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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17D6C5 it is the complementary color #E8293A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17D6C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17D6C5 shade: #1CD6C0, #2DE8D3, #3EFAE6, #4FFFF9 and #60FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17D6C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17D6C5 shade: #17D6C5, #06C4B2, #00B29F, #00A08C and #008E79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17D6C5 shade: #16D4C3, #16D490, #16D45C, #16D429 and #36D416

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17D6C5 shade: #16D4C3, #16B1D4, #167ED4, #164BD4 and #1618D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17D6C5 shade matches the following richer shades: #16D4C3 and #03E7D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17D6C5 shade: #16D4C3, #29C1B3, #3CAEA4, #4F9B94 and #628884

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17D6C5 shade: #16D45B, #16D48E, #16D4C1, #16B4D4 and #1681D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17D6C5 shade: #0E897E, #12AEA1, #16D4C3, #2BE8D7 and #50ECDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17D6C5 shade: #17D6C5, #2916D4 and #D47516

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17D6C5 shade: #17D6C5, #C116D4 and #D4C116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17D6C5 shade: #17D6C5, #2916D4, #D41629 and #C1D416

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17D6C5 shade: #17D6C5, #6216D4, #D41629 and #88D416

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 8 / 16

HEX #17D6C5

RGB 23 214 197

HSL 174.66, 0.81%, 0.46%

LAB 77.46, -46.27, -3.82

 

Complementary color

CMYK 0 / 82 / 75 / 9

HEX #E8293A

RGB 232 41 58

HSL 354.66, 0.81%, 0.54%

LAB 50.74, 70.14, 39.63

 

CMYK 87 / 0 / 10 / 16

HEX #1CD6C0

RGB 28 214 192

HSL 172.9, 0.77%, 0.47%

LAB 77.37, -47.37, -1.28

 

CMYK 81 / 0 / 9 / 9

HEX #2DE8D3

RGB 45 232 211

HSL 173.26, 0.8%, 0.54%

LAB 83.43, -48.65, -2.48

 

CMYK 75 / 0 / 8 / 2

HEX #3EFAE6

RGB 62 250 230

HSL 173.62, 0.95%, 0.61%

LAB 89.44, -49.65, -3.58

 

CMYK 69 / 0 / 2 / 0

HEX #4FFFF9

RGB 79 255 249

HSL 177.95, 1%, 0.65%

LAB 91.69, -44.83, -10.09

 

CMYK 62 / 0 / 0 / 0

HEX #60FFFF

RGB 96 255 255

HSL 180, 1%, 0.69%

LAB 92.23, -40.88, -12.35

 

CMYK 89 / 0 / 8 / 16

HEX #17D6C5

RGB 23 214 197

HSL 174.66, 0.81%, 0.46%

LAB 77.46, -46.27, -3.82

 

CMYK 97 / 0 / 9 / 23

HEX #06C4B2

RGB 6 196 178

HSL 174.32, 0.94%, 0.4%

LAB 71.37, -44.51, -2.52

 

CMYK 100 / 0 / 11 / 30

HEX #00B29F

RGB 0 178 159

HSL 173.6, 1%, 0.35%

LAB 65.23, -42.33, -1.07

 

CMYK 100 / 0 / 13 / 37

HEX #00A08C

RGB 0 160 140

HSL 172.5, 1%, 0.31%

LAB 59.01, -39.92, 0.47

 

CMYK 100 / 0 / 15 / 44

HEX #008E79

RGB 0 142 121

HSL 171.13, 1%, 0.28%

LAB 52.65, -37.47, 2.08

 

CMYK 90 / 0 / 8 / 17

HEX #16D4C3

RGB 22 212 195

HSL 174.63, 0.81%, 0.46%

LAB 76.8, -46.02, -3.73

 

CMYK 90 / 0 / 32 / 17

HEX #16D490

RGB 22 212 144

HSL 158.53, 0.81%, 0.46%

LAB 75.62, -58.66, 21.79

 

