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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14BC81 it is the complementary color #EB437E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14BC81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14BC81 shade: #19BC7C, #2ACE8F, #3BE0A2, #4CF2B5 and #5DFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14BC81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14BC81 shade: #14BC81, #03AA6E, #00985B, #008648 and #007435

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14BC81 shade: #13BD81, #13BD54, #13BD26, #2EBD13 and #5CBD13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14BC81 shade: #13BD81, #13BDAF, #139DBD, #136FBD and #1342BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14BC81 shade matches the following richer shades: #13BD81 and #02CE86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14BC81 shade: #13BD81, #24AC7C, #359B77, #468A72 and #57796D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14BC81 shade: #13BD24, #13BD51, #13BD7F, #13BDAC and #13A1BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14BC81 shade: #0C724E, #0F9768, #13BD81, #17E29B and #39EAAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14BC81 shade: #14BC81, #1330BD and #BD3B13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14BC81 shade: #14BC81, #7F13BD and #BD7F13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14BC81 shade: #14BC81, #1330BD, #BD1351 and #BDA113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14BC81 shade: #14BC81, #2A13BD, #BD1351 and #A6BD13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 31 / 26

HEX #14BC81

RGB 20 188 129

HSL 158.93, 0.81%, 0.41%

LAB 67.8, -53.12, 19.03

 

Complementary color

CMYK 0 / 71 / 46 / 8

HEX #EB437E

RGB 235 67 126

HSL 338.93, 0.81%, 0.59%

LAB 55.26, 67.64, 5.32

 

CMYK 87 / 0 / 34 / 26

HEX #19BC7C

RGB 25 188 124

HSL 156.44, 0.77%, 0.42%

LAB 67.75, -53.87, 21.64

 

CMYK 80 / 0 / 31 / 19

HEX #2ACE8F

RGB 42 206 143

HSL 156.95, 0.66%, 0.49%

LAB 73.94, -55.06, 20.05

 

CMYK 74 / 0 / 28 / 12

HEX #3BE0A2

RGB 59 224 162

HSL 157.45, 0.73%, 0.55%

LAB 80.1, -55.89, 18.59

 

CMYK 69 / 0 / 25 / 5

HEX #4CF2B5

RGB 76 242 181

HSL 157.95, 0.86%, 0.62%

LAB 86.19, -56.44, 17.26

 

CMYK 64 / 0 / 22 / 0

HEX #5DFFC8

RGB 93 255 200

HSL 159.63, 1%, 0.68%

LAB 90.79, -54.79, 13.98

 

CMYK 89 / 0 / 31 / 26

HEX #14BC81

RGB 20 188 129

HSL 158.93, 0.81%, 0.41%

LAB 67.8, -53.12, 19.03

 

CMYK 98 / 0 / 35 / 33

HEX #03AA6E

RGB 3 170 110

HSL 158.44, 0.97%, 0.34%

LAB 61.56, -51.36, 20.78

 

CMYK 100 / 0 / 40 / 40

HEX #00985B

RGB 0 152 91

HSL 155.92, 1%, 0.3%

LAB 55.29, -48.9, 22.73

 

CMYK 100 / 0 / 46 / 47

HEX #008648

RGB 0 134 72

HSL 152.24, 1%, 0.26%

LAB 48.91, -46.15, 24.78

 

CMYK 100 / 0 / 54 / 55

HEX #007435

RGB 0 116 53

HSL 147.41, 1%, 0.23%

LAB 42.38, -43.18, 26.88

 

CMYK 90 / 0 / 32 / 26

HEX #13BD81

RGB 19 189 129

HSL 158.82, 0.82%, 0.41%

LAB 68.11, -53.56, 19.45

 

CMYK 90 / 0 / 56 / 26

HEX #13BD54

RGB 19 189 84

HSL 142.94, 0.82%, 0.41%

LAB 67.41, -61.79, 41.66

 

