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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1455D6 it is the complementary color #EBAA29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1455D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1455D6 shade: #1955D1, #2A67E4, #3B79F7, #4C8BFF and #5D9DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1455D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1455D6 shade: #1455D6, #0343C3, #0031B0, #001F9D and #000D8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1455D6 shade: #1355D6, #1320D6, #3B13D6, #7013D6 and #A413D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1455D6 shade: #1355D6, #1320D6 and #1313D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1455D6 shade matches the following richer shades: #1355D6 and #004EE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1455D6 shade: #1355D6, #265BC3, #3961B0, #4C679D and #5F6E8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1455D6 shade: #13BFD6, #138CD6, #1358D6, #1324D6 and #3713D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1455D6 shade: #0C378B, #1046B0, #1355D6, #2869EB and #4E84EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1455D6 shade: #1455D6, #B913D6 and #A5D613

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1455D6 shade: #1455D6, #D61358 and #58D613

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1455D6 shade: #1455D6, #B913D6, #D69213 and #31D613

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1455D6 shade: #1455D6, #D613B9, #D69213 and #13D631

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 60 / 0 / 16

HEX #1455D6

RGB 20 85 214

HSL 219.9, 0.83%, 0.46%

LAB 40.41, 31.04, -71.15

 

Complementary color

CMYK 0 / 28 / 83 / 8

HEX #EBAA29

RGB 235 170 41

HSL 39.9, 0.83%, 0.54%

LAB 73.91, 13.45, 69.54

 

CMYK 88 / 59 / 0 / 18

HEX #1955D1

RGB 25 85 209

HSL 220.43, 0.79%, 0.46%

LAB 40.09, 29.37, -68.8

 

CMYK 82 / 55 / 0 / 11

HEX #2A67E4

RGB 42 103 228

HSL 220.32, 0.78%, 0.53%

LAB 46.7, 26.17, -68.84

 

CMYK 76 / 51 / 0 / 3

HEX #3B79F7

RGB 59 121 247

HSL 220.21, 0.92%, 0.6%

LAB 53.3, 23.49, -68.75

 

CMYK 70 / 45 / 0 / 0

HEX #4C8BFF

RGB 76 139 255

HSL 218.88, 1%, 0.65%

LAB 59.18, 17.38, -63.66

 

CMYK 64 / 38 / 0 / 0

HEX #5D9DFF

RGB 93 157 255

HSL 216.3, 1%, 0.68%

LAB 64.69, 9.27, -54.81

 

CMYK 91 / 60 / 0 / 16

HEX #1455D6

RGB 20 85 214

HSL 219.9, 0.83%, 0.46%

LAB 40.41, 31.04, -71.15

 

CMYK 98 / 66 / 0 / 24

HEX #0343C3

RGB 3 67 195

HSL 220, 0.97%, 0.39%

LAB 33.93, 34.89, -70.79

 

CMYK 100 / 72 / 0 / 31

HEX #0031B0

RGB 0 49 176

HSL 223.3, 1%, 0.35%

LAB 27.66, 39.16, -69.89

 

CMYK 100 / 80 / 0 / 38

HEX #001F9D

RGB 0 31 157

HSL 228.15, 1%, 0.31%

LAB 21.63, 43.05, -68.38

 

CMYK 100 / 91 / 0 / 46

HEX #000D8A

RGB 0 13 138

HSL 234.35, 1%, 0.27%

LAB 16.12, 45.49, -65.78

 

CMYK 91 / 60 / 0 / 16

HEX #1355D6

RGB 19 85 214

HSL 219.69, 0.84%, 0.46%

LAB 40.39, 31, -71.18

 

CMYK 91 / 85 / 0 / 16

HEX #1320D6

RGB 19 32 214

HSL 236, 0.84%, 0.46%

LAB 29.48, 61.07, -89.21

 

CMYK 72 / 91 / 0 / 16

HEX #3B13D6

RGB 59 19 214

HSL 252.31, 0.84%, 0.46%

LAB 30.04, 66.72, -88.23

 

CMYK 48 / 91 / 0 / 16

HEX #7013D6

RGB 112 19 214

HSL 268.62, 0.84%, 0.46%

LAB 35.53, 70.52, -78.96

 

CMYK 23 / 91 / 0 / 16

HEX #A413D6

RGB 164 19 214

HSL 284.62, 0.84%, 0.46%

LAB 43.08, 76.75, -66.28

 

CMYK 91 / 60 / 0 / 16

HEX #1355D6

RGB 19 85 214

HSL 219.69, 0.84%, 0.46%

LAB 40.39, 31, -71.18

 

CMYK 91 / 85 / 0 / 16

HEX #1320D6

RGB 19 32 214

HSL 236, 0.84%, 0.46%

LAB 29.48, 61.07, -89.21

 

CMYK 91 / 91 / 0 / 16

HEX #1313D6

RGB 19 19 214

HSL 240, 0.84%, 0.46%

LAB 28, 65.53, -91.67

 

CMYK 91 / 60 / 0 / 16

HEX #1355D6

RGB 19 85 214

HSL 219.69, 0.84%, 0.46%

LAB 40.39, 31, -71.18

 

CMYK 100 / 67 / 0 / 9

HEX #004EE9

RGB 0 78 233

HSL 219.91, 1%, 0.46%

LAB 40.13, 42.12, -82.45

 

CMYK 91 / 60 / 0 / 16

HEX #1355D6

RGB 19 85 214

HSL 219.69, 0.84%, 0.46%

LAB 40.39, 31, -71.18

 

