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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #144265 it is the complementary color #EBBD9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #144265. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #144265 shade: #194260, #2A5473, #3B6686, #4C7899 and #5D8AAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #144265. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #144265 shade: #144265, #033052, #001E3F, #000C2C and #000019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #144265 shade: #144266, #142C66, #141666, #271466 and #3E1466

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #144265 shade: #144266, #142C66, #141666 and #141466

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #144265 shade matches the following richer shades: #144266, #0A4470 and #00457A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #144265 shade: #144266, #1E415C, #284052, #313E48 and #3B3D3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #144265 shade: #14665C, #145966, #144466, #142E66 and #141866

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #144265 shade: #061521, #0D2C43, #144266, #1B5988 and #216FAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #144265 shade: #144265, #461466 and #646614

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #144265 shade: #144265, #661444 and #446614

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #144265 shade: #144265, #461466, #663614 and #336614

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #144265 shade: #144265, #5F1466, #663614 and #1B6614

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 35 / 0 / 60

HEX #144265

RGB 20 66 101

HSL 205.93, 0.67%, 0.24%

LAB 26.69, -1.99, -24.96

 

Complementary color

CMYK 0 / 20 / 34 / 8

HEX #EBBD9A

RGB 235 189 154

HSL 25.93, 0.67%, 0.76%

LAB 79.84, 11.72, 23.95

 

CMYK 74 / 31 / 0 / 62

HEX #194260

RGB 25 66 96

HSL 205.35, 0.59%, 0.24%

LAB 26.59, -3.21, -21.89

 

CMYK 63 / 27 / 0 / 55

HEX #2A5473

RGB 42 84 115

HSL 205.48, 0.46%, 0.31%

LAB 34.13, -4.32, -22.1

 

CMYK 56 / 24 / 0 / 47

HEX #3B6686

RGB 59 102 134

HSL 205.6, 0.39%, 0.38%

LAB 41.46, -5.06, -22.29

 

CMYK 50 / 22 / 0 / 40

HEX #4C7899

RGB 76 120 153

HSL 205.71, 0.34%, 0.45%

LAB 48.6, -5.58, -22.5

 

CMYK 46 / 20 / 0 / 33

HEX #5D8AAC

RGB 93 138 172

HSL 205.82, 0.32%, 0.52%

LAB 55.57, -5.97, -22.72

 

CMYK 80 / 35 / 0 / 60

HEX #144265

RGB 20 66 101

HSL 205.93, 0.67%, 0.24%

LAB 26.69, -1.99, -24.96

 

CMYK 96 / 41 / 0 / 68

HEX #033052

RGB 3 48 82

HSL 205.82, 0.93%, 0.17%

LAB 18.98, 0.21, -24.74

 

CMYK 100 / 52 / 0 / 75

HEX #001E3F

RGB 0 30 63

HSL 211.43, 1%, 0.12%

LAB 11.19, 4.24, -24.16

 

CMYK 100 / 73 / 0 / 83

HEX #000C2C

RGB 0 12 44

HSL 223.64, 1%, 0.09%

LAB 4.02, 6.69, -21.86

 

CMYK 100 / 100 / 0 / 90

HEX #000019

RGB 0 0 25

HSL 240, 1%, 0.05%

LAB 0.63, 4.46, -12.12

 

CMYK 80 / 35 / 0 / 60

HEX #144266

RGB 20 66 102

HSL 206.34, 0.67%, 0.24%

LAB 26.75, -1.58, -25.51

 

CMYK 80 / 57 / 0 / 60

HEX #142C66

RGB 20 44 102

HSL 222.44, 0.67%, 0.24%

LAB 19.68, 13.94, -36.83

 

CMYK 80 / 78 / 0 / 60

HEX #141666

RGB 20 22 102

HSL 238.54, 0.67%, 0.24%

LAB 13.72, 29.45, -46.57

 

CMYK 62 / 80 / 0 / 60

HEX #271466

RGB 39 20 102

HSL 253.9, 0.67%, 0.24%

LAB 14.9, 32.9, -44.57

 

CMYK 39 / 80 / 0 / 60

HEX #3E1466

RGB 62 20 102

HSL 270.73, 0.67%, 0.24%

LAB 17.84, 36.79, -39.64

 

CMYK 80 / 35 / 0 / 60

HEX #144266

RGB 20 66 102

HSL 206.34, 0.67%, 0.24%

LAB 26.75, -1.58, -25.51

 

CMYK 80 / 57 / 0 / 60

HEX #142C66

RGB 20 44 102

HSL 222.44, 0.67%, 0.24%

LAB 19.68, 13.94, -36.83

 

CMYK 80 / 78 / 0 / 60

HEX #141666

RGB 20 22 102

HSL 238.54, 0.67%, 0.24%

LAB 13.72, 29.45, -46.57

 

CMYK 80 / 80 / 0 / 60

HEX #141466

RGB 20 20 102

HSL 240, 0.67%, 0.24%

LAB 13.28, 30.69, -47.3

 

CMYK 80 / 35 / 0 / 60

HEX #144266

RGB 20 66 102

HSL 206.34, 0.67%, 0.24%

LAB 26.75, -1.58, -25.51

 

CMYK 91 / 39 / 0 / 56

HEX #0A4470

RGB 10 68 112

HSL 205.88, 0.84%, 0.24%

LAB 27.76, 0.17, -30.3

 

CMYK 100 / 43 / 0 / 52

HEX #00457A

RGB 0 69 122

HSL 206.07, 1%, 0.24%

LAB 28.54, 3.04, -35.37

 

