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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #147998 it is the complementary color #EB8667. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #147998. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #147998 shade: #197993, #2A8BA6, #3B9DB9, #4CAFCC and #5DC1DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #147998. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #147998 shade: #147998, #036785, #005572, #00435F and #00314C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #147998 shade: #137A99, #135699, #133299, #191399 and #3D1399

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #147998 shade: #137A99, #135699, #133299 and #131399

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #147998 shade matches the following richer shades: #137A99 and #0581A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #147998 shade: #137A99, #21728B, #2F6B7D, #3E636F and #4C5C61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #147998 shade: #139971, #139995, #137A99, #135699 and #133399

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #147998 shade: #0A3F50, #0F5D74, #137A99, #1897BD and #1EB3E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #147998 shade: #147998, #4D1399 and #998313

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #147998 shade: #147998, #99137A and #7A9913

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #147998 shade: #147998, #4D1399, #993313 and #5F9913

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #147998 shade: #147998, #751399, #993313 and #379913

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 20 / 0 / 40

HEX #147998

RGB 20 121 152

HSL 194.09, 0.77%, 0.34%

LAB 47.09, -15.71, -24.38

 

Complementary color

CMYK 0 / 43 / 56 / 8

HEX #EB8667

RGB 235 134 103

HSL 14.09, 0.77%, 0.66%

LAB 66.28, 35.7, 33.47

 

CMYK 83 / 18 / 0 / 42

HEX #197993

RGB 25 121 147

HSL 192.79, 0.71%, 0.34%

LAB 46.96, -17.07, -21.64

 

CMYK 75 / 16 / 0 / 35

HEX #2A8BA6

RGB 42 139 166

HSL 193.06, 0.6%, 0.41%

LAB 53.72, -18.41, -22.28

 

CMYK 68 / 15 / 0 / 27

HEX #3B9DB9

RGB 59 157 185

HSL 193.33, 0.52%, 0.48%

LAB 60.38, -19.38, -22.83

 

CMYK 63 / 14 / 0 / 20

HEX #4CAFCC

RGB 76 175 204

HSL 193.59, 0.56%, 0.55%

LAB 66.94, -20.1, -23.34

 

CMYK 58 / 13 / 0 / 13

HEX #5DC1DF

RGB 93 193 223

HSL 193.85, 0.67%, 0.62%

LAB 73.41, -20.63, -23.8

 

CMYK 87 / 20 / 0 / 40

HEX #147998

RGB 20 121 152

HSL 194.09, 0.77%, 0.34%

LAB 47.09, -15.71, -24.38

 

CMYK 98 / 23 / 0 / 48

HEX #036785

RGB 3 103 133

HSL 193.85, 0.96%, 0.27%

LAB 40.27, -13.62, -23.65

 

CMYK 100 / 25 / 0 / 55

HEX #005572

RGB 0 85 114

HSL 195.26, 1%, 0.22%

LAB 33.38, -10.63, -22.73

 

CMYK 100 / 29 / 0 / 63

HEX #00435F

RGB 0 67 95

HSL 197.68, 1%, 0.19%

LAB 26.28, -7.26, -21.78

 

CMYK 100 / 36 / 0 / 70

HEX #00314C

RGB 0 49 76

HSL 201.32, 1%, 0.15%

LAB 18.88, -3.6, -20.87

 

CMYK 88 / 20 / 0 / 40

HEX #137A99

RGB 19 122 153

HSL 193.88, 0.78%, 0.34%

LAB 47.44, -15.98, -24.43

 

CMYK 88 / 44 / 0 / 40

HEX #135699

RGB 19 86 153

HSL 210, 0.78%, 0.34%

LAB 36.16, 5.93, -42.2

 

CMYK 88 / 67 / 0 / 40

HEX #133299

RGB 19 50 153

HSL 226.12, 0.78%, 0.34%

LAB 25.92, 30.47, -58.83

 

CMYK 84 / 88 / 0 / 40

HEX #191399

RGB 25 19 153

HSL 242.69, 0.78%, 0.34%

LAB 19.93, 48.36, -68.73

 

CMYK 60 / 88 / 0 / 40

HEX #3D1399

RGB 61 19 153

HSL 258.81, 0.78%, 0.34%

LAB 22.85, 50.8, -63.79

 

CMYK 88 / 20 / 0 / 40

HEX #137A99

RGB 19 122 153

HSL 193.88, 0.78%, 0.34%

LAB 47.44, -15.98, -24.43

 

CMYK 88 / 44 / 0 / 40

HEX #135699

RGB 19 86 153

HSL 210, 0.78%, 0.34%

LAB 36.16, 5.93, -42.2

 

CMYK 88 / 67 / 0 / 40

HEX #133299

RGB 19 50 153

HSL 226.12, 0.78%, 0.34%

LAB 25.92, 30.47, -58.83

 

CMYK 88 / 88 / 0 / 40

HEX #131399

RGB 19 19 153

HSL 240, 0.78%, 0.34%

LAB 19.66, 48.14, -69.2

 

CMYK 88 / 20 / 0 / 40

HEX #137A99

RGB 19 122 153

HSL 193.88, 0.78%, 0.34%

LAB 47.44, -15.98, -24.43

 

CMYK 97 / 23 / 0 / 35

HEX #0581A7

RGB 5 129 167

HSL 194.07, 0.94%, 0.34%

LAB 50.12, -15.49, -28.45

 

CMYK 88 / 20 / 0 / 40

HEX #137A99

RGB 19 122 153

HSL 193.88, 0.78%, 0.34%

LAB 47.44, -15.98, -24.43

 