CMYK 81 / 53 / 0 / 24

HEX #265BC3

RGB 38 91 195

HSL 219.75, 0.67%, 0.46%

LAB 40.95, 21.01, -59.29

 

CMYK 68 / 45 / 0 / 31

HEX #3961B0

RGB 57 97 176

HSL 219.83, 0.51%, 0.46%

LAB 42.08, 12.43, -46.33

 

CMYK 52 / 34 / 0 / 38

HEX #4C679D

RGB 76 103 157

HSL 220, 0.35%, 0.46%

LAB 43.76, 5.96, -32.39

 

CMYK 31 / 20 / 0 / 46

HEX #5F6E8A

RGB 95 110 138

HSL 219.07, 0.18%, 0.46%

LAB 46.2, 1.38, -17.21

 

CMYK 91 / 11 / 0 / 16

HEX #13BFD6

RGB 19 191 214

HSL 187.08, 0.84%, 0.46%

LAB 71.05, -30.89, -22.65

 

CMYK 91 / 35 / 0 / 16

HEX #138CD6

RGB 19 140 214

HSL 202.77, 0.84%, 0.46%

LAB 55.84, -3.65, -46.3

 

CMYK 91 / 59 / 0 / 16

HEX #1358D6

RGB 19 88 214

HSL 218.77, 0.84%, 0.46%

LAB 41.17, 29.04, -69.91

 

CMYK 91 / 83 / 0 / 16

HEX #1324D6

RGB 19 36 214

HSL 234.77, 0.84%, 0.46%

LAB 30.05, 59.38, -88.26

 

CMYK 74 / 91 / 0 / 16

HEX #3713D6

RGB 55 19 214

HSL 251.08, 0.84%, 0.46%

LAB 29.75, 66.54, -88.72

 

CMYK 91 / 60 / 0 / 45

HEX #0C378B

RGB 12 55 139

HSL 219.69, 0.84%, 0.3%

LAB 25.79, 20.92, -50.43

 

CMYK 91 / 60 / 0 / 31

HEX #1046B0

RGB 16 70 176

HSL 219.75, 0.83%, 0.38%

LAB 33.19, 25.89, -60.79

 

CMYK 91 / 60 / 0 / 16

HEX #1355D6

RGB 19 85 214

HSL 219.69, 0.84%, 0.46%

LAB 40.39, 31, -71.18

 

CMYK 83 / 55 / 0 / 8

HEX #2869EB

RGB 40 105 235

HSL 220, 0.83%, 0.54%

LAB 47.69, 27.37, -71.18

 

CMYK 67 / 45 / 0 / 7

HEX #4E84EE

RGB 78 132 238

HSL 219.75, 0.82%, 0.62%

LAB 56.38, 15.98, -58.75

 

CMYK 91 / 60 / 0 / 16

HEX #1455D6

RGB 20 85 214

HSL 219.9, 0.83%, 0.46%

LAB 40.41, 31.04, -71.15

 

CMYK 14 / 91 / 0 / 16

HEX #B913D6

RGB 185 19 214

HSL 291.08, 0.84%, 0.46%

LAB 46.49, 79.84, -60.6

 

CMYK 23 / 0 / 91 / 16

HEX #A5D613

RGB 165 214 19

HSL 75.08, 0.84%, 0.46%

LAB 79.69, -38.77, 76.72

 

CMYK 91 / 60 / 0 / 16

HEX #1455D6

RGB 20 85 214

HSL 219.9, 0.83%, 0.46%

LAB 40.41, 31.04, -71.15

 

CMYK 0 / 91 / 59 / 16

HEX #D61358

RGB 214 19 88

HSL 338.77, 0.84%, 0.46%

LAB 46.27, 71, 15.2

 

CMYK 59 / 0 / 91 / 16

HEX #58D613

RGB 88 214 19

HSL 98.77, 0.84%, 0.46%

LAB 76.2, -63.98, 72.42

 

CMYK 91 / 60 / 0 / 16

HEX #1455D6

RGB 20 85 214

HSL 219.9, 0.83%, 0.46%

LAB 40.41, 31.04, -71.15

 

CMYK 14 / 91 / 0 / 16

HEX #B913D6

RGB 185 19 214

HSL 291.08, 0.84%, 0.46%

LAB 46.49, 79.84, -60.6

 

CMYK 0 / 32 / 91 / 16

HEX #D69213

RGB 214 146 19

HSL 39.08, 0.84%, 0.46%

LAB 65.67, 16.72, 67.59

 

CMYK 77 / 0 / 91 / 16

HEX #31D613

RGB 49 214 19

HSL 110.77, 0.84%, 0.46%

LAB 75.32, -71.44, 71.33

 

CMYK 91 / 60 / 0 / 16

HEX #1455D6

RGB 20 85 214

HSL 219.9, 0.83%, 0.46%

LAB 40.41, 31.04, -71.15

 

CMYK 0 / 91 / 14 / 16

HEX #D613B9

RGB 214 19 185

HSL 308.92, 0.84%, 0.46%

LAB 49.82, 80.48, -38.2

 

CMYK 0 / 32 / 91 / 16

HEX #D69213

RGB 214 146 19

HSL 39.08, 0.84%, 0.46%

LAB 65.67, 16.72, 67.59

 

CMYK 91 / 0 / 77 / 16

HEX #13D631

RGB 19 214 49

HSL 129.23, 0.84%, 0.46%

LAB 75.11, -72.91, 64.09

 

Description

Color code: HEX #1455D6 | qconv.com Color code: HEX #1455D6 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 85 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 85 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 60 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 60% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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