07, -46.12, 11.61

 

CMYK 86 / 78 / 0 / 33

HEX #1725AA

RGB 23 37 170

HSL 234.29, 0.76%, 0.38%

LAB 24.98, 44.95, -70.71

 

CMYK 0 / 86 / 61 / 33

HEX #AA1743

RGB 170 23 67

HSL 342.04, 0.76%, 0.38%

LAB 37.05, 57.93, 14.47

 

CMYK 0 / 9 / 86 / 33

HEX #AA9B17

RGB 170 155 23

HSL 53.88, 0.76%, 0.38%

LAB 63.38, -7.7, 62.95

 

CMYK 86 / 0 / 25 / 33

HEX #17AA80

RGB 23 170 128

HSL 162.86, 0.76%, 0.38%

LAB 62.07, -46.12, 11.61

 

CMYK 69 / 86 / 0 / 33

HEX #3417AA

RGB 52 23 170

HSL 251.84, 0.76%, 0.38%

LAB 24.47, 53.29, -71.51

 

CMYK 0 / 86 / 61 / 33

HEX #AA1743

RGB 170 23 67

HSL 342.04, 0.76%, 0.38%

LAB 37.05, 57.93, 14.47

 

CMYK 17 / 0 / 86 / 33

HEX #8DAA17

RGB 141 170 23

HSL 71.84, 0.76%, 0.38%

LAB 65.34, -28.05, 63.62

 

Description

Color code: HEX #17AA80 | qconv.com Color code: HEX #17AA80 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 170 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 170 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 25 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 25% 33% C M Y K

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Provide designers and agencies with accurate color values.

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