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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #141851 it is the complementary color #EBE7AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #141851. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #141851 shade: #19184C, #2A2A5F, #3B3C72, #4C4E85 and #5D6098

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #141851. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #141851 shade: #141851, #03063E, #00002B, #000018 and #000005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #141851 shade: #141851, #201451, #311451, #411451 and #511450

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #141851 shade: #141851 and #141451

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #141851 shade matches the following richer shades: #141851, #0C1159 and #030A62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #141851 shade: #141851, #1C1F49, #242641, #2D2D38 and #353530

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #141851 shade: #143951, #142851, #141851, #201451 and #301451

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #141851 shade: #03040F, #0C0E30, #141851, #1C2272 and #242C93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #141851 shade: #141851, #511449 and #305114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #141851 shade: #141851, #511418 and #185114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #141851 shade: #141851, #511449, #514D14 and #14511C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #141851 shade: #141851, #511437, #514D14 and #14512E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 70 / 0 / 68

HEX #141851

RGB 20 24 81

HSL 236.07, 0.6%, 0.2%

LAB 11.93, 19.91, -35.41

 

Complementary color

CMYK 0 / 2 / 26 / 8

HEX #EBE7AE

RGB 235 231 174

HSL 56.07, 0.6%, 0.8%

LAB 90.72, -7.45, 28.31

 

CMYK 67 / 68 / 0 / 70

HEX #19184C

RGB 25 24 76

HSL 241.15, 0.52%, 0.2%

LAB 11.84, 18.79, -32.12

 

CMYK 56 / 56 / 0 / 63

HEX #2A2A5F

RGB 42 42 95

HSL 240, 0.39%, 0.27%

LAB 19.94, 16.77, -31.74

 

CMYK 48 / 47 / 0 / 55

HEX #3B3C72

RGB 59 60 114

HSL 238.91, 0.32%, 0.34%

LAB 27.78, 15.3, -31.39

 

CMYK 43 / 41 / 0 / 48

HEX #4C4E85

RGB 76 78 133

HSL 237.89, 0.27%, 0.41%

LAB 35.36, 14.19, -31.15

 

CMYK 39 / 37 / 0 / 40

HEX #5D6098

RGB 93 96 152

HSL 236.95, 0.24%, 0.48%

LAB 42.7, 13.3, -30.99

 

CMYK 75 / 70 / 0 / 68

HEX #141851

RGB 20 24 81

HSL 236.07, 0.6%, 0.2%

LAB 11.93, 19.91, -35.41

 

CMYK 95 / 90 / 0 / 76

HEX #03063E

RGB 3 6 62

HSL 236.95, 0.91%, 0.13%

LAB 4.49, 20.2, -34.33

 

CMYK 100 / 100 / 0 / 83

HEX #00002B

RGB 0 0 43

HSL 240, 1%, 0.08%

LAB 1.58, 11.07, -24.95

 

CMYK 100 / 100 / 0 / 91

HEX #000018

RGB 0 0 24

HSL 240, 1%, 0.05%

LAB 0.6, 4.19, -11.39

 

CMYK 100 / 100 / 0 / 98

HEX #000005

RGB 0 0 5

HSL 240, 1%, 0.01%

LAB 0.1, 0.7, -1.89

 

CMYK 75 / 70 / 0 / 68

HEX #141851

RGB 20 24 81

HSL 236.07, 0.6%, 0.2%

LAB 11.93, 19.91, -35.41

 

CMYK 60 / 75 / 0 / 68

HEX #201451

RGB 32 20 81

HSL 251.8, 0.6%, 0.2%

LAB 11.97, 24.72, -35.31

 

CMYK 40 / 75 / 0 / 68

HEX #311451

RGB 49 20 81

HSL 268.52, 0.6%, 0.2%

LAB 14.1, 28.3, -31.74

 

CMYK 20 / 75 / 0 / 68

HEX #411451

RGB 65 20 81

HSL 284.26, 0.6%, 0.2%

LAB 16.59, 32.19, -27.59

 

CMYK 0 / 75 / 1 / 68

HEX #511450

RGB 81 20 80

HSL 300.98, 0.6%, 0.2%

LAB 19.34, 36.13, -22.36

 

CMYK 75 / 70 / 0 / 68

HEX #141851

RGB 20 24 81

HSL 236.07, 0.6%, 0.2%

LAB 11.93, 19.91, -35.41

 

CMYK 75 / 75 / 0 / 68

HEX #141451

RGB 20 20 81

HSL 240, 0.6%, 0.2%

LAB 10.87, 22.76, -37.15

 

CMYK 75 / 70 / 0 / 68

HEX #141851

RGB 20 24 81

HSL 236.07, 0.6%, 0.2%

LAB 11.93, 19.91, -35.41

 

CMYK 87 / 81 / 0 / 65

HEX #0C1159

RGB 12 17 89

HSL 236.1, 0.76%, 0.2%

LAB 10.56, 27.04, -43.13

 

CMYK 97 / 90 / 0 / 62

HEX #030A62

RGB 3 10 98

HSL 235.58, 0.94%, 0.2%

LAB 9.94, 33.86, -50.22

 

CMYK 75 / 70 / 0 / 68

HEX #141851

RGB 20 24 81

HSL 236.07, 0.6%, 0.2%

LAB 11.93, 19.91, -35.41

 