CMYK 90 / 0 / 57 / 17

HEX #16D45C

RGB 22 212 92

HSL 142.11, 0.81%, 0.46%

LAB 74.84, -67.8, 46.79

 

CMYK 90 / 0 / 81 / 17

HEX #16D429

RGB 22 212 41

HSL 126, 0.81%, 0.46%

LAB 74.46, -72.67, 65.81

 

CMYK 75 / 0 / 90 / 17

HEX #36D416

RGB 54 212 22

HSL 109.89, 0.81%, 0.46%

LAB 74.78, -70.04, 70.44

 

CMYK 90 / 0 / 8 / 17

HEX #16D4C3

RGB 22 212 195

HSL 174.63, 0.81%, 0.46%

LAB 76.8, -46.02, -3.73

 

CMYK 90 / 17 / 0 / 17

HEX #16B1D4

RGB 22 177 212

HSL 191.05, 0.81%, 0.46%

LAB 66.8, -24.46, -28.06

 

CMYK 90 / 41 / 0 / 17

HEX #167ED4

RGB 22 126 212

HSL 207.16, 0.81%, 0.46%

LAB 51.66, 4.13, -51.81

 

CMYK 90 / 65 / 0 / 17

HEX #164BD4

RGB 22 75 212

HSL 223.26, 0.81%, 0.46%

LAB 37.76, 36.83, -74.34

 

CMYK 90 / 89 / 0 / 17

HEX #1618D4

RGB 22 24 212

HSL 239.37, 0.81%, 0.46%

LAB 28.32, 63.51, -89.98

 

CMYK 90 / 0 / 8 / 17

HEX #16D4C3

RGB 22 212 195

HSL 174.63, 0.81%, 0.46%

LAB 76.8, -46.02, -3.73

 

CMYK 99 / 0 / 9 / 9

HEX #03E7D3

RGB 3 231 211

HSL 174.74, 0.97%, 0.46%

LAB 82.85, -50.21, -3.37

 

CMYK 90 / 0 / 8 / 17

HEX #16D4C3

RGB 22 212 195

HSL 174.63, 0.81%, 0.46%

LAB 76.8, -46.02, -3.73

 

CMYK 79 / 0 / 7 / 24

HEX #29C1B3

RGB 41 193 179

HSL 174.47, 0.65%, 0.46%

LAB 70.78, -40.87, -3.9

 

CMYK 66 / 0 / 6 / 32

HEX #3CAEA4

RGB 60 174 164

HSL 174.74, 0.49%, 0.46%

LAB 64.89, -33.97, -4.27

 

CMYK 49 / 0 / 5 / 39

HEX #4F9B94

RGB 79 155 148

HSL 174.47, 0.32%, 0.46%

LAB 59.2, -25.3, -3.6

 

CMYK 28 / 0 / 3 / 47

HEX #628884

RGB 98 136 132

HSL 173.68, 0.16%, 0.46%

LAB 53.89, -14.09, -2.14

 

CMYK 90 / 0 / 57 / 17

HEX #16D45B

RGB 22 212 91

HSL 141.79, 0.81%, 0.46%

LAB 74.83, -67.94, 47.24

 

CMYK 90 / 0 / 33 / 17

HEX #16D48E

RGB 22 212 142

HSL 157.89, 0.81%, 0.46%

LAB 75.58, -59.09, 22.78

 

CMYK 90 / 0 / 9 / 17

HEX #16D4C1

RGB 22 212 193

HSL 174, 0.81%, 0.46%

LAB 76.74, -46.57, -2.73

 

CMYK 90 / 15 / 0 / 17

HEX #16B4D4

RGB 22 180 212

HSL 190.11, 0.81%, 0.46%

LAB 67.7, -25.97, -26.67

 

CMYK 90 / 39 / 0 / 17

HEX #1681D4

RGB 22 129 212

HSL 206.21, 0.81%, 0.46%

LAB 52.54, 2.3, -50.42

 

