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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14BC9D it is the complementary color #EB4362. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14BC9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14BC9D shade: #19BC98, #2ACEAB, #3BE0BE, #4CF2D1 and #5DFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14BC9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14BC9D shade: #14BC9D, #03AA8A, #009877, #008664 and #007451

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14BC9D shade: #13BD9D, #13BD70, #13BD42, #13BD14 and #40BD13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14BC9D shade: #13BD9D, #13AEBD, #1381BD, #1353BD and #1325BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14BC9D shade matches the following richer shades: #13BD9D and #02CEA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14BC9D shade: #13BD9D, #24AC93, #359B88, #468A7D and #577973

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14BC9D shade: #13BD41, #13BD6E, #13BD9B, #13B1BD and #1384BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14BC9D shade: #0C725F, #0F977E, #13BD9D, #17E2BD and #39EAC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14BC9D shade: #14BC9D, #1313BD and #BD5713

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14BC9D shade: #14BC9D, #9B13BD and #BD9B13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14BC9D shade: #14BC9D, #1313BD, #BD1335 and #BDBD13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14BC9D shade: #14BC9D, #4613BD, #BD1335 and #8ABD13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 16 / 26

HEX #14BC9D

RGB 20 188 157

HSL 168.93, 0.81%, 0.41%

LAB 68.42, -46.3, 4.68

 

Complementary color

CMYK 0 / 71 / 58 / 8

HEX #EB4362

RGB 235 67 98

HSL 348.93, 0.81%, 0.59%

LAB 54.61, 65.49, 21.09

 

CMYK 87 / 0 / 19 / 26

HEX #19BC98

RGB 25 188 152

HSL 166.75, 0.77%, 0.42%

LAB 68.34, -47.29, 7.31

 

CMYK 80 / 0 / 17 / 19

HEX #2ACEAB

RGB 42 206 171

HSL 167.2, 0.66%, 0.49%

LAB 74.56, -48.48, 5.94

 

CMYK 74 / 0 / 15 / 12

HEX #3BE0BE

RGB 59 224 190

HSL 167.64, 0.73%, 0.55%

LAB 80.72, -49.33, 4.71

 

CMYK 69 / 0 / 14 / 5

HEX #4CF2D1

RGB 76 242 209

HSL 168.07, 0.86%, 0.62%

LAB 86.82, -49.95, 3.58

 

CMYK 64 / 0 / 11 / 0

HEX #5DFFE4

RGB 93 255 228

HSL 170, 1%, 0.68%

LAB 91.44, -48.27, 0.45

 

CMYK 89 / 0 / 16 / 26

HEX #14BC9D

RGB 20 188 157

HSL 168.93, 0.81%, 0.41%

LAB 68.42, -46.3, 4.68

 

CMYK 98 / 0 / 19 / 33

HEX #03AA8A

RGB 3 170 138

HSL 168.5, 0.97%, 0.34%

LAB 62.17, -44.59, 6.17

 

CMYK 100 / 0 / 22 / 40

HEX #009877

RGB 0 152 119

HSL 166.97, 1%, 0.3%

LAB 55.88, -42.29, 7.86

 

CMYK 100 / 0 / 25 / 47

HEX #008664

RGB 0 134 100

HSL 164.78, 1%, 0.26%

LAB 49.46, -39.79, 9.67

 

CMYK 100 / 0 / 30 / 55

HEX #007451

RGB 0 116 81

HSL 161.9, 1%, 0.23%

LAB 42.89, -37.21, 11.59

 

CMYK 90 / 0 / 17 / 26

HEX #13BD9D

RGB 19 189 157

HSL 168.71, 0.82%, 0.41%

LAB 68.73, -46.77, 5.12

 

CMYK 90 / 0 / 41 / 26

HEX #13BD70

RGB 19 189 112

HSL 152.82, 0.82%, 0.41%

LAB 67.8, -57.08, 28.06

 

