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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17DB73 it is the complementary color #E8248C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17DB73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17DB73 shade: #1CDB6E, #2DED81, #3EFF94, #4FFFA7 and #60FFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17DB73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17DB73 shade: #17DB73, #06C960, #00B74D, #00A53A and #009327

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17DB73 shade: #16D871, #16D83D, #24D816, #58D816 and #8DD816

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17DB73 shade: #16D871, #16D8A6, #16D7D8, #16A2D8 and #166ED8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17DB73 shade matches the following richer shades: #16D871 and #03EC70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17DB73 shade: #16D871, #2AC573, #3DB274, #509E75 and #648B76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17DB73 shade: #23D816, #16D83D, #16D871, #16D8A5 and #16D8D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17DB73 shade: #0E8E4A, #12B35E, #16D871, #2FE986 and #55ED9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17DB73 shade: #17DB73, #1657D8 and #D82316

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17DB73 shade: #17DB73, #7116D8 and #D87116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17DB73 shade: #17DB73, #1657D8, #D8167E and #D89816

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17DB73 shade: #17DB73, #161DD8, #D8167E and #D8D216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 47 / 14

HEX #17DB73

RGB 23 219 115

HSL 148.16, 0.81%, 0.47%

LAB 77.33, -66.54, 38.85

 

Complementary color

CMYK 0 / 84 / 40 / 9

HEX #E8248C

RGB 232 36 140

HSL 328.16, 0.81%, 0.53%

LAB 52.19, 76.5, -7.61

 

CMYK 87 / 0 / 50 / 14

HEX #1CDB6E

RGB 28 219 110

HSL 145.76, 0.77%, 0.48%

LAB 77.3, -67.02, 41.26

 

CMYK 81 / 0 / 46 / 7

HEX #2DED81

RGB 45 237 129

HSL 146.25, 0.84%, 0.55%

LAB 83.29, -68.47, 39.6

 

CMYK 76 / 0 / 42 / 0

HEX #3EFF94

RGB 62 255 148

HSL 146.74, 1%, 0.62%

LAB 89.24, -69.53, 38.02

 

CMYK 69 / 0 / 35 / 0

HEX #4FFFA7

RGB 79 255 167

HSL 150, 1%, 0.65%

LAB 89.85, -63.79, 29.44

 

CMYK 62 / 0 / 27 / 0

HEX #60FFBA

RGB 96 255 186

HSL 153.96, 1%, 0.69%

LAB 90.58, -57.24, 20.87

 

CMYK 89 / 0 / 47 / 14

HEX #17DB73

RGB 23 219 115

HSL 148.16, 0.81%, 0.47%

LAB 77.33, -66.54, 38.85

 

CMYK 97 / 0 / 52 / 21

HEX #06C960

RGB 6 201 96

HSL 147.69, 0.94%, 0.41%

LAB 71.32, -64.48, 40.62

 

CMYK 100 / 0 / 58 / 28

HEX #00B74D

RGB 0 183 77

HSL 145.25, 1%, 0.36%

LAB 65.28, -61.77, 42.42

 

CMYK 100 / 0 / 65 / 35

HEX #00A53A

RGB 0 165 58

HSL 141.09, 1%, 0.32%

LAB 59.17, -58.6, 44.11

 

CMYK 100 / 0 / 73 / 42

HEX #009327

RGB 0 147 39

HSL 135.92, 1%, 0.29%

LAB 52.96, -55.09, 45.4

 

CMYK 90 / 0 / 48 / 15

HEX #16D871

RGB 22 216 113

HSL 148.14, 0.82%, 0.47%

LAB 76.36, -65.94, 38.6

 

CMYK 90 / 0 / 72 / 15

HEX #16D83D

RGB 22 216 61

HSL 132.06, 0.82%, 0.47%

LAB 75.83, -72.4, 60.78

 

CMYK 83 / 0 / 90 / 15

HEX #24D816

RGB 36 216 22

HSL 115.67, 0.82%, 0.47%

LAB 75.79, -73.46, 71.19

 

CMYK 59 / 0 / 90 / 15

HEX #58D816

RGB 88 216 22

HSL 99.59, 0.82%, 0.47%

LAB 76.83, -64.58, 72.49

 

CMYK 35 / 0 / 90 / 15

HEX #8DD816

RGB 141 216 22

HSL 83.2, 0.82%, 0.47%

LAB 78.94, -48.54, 75.11

 

CMYK 90 / 0 / 48 / 15

HEX #16D871

RGB 22 216 113

HSL 148.14, 0.82%, 0.47%

LAB 76.36, -65.94, 38.6

 

CMYK 90 / 0 / 23 / 15

HEX #16D8A6

RGB 22 216 166

HSL 164.54, 0.82%, 0.47%

LAB 77.3, -55.17, 12.5

 

CMYK 90 / 0 / 0 / 15

HEX #16D7D8

RGB 22 215 216

HSL 180.31, 0.82%, 0.47%

LAB 78.3, -41.31, -12.76

 

CMYK 90 / 25 / 0 / 15

HEX #16A2D8

RGB 22 162 216

HSL 196.7, 0.82%, 0.47%

LAB 62.48, -15.19, -36.96

 

CMYK 90 / 49 / 0 / 15

HEX #166ED8

RGB 22 110 216

HSL 212.78, 0.82%, 0.47%

LAB 47.34, 15.71, -61.03

 

CMYK 90 / 0 / 48 / 15

HEX #16D871

RGB 22 216 113

HSL 148.14, 0.82%, 0.47%

LAB 76.36, -65.94, 38.6

 

CMYK 99 / 0 / 53 / 7

HEX #03EC70

RGB 3 236 112

HSL 148.07, 0.97%, 0.47%

LAB 82.48, -73.19, 46.67

 