CMYK 76 / 18 / 0 / 45

HEX #21728B

RGB 33 114 139

HSL 194.15, 0.62%, 0.34%

LAB 44.55, -15.1, -20.59

 

CMYK 62 / 14 / 0 / 51

HEX #2F6B7D

RGB 47 107 125

HSL 193.85, 0.45%, 0.34%

LAB 42.15, -13.59, -15.83

 

CMYK 44 / 11 / 0 / 56

HEX #3E636F

RGB 62 99 111

HSL 194.69, 0.28%, 0.34%

LAB 39.74, -9.72, -10.93

 

CMYK 22 / 5 / 0 / 62

HEX #4C5C61

RGB 76 92 97

HSL 194.29, 0.12%, 0.34%

LAB 37.94, -4.89, -4.92

 

CMYK 88 / 0 / 26 / 40

HEX #139971

RGB 19 153 113

HSL 162.09, 0.78%, 0.34%

LAB 56.2, -43.19, 11.74

 

CMYK 88 / 0 / 3 / 40

HEX #139995

RGB 19 153 149

HSL 178.21, 0.78%, 0.34%

LAB 57.16, -33.18, -7.35

 

CMYK 88 / 20 / 0 / 40

HEX #137A99

RGB 19 122 153

HSL 193.88, 0.78%, 0.34%

LAB 47.44, -15.98, -24.43

 

CMYK 88 / 44 / 0 / 40

HEX #135699

RGB 19 86 153

HSL 210, 0.78%, 0.34%

LAB 36.16, 5.93, -42.2

 

CMYK 88 / 67 / 0 / 40

HEX #133399

RGB 19 51 153

HSL 225.67, 0.78%, 0.34%

LAB 26.17, 29.79, -58.41

 

CMYK 88 / 21 / 0 / 69

HEX #0A3F50

RGB 10 63 80

HSL 194.57, 0.78%, 0.18%

LAB 24.32, -9.84, -15.03

 

CMYK 87 / 20 / 0 / 55

HEX #0F5D74

RGB 15 93 116

HSL 193.66, 0.77%, 0.26%

LAB 36.35, -13.46, -19.33

 

CMYK 88 / 20 / 0 / 40

HEX #137A99

RGB 19 122 153

HSL 193.88, 0.78%, 0.34%

LAB 47.44, -15.98, -24.43

 

CMYK 87 / 20 / 0 / 26

HEX #1897BD

RGB 24 151 189

HSL 193.82, 0.77%, 0.42%

LAB 58.04, -18.65, -28.75

 

CMYK 87 / 20 / 0 / 12

HEX #1EB3E1

RGB 30 179 225

HSL 194.15, 0.76%, 0.5%

LAB 67.99, -20.65, -33.36

 

CMYK 87 / 20 / 0 / 40

HEX #147998

RGB 20 121 152

HSL 194.09, 0.77%, 0.34%

LAB 47.09, -15.71, -24.38

 

CMYK 50 / 88 / 0 / 40

HEX #4D1399

RGB 77 19 153

HSL 265.97, 0.78%, 0.34%

LAB 24.78, 52.5, -60.56

 

CMYK 0 / 14 / 88 / 40

HEX #998313

RGB 153 131 19

HSL 50.15, 0.78%, 0.34%

LAB 55.13, -2.54, 56.48

 

CMYK 87 / 20 / 0 / 40

HEX #147998

RGB 20 121 152

HSL 194.09, 0.77%, 0.34%

LAB 47.09, -15.71, -24.38

 

CMYK 0 / 88 / 20 / 40

HEX #99137A

RGB 153 19 122

HSL 313.88, 0.78%, 0.34%

LAB 35.29, 59.99, -23.71

 

CMYK 20 / 0 / 88 / 40

HEX #7A9913

RGB 122 153 19

HSL 73.88, 0.78%, 0.34%

LAB 58.94, -27.96, 58.6

 

CMYK 87 / 20 / 0 / 40

HEX #147998

RGB 20 121 152

HSL 194.09, 0.77%, 0.34%

LAB 47.09, -15.71, -24.38

 

CMYK 50 / 88 / 0 / 40

HEX #4D1399

RGB 77 19 153

HSL 265.97, 0.78%, 0.34%

LAB 24.78, 52.5, -60.56

 

CMYK 0 / 67 / 88 / 40

HEX #993313

RGB 153 51 19

HSL 14.33, 0.78%, 0.34%

LAB 36.34, 41.17, 40.97

 

CMYK 38 / 0 / 88 / 40

HEX #5F9913

RGB 95 153 19

HSL 85.97, 0.78%, 0.34%

LAB 57.33, -38.7, 56.59

 

CMYK 87 / 20 / 0 / 40

HEX #147998

RGB 20 121 152

HSL 194.09, 0.77%, 0.34%

LAB 47.09, -15.71, -24.38

 

CMYK 24 / 88 / 0 / 40

HEX #751399

RGB 117 19 153

HSL 283.88, 0.78%, 0.34%

LAB 30.75, 58.18, -50.53

 

CMYK 0 / 67 / 88 / 40

HEX #993313

RGB 153 51 19

HSL 14.33, 0.78%, 0.34%

LAB 36.34, 41.17, 40.97

 

CMYK 64 / 0 / 88 / 40

HEX #379913

RGB 55 153 19

HSL 103.88, 0.78%, 0.34%

LAB 55.73, -51, 54.57

 

Description

Color code: HEX #147998 | qconv.com Color code: HEX #147998 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 121 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 121 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 20 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 20% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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