CMYK 90 / 0 / 80 / 26

HEX #13BD26

RGB 19 189 38

HSL 126.71, 0.82%, 0.41%

LAB 67.03, -66.49, 59.67

 

CMYK 76 / 0 / 90 / 26

HEX #2EBD13

RGB 46 189 19

HSL 110.47, 0.82%, 0.41%

LAB 67.29, -64.42, 64.5

 

CMYK 51 / 0 / 90 / 26

HEX #5CBD13

RGB 92 189 19

HSL 94.24, 0.82%, 0.41%

LAB 68.55, -54.07, 66.07

 

CMYK 90 / 0 / 32 / 26

HEX #13BD81

RGB 19 189 129

HSL 158.82, 0.82%, 0.41%

LAB 68.11, -53.56, 19.45

 

CMYK 90 / 0 / 7 / 26

HEX #13BDAF

RGB 19 189 175

HSL 175.06, 0.82%, 0.41%

LAB 69.2, -41.84, -4.06

 

CMYK 90 / 17 / 0 / 26

HEX #139DBD

RGB 19 157 189

HSL 191.29, 0.82%, 0.41%

LAB 59.82, -22.12, -26

 

CMYK 90 / 41 / 0 / 26

HEX #136FBD

RGB 19 111 189

HSL 207.53, 0.82%, 0.41%

LAB 45.88, 4.3, -47.89

 

CMYK 90 / 65 / 0 / 26

HEX #1342BD

RGB 19 66 189

HSL 223.41, 0.82%, 0.41%

LAB 33.37, 33.8, -68.18

 

CMYK 90 / 0 / 32 / 26

HEX #13BD81

RGB 19 189 129

HSL 158.82, 0.82%, 0.41%

LAB 68.11, -53.56, 19.45

 

CMYK 99 / 0 / 35 / 19

HEX #02CE86

RGB 2 206 134

HSL 158.82, 0.98%, 0.41%

LAB 73.47, -59.4, 24.08

 

CMYK 90 / 0 / 32 / 26

HEX #13BD81

RGB 19 189 129

HSL 158.82, 0.82%, 0.41%

LAB 68.11, -53.56, 19.45

 

CMYK 79 / 0 / 28 / 33

HEX #24AC7C

RGB 36 172 124

HSL 158.82, 0.65%, 0.41%

LAB 62.79, -46.65, 14.85

 

CMYK 66 / 0 / 23 / 39

HEX #359B77

RGB 53 155 119

HSL 158.82, 0.49%, 0.41%

LAB 57.59, -38.16, 10.4

 

CMYK 49 / 0 / 17 / 46

HEX #468A72

RGB 70 138 114

HSL 158.82, 0.33%, 0.41%

LAB 52.61, -27.65, 6.26

 

CMYK 28 / 0 / 10 / 53

HEX #57796D

RGB 87 121 109

HSL 158.82, 0.16%, 0.41%

LAB 48.01, -14.86, 2.68

 

CMYK 90 / 0 / 81 / 26

HEX #13BD24

RGB 19 189 36

HSL 126, 0.82%, 0.41%

LAB 67.02, -66.61, 60.24

 

CMYK 90 / 0 / 57 / 26

HEX #13BD51

RGB 19 189 81

HSL 141.88, 0.82%, 0.41%

LAB 67.37, -62.21, 43.04

 

CMYK 90 / 0 / 33 / 26

HEX #13BD7F

RGB 19 189 127

HSL 158.12, 0.82%, 0.41%

LAB 68.07, -54, 20.47

 

CMYK 90 / 0 / 9 / 26

HEX #13BDAC

RGB 19 189 172

HSL 174, 0.82%, 0.41%

LAB 69.12, -42.69, -2.54

 

CMYK 90 / 15 / 0 / 26

HEX #13A1BD

RGB 19 161 189

HSL 189.88, 0.82%, 0.41%

LAB 61.05, -24.18, -24.12

 

