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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #148454 it is the complementary color #EB7BAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #148454. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #148454 shade: #19844F, #2A9662, #3BA875, #4CBA88 and #5DCC9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #148454. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #148454 shade: #148454, #037241, #00602E, #004E1B and #003C08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #148454 shade: #138554, #138536, #138517, #2E8513 and #4D8513

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #148454 shade: #138554, #138573, #137885, #135A85 and #133B85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #148454 shade matches the following richer shades: #138554 and #079156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #148454 shade: #138554, #207852, #2C6C51, #395F4F and #45534D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #148454 shade: #138517, #138535, #138554, #138572 and #137985

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #148454 shade: #093D26, #0E613D, #138554, #19A96B and #1ECC82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #148454 shade: #148454, #132E85 and #852613

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #148454 shade: #148454, #541385 and #855413

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #148454 shade: #148454, #132E85, #851344 and #856A13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #148454 shade: #148454, #1B1385, #851344 and #7D8513

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 36 / 48

HEX #148454

RGB 20 132 84

HSL 154.29, 0.74%, 0.3%

LAB 48.63, -41.42, 17.74

 

Complementary color

CMYK 0 / 48 / 27 / 8

HEX #EB7BAB

RGB 235 123 171

HSL 334.29, 0.74%, 0.7%

LAB 65.57, 48.5, -5.73

 

CMYK 81 / 0 / 40 / 48

HEX #19844F

RGB 25 132 79

HSL 150.28, 0.68%, 0.31%

LAB 48.6, -41.92, 20.55

 

CMYK 72 / 0 / 35 / 41

HEX #2A9662

RGB 42 150 98

HSL 151.11, 0.56%, 0.38%

LAB 55.26, -42.7, 18.92

 

CMYK 65 / 0 / 30 / 34

HEX #3BA875

RGB 59 168 117

HSL 151.93, 0.48%, 0.45%

LAB 61.84, -43.09, 17.46

 

CMYK 59 / 0 / 27 / 27

HEX #4CBA88

RGB 76 186 136

HSL 152.73, 0.44%, 0.51%

LAB 68.34, -43.24, 16.15

 

CMYK 54 / 0 / 24 / 20

HEX #5DCC9B

RGB 93 204 155

HSL 153.51, 0.52%, 0.58%

LAB 74.75, -43.24, 14.96

 

CMYK 85 / 0 / 36 / 48

HEX #148454

RGB 20 132 84

HSL 154.29, 0.74%, 0.3%

LAB 48.63, -41.42, 17.74

 

CMYK 97 / 0 / 43 / 55

HEX #037241

RGB 3 114 65

HSL 153.51, 0.95%, 0.23%

LAB 41.9, -39.9, 19.59

 

CMYK 100 / 0 / 52 / 62

HEX #00602E

RGB 0 96 46

HSL 148.75, 1%, 0.19%

LAB 35.13, -37.17, 21.72

 

CMYK 100 / 0 / 65 / 69

HEX #004E1B

RGB 0 78 27

HSL 140.77, 1%, 0.15%

LAB 28.19, -33.83, 23.86

 

CMYK 100 / 0 / 87 / 76

HEX #003C08

RGB 0 60 8

HSL 128, 1%, 0.12%

LAB 21.02, -29.83, 25.23

 

CMYK 86 / 0 / 37 / 48

HEX #138554

RGB 19 133 84

HSL 154.21, 0.75%, 0.3%

LAB 48.95, -41.92, 18.18

 

CMYK 86 / 0 / 59 / 48

HEX #138536

RGB 19 133 54

HSL 138.42, 0.75%, 0.3%

LAB 48.49, -47.37, 33.77

 

CMYK 86 / 0 / 83 / 48

HEX #138517

RGB 19 133 23

HSL 122.11, 0.75%, 0.3%

LAB 48.23, -50.56, 46.41

 

CMYK 65 / 0 / 86 / 48

HEX #2E8513

RGB 46 133 19

HSL 105.79, 0.75%, 0.3%

LAB 48.76, -46.04, 48.27

 

CMYK 42 / 0 / 86 / 48

HEX #4D8513

RGB 77 133 19

HSL 89.47, 0.75%, 0.3%

LAB 49.98, -36.62, 49.81

 

CMYK 86 / 0 / 37 / 48

HEX #138554

RGB 19 133 84

HSL 154.21, 0.75%, 0.3%

LAB 48.95, -41.92, 18.18

 

CMYK 86 / 0 / 14 / 48

HEX #138573

RGB 19 133 115

HSL 170.53, 0.75%, 0.3%

LAB 49.68, -34.02, 1.27

 

CMYK 86 / 10 / 0 / 48

HEX #137885

RGB 19 120 133

HSL 186.84, 0.75%, 0.3%

LAB 45.99, -21.95, -14.83

 

CMYK 86 / 32 / 0 / 48

HEX #135A85

RGB 19 90 133

HSL 202.63, 0.75%, 0.3%

LAB 36.26, -4.7, -29.91

 

CMYK 86 / 56 / 0 / 48

HEX #133B85

RGB 19 59 133

HSL 218.95, 0.75%, 0.3%

LAB 26.62, 16.11, -45.33

 

CMYK 86 / 0 / 37 / 48

HEX #138554

RGB 19 133 84

HSL 154.21, 0.75%, 0.3%

LAB 48.95, -41.92, 18.18

 

CMYK 95 / 0 / 41 / 43

HEX #079156

RGB 7 145 86

HSL 154.35, 0.91%, 0.3%

LAB 52.91, -46.96, 22.33

 