CMYK 90 / 0 / 8 / 46

HEX #0E897E

RGB 14 137 126

HSL 174.63, 0.81%, 0.3%

LAB 51.26, -33, -2.84

 

CMYK 90 / 0 / 7 / 32

HEX #12AEA1

RGB 18 174 161

HSL 175, 0.81%, 0.38%

LAB 64.14, -39.28, -3.78

 

CMYK 90 / 0 / 8 / 17

HEX #16D4C3

RGB 22 212 195

HSL 174.63, 0.81%, 0.46%

LAB 76.8, -46.02, -3.73

 

CMYK 81 / 0 / 7 / 9

HEX #2BE8D7

RGB 43 232 215

HSL 174.6, 0.8%, 0.54%

LAB 83.51, -47.74, -4.47

 

CMYK 66 / 0 / 6 / 7

HEX #50ECDE

RGB 80 236 222

HSL 174.62, 0.8%, 0.62%

LAB 85.49, -43.5, -5.18

 

CMYK 89 / 0 / 8 / 16

HEX #17D6C5

RGB 23 214 197

HSL 174.66, 0.81%, 0.46%

LAB 77.46, -46.27, -3.82

 

CMYK 81 / 90 / 0 / 17

HEX #2916D4

RGB 41 22 212

HSL 246, 0.81%, 0.46%

LAB 28.9, 64.65, -89

 

CMYK 0 / 45 / 90 / 17

HEX #D47516

RGB 212 117 22

HSL 30, 0.81%, 0.46%

LAB 58.77, 31.46, 61.58

 

CMYK 89 / 0 / 8 / 16

HEX #17D6C5

RGB 23 214 197

HSL 174.66, 0.81%, 0.46%

LAB 77.46, -46.27, -3.82

 

CMYK 9 / 90 / 0 / 17

HEX #C116D4

RGB 193 22 212

HSL 294, 0.81%, 0.46%

LAB 47.83, 80.35, -57.21

 

CMYK 0 / 9 / 90 / 17

HEX #D4C116

RGB 212 193 22

HSL 54, 0.81%, 0.46%

LAB 77.4, -8.97, 75.92

 

CMYK 89 / 0 / 8 / 16

HEX #17D6C5

RGB 23 214 197

HSL 174.66, 0.81%, 0.46%

LAB 77.46, -46.27, -3.82

 

CMYK 81 / 90 / 0 / 17

HEX #2916D4

RGB 41 22 212

HSL 246, 0.81%, 0.46%

LAB 28.9, 64.65, -89

 

CMYK 0 / 90 / 81 / 17

HEX #D41629

RGB 212 22 41

HSL 354, 0.81%, 0.46%

LAB 45.26, 67.99, 42.19

 

CMYK 9 / 0 / 90 / 17

HEX #C1D416

RGB 193 212 22

HSL 66, 0.81%, 0.46%

LAB 81.01, -26.48, 78.11

 

CMYK 89 / 0 / 8 / 16

HEX #17D6C5

RGB 23 214 197

HSL 174.66, 0.81%, 0.46%

LAB 77.46, -46.27, -3.82

 

CMYK 54 / 90 / 0 / 17

HEX #6216D4

RGB 98 22 212

HSL 264, 0.81%, 0.46%

LAB 33.82, 68.1, -80.67

 

CMYK 0 / 90 / 81 / 17

HEX #D41629

RGB 212 22 41

HSL 354, 0.81%, 0.46%

LAB 45.26, 67.99, 42.19

 

CMYK 36 / 0 / 90 / 17

HEX #88D416

RGB 136 212 22

HSL 84, 0.81%, 0.46%

LAB 77.51, -48.66, 73.82

 

Description

Color code: HEX #17D6C5 | qconv.com Color code: HEX #17D6C5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 214 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 214 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 8 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 8% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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