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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17E7BC it is the complementary color #E81843. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17E7BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17E7BC shade: #1CE7B7, #2DF9CA, #3EFFDD, #4FFFF0 and #60FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17E7BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17E7BC shade: #17E7BC, #06D5A9, #00C396, #00B183 and #009F70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17E7BC shade: #16E8BC, #16E884, #16E84C, #1AE816 and #52E816

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17E7BC shade: #16E8BC, #16DAE8, #16A2E8, #166AE8 and #1631E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17E7BC shade matches the following richer shades: #16E8BC and #02FCC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17E7BC shade: #16E8BC, #2BD3B0, #40BEA4, #54AA98 and #69958C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17E7BC shade: #16E84B, #16E882, #16E8BA, #16DDE8 and #16A5E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17E7BC shade: #0F9C7F, #13C29E, #16E8BC, #3CEBC7 and #62EFD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17E7BC shade: #17E7BC, #161AE8 and #E86716

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17E7BC shade: #17E7BC, #BA16E8 and #E8BA16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17E7BC shade: #17E7BC, #161AE8, #E81644 and #E8E416

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17E7BC shade: #17E7BC, #5216E8, #E81644 and #ACE816

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 19 / 9

HEX #17E7BC

RGB 23 231 188

HSL 167.6, 0.82%, 0.5%

LAB 82.36, -55.6, 8.08

 

Complementary color

CMYK 0 / 90 / 71 / 9

HEX #E81843

RGB 232 24 67

HSL 347.6, 0.82%, 0.5%

LAB 49.76, 73.65, 33.25

 

CMYK 88 / 0 / 21 / 9

HEX #1CE7B7

RGB 28 231 183

HSL 165.81, 0.81%, 0.51%

LAB 82.28, -56.57, 10.6

 

CMYK 82 / 0 / 19 / 2

HEX #2DF9CA

RGB 45 249 202

HSL 166.18, 0.94%, 0.58%

LAB 88.24, -57.85, 9.21

 

CMYK 76 / 0 / 13 / 0

HEX #3EFFDD

RGB 62 255 221

HSL 169.43, 1%, 0.62%

LAB 90.67, -54.03, 2.89

 

CMYK 69 / 0 / 6 / 0

HEX #4FFFF0

RGB 79 255 240

HSL 174.89, 1%, 0.65%

LAB 91.45, -47.21, -5.78

 

CMYK 62 / 0 / 0 / 0

HEX #60FFFF

RGB 96 255 255

HSL 180, 1%, 0.69%

LAB 92.23, -40.88, -12.35

 

CMYK 90 / 0 / 19 / 9

HEX #17E7BC

RGB 23 231 188

HSL 167.6, 0.82%, 0.5%

LAB 82.36, -55.6, 8.08

 

CMYK 97 / 0 / 21 / 16

HEX #06D5A9

RGB 6 213 169

HSL 167.25, 0.95%, 0.43%

LAB 76.37, -53.86, 9.57

 

CMYK 100 / 0 / 23 / 24

HEX #00C396

RGB 0 195 150

HSL 166.15, 1%, 0.38%

LAB 70.34, -51.7, 11.21

 

CMYK 100 / 0 / 26 / 31

HEX #00B183

RGB 0 177 131

HSL 164.41, 1%, 0.35%

LAB 64.23, -49.32, 12.96

 

CMYK 100 / 0 / 30 / 38

HEX #009F70

RGB 0 159 112

HSL 162.26, 1%, 0.31%

LAB 58, -46.86, 14.8

 

CMYK 91 / 0 / 19 / 9

HEX #16E8BC

RGB 22 232 188

HSL 167.43, 0.83%, 0.5%

LAB 82.65, -56.04, 8.5

 

CMYK 91 / 0 / 43 / 9

HEX #16E884

RGB 22 232 132

HSL 151.43, 0.83%, 0.5%

LAB 81.59, -67.99, 35.9

 

