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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17B98C it is the complementary color #E84673. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17B98C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17B98C shade: #1CB987, #2DCB9A, #3EDDAD, #4FEFC0 and #60FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17B98C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17B98C shade: #17B98C, #06A779, #009566, #008353 and #007140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17B98C shade: #17BA8C, #17BA60, #17BA34, #25BA17 and #51BA17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17B98C shade: #17BA8C, #17BAB8, #178FBA, #1763BA and #1737BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17B98C shade matches the following richer shades: #17BA8C and #06CB94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17B98C shade: #17BA8C, #27A985, #38987D, #498776 and #5A766E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17B98C shade: #17BA34, #17BA60, #17BA8B, #17BAB7 and #1791BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17B98C shade: #0D7055, #129571, #17BA8C, #1BDEA8 and #3CE6B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17B98C shade: #17B98C, #1724BA and #BA4A17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17B98C shade: #17B98C, #8B17BA and #BA8B17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17B98C shade: #17B98C, #1724BA, #BA1745 and #BAAC17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17B98C shade: #17B98C, #3A17BA, #BA1745 and #96BA17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 24 / 27

HEX #17B98C

RGB 23 185 140

HSL 163.33, 0.78%, 0.41%

LAB 67.11, -49.21, 12.1

 

Complementary color

CMYK 0 / 70 / 50 / 9

HEX #E84673

RGB 232 70 115

HSL 343.33, 0.78%, 0.59%

LAB 54.84, 64.81, 11.2

 

CMYK 85 / 0 / 27 / 27

HEX #1CB987

RGB 28 185 135

HSL 160.89, 0.74%, 0.42%

LAB 67.05, -50.03, 14.75

 

CMYK 78 / 0 / 24 / 20

HEX #2DCB9A

RGB 45 203 154

HSL 161.39, 0.64%, 0.49%

LAB 73.29, -51.1, 13.28

 

CMYK 72 / 0 / 22 / 13

HEX #3EDDAD

RGB 62 221 173

HSL 161.89, 0.7%, 0.55%

LAB 79.47, -51.83, 11.94

 

CMYK 67 / 0 / 20 / 6

HEX #4FEFC0

RGB 79 239 192

HSL 162.38, 0.83%, 0.62%

LAB 85.61, -52.32, 10.72

 

CMYK 62 / 0 / 17 / 0

HEX #60FFD3

RGB 96 255 211

HSL 163.4, 1%, 0.69%

LAB 91.1, -51.82, 8.77

 

CMYK 88 / 0 / 24 / 27

HEX #17B98C

RGB 23 185 140

HSL 163.33, 0.78%, 0.41%

LAB 67.11, -49.21, 12.1

 

CMYK 96 / 0 / 28 / 35

HEX #06A779

RGB 6 167 121

HSL 162.86, 0.93%, 0.34%

LAB 60.83, -47.56, 13.73

 

CMYK 100 / 0 / 32 / 42

HEX #009566

RGB 0 149 102

HSL 161.07, 1%, 0.29%

LAB 54.51, -45.33, 15.56

 

CMYK 100 / 0 / 37 / 49

HEX #008353

RGB 0 131 83

HSL 158.02, 1%, 0.26%

LAB 48.08, -42.73, 17.54

 

CMYK 100 / 0 / 43 / 56

HEX #007140

RGB 0 113 64

HSL 153.98, 1%, 0.22%

LAB 41.5, -39.97, 19.63

 

CMYK 88 / 0 / 25 / 27

HEX #17BA8C

RGB 23 186 140

HSL 163.07, 0.78%, 0.41%

LAB 67.42, -49.61, 12.55

 

CMYK 88 / 0 / 48 / 27

HEX #17BA60

RGB 23 186 96

HSL 146.87, 0.78%, 0.41%

LAB 66.63, -58.65, 34.8

 