CMYK 62 / 58 / 0 / 71

HEX #1C1F49

RGB 28 31 73

HSL 236, 0.45%, 0.2%

LAB 13.87, 13.11, -26.73

 

CMYK 45 / 42 / 0 / 75

HEX #242641

RGB 36 38 65

HSL 235.86, 0.29%, 0.2%

LAB 16.22, 7.29, -17.42

 

CMYK 20 / 20 / 0 / 78

HEX #2D2D38

RGB 45 45 56

HSL 240, 0.11%, 0.2%

LAB 18.89, 2.83, -7.01

 

CMYK 0 / 0 / 9 / 79

HEX #353530

RGB 53 53 48

HSL 60, 0.05%, 0.2%

LAB 22, -1.11, 3.15

 

CMYK 75 / 30 / 0 / 68

HEX #143951

RGB 20 57 81

HSL 203.61, 0.6%, 0.2%

LAB 22.55, -4.08, -18.42

 

CMYK 75 / 51 / 0 / 68

HEX #142851

RGB 20 40 81

HSL 220.33, 0.6%, 0.2%

LAB 16.8, 7.97, -27.52

 

CMYK 75 / 70 / 0 / 68

HEX #141851

RGB 20 24 81

HSL 236.07, 0.6%, 0.2%

LAB 11.93, 19.91, -35.41

 

CMYK 60 / 75 / 0 / 68

HEX #201451

RGB 32 20 81

HSL 251.8, 0.6%, 0.2%

LAB 11.97, 24.72, -35.31

 

CMYK 41 / 75 / 0 / 68

HEX #301451

RGB 48 20 81

HSL 267.54, 0.6%, 0.2%

LAB 13.96, 28.07, -31.98

 

CMYK 80 / 73 / 0 / 94

HEX #03040F

RGB 3 4 15

HSL 235, 0.67%, 0.04%

LAB 1.27, 1.37, -4.54

 

CMYK 75 / 71 / 0 / 81

HEX #0C0E30

RGB 12 14 48

HSL 236.67, 0.6%, 0.12%

LAB 5.47, 10.92, -22.49

 

CMYK 75 / 70 / 0 / 68

HEX #141851

RGB 20 24 81

HSL 236.07, 0.6%, 0.2%

LAB 11.93, 19.91, -35.41

 

CMYK 75 / 70 / 0 / 55

HEX #1C2272

RGB 28 34 114

HSL 235.81, 0.61%, 0.28%

LAB 18.39, 26.95, -46.7

 

CMYK 76 / 70 / 0 / 42

HEX #242C93

RGB 36 44 147

HSL 235.68, 0.61%, 0.36%

LAB 24.59, 33.59, -57.31

 

CMYK 75 / 70 / 0 / 68

HEX #141851

RGB 20 24 81

HSL 236.07, 0.6%, 0.2%

LAB 11.93, 19.91, -35.41

 

CMYK 0 / 75 / 10 / 68

HEX #511449

RGB 81 20 73

HSL 307.87, 0.6%, 0.2%

LAB 18.93, 34.84, -18.24

 

CMYK 41 / 0 / 75 / 68

HEX #305114

RGB 48 81 20

HSL 92.46, 0.6%, 0.2%

LAB 30.79, -23.7, 30.66

 

CMYK 75 / 70 / 0 / 68

HEX #141851

RGB 20 24 81

HSL 236.07, 0.6%, 0.2%

LAB 11.93, 19.91, -35.41

 

CMYK 0 / 75 / 70 / 68

HEX #511418

RGB 81 20 24

HSL 356.07, 0.6%, 0.2%

LAB 17.06, 28.58, 13.63

 

CMYK 70 / 0 / 75 / 68

HEX #185114

RGB 24 81 20

HSL 116.07, 0.6%, 0.2%

LAB 29.74, -31.67, 29.23

 

CMYK 75 / 70 / 0 / 68

HEX #141851

RGB 20 24 81

HSL 236.07, 0.6%, 0.2%

LAB 11.93, 19.91, -35.41

 

CMYK 0 / 75 / 10 / 68

HEX #511449

RGB 81 20 73

HSL 307.87, 0.6%, 0.2%

LAB 18.93, 34.84, -18.24

 

CMYK 0 / 5 / 75 / 68

HEX #514D14

RGB 81 77 20

HSL 56.07, 0.6%, 0.2%

LAB 32.05, -6.13, 32.78

 

CMYK 75 / 0 / 65 / 68

HEX #14511C

RGB 20 81 28

HSL 127.87, 0.6%, 0.2%

LAB 29.71, -31.61, 25.19

 

CMYK 75 / 70 / 0 / 68

HEX #141851

RGB 20 24 81

HSL 236.07, 0.6%, 0.2%

LAB 11.93, 19.91, -35.41

 

CMYK 0 / 75 / 32 / 68

HEX #511437

RGB 81 20 55

HSL 325.57, 0.6%, 0.2%

LAB 18.03, 31.92, -7.1

 

CMYK 0 / 5 / 75 / 68

HEX #514D14

RGB 81 77 20

HSL 56.07, 0.6%, 0.2%

LAB 32.05, -6.13, 32.78

 

CMYK 75 / 0 / 43 / 68

HEX #14512E

RGB 20 81 46

HSL 145.57, 0.6%, 0.2%

LAB 29.99, -28.4, 15.15

 

Description

Color code: HEX #141851 | qconv.com Color code: HEX #141851 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 24 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 24 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 70 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 70% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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