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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17B7A9 it is the complementary color #E84856. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17B7A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17B7A9 shade: #1CB7A4, #2DC9B7, #3EDBCA, #4FEDDD and #60FFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17B7A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17B7A9 shade: #17B7A9, #06A596, #009383, #008170 and #006F5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17B7A9 shade: #16B5A7, #16B57C, #16B551, #16B526 and #30B516

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17B7A9 shade: #16B5A7, #1698B5, #166DB5, #1642B5 and #1617B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17B7A9 shade matches the following richer shades: #16B5A7 and #05C6B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17B7A9 shade: #16B5A7, #26A59A, #37948C, #47847E and #587371

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17B7A9 shade: #16B550, #16B57B, #16B5A5, #169BB5 and #1670B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17B7A9 shade: #0D6C63, #119085, #16B5A7, #1ADAC9 and #38E6D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17B7A9 shade: #17B7A9, #2616B5 and #B56616

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17B7A9 shade: #17B7A9, #A516B5 and #B5A516

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17B7A9 shade: #17B7A9, #2616B5, #B51626 and #A5B516

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17B7A9 shade: #17B7A9, #5616B5, #B51626 and #75B516

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 8 / 28

HEX #17B7A9

RGB 23 183 169

HSL 174.75, 0.78%, 0.4%

LAB 67.21, -40.69, -3.69

 

Complementary color

CMYK 0 / 69 / 63 / 9

HEX #E84856

RGB 232 72 86

HSL 354.75, 0.78%, 0.6%

LAB 54.51, 62.05, 27.94

 

CMYK 85 / 0 / 10 / 28

HEX #1CB7A4

RGB 28 183 164

HSL 172.65, 0.73%, 0.41%

LAB 67.12, -41.76, -1.05

 

CMYK 78 / 0 / 9 / 21

HEX #2DC9B7

RGB 45 201 183

HSL 173.08, 0.63%, 0.48%

LAB 73.38, -42.9, -2.24

 

CMYK 72 / 0 / 8 / 14

HEX #3EDBCA

RGB 62 219 202

HSL 173.5, 0.69%, 0.55%

LAB 79.59, -43.74, -3.32

 

CMYK 67 / 0 / 7 / 7

HEX #4FEDDD

RGB 79 237 221

HSL 173.92, 0.81%, 0.62%

LAB 85.73, -44.35, -4.3

 

CMYK 62 / 0 / 6 / 0

HEX #60FFF0

RGB 96 255 240

HSL 174.34, 1%, 0.69%

LAB 91.82, -44.79, -5.2

 

CMYK 87 / 0 / 8 / 28

HEX #17B7A9

RGB 23 183 169

HSL 174.75, 0.78%, 0.4%

LAB 67.21, -40.69, -3.69

 

CMYK 96 / 0 / 9 / 35

HEX #06A596

RGB 6 165 150

HSL 174.34, 0.93%, 0.34%

LAB 60.91, -38.99, -2.38

 

CMYK 100 / 0 / 11 / 42

HEX #009383

RGB 0 147 131

HSL 173.47, 1%, 0.29%

LAB 54.56, -36.79, -0.9

 

CMYK 100 / 0 / 13 / 49

HEX #008170

RGB 0 129 112

HSL 172.09, 1%, 0.25%

LAB 48.1, -34.29, 0.71

 

CMYK 100 / 0 / 16 / 56

HEX #006F5D

RGB 0 111 93

HSL 170.27, 1%, 0.22%

LAB 41.47, -31.73, 2.4

 

CMYK 88 / 0 / 8 / 29

HEX #16B5A7

RGB 22 181 167

HSL 174.72, 0.78%, 0.4%

LAB 66.53, -40.44, -3.59

 

CMYK 88 / 0 / 31 / 29

HEX #16B57C

RGB 22 181 124

HSL 158.49, 0.78%, 0.4%

LAB 65.49, -51.45, 18.56

 