CMYK 90 / 0 / 65 / 26

HEX #13BD42

RGB 19 189 66

HSL 136.59, 0.82%, 0.41%

LAB 67.22, -64.08, 49.62

 

CMYK 90 / 0 / 89 / 26

HEX #13BD14

RGB 19 189 20

HSL 120.35, 0.82%, 0.41%

LAB 66.96, -67.35, 63.91

 

CMYK 66 / 0 / 90 / 26

HEX #40BD13

RGB 64 189 19

HSL 104.12, 0.82%, 0.41%

LAB 67.67, -61.16, 64.98

 

CMYK 90 / 0 / 17 / 26

HEX #13BD9D

RGB 19 189 157

HSL 168.71, 0.82%, 0.41%

LAB 68.73, -46.77, 5.12

 

CMYK 90 / 8 / 0 / 26

HEX #13AEBD

RGB 19 174 189

HSL 185.29, 0.82%, 0.41%

LAB 65.03, -30.67, -18.04

 

CMYK 90 / 32 / 0 / 26

HEX #1381BD

RGB 19 129 189

HSL 201.18, 0.82%, 0.41%

LAB 51.28, -6.63, -39.32

 

CMYK 90 / 56 / 0 / 26

HEX #1353BD

RGB 19 83 189

HSL 217.41, 0.82%, 0.41%

LAB 37.84, 22.52, -60.86

 

CMYK 90 / 80 / 0 / 26

HEX #1325BD

RGB 19 37 189

HSL 233.65, 0.82%, 0.41%

LAB 27.12, 51.09, -78.51

 

CMYK 90 / 0 / 17 / 26

HEX #13BD9D

RGB 19 189 157

HSL 168.71, 0.82%, 0.41%

LAB 68.73, -46.77, 5.12

 

CMYK 99 / 0 / 18 / 19

HEX #02CEA8

RGB 2 206 168

HSL 168.82, 0.98%, 0.41%

LAB 74.18, -51.46, 6.97

 

CMYK 90 / 0 / 17 / 26

HEX #13BD9D

RGB 19 189 157

HSL 168.71, 0.82%, 0.41%

LAB 68.73, -46.77, 5.12

 

CMYK 79 / 0 / 15 / 33

HEX #24AC93

RGB 36 172 147

HSL 168.97, 0.65%, 0.41%

LAB 63.33, -40.9, 2.87

 

CMYK 66 / 0 / 12 / 39

HEX #359B88

RGB 53 155 136

HSL 168.82, 0.49%, 0.41%

LAB 58.02, -33.86, 1.38

 

CMYK 49 / 0 / 9 / 46

HEX #468A7D

RGB 70 138 125

HSL 168.53, 0.33%, 0.41%

LAB 52.91, -24.92, 0.32

 

CMYK 28 / 0 / 5 / 53

HEX #577973

RGB 87 121 115

HSL 169.41, 0.16%, 0.41%

LAB 48.18, -13.46, -0.63

 

CMYK 90 / 0 / 66 / 26

HEX #13BD41

RGB 19 189 65

HSL 136.24, 0.82%, 0.41%

LAB 67.21, -64.19, 50.03

 

CMYK 90 / 0 / 42 / 26

HEX #13BD6E

RGB 19 189 110

HSL 152.12, 0.82%, 0.41%

LAB 67.77, -57.46, 29.06

 

CMYK 90 / 0 / 18 / 26

HEX #13BD9B

RGB 19 189 155

HSL 168, 0.82%, 0.41%

LAB 68.68, -47.3, 6.14

 

CMYK 90 / 6 / 0 / 26

HEX #13B1BD

RGB 19 177 189

HSL 184.24, 0.82%, 0.41%

LAB 65.95, -32.12, -16.65

 

CMYK 90 / 30 / 0 / 26

HEX #1384BD

RGB 19 132 189

HSL 200.12, 0.82%, 0.41%

LAB 52.19, -8.37, -37.88

 

