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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #147294 it is the complementary color #EB8D6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #147294. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #147294 shade: #19728F, #2A84A2, #3B96B5, #4CA8C8 and #5DBADB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #147294. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #147294 shade: #147294, #036081, #004E6E, #003C5B and #002A48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #147294 shade: #147294, #144F94, #142D94, #1D1494 and #401494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #147294 shade: #147294, #144F94, #142D94 and #141494

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #147294 shade matches the following richer shades: #147294 and #0678A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #147294 shade: #147294, #216B86, #2F6578, #3D5E6B and #4A585D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #147294 shade: #14946F, #149491, #147494, #145294 and #142F94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #147294 shade: #0A3A4B, #0F566F, #147294, #198EB8 and #1EAADC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #147294 shade: #147294, #4D1494 and #948014

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #147294 shade: #147294, #941474 and #749414

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #147294 shade: #147294, #4D1494, #943414 and #5A9414

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #147294 shade: #147294, #741494, #943414 and #349414

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 23 / 0 / 42

HEX #147294

RGB 20 114 148

HSL 195.94, 0.76%, 0.33%

LAB 44.69, -13.22, -25.74

 

Complementary color

CMYK 0 / 40 / 54 / 8

HEX #EB8D6B

RGB 235 141 107

HSL 15.94, 0.76%, 0.67%

LAB 67.85, 32.37, 33.3

 

CMYK 83 / 20 / 0 / 44

HEX #19728F

RGB 25 114 143

HSL 194.75, 0.7%, 0.33%

LAB 44.55, -14.6, -22.98

 

CMYK 74 / 19 / 0 / 36

HEX #2A84A2

RGB 42 132 162

HSL 195, 0.59%, 0.4%

LAB 51.39, -15.95, -23.56

 

CMYK 67 / 17 / 0 / 29

HEX #3B96B5

RGB 59 150 181

HSL 195.25, 0.51%, 0.47%

LAB 58.11, -16.93, -24.05

 

CMYK 62 / 16 / 0 / 22

HEX #4CA8C8

RGB 76 168 200

HSL 195.48, 0.53%, 0.54%

LAB 64.73, -17.66, -24.51

 

CMYK 58 / 15 / 0 / 14

HEX #5DBADB

RGB 93 186 219

HSL 195.71, 0.64%, 0.61%

LAB 71.25, -18.2, -24.92

 

CMYK 86 / 23 / 0 / 42

HEX #147294

RGB 20 114 148

HSL 195.94, 0.76%, 0.33%

LAB 44.69, -13.22, -25.74

 

CMYK 98 / 26 / 0 / 49

HEX #036081

RGB 3 96 129

HSL 195.71, 0.95%, 0.26%

LAB 37.79, -11.07, -25.08

 

CMYK 100 / 29 / 0 / 57

HEX #004E6E

RGB 0 78 110

HSL 197.45, 1%, 0.22%

LAB 30.82, -7.95, -24.22

 

CMYK 100 / 34 / 0 / 64

HEX #003C5B

RGB 0 60 91

HSL 200.44, 1%, 0.18%

LAB 23.63, -4.4, -23.34

 

CMYK 100 / 42 / 0 / 72

HEX #002A48

RGB 0 42 72

HSL 205, 1%, 0.14%

LAB 16.12, -0.48, -22.52

 

CMYK 86 / 23 / 0 / 42

HEX #147294

RGB 20 114 148

HSL 195.94, 0.76%, 0.33%

LAB 44.69, -13.22, -25.74

 

CMYK 86 / 47 / 0 / 42

HEX #144F94

RGB 20 79 148

HSL 212.34, 0.76%, 0.33%

LAB 33.73, 8.63, -43.08

 

CMYK 86 / 70 / 0 / 42

HEX #142D94

RGB 20 45 148

HSL 228.28, 0.76%, 0.33%

LAB 24.21, 31.93, -58.58

 

CMYK 80 / 86 / 0 / 42

HEX #1D1494

RGB 29 20 148

HSL 244.22, 0.76%, 0.33%

LAB 19.64, 46.6, -66.12

 

CMYK 57 / 86 / 0 / 42

HEX #401494

RGB 64 20 148

HSL 260.63, 0.76%, 0.33%

LAB 22.75, 49.4, -60.87

 

CMYK 86 / 23 / 0 / 42

HEX #147294

RGB 20 114 148

HSL 195.94, 0.76%, 0.33%

LAB 44.69, -13.22, -25.74

 

CMYK 86 / 47 / 0 / 42

HEX #144F94

RGB 20 79 148

HSL 212.34, 0.76%, 0.33%

LAB 33.73, 8.63, -43.08

 

CMYK 86 / 70 / 0 / 42

HEX #142D94

RGB 20 45 148

HSL 228.28, 0.76%, 0.33%

LAB 24.21, 31.93, -58.58

 

CMYK 86 / 86 / 0 / 42

HEX #141494

RGB 20 20 148

HSL 240, 0.76%, 0.33%

LAB 19.17, 46.2, -66.91

 

CMYK 86 / 23 / 0 / 42

HEX #147294

RGB 20 114 148

HSL 195.94, 0.76%, 0.33%

LAB 44.69, -13.22, -25.74

 

CMYK 96 / 25 / 0 / 37

HEX #0678A1

RGB 6 120 161

HSL 195.87, 0.93%, 0.33%

LAB 47.03, -12.6, -29.77

 

CMYK 86 / 23 / 0 / 42

HEX #147294

RGB 20 114 148

HSL 195.94, 0.76%, 0.33%

LAB 44.69, -13.22, -25.74

 

