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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #147069 it is the complementary color #EB8F96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #147069. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #147069 shade: #197064, #2A8277, #3B948A, #4CA69D and #5DB8B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #147069. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #147069 shade: #147069, #035E56, #004C43, #003A30 and #00281D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #147069 shade: #137069, #137050, #137037, #13701E and #227013

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #147069 shade: #137069, #135E70, #134570, #132C70 and #131370

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #147069 shade matches the following richer shades: #137069 and #097B72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #147069 shade: #137069, #1E6560, #295B57, #34504E and #3E4545

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #147069 shade: #137037, #137050, #137068, #135F70 and #134670

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #147069 shade: #072A27, #0D4D48, #137069, #1A938A and #20B6AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #147069 shade: #147069, #1E1370 and #704313

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #147069 shade: #147069, #681370 and #706813

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #147069 shade: #147069, #1E1370, #70131B and #657013

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #147069 shade: #147069, #3A1370, #70131B and #4A7013

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 6 / 56

HEX #147069

RGB 20 112 105

HSL 175.43, 0.7%, 0.26%

LAB 42.39, -26.95, -3.46

 

Complementary color

CMYK 0 / 39 / 36 / 8

HEX #EB8F96

RGB 235 143 150

HSL 355.43, 0.7%, 0.74%

LAB 69.12, 35.63, 11.25

 

CMYK 78 / 0 / 11 / 56

HEX #197064

RGB 25 112 100

HSL 171.72, 0.64%, 0.27%

LAB 42.33, -27.87, -0.53

 

CMYK 68 / 0 / 8 / 49

HEX #2A8277

RGB 42 130 119

HSL 172.5, 0.51%, 0.34%

LAB 49.24, -28.52, -1.66

 

CMYK 60 / 0 / 7 / 42

HEX #3B948A

RGB 59 148 138

HSL 173.26, 0.43%, 0.41%

LAB 56.03, -28.88, -2.64

 

CMYK 54 / 0 / 5 / 35

HEX #4CA69D

RGB 76 166 157

HSL 174, 0.37%, 0.47%

LAB 62.71, -29.05, -3.52

 

CMYK 49 / 0 / 4 / 28

HEX #5DB8B0

RGB 93 184 176

HSL 174.73, 0.39%, 0.54%

LAB 69.29, -29.11, -4.31

 

CMYK 82 / 0 / 6 / 56

HEX #147069

RGB 20 112 105

HSL 175.43, 0.7%, 0.26%

LAB 42.39, -26.95, -3.46

 

CMYK 97 / 0 / 9 / 63

HEX #035E56

RGB 3 94 86

HSL 174.73, 0.94%, 0.19%

LAB 35.39, -25.58, -2.17

 

CMYK 100 / 0 / 12 / 70

HEX #004C43

RGB 0 76 67

HSL 172.89, 1%, 0.15%

LAB 28.31, -23.12, -0.53

 

CMYK 100 / 0 / 17 / 77

HEX #003A30

RGB 0 58 48

HSL 169.66, 1%, 0.11%

LAB 20.98, -20.29, 1.31

 

CMYK 100 / 0 / 28 / 84

HEX #00281D

RGB 0 40 29

HSL 163.5, 1%, 0.08%

LAB 13.27, -17.31, 3.38

 

CMYK 83 / 0 / 6 / 56

HEX #137069

RGB 19 112 105

HSL 175.48, 0.71%, 0.26%

LAB 42.38, -27.06, -3.48

 

CMYK 83 / 0 / 29 / 56

HEX #137050

RGB 19 112 80

HSL 159.35, 0.71%, 0.26%

LAB 41.7, -34.14, 10.56

 

CMYK 83 / 0 / 51 / 56

HEX #137037

RGB 19 112 55

HSL 143.23, 0.71%, 0.26%

LAB 41.22, -39.56, 24.39

 

CMYK 83 / 0 / 73 / 56

HEX #13701E

RGB 19 112 30

HSL 127.1, 0.71%, 0.26%

LAB 40.93, -43.07, 36.58

 

CMYK 70 / 0 / 83 / 56

HEX #227013

RGB 34 112 19

HSL 110.32, 0.71%, 0.26%

LAB 41.18, -41.24, 41.13

 

CMYK 83 / 0 / 6 / 56

HEX #137069

RGB 19 112 105

HSL 175.48, 0.71%, 0.26%

LAB 42.38, -27.06, -3.48

 

CMYK 83 / 16 / 0 / 56

HEX #135E70

RGB 19 94 112

HSL 191.61, 0.71%, 0.26%

LAB 36.58, -15.12, -16.5

 

CMYK 83 / 38 / 0 / 56

HEX #134570

RGB 19 69 112

HSL 207.74, 0.71%, 0.26%

LAB 28.29, 0.39, -29.45

 

CMYK 83 / 61 / 0 / 56

HEX #132C70

RGB 19 44 112

HSL 223.87, 0.71%, 0.26%

LAB 20.48, 18.04, -42.01

 

CMYK 83 / 83 / 0 / 56

HEX #131370

RGB 19 19 112

HSL 240, 0.71%, 0.26%

LAB 14.25, 34.76, -52.25

 

CMYK 83 / 0 / 6 / 56

HEX #137069

RGB 19 112 105

HSL 175.48, 0.71%, 0.26%

LAB 42.38, -27.06, -3.48

 

CMYK 93 / 0 / 7 / 52

HEX #097B72

RGB 9 123 114

HSL 175.26, 0.86%, 0.26%

LAB 46.23, -30.37, -3.2

 