CMYK 89 / 0 / 32 / 55

HEX #0C724E

RGB 12 114 78

HSL 158.82, 0.81%, 0.25%

LAB 42.25, -36.2, 12.5

 

CMYK 90 / 0 / 31 / 41

HEX #0F9768

RGB 15 151 104

HSL 159.26, 0.82%, 0.33%

LAB 55.31, -44.83, 15.56

 

CMYK 90 / 0 / 32 / 26

HEX #13BD81

RGB 19 189 129

HSL 158.82, 0.82%, 0.41%

LAB 68.11, -53.56, 19.45

 

CMYK 90 / 0 / 31 / 11

HEX #17E29B

RGB 23 226 155

HSL 159.01, 0.82%, 0.49%

LAB 80.15, -61.36, 22.25

 

CMYK 76 / 0 / 26 / 8

HEX #39EAAC

RGB 57 234 172

HSL 158.98, 0.81%, 0.57%

LAB 83.28, -57.8, 17.81

 

CMYK 89 / 0 / 31 / 26

HEX #14BC81

RGB 20 188 129

HSL 158.93, 0.81%, 0.41%

LAB 67.8, -53.12, 19.03

 

CMYK 90 / 75 / 0 / 26

HEX #1330BD

RGB 19 48 189

HSL 229.76, 0.82%, 0.41%

LAB 29.23, 45.05, -75.01

 

CMYK 0 / 69 / 90 / 26

HEX #BD3B13

RGB 189 59 19

HSL 14.12, 0.82%, 0.41%

LAB 44.22, 50.48, 50.01

 

CMYK 89 / 0 / 31 / 26

HEX #14BC81

RGB 20 188 129

HSL 158.93, 0.81%, 0.41%

LAB 67.8, -53.12, 19.03

 

CMYK 33 / 90 / 0 / 26

HEX #7F13BD

RGB 127 19 189

HSL 278.12, 0.82%, 0.41%

LAB 35.31, 66.89, -64.66

 

CMYK 0 / 33 / 90 / 26

HEX #BD7F13

RGB 189 127 19

HSL 38.12, 0.82%, 0.41%

LAB 58.08, 16.11, 60.52

 

CMYK 89 / 0 / 31 / 26

HEX #14BC81

RGB 20 188 129

HSL 158.93, 0.81%, 0.41%

LAB 67.8, -53.12, 19.03

 

CMYK 90 / 75 / 0 / 26

HEX #1330BD

RGB 19 48 189

HSL 229.76, 0.82%, 0.41%

LAB 29.23, 45.05, -75.01

 

CMYK 0 / 90 / 57 / 26

HEX #BD1351

RGB 189 19 81

HSL 338.12, 0.82%, 0.41%

LAB 41.02, 64.45, 11.58

 

CMYK 0 / 15 / 90 / 26

HEX #BDA113

RGB 189 161 19

HSL 50.12, 0.82%, 0.41%

LAB 66.79, -2.45, 67.28

 

CMYK 89 / 0 / 31 / 26

HEX #14BC81

RGB 20 188 129

HSL 158.93, 0.81%, 0.41%

LAB 67.8, -53.12, 19.03

 

CMYK 78 / 90 / 0 / 26

HEX #2A13BD

RGB 42 19 189

HSL 248.12, 0.82%, 0.41%

LAB 25.66, 59.37, -80.91

 

CMYK 0 / 90 / 57 / 26

HEX #BD1351

RGB 189 19 81

HSL 338.12, 0.82%, 0.41%

LAB 41.02, 64.45, 11.58

 

CMYK 12 / 0 / 90 / 26

HEX #A6BD13

RGB 166 189 19

HSL 68.12, 0.82%, 0.41%

LAB 72.59, -26.79, 71.05

 

Description

Color code: HEX #14BC81 | qconv.com Color code: HEX #14BC81 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 188 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 188 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 31 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 31% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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