CMYK 88 / 0 / 55 / 29

HEX #16B551

RGB 22 181 81

HSL 142.26, 0.78%, 0.4%

LAB 64.81, -59.41, 39.99

 

CMYK 88 / 0 / 79 / 29

HEX #16B526

RGB 22 181 38

HSL 126.04, 0.78%, 0.4%

LAB 64.45, -63.93, 57.21

 

CMYK 73 / 0 / 88 / 29

HEX #30B516

RGB 48 181 22

HSL 110.19, 0.78%, 0.4%

LAB 64.75, -61.53, 61.76

 

CMYK 88 / 0 / 8 / 29

HEX #16B5A7

RGB 22 181 167

HSL 174.72, 0.78%, 0.4%

LAB 66.53, -40.44, -3.59

 

CMYK 88 / 16 / 0 / 29

HEX #1698B5

RGB 22 152 181

HSL 190.94, 0.78%, 0.4%

LAB 58, -22.08, -24.28

 

CMYK 88 / 40 / 0 / 29

HEX #166DB5

RGB 22 109 181

HSL 207.17, 0.78%, 0.4%

LAB 44.86, 2.59, -44.87

 

CMYK 88 / 64 / 0 / 29

HEX #1642B5

RGB 22 66 181

HSL 223.4, 0.78%, 0.4%

LAB 32.71, 30.87, -64.54

 

CMYK 88 / 87 / 0 / 29

HEX #1617B5

RGB 22 23 181

HSL 239.62, 0.78%, 0.4%

LAB 24.06, 55.02, -78.83

 

CMYK 88 / 0 / 8 / 29

HEX #16B5A7

RGB 22 181 167

HSL 174.72, 0.78%, 0.4%

LAB 66.53, -40.44, -3.59

 

CMYK 97 / 0 / 9 / 22

HEX #05C6B5

RGB 5 198 181

HSL 174.72, 0.95%, 0.4%

LAB 72.07, -44.55, -3.13

 

CMYK 88 / 0 / 8 / 29

HEX #16B5A7

RGB 22 181 167

HSL 174.72, 0.78%, 0.4%

LAB 66.53, -40.44, -3.59

 

CMYK 77 / 0 / 7 / 35

HEX #26A59A

RGB 38 165 154

HSL 174.8, 0.63%, 0.4%

LAB 61.36, -35.6, -3.94

 

CMYK 63 / 0 / 5 / 42

HEX #37948C

RGB 55 148 140

HSL 174.84, 0.46%, 0.4%

LAB 55.97, -29.07, -3.89

 

CMYK 46 / 0 / 5 / 48

HEX #47847E

RGB 71 132 126

HSL 174.1, 0.3%, 0.4%

LAB 51.09, -21.32, -2.92

 

CMYK 23 / 0 / 2 / 55

HEX #587371

RGB 88 115 113

HSL 175.56, 0.13%, 0.4%

LAB 46.35, -10.24, -2.12

 

CMYK 88 / 0 / 56 / 29

HEX #16B550

RGB 22 181 80

HSL 141.89, 0.78%, 0.4%

LAB 64.8, -59.55, 40.46

 

CMYK 88 / 0 / 32 / 29

HEX #16B57B

RGB 22 181 123

HSL 158.11, 0.78%, 0.4%

LAB 65.47, -51.67, 19.08

 

CMYK 88 / 0 / 9 / 29

HEX #16B5A5

RGB 22 181 165

HSL 173.96, 0.78%, 0.4%

LAB 66.47, -41.01, -2.57

 

CMYK 88 / 14 / 0 / 29

HEX #169BB5

RGB 22 155 181

HSL 189.81, 0.78%, 0.4%

LAB 58.93, -23.63, -22.86

 

CMYK 88 / 38 / 0 / 29

HEX #1670B5

RGB 22 112 181

HSL 206.04, 0.78%, 0.4%

LAB 45.76, 0.73, -43.44

 