CMYK 75 / 20 / 0 / 47

HEX #216B86

RGB 33 107 134

HSL 196.04, 0.6%, 0.33%

LAB 42.09, -12.89, -21.39

 

CMYK 61 / 16 / 0 / 53

HEX #2F6578

RGB 47 101 120

HSL 195.62, 0.44%, 0.33%

LAB 40.03, -11.79, -16.05

 

CMYK 43 / 12 / 0 / 58

HEX #3D5E6B

RGB 61 94 107

HSL 196.96, 0.27%, 0.33%

LAB 37.95, -8.23, -11.19

 

CMYK 20 / 5 / 0 / 64

HEX #4A585D

RGB 74 88 93

HSL 195.79, 0.11%, 0.33%

LAB 36.42, -4.19, -4.71

 

CMYK 86 / 0 / 25 / 42

HEX #14946F

RGB 20 148 111

HSL 162.66, 0.76%, 0.33%

LAB 54.53, -41.54, 10.52

 

CMYK 86 / 0 / 2 / 42

HEX #149491

RGB 20 148 145

HSL 178.59, 0.76%, 0.33%

LAB 55.45, -31.98, -7.6

 

CMYK 86 / 22 / 0 / 42

HEX #147494

RGB 20 116 148

HSL 195, 0.76%, 0.33%

LAB 45.33, -14.36, -24.75

 

CMYK 86 / 45 / 0 / 42

HEX #145294

RGB 20 82 148

HSL 210.94, 0.76%, 0.33%

LAB 34.64, 6.62, -41.61

 

CMYK 86 / 68 / 0 / 42

HEX #142F94

RGB 20 47 148

HSL 227.34, 0.76%, 0.33%

LAB 24.7, 30.59, -57.76

 

CMYK 87 / 23 / 0 / 71

HEX #0A3A4B

RGB 10 58 75

HSL 195.69, 0.76%, 0.17%

LAB 22.3, -8.69, -14.84

 

CMYK 86 / 23 / 0 / 56

HEX #0F566F

RGB 15 86 111

HSL 195.63, 0.76%, 0.25%

LAB 33.78, -11.23, -20.2

 

CMYK 86 / 23 / 0 / 42

HEX #147294

RGB 20 114 148

HSL 195.94, 0.76%, 0.33%

LAB 44.69, -13.22, -25.74

 

CMYK 86 / 23 / 0 / 28

HEX #198EB8

RGB 25 142 184

HSL 195.85, 0.76%, 0.41%

LAB 55.09, -15.47, -30.5

 

CMYK 86 / 23 / 0 / 14

HEX #1EAADC

RGB 30 170 220

HSL 195.79, 0.76%, 0.49%

LAB 65.12, -17.62, -35.07

 

CMYK 86 / 23 / 0 / 42

HEX #147294

RGB 20 114 148

HSL 195.94, 0.76%, 0.33%

LAB 44.69, -13.22, -25.74

 

CMYK 48 / 86 / 0 / 42

HEX #4D1494

RGB 77 20 148

HSL 266.72, 0.76%, 0.33%

LAB 24.37, 50.93, -58.14

 

CMYK 0 / 14 / 86 / 42

HEX #948014

RGB 148 128 20

HSL 50.63, 0.76%, 0.33%

LAB 53.8, -3.17, 54.93

 

CMYK 86 / 23 / 0 / 42

HEX #147294

RGB 20 114 148

HSL 195.94, 0.76%, 0.33%

LAB 44.69, -13.22, -25.74

 

CMYK 0 / 86 / 22 / 42

HEX #941474

RGB 148 20 116

HSL 315, 0.76%, 0.33%

LAB 34.1, 57.89, -21.85

 

CMYK 22 / 0 / 86 / 42

HEX #749414

RGB 116 148 20

HSL 75, 0.76%, 0.33%

LAB 57.02, -28.04, 56.59

 

CMYK 86 / 23 / 0 / 42

HEX #147294

RGB 20 114 148

HSL 195.94, 0.76%, 0.33%

LAB 44.69, -13.22, -25.74

 

CMYK 48 / 86 / 0 / 42

HEX #4D1494

RGB 77 20 148

HSL 266.72, 0.76%, 0.33%

LAB 24.37, 50.93, -58.14

 

CMYK 0 / 65 / 86 / 42

HEX #943414

RGB 148 52 20

HSL 15, 0.76%, 0.33%

LAB 35.6, 38.89, 39.52

 

CMYK 39 / 0 / 86 / 42

HEX #5A9414

RGB 90 148 20

HSL 87.19, 0.76%, 0.33%

LAB 55.49, -38.33, 54.66

 

CMYK 86 / 23 / 0 / 42

HEX #147294

RGB 20 114 148

HSL 195.94, 0.76%, 0.33%

LAB 44.69, -13.22, -25.74

 

CMYK 22 / 86 / 0 / 42

HEX #741494

RGB 116 20 148

HSL 285, 0.76%, 0.33%

LAB 30.28, 56.78, -48.24

 

CMYK 0 / 65 / 86 / 42

HEX #943414

RGB 148 52 20

HSL 15, 0.76%, 0.33%

LAB 35.6, 38.89, 39.52

 

CMYK 65 / 0 / 86 / 42

HEX #349414

RGB 52 148 20

HSL 105, 0.76%, 0.33%

LAB 53.98, -49.91, 52.76

 

Description

Color code: HEX #147294 | qconv.com Color code: HEX #147294 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 114 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 114 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 23 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 23% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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