CMYK 88 / 0 / 72 / 27

HEX #17BA34

RGB 23 186 52

HSL 130.67, 0.78%, 0.41%

LAB 66.17, -64.26, 54.13

 

CMYK 80 / 0 / 88 / 27

HEX #25BA17

RGB 37 186 23

HSL 114.85, 0.78%, 0.41%

LAB 66.19, -64.63, 62.74

 

CMYK 56 / 0 / 88 / 27

HEX #51BA17

RGB 81 186 23

HSL 98.65, 0.78%, 0.41%

LAB 67.22, -55.94, 64.04

 

CMYK 88 / 0 / 25 / 27

HEX #17BA8C

RGB 23 186 140

HSL 163.07, 0.78%, 0.41%

LAB 67.42, -49.61, 12.55

 

CMYK 88 / 0 / 1 / 27

HEX #17BAB8

RGB 23 186 184

HSL 179.26, 0.78%, 0.41%

LAB 68.58, -37.65, -9.93

 

CMYK 88 / 23 / 0 / 27

HEX #178FBA

RGB 23 143 186

HSL 195.83, 0.78%, 0.41%

LAB 55.45, -15.44, -31.07

 

CMYK 88 / 47 / 0 / 27

HEX #1763BA

RGB 23 99 186

HSL 212.02, 0.78%, 0.41%

LAB 42.23, 11.02, -52

 

CMYK 88 / 70 / 0 / 27

HEX #1737BA

RGB 23 55 186

HSL 228.22, 0.78%, 0.41%

LAB 30.54, 39.92, -71.06

 

CMYK 88 / 0 / 25 / 27

HEX #17BA8C

RGB 23 186 140

HSL 163.07, 0.78%, 0.41%

LAB 67.42, -49.61, 12.55

 

CMYK 97 / 0 / 27 / 20

HEX #06CB94

RGB 6 203 148

HSL 163.25, 0.94%, 0.41%

LAB 72.82, -55.06, 15.78

 

CMYK 88 / 0 / 25 / 27

HEX #17BA8C

RGB 23 186 140

HSL 163.07, 0.78%, 0.41%

LAB 67.42, -49.61, 12.55

 

CMYK 77 / 0 / 21 / 34

HEX #27A985

RGB 39 169 133

HSL 163.38, 0.63%, 0.41%

LAB 62.08, -42.9, 8.88

 

CMYK 63 / 0 / 18 / 40

HEX #38987D

RGB 56 152 125

HSL 163.13, 0.46%, 0.41%

LAB 56.86, -34.78, 5.97

 

CMYK 46 / 0 / 13 / 47

HEX #498776

RGB 73 135 118

HSL 163.55, 0.3%, 0.41%

LAB 51.9, -24.38, 2.93

 

CMYK 24 / 0 / 7 / 54

HEX #5A766E

RGB 90 118 110

HSL 162.86, 0.13%, 0.41%

LAB 47.31, -11.95, 1.09

 

CMYK 88 / 0 / 72 / 27

HEX #17BA34

RGB 23 186 52

HSL 130.67, 0.78%, 0.41%

LAB 66.17, -64.26, 54.13

 

CMYK 88 / 0 / 48 / 27

HEX #17BA60

RGB 23 186 96

HSL 146.87, 0.78%, 0.41%

LAB 66.63, -58.65, 34.8

 

CMYK 88 / 0 / 25 / 27

HEX #17BA8B

RGB 23 186 139

HSL 162.7, 0.78%, 0.41%

LAB 67.4, -49.85, 13.06

 

CMYK 88 / 0 / 2 / 27

HEX #17BAB7

RGB 23 186 183

HSL 178.9, 0.78%, 0.41%

LAB 68.55, -37.95, -9.43

 

CMYK 88 / 22 / 0 / 27

HEX #1791BA

RGB 23 145 186

HSL 195.09, 0.78%, 0.41%

LAB 56.07, -16.53, -30.11

 

