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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #148B00 it is the complementary color #EB74FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #148B00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #148B00 shade: #198B00, #2A9D0E, #3BAF21, #4CC134 and #5DD347

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #148B00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #148B00 shade: #148B00, #037900, #006700, #005500 and #004300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #148B00 shade: #138900, #388900, #5E8900, #838900 and #896B00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #148B00 shade: #138900, #008911, #008936, #00895B and #008980

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #148B00 shade matches the following richer shades: #138900

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #148B00 shade: #138900, #1B7E0B, #237316, #2B6821 and #335D2C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #148B00 shade: #5E8900, #398900, #148900, #008910 and #008934

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #148B00 shade: #073700, #0D6000, #138900, #19B200 and #1FDC00

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #148B00 shade: #148B00, #008289 and #89004B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #148B00 shade: #148B00, #001489 and #890014

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #148B00 shade: #148B00, #008289, #750089 and #890600

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #148B00 shade: #148B00, #005989, #750089 and #893000

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 100 / 45

HEX #148B00

RGB 20 139 0

HSL 111.37, 1%, 0.27%

LAB 50.23, -53.27, 53.18

 

Complementary color

CMYK 8 / 55 / 0 / 0

HEX #EB74FF

RGB 235 116 255

HSL 291.37, 1%, 0.73%

LAB 67.56, 65.3, -49.52

 

CMYK 82 / 0 / 100 / 45

HEX #198B00

RGB 25 139 0

HSL 109.21, 1%, 0.27%

LAB 50.3, -52.66, 53.27

 

CMYK 73 / 0 / 91 / 38

HEX #2A9D0E

RGB 42 157 14

HSL 108.25, 0.84%, 0.34%

LAB 56.72, -55.24, 56.33

 

CMYK 66 / 0 / 81 / 31

HEX #3BAF21

RGB 59 175 33

HSL 109.01, 0.68%, 0.41%

LAB 63.09, -56.97, 57.65

 

CMYK 61 / 0 / 73 / 24

HEX #4CC134

RGB 76 193 52

HSL 109.79, 0.58%, 0.48%

LAB 69.42, -58.09, 57.76

 

CMYK 56 / 0 / 66 / 17

HEX #5DD347

RGB 93 211 71

HSL 110.57, 0.61%, 0.55%

LAB 75.68, -58.78, 57.21

 

CMYK 86 / 0 / 100 / 45

HEX #148B00

RGB 20 139 0

HSL 111.37, 1%, 0.27%

LAB 50.23, -53.27, 53.18

 

CMYK 98 / 0 / 100 / 53

HEX #037900

RGB 3 121 0

HSL 118.51, 1%, 0.24%

LAB 43.79, -49.39, 47.96

 

CMYK 100 / 0 / 100 / 60

HEX #006700

RGB 0 103 0

HSL 120, 1%, 0.2%

LAB 37.3, -44.28, 42.74

 

CMYK 100 / 0 / 100 / 67

HEX #005500

RGB 0 85 0

HSL 120, 1%, 0.17%

LAB 30.63, -38.74, 37.39

 

CMYK 100 / 0 / 100 / 74

HEX #004300

RGB 0 67 0

HSL 120, 1%, 0.13%

LAB 23.72, -33, 31.32

 

CMYK 86 / 0 / 100 / 46

HEX #138900

RGB 19 137 0

HSL 111.68, 1%, 0.27%

LAB 49.53, -52.78, 52.62

 

CMYK 59 / 0 / 100 / 46

HEX #388900

RGB 56 137 0

HSL 95.47, 1%, 0.27%

LAB 50.37, -45.59, 53.64

 

CMYK 31 / 0 / 100 / 46

HEX #5E8900

RGB 94 137 0

HSL 78.83, 1%, 0.27%

LAB 52.14, -32.44, 55.78

 

CMYK 4 / 0 / 100 / 46

HEX #838900

RGB 131 137 0

HSL 62.63, 1%, 0.27%

LAB 54.78, -16.33, 58.93

 

CMYK 0 / 22 / 100 / 46

HEX #896B00

RGB 137 107 0

HSL 46.86, 1%, 0.27%

LAB 46.76, 3.11, 53.44

 

CMYK 86 / 0 / 100 / 46

HEX #138900

RGB 19 137 0

HSL 111.68, 1%, 0.27%

LAB 49.53, -52.78, 52.62

 

CMYK 100 / 0 / 88 / 46

HEX #008911

RGB 0 137 17

HSL 127.45, 1%, 0.27%

LAB 49.41, -53.66, 49.1

 

CMYK 100 / 0 / 61 / 46

HEX #008936

RGB 0 137 54

HSL 143.65, 1%, 0.27%

LAB 49.69, -50.19, 35.13

 

CMYK 100 / 0 / 34 / 46

HEX #00895B

RGB 0 137 91

HSL 159.85, 1%, 0.27%

LAB 50.27, -43.22, 15.97

 

CMYK 100 / 0 / 7 / 46

HEX #008980

RGB 0 137 128

HSL 176.06, 1%, 0.27%

LAB 51.21, -33.13, -4.09

 

CMYK 86 / 0 / 100 / 46

HEX #138900

RGB 19 137 0

HSL 111.68, 1%, 0.27%

LAB 49.53, -52.78, 52.62

 

CMYK 86 / 0 / 100 / 46

HEX #138900

RGB 19 137 0

HSL 111.68, 1%, 0.27%

LAB 49.53, -52.78, 52.62

 