CMYK 83 / 0 / 6 / 56

HEX #137069

RGB 19 112 105

HSL 175.48, 0.71%, 0.26%

LAB 42.38, -27.06, -3.48

 

CMYK 70 / 0 / 5 / 60

HEX #1E6560

RGB 30 101 96

HSL 175.77, 0.54%, 0.26%

LAB 38.6, -22.8, -3.57

 

CMYK 55 / 0 / 4 / 64

HEX #295B57

RGB 41 91 87

HSL 175.2, 0.38%, 0.26%

LAB 35.29, -17.9, -2.85

 

CMYK 35 / 0 / 2 / 69

HEX #34504E

RGB 52 80 78

HSL 175.71, 0.21%, 0.26%

LAB 31.85, -10.98, -2.18

 

CMYK 10 / 0 / 0 / 73

HEX #3E4545

RGB 62 69 69

HSL 180, 0.05%, 0.26%

LAB 28.67, -2.86, -0.99

 

CMYK 83 / 0 / 51 / 56

HEX #137037

RGB 19 112 55

HSL 143.23, 0.71%, 0.26%

LAB 41.22, -39.56, 24.39

 

CMYK 83 / 0 / 29 / 56

HEX #137050

RGB 19 112 80

HSL 159.35, 0.71%, 0.26%

LAB 41.7, -34.14, 10.56

 

CMYK 83 / 0 / 7 / 56

HEX #137068

RGB 19 112 104

HSL 174.84, 0.71%, 0.26%

LAB 42.35, -27.37, -2.93

 

CMYK 83 / 15 / 0 / 56

HEX #135F70

RGB 19 95 112

HSL 190.97, 0.71%, 0.26%

LAB 36.92, -15.69, -15.99

 

CMYK 83 / 38 / 0 / 56

HEX #134670

RGB 19 70 112

HSL 207.1, 0.71%, 0.26%

LAB 28.61, -0.28, -28.94

 

CMYK 83 / 0 / 7 / 84

HEX #072A27

RGB 7 42 39

HSL 174.86, 0.71%, 0.1%

LAB 14.67, -13.17, -1.67

 

CMYK 83 / 0 / 6 / 70

HEX #0D4D48

RGB 13 77 72

HSL 175.31, 0.71%, 0.18%

LAB 29.06, -20.46, -2.63

 

CMYK 83 / 0 / 6 / 56

HEX #137069

RGB 19 112 105

HSL 175.48, 0.71%, 0.26%

LAB 42.38, -27.06, -3.48

 

CMYK 82 / 0 / 6 / 42

HEX #1A938A

RGB 26 147 138

HSL 175.54, 0.7%, 0.34%

LAB 54.99, -33.14, -4.26

 

CMYK 82 / 0 / 6 / 29

HEX #20B6AB

RGB 32 182 171

HSL 175.6, 0.7%, 0.42%

LAB 67.05, -39.03, -5.02

 

CMYK 82 / 0 / 6 / 56

HEX #147069

RGB 20 112 105

HSL 175.43, 0.7%, 0.26%

LAB 42.39, -26.95, -3.46

 

CMYK 73 / 83 / 0 / 56

HEX #1E1370

RGB 30 19 112

HSL 247.1, 0.71%, 0.26%

LAB 15.02, 35.66, -50.96

 

CMYK 0 / 40 / 83 / 56

HEX #704313

RGB 112 67 19

HSL 30.97, 0.71%, 0.26%

LAB 32.93, 15.34, 35.37

 

CMYK 82 / 0 / 6 / 56

HEX #147069

RGB 20 112 105

HSL 175.43, 0.7%, 0.26%

LAB 42.39, -26.95, -3.46

 

CMYK 7 / 83 / 0 / 56

HEX #681370

RGB 104 19 112

HSL 294.84, 0.71%, 0.26%

LAB 25.5, 47.89, -33.43

 

CMYK 0 / 7 / 83 / 56

HEX #706813

RGB 112 104 19

HSL 54.84, 0.71%, 0.26%

LAB 43.35, -6.73, 44.87

 

CMYK 82 / 0 / 6 / 56

HEX #147069

RGB 20 112 105

HSL 175.43, 0.7%, 0.26%

LAB 42.39, -26.95, -3.46

 

CMYK 73 / 83 / 0 / 56

HEX #1E1370

RGB 30 19 112

HSL 247.1, 0.71%, 0.26%

LAB 15.02, 35.66, -50.96

 

CMYK 0 / 83 / 76 / 56

HEX #70131B

RGB 112 19 27

HSL 354.84, 0.71%, 0.26%

LAB 23.64, 39.85, 21.13

 

CMYK 10 / 0 / 83 / 56

HEX #657013

RGB 101 112 19

HSL 67.1, 0.71%, 0.26%

LAB 44.8, -16.38, 45.79

 

CMYK 82 / 0 / 6 / 56

HEX #147069

RGB 20 112 105

HSL 175.43, 0.7%, 0.26%

LAB 42.39, -26.95, -3.46

 

CMYK 48 / 83 / 0 / 56

HEX #3A1370

RGB 58 19 112

HSL 265.16, 0.71%, 0.26%

LAB 18.08, 39.24, -45.81

 

CMYK 0 / 83 / 76 / 56

HEX #70131B

RGB 112 19 27

HSL 354.84, 0.71%, 0.26%

LAB 23.64, 39.85, 21.13

 

CMYK 34 / 0 / 83 / 56

HEX #4A7013

RGB 74 112 19

HSL 84.52, 0.71%, 0.26%

LAB 42.9, -28.24, 43.36

 

Description

Color code: HEX #147069 | qconv.com Color code: HEX #147069 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 112 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 112 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 6 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 6% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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