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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17B20F it is the complementary color #E84DF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17B20F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17B20F shade: #1CB20A, #2DC41D, #3ED630, #4FE843 and #60FA56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17B20F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17B20F shade: #17B20F, #06A000, #008E00, #007C00 and #006A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17B20F shade: #17B20F, #43B20F, #6FB20F, #9BB20F and #B29D0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17B20F shade: #17B20F, #0FB233, #0FB25F, #0FB28B and #0FADB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17B20F shade matches the following richer shades: #17B20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17B20F shade: #17B20F, #25A21F, #33922E, #41833E and #50734E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17B20F shade: #6EB20F, #43B20F, #17B20F, #0FB232 and #0FB25E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17B20F shade: #0D6608, #128C0C, #17B20F, #1CD812 and #31EC28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17B20F shade: #17B20F, #0F99B2 and #B20F58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17B20F shade: #17B20F, #0F17B2 and #B20F17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17B20F shade: #17B20F, #0F99B2, #AA0FB2 and #B2270F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17B20F shade: #17B20F, #0F69B2, #AA0FB2 and #B2580F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 92 / 30

HEX #17B20F

RGB 23 178 15

HSL 117.06, 0.84%, 0.38%

LAB 63.39, -64.07, 61.73

 

Complementary color

CMYK 3 / 68 / 0 / 6

HEX #E84DF0

RGB 232 77 240

HSL 297.06, 0.84%, 0.62%

LAB 60.56, 78.03, -52.34

 

CMYK 84 / 0 / 94 / 30

HEX #1CB20A

RGB 28 178 10

HSL 113.57, 0.89%, 0.37%

LAB 63.43, -63.72, 62.5

 

CMYK 77 / 0 / 85 / 23

HEX #2DC41D

RGB 45 196 29

HSL 114.25, 0.74%, 0.44%

LAB 69.56, -66.31, 64.46

 

CMYK 71 / 0 / 78 / 16

HEX #3ED630

RGB 62 214 48

HSL 114.94, 0.67%, 0.51%

LAB 75.66, -68.16, 65.11

 

CMYK 66 / 0 / 71 / 9

HEX #4FE843

RGB 79 232 67

HSL 115.64, 0.78%, 0.59%

LAB 81.72, -69.45, 64.95

 

CMYK 62 / 0 / 66 / 2

HEX #60FA56

RGB 96 250 86

HSL 116.34, 0.94%, 0.66%

LAB 87.74, -70.33, 64.3

 

CMYK 87 / 0 / 92 / 30

HEX #17B20F

RGB 23 178 15

HSL 117.06, 0.84%, 0.38%

LAB 63.39, -64.07, 61.73

 

CMYK 96 / 0 / 100 / 37

HEX #06A000

RGB 6 160 0

HSL 117.75, 1%, 0.31%

LAB 57.25, -60.48, 58.75

 

CMYK 100 / 0 / 100 / 44

HEX #008E00

RGB 0 142 0

HSL 120, 1%, 0.28%

LAB 51.09, -55.74, 53.8

 

CMYK 100 / 0 / 100 / 51

HEX #007C00

RGB 0 124 0

HSL 120, 1%, 0.24%

LAB 44.82, -50.53, 48.77

 

CMYK 100 / 0 / 100 / 58

HEX #006A00

RGB 0 106 0

HSL 120, 1%, 0.21%

LAB 38.39, -45.19, 43.61

 

CMYK 87 / 0 / 92 / 30

HEX #17B20F

RGB 23 178 15

HSL 117.06, 0.84%, 0.38%

LAB 63.39, -64.07, 61.73

 

CMYK 62 / 0 / 92 / 30

HEX #43B20F

RGB 67 178 15

HSL 100.86, 0.84%, 0.38%

LAB 64.22, -56.93, 62.75

 

CMYK 38 / 0 / 92 / 30

HEX #6FB20F

RGB 111 178 15

HSL 84.66, 0.84%, 0.38%

LAB 65.95, -43.63, 64.89

 

CMYK 13 / 0 / 92 / 30

HEX #9BB20F

RGB 155 178 15

HSL 68.47, 0.84%, 0.38%

LAB 68.64, -26.2, 68.19

 

CMYK 0 / 12 / 92 / 30

HEX #B29D0F

RGB 178 157 15

HSL 52.27, 0.84%, 0.38%

LAB 64.65, -5.32, 65.89

 

CMYK 87 / 0 / 92 / 30

HEX #17B20F

RGB 23 178 15

HSL 117.06, 0.84%, 0.38%

LAB 63.39, -64.07, 61.73

 

CMYK 92 / 0 / 71 / 30

HEX #0FB233

RGB 15 178 51

HSL 133.25, 0.84%, 0.38%

LAB 63.49, -62.51, 51.7

 

CMYK 92 / 0 / 47 / 30

HEX #0FB25F

RGB 15 178 95

HSL 149.45, 0.84%, 0.38%

LAB 63.97, -56.61, 31.92

 

CMYK 92 / 0 / 22 / 30

HEX #0FB28B

RGB 15 178 139

HSL 165.64, 0.84%, 0.38%

LAB 64.81, -47.11, 9.39

 

CMYK 92 / 3 / 0 / 30

HEX #0FADB2

RGB 15 173 178

HSL 181.84, 0.84%, 0.38%

LAB 64.32, -33.86, -12.99

 

CMYK 87 / 0 / 92 / 30

HEX #17B20F

RGB 23 178 15

HSL 117.06, 0.84%, 0.38%

LAB 63.39, -64.07, 61.73

 

CMYK 87 / 0 / 92 / 30

HEX #17B20F

RGB 23 178 15

HSL 117.06, 0.84%, 0.38%

LAB 63.39, -64.07, 61.73

 

