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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #144133 it is the complementary color #EBBECC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #144133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #144133 shade: #19412E, #2A5341, #3B6554, #4C7767 and #5D897A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #144133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #144133 shade: #144133, #032F20, #001D0D and #000B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #144133 shade: #144234, #144227, #14421B, #194214 and #264214

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #144133 shade: #144234, #144240, #143742, #142B42 and #141F42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #144133 shade matches the following richer shades: #144234, #0D4936 and #065039

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #144133 shade: #144234, #1B3B31, #22342E, #292D2C and #302629

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #144133 shade: #14421B, #144227, #144233, #144240 and #143842

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #144133 shade: #000302, #0A221B, #144234, #1E614C and #278165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #144133 shade: #144133, #141942 and #422114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #144133 shade: #144133, #331442 and #423314

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #144133 shade: #144133, #141942, #421422 and #423C14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #144133 shade: #144133, #1C1442, #421422 and #394214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 22 / 75

HEX #144133

RGB 20 65 51

HSL 161.33, 0.53%, 0.17%

LAB 24.22, -19.38, 4.04

 

Complementary color

CMYK 0 / 19 / 13 / 8

HEX #EBBECC

RGB 235 190 204

HSL 341.33, 0.53%, 0.83%

LAB 81.21, 18.27, -0.92

 

CMYK 62 / 0 / 29 / 75

HEX #19412E

RGB 25 65 46

HSL 151.5, 0.44%, 0.18%

LAB 24.27, -19.45, 7.42

 

CMYK 49 / 0 / 22 / 67

HEX #2A5341

RGB 42 83 65

HSL 153.66, 0.33%, 0.25%

LAB 31.94, -19.28, 6.13

 

CMYK 42 / 0 / 17 / 60

HEX #3B6554

RGB 59 101 84

HSL 155.71, 0.26%, 0.31%

LAB 39.37, -19.03, 5.05

 

CMYK 36 / 0 / 13 / 53

HEX #4C7767

RGB 76 119 103

HSL 157.67, 0.22%, 0.38%

LAB 46.59, -18.78, 4.1

 

CMYK 32 / 0 / 11 / 46

HEX #5D897A

RGB 93 137 122

HSL 159.55, 0.19%, 0.45%

LAB 53.63, -18.55, 3.24

 

CMYK 69 / 0 / 22 / 75

HEX #144133

RGB 20 65 51

HSL 161.33, 0.53%, 0.17%

LAB 24.22, -19.38, 4.04

 

CMYK 94 / 0 / 32 / 82

HEX #032F20

RGB 3 47 32

HSL 159.55, 0.88%, 0.1%

LAB 16.29, -19.15, 5.55

 

CMYK 100 / 0 / 55 / 89

HEX #001D0D

RGB 0 29 13

HSL 146.9, 1%, 0.06%

LAB 8.2, -14.36, 6.57

 

CMYK 100 / 0 / 100 / 96

HEX #000B00

RGB 0 11 0

HSL 120, 1%, 0.02%

LAB 2.16, -4.42, 3.16

 

CMYK 70 / 0 / 21 / 74

HEX #144234

RGB 20 66 52

HSL 161.74, 0.53%, 0.17%

LAB 24.62, -19.62, 3.95

 

CMYK 70 / 0 / 41 / 74

HEX #144227

RGB 20 66 39

HSL 144.78, 0.53%, 0.17%

LAB 24.3, -22.98, 11.95

 

CMYK 70 / 0 / 59 / 74

HEX #14421B

RGB 20 66 27

HSL 129.13, 0.53%, 0.17%

LAB 24.08, -25.36, 19.07

 

CMYK 62 / 0 / 70 / 74

HEX #194214

RGB 25 66 20

HSL 113.48, 0.53%, 0.17%

LAB 24.17, -24.95, 23.17

 

CMYK 42 / 0 / 70 / 74

HEX #264214

RGB 38 66 20

HSL 96.52, 0.53%, 0.17%

LAB 24.82, -20.2, 24.08

 

CMYK 70 / 0 / 21 / 74

HEX #144234

RGB 20 66 52

HSL 161.74, 0.53%, 0.17%

LAB 24.62, -19.62, 3.95

 

CMYK 70 / 0 / 3 / 74

HEX #144240

RGB 20 66 64

HSL 177.39, 0.53%, 0.17%

LAB 25, -15.91, -3.4

 

CMYK 70 / 17 / 0 / 74

HEX #143742

RGB 20 55 66

HSL 194.35, 0.53%, 0.17%

LAB 21.11, -8.58, -10.6

 

CMYK 70 / 35 / 0 / 74

HEX #142B42

RGB 20 43 66

HSL 210, 0.53%, 0.17%

LAB 16.84, -0.48, -17.21

 

CMYK 70 / 53 / 0 / 74

HEX #141F42

RGB 20 31 66

HSL 225.65, 0.53%, 0.17%

LAB 12.75, 8.41, -23.71

 

CMYK 70 / 0 / 21 / 74

HEX #144234

RGB 20 66 52

HSL 161.74, 0.53%, 0.17%

LAB 24.62, -19.62, 3.95

 

CMYK 82 / 0 / 26 / 71

HEX #0D4936

RGB 13 73 54

HSL 161, 0.7%, 0.17%

LAB 27.07, -23.93, 6.1

 

CMYK 93 / 0 / 29 / 69

HEX #065039

RGB 6 80 57

HSL 161.35, 0.86%, 0.17%

LAB 29.59, -27.33, 7.72

 