CMYK 86 / 0 / 37 / 48

HEX #138554

RGB 19 133 84

HSL 154.21, 0.75%, 0.3%

LAB 48.95, -41.92, 18.18

 

CMYK 73 / 0 / 32 / 53

HEX #207852

RGB 32 120 82

HSL 154.09, 0.58%, 0.3%

LAB 44.73, -35.27, 13.62

 

CMYK 59 / 0 / 25 / 58

HEX #2C6C51

RGB 44 108 81

HSL 154.69, 0.42%, 0.3%

LAB 40.98, -27.54, 9.06

 

CMYK 40 / 0 / 17 / 63

HEX #395F4F

RGB 57 95 79

HSL 154.74, 0.25%, 0.3%

LAB 37.15, -17.62, 4.92

 

CMYK 17 / 0 / 7 / 67

HEX #45534D

RGB 69 83 77

HSL 154.29, 0.09%, 0.3%

LAB 33.96, -6.88, 1.67

 

CMYK 86 / 0 / 83 / 48

HEX #138517

RGB 19 133 23

HSL 122.11, 0.75%, 0.3%

LAB 48.23, -50.56, 46.41

 

CMYK 86 / 0 / 60 / 48

HEX #138535

RGB 19 133 53

HSL 137.89, 0.75%, 0.3%

LAB 48.47, -47.52, 34.25

 

CMYK 86 / 0 / 37 / 48

HEX #138554

RGB 19 133 84

HSL 154.21, 0.75%, 0.3%

LAB 48.95, -41.92, 18.18

 

CMYK 86 / 0 / 14 / 48

HEX #138572

RGB 19 133 114

HSL 170, 0.75%, 0.3%

LAB 49.65, -34.3, 1.82

 

CMYK 86 / 9 / 0 / 48

HEX #137985

RGB 19 121 133

HSL 186.32, 0.75%, 0.3%

LAB 46.32, -22.48, -14.34

 

CMYK 85 / 0 / 38 / 76

HEX #093D26

RGB 9 61 38

HSL 153.46, 0.74%, 0.14%

LAB 22.07, -23.11, 9.54

 

CMYK 86 / 0 / 37 / 62

HEX #0E613D

RGB 14 97 61

HSL 153.98, 0.75%, 0.22%

LAB 35.95, -32.9, 14.01

 

CMYK 86 / 0 / 37 / 48

HEX #138554

RGB 19 133 84

HSL 154.21, 0.75%, 0.3%

LAB 48.95, -41.92, 18.18

 

CMYK 85 / 0 / 37 / 34

HEX #19A96B

RGB 25 169 107

HSL 154.17, 0.74%, 0.38%

LAB 61.35, -50.34, 22.14

 

CMYK 85 / 0 / 36 / 20

HEX #1ECC82

RGB 30 204 130

HSL 154.48, 0.74%, 0.46%

LAB 72.94, -58.13, 25.5

 

CMYK 85 / 0 / 36 / 48

HEX #148454

RGB 20 132 84

HSL 154.29, 0.74%, 0.3%

LAB 48.63, -41.42, 17.74

 

CMYK 86 / 65 / 0 / 48

HEX #132E85

RGB 19 46 133

HSL 225.79, 0.75%, 0.3%

LAB 22.95, 25.26, -51.32

 

CMYK 0 / 71 / 86 / 48

HEX #852613

RGB 133 38 19

HSL 10, 0.75%, 0.3%

LAB 30.45, 39.58, 34.34

 

CMYK 85 / 0 / 36 / 48

HEX #148454

RGB 20 132 84

HSL 154.29, 0.74%, 0.3%

LAB 48.63, -41.42, 17.74

 

CMYK 37 / 86 / 0 / 48

HEX #541385

RGB 84 19 133

HSL 274.21, 0.75%, 0.3%

LAB 23.82, 48.61, -49.67

 

CMYK 0 / 37 / 86 / 48

HEX #855413

RGB 133 84 19

HSL 34.21, 0.75%, 0.3%

LAB 40.2, 15.1, 43.03

 

CMYK 85 / 0 / 36 / 48

HEX #148454

RGB 20 132 84

HSL 154.29, 0.74%, 0.3%

LAB 48.63, -41.42, 17.74

 

CMYK 86 / 65 / 0 / 48

HEX #132E85

RGB 19 46 133

HSL 225.79, 0.75%, 0.3%

LAB 22.95, 25.26, -51.32

 

CMYK 0 / 86 / 49 / 48

HEX #851344

RGB 133 19 68

HSL 334.21, 0.75%, 0.3%

LAB 29.08, 48.97, 1.51

 

CMYK 0 / 20 / 86 / 48

HEX #856A13

RGB 133 106 19

HSL 45.79, 0.75%, 0.3%

LAB 46.1, 2.2, 48.11

 

CMYK 85 / 0 / 36 / 48

HEX #148454

RGB 20 132 84

HSL 154.29, 0.74%, 0.3%

LAB 48.63, -41.42, 17.74

 

CMYK 80 / 86 / 0 / 48

HEX #1B1385

RGB 27 19 133

HSL 244.21, 0.75%, 0.3%

LAB 17.42, 42.25, -60.43

 

CMYK 0 / 86 / 49 / 48

HEX #851344

RGB 133 19 68

HSL 334.21, 0.75%, 0.3%

LAB 29.08, 48.97, 1.51

 

CMYK 6 / 0 / 86 / 48

HEX #7D8513

RGB 125 133 19

HSL 64.21, 0.75%, 0.3%

LAB 53.15, -16.55, 53.8

 

Description

Color code: HEX #148454 | qconv.com Color code: HEX #148454 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 132 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 132 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 36 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 36% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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