CMYK 91 / 0 / 67 / 9

HEX #16E84C

RGB 22 232 76

HSL 135.43, 0.83%, 0.5%

LAB 80.96, -75.66, 60.54

 

CMYK 89 / 0 / 91 / 9

HEX #1AE816

RGB 26 232 22

HSL 118.86, 0.83%, 0.5%

LAB 80.73, -78.7, 75.36

 

CMYK 65 / 0 / 91 / 9

HEX #52E816

RGB 82 232 22

HSL 102.86, 0.83%, 0.5%

LAB 81.6, -71.12, 76.43

 

CMYK 91 / 0 / 19 / 9

HEX #16E8BC

RGB 22 232 188

HSL 167.43, 0.83%, 0.5%

LAB 82.65, -56.04, 8.5

 

CMYK 91 / 6 / 0 / 9

HEX #16DAE8

RGB 22 218 232

HSL 184, 0.83%, 0.5%

LAB 79.69, -37.88, -19.22

 

CMYK 91 / 30 / 0 / 9

HEX #16A2E8

RGB 22 162 232

HSL 200, 0.83%, 0.5%

LAB 63.21, -9.45, -44.67

 

CMYK 91 / 54 / 0 / 9

HEX #166AE8

RGB 22 106 232

HSL 216, 0.83%, 0.5%

LAB 47.37, 24.49, -70.02

 

CMYK 91 / 79 / 0 / 9

HEX #1631E8

RGB 22 49 232

HSL 232.29, 0.83%, 0.5%

LAB 34.38, 58.88, -91.38

 

CMYK 91 / 0 / 19 / 9

HEX #16E8BC

RGB 22 232 188

HSL 167.43, 0.83%, 0.5%

LAB 82.65, -56.04, 8.5

 

CMYK 99 / 0 / 21 / 1

HEX #02FCC8

RGB 2 252 200

HSL 167.52, 0.98%, 0.5%

LAB 88.83, -61.4, 11.05

 

CMYK 91 / 0 / 19 / 9

HEX #16E8BC

RGB 22 232 188

HSL 167.43, 0.83%, 0.5%

LAB 82.65, -56.04, 8.5

 

CMYK 80 / 0 / 17 / 17

HEX #2BD3B0

RGB 43 211 176

HSL 167.5, 0.66%, 0.5%

LAB 76.21, -49.18, 5.64

 

CMYK 66 / 0 / 14 / 25

HEX #40BEA4

RGB 64 190 164

HSL 167.62, 0.5%, 0.5%

LAB 69.89, -40.62, 3.06

 

CMYK 51 / 0 / 11 / 33

HEX #54AA98

RGB 84 170 152

HSL 167.44, 0.34%, 0.5%

LAB 64.08, -30.48, 1.32

 

CMYK 30 / 0 / 6 / 42

HEX #69958C

RGB 105 149 140

HSL 167.73, 0.17%, 0.5%

LAB 58.41, -16.98, -0.07

 

CMYK 91 / 0 / 68 / 9

HEX #16E84B

RGB 22 232 75

HSL 135.14, 0.83%, 0.5%

LAB 80.96, -75.76, 60.92

 

CMYK 91 / 0 / 44 / 9

HEX #16E882

RGB 22 232 130

HSL 150.86, 0.83%, 0.5%

LAB 81.56, -68.34, 36.85

 

CMYK 91 / 0 / 20 / 9

HEX #16E8BA

RGB 22 232 186

HSL 166.86, 0.83%, 0.5%

LAB 82.61, -56.53, 9.48

 

CMYK 91 / 5 / 0 / 9

HEX #16DDE8

RGB 22 221 232

HSL 183.14, 0.83%, 0.5%

LAB 80.58, -39.25, -17.88

 

CMYK 91 / 29 / 0 / 9

HEX #16A5E8

RGB 22 165 232

HSL 199.14, 0.83%, 0.5%

LAB 64.09, -11.12, -43.29

 