CMYK 70 / 0 / 21 / 74

HEX #144234

RGB 20 66 52

HSL 161.74, 0.53%, 0.17%

LAB 24.62, -19.62, 3.95

 

CMYK 54 / 0 / 17 / 77

HEX #1B3B31

RGB 27 59 49

HSL 161.25, 0.37%, 0.17%

LAB 22.24, -14.75, 2.57

 

CMYK 35 / 0 / 12 / 80

HEX #22342E

RGB 34 52 46

HSL 160, 0.21%, 0.17%

LAB 20.02, -8.95, 1.44

 

CMYK 9 / 0 / 2 / 82

HEX #292D2C

RGB 41 45 44

HSL 165, 0.05%, 0.17%

LAB 18.05, -2.01, 0.04

 

CMYK 0 / 21 / 15 / 81

HEX #302629

RGB 48 38 41

HSL 342, 0.12%, 0.17%

LAB 16.38, 5.32, -0.22

 

CMYK 70 / 0 / 59 / 74

HEX #14421B

RGB 20 66 27

HSL 129.13, 0.53%, 0.17%

LAB 24.08, -25.36, 19.07

 

CMYK 70 / 0 / 41 / 74

HEX #144227

RGB 20 66 39

HSL 144.78, 0.53%, 0.17%

LAB 24.3, -22.98, 11.95

 

CMYK 70 / 0 / 23 / 74

HEX #144233

RGB 20 66 51

HSL 160.43, 0.53%, 0.17%

LAB 24.59, -19.91, 4.57

 

CMYK 70 / 0 / 3 / 74

HEX #144240

RGB 20 66 64

HSL 177.39, 0.53%, 0.17%

LAB 25, -15.91, -3.4

 

CMYK 70 / 15 / 0 / 74

HEX #143842

RGB 20 56 66

HSL 193.04, 0.53%, 0.17%

LAB 21.47, -9.21, -10.05

 

CMYK 100 / 0 / 33 / 99

HEX #000302

RGB 0 3 2

HSL 160, 1%, 0.01%

LAB 0.63, -0.92, 0.1

 

CMYK 71 / 0 / 21 / 87

HEX #0A221B

RGB 10 34 27

HSL 162.5, 0.55%, 0.09%

LAB 11.19, -11.61, 1.9

 

CMYK 70 / 0 / 21 / 74

HEX #144234

RGB 20 66 52

HSL 161.74, 0.53%, 0.17%

LAB 24.62, -19.62, 3.95

 

CMYK 69 / 0 / 22 / 62

HEX #1E614C

RGB 30 97 76

HSL 161.19, 0.53%, 0.25%

LAB 36.64, -26.57, 5.9

 

CMYK 70 / 0 / 22 / 49

HEX #278165

RGB 39 129 101

HSL 161.33, 0.54%, 0.33%

LAB 48.35, -33.44, 7.6

 

CMYK 69 / 0 / 22 / 75

HEX #144133

RGB 20 65 51

HSL 161.33, 0.53%, 0.17%

LAB 24.22, -19.38, 4.04

 

CMYK 70 / 62 / 0 / 74

HEX #141942

RGB 20 25 66

HSL 233.48, 0.53%, 0.17%

LAB 10.83, 13.02, -26.8

 

CMYK 0 / 50 / 70 / 74

HEX #422114

RGB 66 33 20

HSL 16.96, 0.53%, 0.17%

LAB 16.97, 14.42, 15.65

 

CMYK 69 / 0 / 22 / 75

HEX #144133

RGB 20 65 51

HSL 161.33, 0.53%, 0.17%

LAB 24.22, -19.38, 4.04

 

CMYK 23 / 70 / 0 / 74

HEX #331442

RGB 51 20 66

HSL 280.43, 0.53%, 0.17%

LAB 13.21, 24.7, -22.77

 

CMYK 0 / 23 / 70 / 74

HEX #423314

RGB 66 51 20

HSL 40.43, 0.53%, 0.17%

LAB 22.22, 2.51, 21.83

 

CMYK 69 / 0 / 22 / 75

HEX #144133

RGB 20 65 51

HSL 161.33, 0.53%, 0.17%

LAB 24.22, -19.38, 4.04

 

CMYK 70 / 62 / 0 / 74

HEX #141942

RGB 20 25 66

HSL 233.48, 0.53%, 0.17%

LAB 10.83, 13.02, -26.8

 

CMYK 0 / 70 / 48 / 74

HEX #421422

RGB 66 20 34

HSL 341.74, 0.53%, 0.17%

LAB 14.25, 23.75, 2.09

 

CMYK 0 / 9 / 70 / 74

HEX #423C14

RGB 66 60 20

HSL 52.17, 0.53%, 0.17%

LAB 25.08, -3.3, 25.01

 

CMYK 69 / 0 / 22 / 75

HEX #144133

RGB 20 65 51

HSL 161.33, 0.53%, 0.17%

LAB 24.22, -19.38, 4.04

 

CMYK 58 / 70 / 0 / 74

HEX #1C1442

RGB 28 20 66

HSL 250.43, 0.53%, 0.17%

LAB 10.11, 18.53, -27.93

 

CMYK 0 / 70 / 48 / 74

HEX #421422

RGB 66 20 34

HSL 341.74, 0.53%, 0.17%

LAB 14.25, 23.75, 2.09

 

CMYK 14 / 0 / 70 / 74

HEX #394214

RGB 57 66 20

HSL 71.74, 0.53%, 0.17%

LAB 26.21, -11.53, 25.99

 

Description

Color code: HEX #144133 | qconv.com Color code: HEX #144133 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 65 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 65 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 22 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 22% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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