CMYK 88 / 0 / 8 / 58

HEX #0D6C63

RGB 13 108 99

HSL 174.32, 0.79%, 0.24%

LAB 40.75, -27.53, -2.26

 

CMYK 88 / 0 / 8 / 44

HEX #119085

RGB 17 144 133

HSL 174.8, 0.79%, 0.32%

LAB 53.77, -33.95, -3.19

 

CMYK 88 / 0 / 8 / 29

HEX #16B5A7

RGB 22 181 167

HSL 174.72, 0.78%, 0.4%

LAB 66.53, -40.44, -3.59

 

CMYK 88 / 0 / 8 / 15

HEX #1ADAC9

RGB 26 218 201

HSL 174.69, 0.79%, 0.48%

LAB 78.8, -46.72, -4

 

CMYK 76 / 0 / 7 / 10

HEX #38E6D7

RGB 56 230 215

HSL 174.83, 0.78%, 0.56%

LAB 83.09, -45.71, -5.07

 

CMYK 87 / 0 / 8 / 28

HEX #17B7A9

RGB 23 183 169

HSL 174.75, 0.78%, 0.4%

LAB 67.21, -40.69, -3.69

 

CMYK 79 / 88 / 0 / 29

HEX #2616B5

RGB 38 22 181

HSL 246.04, 0.78%, 0.4%

LAB 24.71, 55.97, -77.74

 

CMYK 0 / 44 / 88 / 29

HEX #B56616

RGB 181 102 22

HSL 30.19, 0.78%, 0.4%

LAB 51.13, 26.45, 53.78

 

CMYK 87 / 0 / 8 / 28

HEX #17B7A9

RGB 23 183 169

HSL 174.75, 0.78%, 0.4%

LAB 67.21, -40.69, -3.69

 

CMYK 9 / 88 / 0 / 29

HEX #A516B5

RGB 165 22 181

HSL 293.96, 0.78%, 0.4%

LAB 41.07, 70.66, -50.29

 

CMYK 0 / 9 / 88 / 29

HEX #B5A516

RGB 181 165 22

HSL 53.96, 0.78%, 0.4%

LAB 67.12, -8.08, 66.62

 

CMYK 87 / 0 / 8 / 28

HEX #17B7A9

RGB 23 183 169

HSL 174.75, 0.78%, 0.4%

LAB 67.21, -40.69, -3.69

 

CMYK 79 / 88 / 0 / 29

HEX #2616B5

RGB 38 22 181

HSL 246.04, 0.78%, 0.4%

LAB 24.71, 55.97, -77.74

 

CMYK 0 / 88 / 79 / 29

HEX #B51626

RGB 181 22 38

HSL 353.96, 0.78%, 0.4%

LAB 38.79, 59.7, 35.22

 

CMYK 9 / 0 / 88 / 29

HEX #A5B516

RGB 165 181 22

HSL 66.04, 0.78%, 0.4%

LAB 70.25, -23.26, 68.6

 

CMYK 87 / 0 / 8 / 28

HEX #17B7A9

RGB 23 183 169

HSL 174.75, 0.78%, 0.4%

LAB 67.21, -40.69, -3.69

 

CMYK 52 / 88 / 0 / 29

HEX #5616B5

RGB 86 22 181

HSL 264.15, 0.78%, 0.4%

LAB 29.13, 59.51, -70.27

 

CMYK 0 / 88 / 79 / 29

HEX #B51626

RGB 181 22 38

HSL 353.96, 0.78%, 0.4%

LAB 38.79, 59.7, 35.22

 

CMYK 35 / 0 / 88 / 29

HEX #75B516

RGB 117 181 22

HSL 84.15, 0.78%, 0.4%

LAB 67.19, -42.54, 64.82

 

Description

Color code: HEX #17B7A9 | qconv.com Color code: HEX #17B7A9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 183 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 183 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 8 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 8% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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