CMYK 88 / 0 / 24 / 56

HEX #0D7055

RGB 13 112 85

HSL 163.64, 0.79%, 0.25%

LAB 41.74, -33.45, 7.62

 

CMYK 88 / 0 / 24 / 42

HEX #129571

RGB 18 149 113

HSL 163.51, 0.78%, 0.33%

LAB 54.88, -41.61, 9.88

 

CMYK 88 / 0 / 25 / 27

HEX #17BA8C

RGB 23 186 140

HSL 163.07, 0.78%, 0.41%

LAB 67.42, -49.61, 12.55

 

CMYK 88 / 0 / 24 / 13

HEX #1BDEA8

RGB 27 222 168

HSL 163.38, 0.78%, 0.49%

LAB 79.22, -56.73, 14.15

 

CMYK 74 / 0 / 20 / 10

HEX #3CE6B7

RGB 60 230 183

HSL 163.41, 0.77%, 0.57%

LAB 82.36, -53.37, 10.77

 

CMYK 88 / 0 / 24 / 27

HEX #17B98C

RGB 23 185 140

HSL 163.33, 0.78%, 0.41%

LAB 67.11, -49.21, 12.1

 

CMYK 88 / 81 / 0 / 27

HEX #1724BA

RGB 23 36 186

HSL 235.21, 0.78%, 0.41%

LAB 26.7, 50.77, -77.41

 

CMYK 0 / 60 / 88 / 27

HEX #BA4A17

RGB 186 74 23

HSL 18.77, 0.78%, 0.41%

LAB 46.18, 42.92, 49.77

 

CMYK 88 / 0 / 24 / 27

HEX #17B98C

RGB 23 185 140

HSL 163.33, 0.78%, 0.41%

LAB 67.11, -49.21, 12.1

 

CMYK 25 / 88 / 0 / 27

HEX #8B17BA

RGB 139 23 186

HSL 282.7, 0.78%, 0.41%

LAB 37.2, 67.17, -59.72

 

CMYK 0 / 25 / 88 / 27

HEX #BA8B17

RGB 186 139 23

HSL 42.7, 0.78%, 0.41%

LAB 60.75, 8.23, 61.48

 

CMYK 88 / 0 / 24 / 27

HEX #17B98C

RGB 23 185 140

HSL 163.33, 0.78%, 0.41%

LAB 67.11, -49.21, 12.1

 

CMYK 88 / 81 / 0 / 27

HEX #1724BA

RGB 23 36 186

HSL 235.21, 0.78%, 0.41%

LAB 26.7, 50.77, -77.41

 

CMYK 0 / 88 / 63 / 27

HEX #BA1745

RGB 186 23 69

HSL 343.07, 0.78%, 0.41%

LAB 40.38, 62.25, 18.22

 

CMYK 0 / 8 / 88 / 27

HEX #BAAC17

RGB 186 172 23

HSL 54.85, 0.78%, 0.41%

LAB 69.47, -9.5, 68.49

 

CMYK 88 / 0 / 24 / 27

HEX #17B98C

RGB 23 185 140

HSL 163.33, 0.78%, 0.41%

LAB 67.11, -49.21, 12.1

 

CMYK 69 / 88 / 0 / 27

HEX #3A17BA

RGB 58 23 186

HSL 252.88, 0.78%, 0.41%

LAB 26.9, 58.12, -77.03

 

CMYK 0 / 88 / 63 / 27

HEX #BA1745

RGB 186 23 69

HSL 343.07, 0.78%, 0.41%

LAB 40.38, 62.25, 18.22

 

CMYK 19 / 0 / 88 / 27

HEX #96BA17

RGB 150 186 23

HSL 73.25, 0.78%, 0.41%

LAB 70.64, -31.91, 68.29

 

Description

Color code: HEX #17B98C | qconv.com Color code: HEX #17B98C | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 185 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 185 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 24 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 24% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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