CMYK 89 / 0 / 17 / 55

HEX #0C725F

RGB 12 114 95

HSL 168.82, 0.81%, 0.25%

LAB 42.67, -31.65, 2.95

 

CMYK 90 / 0 / 17 / 41

HEX #0F977E

RGB 15 151 126

HSL 168.97, 0.82%, 0.33%

LAB 55.83, -39.22, 3.82

 

CMYK 90 / 0 / 17 / 26

HEX #13BD9D

RGB 19 189 157

HSL 168.71, 0.82%, 0.41%

LAB 68.73, -46.77, 5.12

 

CMYK 90 / 0 / 16 / 11

HEX #17E2BD

RGB 23 226 189

HSL 169.06, 0.82%, 0.49%

LAB 80.88, -53.36, 5.42

 

CMYK 76 / 0 / 14 / 8

HEX #39EAC9

RGB 57 234 201

HSL 168.81, 0.81%, 0.57%

LAB 83.93, -50.95, 3.54

 

CMYK 89 / 0 / 16 / 26

HEX #14BC9D

RGB 20 188 157

HSL 168.93, 0.81%, 0.41%

LAB 68.42, -46.3, 4.68

 

CMYK 90 / 90 / 0 / 26

HEX #1313BD

RGB 19 19 189

HSL 240, 0.82%, 0.41%

LAB 24.57, 58.68, -82.75

 

CMYK 0 / 54 / 90 / 26

HEX #BD5713

RGB 189 87 19

HSL 24, 0.82%, 0.41%

LAB 49.11, 37.62, 53.67

 

CMYK 89 / 0 / 16 / 26

HEX #14BC9D

RGB 20 188 157

HSL 168.93, 0.81%, 0.41%

LAB 68.42, -46.3, 4.68

 

CMYK 18 / 90 / 0 / 26

HEX #9B13BD

RGB 155 19 189

HSL 288, 0.82%, 0.41%

LAB 39.76, 70.93, -57.21

 

CMYK 0 / 18 / 90 / 26

HEX #BD9B13

RGB 189 155 19

HSL 48, 0.82%, 0.41%

LAB 65.21, 0.77, 66.04

 

CMYK 89 / 0 / 16 / 26

HEX #14BC9D

RGB 20 188 157

HSL 168.93, 0.81%, 0.41%

LAB 68.42, -46.3, 4.68

 

CMYK 90 / 90 / 0 / 26

HEX #1313BD

RGB 19 19 189

HSL 240, 0.82%, 0.41%

LAB 24.57, 58.68, -82.75

 

CMYK 0 / 90 / 72 / 26

HEX #BD1335

RGB 189 19 53

HSL 348, 0.82%, 0.41%

LAB 40.48, 62.91, 28.52

 

CMYK 0 / 0 / 90 / 26

HEX #BDBD13

RGB 189 189 19

HSL 60, 0.82%, 0.41%

LAB 74.36, -16.97, 73.2

 

CMYK 89 / 0 / 16 / 26

HEX #14BC9D

RGB 20 188 157

HSL 168.93, 0.81%, 0.41%

LAB 68.42, -46.3, 4.68

 

CMYK 63 / 90 / 0 / 26

HEX #4613BD

RGB 70 19 189

HSL 258, 0.82%, 0.41%

LAB 27.96, 60.97, -77.02

 

CMYK 0 / 90 / 72 / 26

HEX #BD1335

RGB 189 19 53

HSL 348, 0.82%, 0.41%

LAB 40.48, 62.91, 28.52

 

CMYK 27 / 0 / 90 / 26

HEX #8ABD13

RGB 138 189 19

HSL 78, 0.82%, 0.41%

LAB 70.76, -38.17, 68.81

 

Description

Color code: HEX #14BC9D | qconv.com Color code: HEX #14BC9D | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 188 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 188 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 16 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 16% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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