CMYK 90 / 0 / 48 / 15

HEX #16D871

RGB 22 216 113

HSL 148.14, 0.82%, 0.47%

LAB 76.36, -65.94, 38.6

 

CMYK 79 / 0 / 42 / 23

HEX #2AC573

RGB 42 197 115

HSL 148.26, 0.65%, 0.47%

LAB 70.64, -57.34, 30.27

 

CMYK 66 / 0 / 35 / 30

HEX #3DB274

RGB 61 178 116

HSL 148.21, 0.49%, 0.47%

LAB 65.04, -47.04, 22.36

 

CMYK 49 / 0 / 26 / 38

HEX #509E75

RGB 80 158 117

HSL 148.46, 0.33%, 0.47%

LAB 59.38, -33.88, 14.16

 

CMYK 28 / 0 / 15 / 45

HEX #648B76

RGB 100 139 118

HSL 147.69, 0.16%, 0.47%

LAB 54.54, -18.19, 6.9

 

CMYK 84 / 0 / 90 / 15

HEX #23D816

RGB 35 216 22

HSL 115.98, 0.82%, 0.47%

LAB 75.78, -73.56, 71.18

 

CMYK 90 / 0 / 72 / 15

HEX #16D83D

RGB 22 216 61

HSL 132.06, 0.82%, 0.47%

LAB 75.83, -72.4, 60.78

 

CMYK 90 / 0 / 48 / 15

HEX #16D871

RGB 22 216 113

HSL 148.14, 0.82%, 0.47%

LAB 76.36, -65.94, 38.6

 

CMYK 90 / 0 / 24 / 15

HEX #16D8A5

RGB 22 216 165

HSL 164.23, 0.82%, 0.47%

LAB 77.28, -55.4, 13

 

CMYK 90 / 0 / 0 / 15

HEX #16D8D8

RGB 22 216 216

HSL 180, 0.82%, 0.47%

LAB 78.6, -41.76, -12.31

 

CMYK 90 / 0 / 48 / 44

HEX #0E8E4A

RGB 14 142 74

HSL 148.13, 0.82%, 0.31%

LAB 51.76, -47.75, 27.38

 

CMYK 90 / 0 / 47 / 30

HEX #12B35E

RGB 18 179 94

HSL 148.32, 0.82%, 0.39%

LAB 64.3, -56.95, 32.86

 

CMYK 90 / 0 / 48 / 15

HEX #16D871

RGB 22 216 113

HSL 148.14, 0.82%, 0.47%

LAB 76.36, -65.94, 38.6

 

CMYK 80 / 0 / 42 / 9

HEX #2FE986

RGB 47 233 134

HSL 148.06, 0.81%, 0.55%

LAB 82.17, -66.06, 35.69

 

CMYK 64 / 0 / 34 / 7

HEX #55ED9C

RGB 85 237 156

HSL 148.03, 0.81%, 0.63%

LAB 84.43, -58.11, 27.72

 

CMYK 89 / 0 / 47 / 14

HEX #17DB73

RGB 23 219 115

HSL 148.16, 0.81%, 0.47%

LAB 77.33, -66.54, 38.85

 

CMYK 90 / 60 / 0 / 15

HEX #1657D8

RGB 22 87 216

HSL 219.9, 0.82%, 0.47%

LAB 41.13, 30.6, -71.12

 

CMYK 0 / 84 / 90 / 15

HEX #D82316

RGB 216 35 22

HSL 4.02, 0.82%, 0.47%

LAB 46.79, 66.22, 53.06

 

CMYK 89 / 0 / 47 / 14

HEX #17DB73

RGB 23 219 115

HSL 148.16, 0.81%, 0.47%

LAB 77.33, -66.54, 38.85

 

CMYK 48 / 90 / 0 / 15

HEX #7116D8

RGB 113 22 216

HSL 268.14, 0.82%, 0.47%

LAB 36.07, 70.43, -79.22

 

CMYK 0 / 48 / 90 / 15

HEX #D87116

RGB 216 113 22

HSL 28.14, 0.82%, 0.47%

LAB 58.48, 35.19, 61.61

 

CMYK 89 / 0 / 47 / 14

HEX #17DB73

RGB 23 219 115

HSL 148.16, 0.81%, 0.47%

LAB 77.33, -66.54, 38.85

 

CMYK 90 / 60 / 0 / 15

HEX #1657D8

RGB 22 87 216

HSL 219.9, 0.82%, 0.47%

LAB 41.13, 30.6, -71.12

 

CMYK 0 / 90 / 42 / 15

HEX #D8167E

RGB 216 22 126

HSL 327.84, 0.82%, 0.47%

LAB 47.85, 73.95, -5.92

 

CMYK 0 / 30 / 90 / 15

HEX #D89816

RGB 216 152 22

HSL 40.21, 0.82%, 0.47%

LAB 67.36, 14.41, 68.34

 

CMYK 89 / 0 / 47 / 14

HEX #17DB73

RGB 23 219 115

HSL 148.16, 0.81%, 0.47%

LAB 77.33, -66.54, 38.85

 

CMYK 90 / 87 / 0 / 15

HEX #161DD8

RGB 22 29 216

HSL 237.84, 0.82%, 0.47%

LAB 29.43, 62.88, -90.45

 

CMYK 0 / 90 / 42 / 15

HEX #D8167E

RGB 216 22 126

HSL 327.84, 0.82%, 0.47%

LAB 47.85, 73.95, -5.92

 

CMYK 0 / 3 / 90 / 15

HEX #D8D216

RGB 216 210 22

HSL 58.14, 0.82%, 0.47%

LAB 82.24, -15.82, 79.85

 

Description

Color code: HEX #17DB73 | qconv.com Color code: HEX #17DB73 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 219 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 219 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 47 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 47% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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