CMYK 77 / 0 / 81 / 36

HEX #25A21F

RGB 37 162 31

HSL 117.25, 0.68%, 0.38%

LAB 58.35, -56.86, 53.62

 

CMYK 65 / 0 / 68 / 43

HEX #33922E

RGB 51 146 46

HSL 117, 0.52%, 0.38%

LAB 53.45, -47.56, 43.26

 

CMYK 50 / 0 / 53 / 49

HEX #41833E

RGB 65 131 62

HSL 117.39, 0.36%, 0.38%

LAB 49.14, -35.88, 30.73

 

CMYK 30 / 0 / 32 / 55

HEX #50734E

RGB 80 115 78

HSL 116.76, 0.19%, 0.38%

LAB 44.97, -20.5, 16.59

 

CMYK 38 / 0 / 92 / 30

HEX #6EB20F

RGB 110 178 15

HSL 85.03, 0.84%, 0.38%

LAB 65.9, -43.99, 64.83

 

CMYK 62 / 0 / 92 / 30

HEX #43B20F

RGB 67 178 15

HSL 100.86, 0.84%, 0.38%

LAB 64.22, -56.93, 62.75

 

CMYK 87 / 0 / 92 / 30

HEX #17B20F

RGB 23 178 15

HSL 117.06, 0.84%, 0.38%

LAB 63.39, -64.07, 61.73

 

CMYK 92 / 0 / 72 / 30

HEX #0FB232

RGB 15 178 50

HSL 132.88, 0.84%, 0.38%

LAB 63.49, -62.6, 52.08

 

CMYK 92 / 0 / 47 / 30

HEX #0FB25E

RGB 15 178 94

HSL 149.08, 0.84%, 0.38%

LAB 63.96, -56.79, 32.42

 

CMYK 87 / 0 / 92 / 60

HEX #0D6608

RGB 13 102 8

HSL 116.81, 0.85%, 0.22%

LAB 37.13, -42.13, 40.44

 

CMYK 87 / 0 / 91 / 45

HEX #128C0C

RGB 18 140 12

HSL 117.19, 0.84%, 0.3%

LAB 50.58, -53.39, 51.29

 

CMYK 87 / 0 / 92 / 30

HEX #17B20F

RGB 23 178 15

HSL 117.06, 0.84%, 0.38%

LAB 63.39, -64.07, 61.73

 

CMYK 87 / 0 / 92 / 15

HEX #1CD812

RGB 28 216 18

HSL 116.97, 0.85%, 0.46%

LAB 75.7, -74.29, 71.69

 

CMYK 79 / 0 / 83 / 7

HEX #31EC28

RGB 49 236 40

HSL 117.24, 0.84%, 0.54%

LAB 82.27, -77.03, 73.34

 

CMYK 87 / 0 / 92 / 30

HEX #17B20F

RGB 23 178 15

HSL 117.06, 0.84%, 0.38%

LAB 63.39, -64.07, 61.73

 

CMYK 92 / 14 / 0 / 30

HEX #0F99B2

RGB 15 153 178

HSL 189.2, 0.84%, 0.38%

LAB 58.13, -24.01, -22.39

 

CMYK 0 / 92 / 51 / 30

HEX #B20F58

RGB 178 15 88

HSL 333.13, 0.84%, 0.38%

LAB 38.74, 62.87, 3.58

 

CMYK 87 / 0 / 92 / 30

HEX #17B20F

RGB 23 178 15

HSL 117.06, 0.84%, 0.38%

LAB 63.39, -64.07, 61.73

 

CMYK 92 / 87 / 0 / 30

HEX #0F17B2

RGB 15 23 178

HSL 237.06, 0.84%, 0.38%

LAB 23.43, 53.96, -78.09

 

CMYK 0 / 92 / 87 / 30

HEX #B20F17

RGB 178 15 23

HSL 357.06, 0.84%, 0.38%

LAB 37.61, 59.67, 42.14

 

CMYK 87 / 0 / 92 / 30

HEX #17B20F

RGB 23 178 15

HSL 117.06, 0.84%, 0.38%

LAB 63.39, -64.07, 61.73

 

CMYK 92 / 14 / 0 / 30

HEX #0F99B2

RGB 15 153 178

HSL 189.2, 0.84%, 0.38%

LAB 58.13, -24.01, -22.39

 

CMYK 4 / 92 / 0 / 30

HEX #AA0FB2

RGB 170 15 178

HSL 297.06, 0.84%, 0.38%

LAB 41.38, 72.12, -47.98

 

CMYK 0 / 78 / 92 / 30

HEX #B2270F

RGB 178 39 15

HSL 8.83, 0.84%, 0.38%

LAB 39.5, 54.02, 47.16

 

CMYK 87 / 0 / 92 / 30

HEX #17B20F

RGB 23 178 15

HSL 117.06, 0.84%, 0.38%

LAB 63.39, -64.07, 61.73

 

CMYK 92 / 41 / 0 / 30

HEX #0F69B2

RGB 15 105 178

HSL 206.87, 0.84%, 0.38%

LAB 43.39, 3.5, -45.48

 

CMYK 4 / 92 / 0 / 30

HEX #AA0FB2

RGB 170 15 178

HSL 297.06, 0.84%, 0.38%

LAB 41.38, 72.12, -47.98

 

CMYK 0 / 51 / 92 / 30

HEX #B2580F

RGB 178 88 15

HSL 26.87, 0.84%, 0.38%

LAB 47.6, 32.57, 52.98

 

Description

Color code: HEX #17B20F | qconv.com Color code: HEX #17B20F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 178 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 178 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 92 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 92% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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