CMYK 80 / 35 / 0 / 60

HEX #144266

RGB 20 66 102

HSL 206.34, 0.67%, 0.24%

LAB 26.75, -1.58, -25.51

 

CMYK 67 / 29 / 0 / 64

HEX #1E415C

RGB 30 65 92

HSL 206.13, 0.51%, 0.24%

LAB 26.24, -3.13, -19.83

 

CMYK 51 / 22 / 0 / 68

HEX #284052

RGB 40 64 82

HSL 205.71, 0.34%, 0.24%

LAB 25.94, -3.58, -13.73

 

CMYK 32 / 14 / 0 / 72

HEX #313E48

RGB 49 62 72

HSL 206.09, 0.19%, 0.24%

LAB 25.46, -2.52, -7.84

 

CMYK 5 / 2 / 0 / 76

HEX #3B3D3E

RGB 59 61 62

HSL 200, 0.02%, 0.24%

LAB 25.61, -0.61, -0.91

 

CMYK 80 / 0 / 10 / 60

HEX #14665C

RGB 20 102 92

HSL 172.68, 0.67%, 0.24%

LAB 38.59, -26.02, -1.15

 

CMYK 80 / 13 / 0 / 60

HEX #145966

RGB 20 89 102

HSL 189.51, 0.67%, 0.24%

LAB 34.5, -15.78, -13.47

 

CMYK 80 / 33 / 0 / 60

HEX #144466

RGB 20 68 102

HSL 204.88, 0.67%, 0.24%

LAB 27.41, -2.91, -24.46

 

CMYK 80 / 55 / 0 / 60

HEX #142E66

RGB 20 46 102

HSL 220.98, 0.67%, 0.24%

LAB 20.29, 12.48, -35.83

 

CMYK 80 / 76 / 0 / 60

HEX #141866

RGB 20 24 102

HSL 237.07, 0.67%, 0.24%

LAB 14.18, 28.16, -45.81

 

CMYK 82 / 36 / 0 / 87

HEX #061521

RGB 6 21 33

HSL 206.67, 0.69%, 0.08%

LAB 6.19, -1.36, -10.1

 

CMYK 81 / 34 / 0 / 74

HEX #0D2C43

RGB 13 44 67

HSL 205.56, 0.68%, 0.16%

LAB 16.95, -2.18, -17.75

 

CMYK 80 / 35 / 0 / 60

HEX #144266

RGB 20 66 102

HSL 206.34, 0.67%, 0.24%

LAB 26.75, -1.58, -25.51

 

CMYK 80 / 35 / 0 / 47

HEX #1B5988

RGB 27 89 136

HSL 205.87, 0.67%, 0.32%

LAB 36.28, -2.03, -31.69

 

CMYK 81 / 35 / 0 / 33

HEX #216FAB

RGB 33 111 171

HSL 206.09, 0.68%, 0.4%

LAB 45.13, -1.56, -38.6

 

CMYK 80 / 35 / 0 / 60

HEX #144265

RGB 20 66 101

HSL 205.93, 0.67%, 0.24%

LAB 26.69, -1.99, -24.96

 

CMYK 31 / 80 / 0 / 60

HEX #461466

RGB 70 20 102

HSL 276.59, 0.67%, 0.24%

LAB 19.06, 38.36, -37.6

 

CMYK 2 / 0 / 80 / 60

HEX #646614

RGB 100 102 20

HSL 61.46, 0.67%, 0.24%

LAB 41.63, -11.32, 42.56

 

CMYK 80 / 35 / 0 / 60

HEX #144265

RGB 20 66 101

HSL 205.93, 0.67%, 0.24%

LAB 26.69, -1.99, -24.96

 

CMYK 0 / 80 / 33 / 60

HEX #661444

RGB 102 20 68

HSL 324.88, 0.67%, 0.24%

LAB 22.8, 40.05, -8.5

 

CMYK 33 / 0 / 80 / 60

HEX #446614

RGB 68 102 20

HSL 84.88, 0.67%, 0.24%

LAB 39.21, -25.82, 39.43

 

CMYK 80 / 35 / 0 / 60

HEX #144265

RGB 20 66 101

HSL 205.93, 0.67%, 0.24%

LAB 26.69, -1.99, -24.96

 

CMYK 31 / 80 / 0 / 60

HEX #461466

RGB 70 20 102

HSL 276.59, 0.67%, 0.24%

LAB 19.06, 38.36, -37.6

 

CMYK 0 / 47 / 80 / 60

HEX #663614

RGB 102 54 20

HSL 24.88, 0.67%, 0.24%

LAB 28.15, 18.53, 29.71

 

CMYK 50 / 0 / 80 / 60

HEX #336614

RGB 51 102 20

HSL 97.32, 0.67%, 0.24%

LAB 38.3, -32.31, 38.23

 

CMYK 80 / 35 / 0 / 60

HEX #144265

RGB 20 66 101

HSL 205.93, 0.67%, 0.24%

LAB 26.69, -1.99, -24.96

 

CMYK 7 / 80 / 0 / 60

HEX #5F1466

RGB 95 20 102

HSL 294.88, 0.67%, 0.24%

LAB 23.31, 43.74, -30.53

 

CMYK 0 / 47 / 80 / 60

HEX #663614

RGB 102 54 20

HSL 24.88, 0.67%, 0.24%

LAB 28.15, 18.53, 29.71

 

CMYK 74 / 0 / 80 / 60

HEX #1B6614

RGB 27 102 20

HSL 114.88, 0.67%, 0.24%

LAB 37.46, -39.04, 37.12

 

Description

Color code: HEX #144265 | qconv.com Color code: HEX #144265 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 66 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 66 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 35 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 35% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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