CMYK 90 / 0 / 19 / 39

HEX #0F9C7F

RGB 15 156 127

HSL 167.66, 0.82%, 0.34%

LAB 57.47, -41.1, 5.62

 

CMYK 90 / 0 / 19 / 24

HEX #13C29E

RGB 19 194 158

HSL 167.66, 0.82%, 0.42%

LAB 70.31, -48.57, 6.84

 

CMYK 91 / 0 / 19 / 9

HEX #16E8BC

RGB 22 232 188

HSL 167.43, 0.83%, 0.5%

LAB 82.65, -56.04, 8.5

 

CMYK 74 / 0 / 15 / 8

HEX #3CEBC7

RGB 60 235 199

HSL 167.66, 0.81%, 0.58%

LAB 84.23, -51.53, 5.03

 

CMYK 59 / 0 / 12 / 6

HEX #62EFD2

RGB 98 239 210

HSL 167.66, 0.82%, 0.66%

LAB 86.5, -44.91, 2.65

 

CMYK 90 / 0 / 19 / 9

HEX #17E7BC

RGB 23 231 188

HSL 167.6, 0.82%, 0.5%

LAB 82.36, -55.6, 8.08

 

CMYK 91 / 89 / 0 / 9

HEX #161AE8

RGB 22 26 232

HSL 238.86, 0.83%, 0.5%

LAB 31.2, 68.35, -96.69

 

CMYK 0 / 56 / 91 / 9

HEX #E86716

RGB 232 103 22

HSL 23.14, 0.83%, 0.5%

LAB 58.89, 46.4, 63

 

CMYK 90 / 0 / 19 / 9

HEX #17E7BC

RGB 23 231 188

HSL 167.6, 0.82%, 0.5%

LAB 82.36, -55.6, 8.08

 

CMYK 20 / 91 / 0 / 9

HEX #BA16E8

RGB 186 22 232

HSL 286.86, 0.83%, 0.5%

LAB 48.06, 82.62, -68.32

 

CMYK 0 / 20 / 91 / 9

HEX #E8BA16

RGB 232 186 22

HSL 46.86, 0.83%, 0.5%

LAB 77.48, 3.33, 76.8

 

CMYK 90 / 0 / 19 / 9

HEX #17E7BC

RGB 23 231 188

HSL 167.6, 0.82%, 0.5%

LAB 82.36, -55.6, 8.08

 

CMYK 91 / 89 / 0 / 9

HEX #161AE8

RGB 22 26 232

HSL 238.86, 0.83%, 0.5%

LAB 31.2, 68.35, -96.69

 

CMYK 0 / 91 / 71 / 9

HEX #E81644

RGB 232 22 68

HSL 346.86, 0.83%, 0.5%

LAB 49.67, 73.97, 32.55

 

CMYK 0 / 2 / 91 / 9

HEX #E8E416

RGB 232 228 22

HSL 58.86, 0.83%, 0.5%

LAB 88.3, -17.91, 85.11

 

CMYK 90 / 0 / 19 / 9

HEX #17E7BC

RGB 23 231 188

HSL 167.6, 0.82%, 0.5%

LAB 82.36, -55.6, 8.08

 

CMYK 65 / 91 / 0 / 9

HEX #5216E8

RGB 82 22 232

HSL 257.14, 0.83%, 0.5%

LAB 34.38, 71.72, -91.29

 

CMYK 0 / 91 / 71 / 9

HEX #E81644

RGB 232 22 68

HSL 346.86, 0.83%, 0.5%

LAB 49.67, 73.97, 32.55

 

CMYK 26 / 0 / 91 / 9

HEX #ACE816

RGB 172 232 22

HSL 77.14, 0.83%, 0.5%

LAB 85.27, -43.91, 80.96

 

Description

Color code: HEX #17E7BC | qconv.com Color code: HEX #17E7BC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 231 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 231 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 19 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 19% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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