CMYK 79 / 0 / 91 / 51

HEX #1B7E0B

RGB 27 126 11

HSL 111.65, 0.84%, 0.27%

LAB 45.88, -47.84, 47.47

 

CMYK 70 / 0 / 81 / 55

HEX #237316

RGB 35 115 22

HSL 111.61, 0.68%, 0.27%

LAB 42.27, -41.9, 41.17

 

CMYK 59 / 0 / 68 / 59

HEX #2B6821

RGB 43 104 33

HSL 111.55, 0.52%, 0.27%

LAB 38.77, -34.56, 33.08

 

CMYK 45 / 0 / 53 / 64

HEX #335D2C

RGB 51 93 44

HSL 111.43, 0.36%, 0.27%

LAB 35.43, -25.57, 23.53

 

CMYK 31 / 0 / 100 / 46

HEX #5E8900

RGB 94 137 0

HSL 78.83, 1%, 0.27%

LAB 52.14, -32.44, 55.78

 

CMYK 58 / 0 / 100 / 46

HEX #398900

RGB 57 137 0

HSL 95.04, 1%, 0.27%

LAB 50.41, -45.31, 53.68

 

CMYK 85 / 0 / 100 / 46

HEX #148900

RGB 20 137 0

HSL 111.24, 1%, 0.27%

LAB 49.54, -52.66, 52.63

 

CMYK 100 / 0 / 88 / 46

HEX #008910

RGB 0 137 16

HSL 127.01, 1%, 0.27%

LAB 49.41, -53.71, 49.34

 

CMYK 100 / 0 / 62 / 46

HEX #008934

RGB 0 137 52

HSL 142.77, 1%, 0.27%

LAB 49.66, -50.46, 36.08

 

CMYK 87 / 0 / 100 / 78

HEX #073700

RGB 7 55 0

HSL 112.36, 1%, 0.11%

LAB 19.13, -27.31, 26.41

 

CMYK 86 / 0 / 100 / 62

HEX #0D6000

RGB 13 96 0

HSL 111.88, 1%, 0.19%

LAB 34.91, -40.59, 40.89

 

CMYK 86 / 0 / 100 / 46

HEX #138900

RGB 19 137 0

HSL 111.68, 1%, 0.27%

LAB 49.53, -52.78, 52.62

 

CMYK 86 / 0 / 100 / 30

HEX #19B200

RGB 25 178 0

HSL 111.57, 1%, 0.35%

LAB 63.38, -64.25, 63.72

 

CMYK 86 / 0 / 100 / 14

HEX #1FDC00

RGB 31 220 0

HSL 111.55, 1%, 0.43%

LAB 76.97, -75.49, 74.62

 

CMYK 86 / 0 / 100 / 45

HEX #148B00

RGB 20 139 0

HSL 111.37, 1%, 0.27%

LAB 50.23, -53.27, 53.18

 

CMYK 100 / 5 / 0 / 46

HEX #008289

RGB 0 130 137

HSL 183.07, 1%, 0.27%

LAB 49.22, -26.86, -12.33

 

CMYK 0 / 100 / 45 / 46

HEX #89004B

RGB 137 0 75

HSL 327.15, 1%, 0.27%

LAB 28.97, 54.08, -3.23

 

CMYK 86 / 0 / 100 / 45

HEX #148B00

RGB 20 139 0

HSL 111.37, 1%, 0.27%

LAB 50.23, -53.27, 53.18

 

CMYK 100 / 85 / 0 / 46

HEX #001489

RGB 0 20 137

HSL 231.24, 1%, 0.27%

LAB 17.02, 42.05, -63.65

HEX #001489

CMYK 0 / 100 / 85 / 46

HEX #890014

RGB 137 0 20

HSL 351.24, 1%, 0.27%

LAB 27.76, 50.85, 31.6

HEX #890014

CMYK 86 / 0 / 100 / 45

HEX #148B00

RGB 20 139 0

HSL 111.37, 1%, 0.27%

LAB 50.23, -53.27, 53.18

 

CMYK 100 / 5 / 0 / 46

HEX #008289

RGB 0 130 137

HSL 183.07, 1%, 0.27%

LAB 49.22, -26.86, -12.33

 

CMYK 15 / 100 / 0 / 46

HEX #750089

RGB 117 0 137

HSL 291.24, 1%, 0.27%

LAB 28.35, 58.64, -44.55

 

CMYK 0 / 96 / 100 / 46

HEX #890600

RGB 137 6 0

HSL 2.63, 1%, 0.27%

LAB 27.98, 49.45, 41.02

 

CMYK 86 / 0 / 100 / 45

HEX #148B00

RGB 20 139 0

HSL 111.37, 1%, 0.27%

LAB 50.23, -53.27, 53.18

 

CMYK 100 / 35 / 0 / 46

HEX #005989

RGB 0 89 137

HSL 201.02, 1%, 0.27%

LAB 35.89, -3.74, -32.95

 

CMYK 15 / 100 / 0 / 46

HEX #750089

RGB 117 0 137

HSL 291.24, 1%, 0.27%

LAB 28.35, 58.64, -44.55

 

CMYK 0 / 65 / 100 / 46

HEX #893000

RGB 137 48 0

HSL 21.02, 1%, 0.27%

LAB 32.77, 36.17, 44.56

 

Description

Color code: HEX #148B00 | qconv.com Color code: HEX #148B00 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 139 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 139 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 100 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 100% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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