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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14D069 it is the complementary color #EB2F96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14D069. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14D069 shade: #19D064, #2AE277, #3BF48A, #4CFF9D and #5DFFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14D069. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14D069 shade: #14D069, #03BE56, #00AC43, #009A30 and #00881D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14D069 shade: #14D069, #14D036, #25D014, #57D014 and #8AD014

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14D069 shade: #14D069, #14D09C, #14D0CF, #149FD0 and #146CD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14D069 shade matches the following richer shades: #14D069 and #02E367

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14D069 shade: #14D069, #27BE6B, #39AB6D, #4C996F and #5E8670

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14D069 shade: #24D014, #14D037, #14D069, #14D09B and #14D0CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14D069 shade: #0D8543, #10AB56, #14D069, #25E97D and #4AED94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14D069 shade: #14D069, #1456D0 and #D01E14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14D069 shade: #14D069, #6914D0 and #D06914

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14D069 shade: #14D069, #1456D0, #D0147C and #D08E14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14D069 shade: #14D069, #141ED0, #D0147C and #D0C714

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 50 / 18

HEX #14D069

RGB 20 208 105

HSL 147.13, 0.82%, 0.45%

LAB 73.73, -64.72, 39.22

 

Complementary color

CMYK 0 / 80 / 36 / 8

HEX #EB2F96

RGB 235 47 150

HSL 327.13, 0.82%, 0.55%

LAB 53.92, 75.75, -10.93

 

CMYK 88 / 0 / 52 / 18

HEX #19D064

RGB 25 208 100

HSL 144.59, 0.79%, 0.46%

LAB 73.7, -65.18, 41.63

 

CMYK 81 / 0 / 47 / 11

HEX #2AE277

RGB 42 226 119

HSL 145.11, 0.76%, 0.53%

LAB 79.74, -66.72, 39.97

 

CMYK 76 / 0 / 43 / 4

HEX #3BF48A

RGB 59 244 138

HSL 145.62, 0.89%, 0.59%

LAB 85.74, -67.81, 38.38

 

CMYK 70 / 0 / 38 / 0

HEX #4CFF9D

RGB 76 255 157

HSL 147.15, 1%, 0.65%

LAB 89.62, -66.07, 34.12

 

CMYK 64 / 0 / 31 / 0

HEX #5DFFB0

RGB 93 255 176

HSL 150.74, 1%, 0.68%

LAB 90.31, -59.77, 25.58

 

CMYK 90 / 0 / 50 / 18

HEX #14D069

RGB 20 208 105

HSL 147.13, 0.82%, 0.45%

LAB 73.73, -64.72, 39.22

 

CMYK 98 / 0 / 55 / 25

HEX #03BE56

RGB 3 190 86

HSL 146.63, 0.97%, 0.38%

LAB 67.66, -62.58, 40.99

 

CMYK 100 / 0 / 61 / 33

HEX #00AC43

RGB 0 172 67

HSL 143.37, 1%, 0.34%

LAB 61.58, -59.66, 42.76

 

CMYK 100 / 0 / 69 / 40

HEX #009A30

RGB 0 154 48

HSL 138.7, 1%, 0.3%

LAB 55.41, -56.33, 44.31

 

CMYK 100 / 0 / 79 / 47

HEX #00881D

RGB 0 136 29

HSL 132.79, 1%, 0.27%

LAB 49.13, -52.6, 45.24

 

CMYK 90 / 0 / 50 / 18

HEX #14D069

RGB 20 208 105

HSL 147.13, 0.82%, 0.45%

LAB 73.73, -64.72, 39.22

 

CMYK 90 / 0 / 74 / 18

HEX #14D036

RGB 20 208 54

HSL 130.85, 0.82%, 0.45%

LAB 73.24, -70.78, 60.6

 

CMYK 82 / 0 / 90 / 18

HEX #25D014

RGB 37 208 20

HSL 114.57, 0.82%, 0.45%

LAB 73.26, -71.15, 69.36

 

CMYK 58 / 0 / 90 / 18

HEX #57D014

RGB 87 208 20

HSL 98.62, 0.82%, 0.45%

LAB 74.31, -62.16, 70.68

 

CMYK 34 / 0 / 90 / 18

HEX #8AD014

RGB 138 208 20

HSL 82.34, 0.82%, 0.45%

LAB 76.42, -46.34, 73.28

 

CMYK 90 / 0 / 50 / 18

HEX #14D069

RGB 20 208 105

HSL 147.13, 0.82%, 0.45%

LAB 73.73, -64.72, 39.22

 

CMYK 90 / 0 / 25 / 18

HEX #14D09C

RGB 20 208 156

HSL 163.4, 0.82%, 0.45%

LAB 74.61, -54.56, 14.03

 

CMYK 90 / 0 / 0 / 18

HEX #14D0CF

RGB 20 208 207

HSL 179.68, 0.82%, 0.45%

LAB 75.93, -40.92, -11.48

 

CMYK 90 / 24 / 0 / 18

HEX #149FD0

RGB 20 159 208

HSL 195.64, 0.82%, 0.45%

LAB 61.22, -16.5, -34.48

 

CMYK 90 / 48 / 0 / 18

HEX #146CD0

RGB 20 108 208

HSL 211.91, 0.82%, 0.45%

LAB 46.21, 13.75, -58.28

 

CMYK 90 / 0 / 50 / 18

HEX #14D069

RGB 20 208 105

HSL 147.13, 0.82%, 0.45%

LAB 73.73, -64.72, 39.22

 

CMYK 99 / 0 / 55 / 11

HEX #02E367

RGB 2 227 103

HSL 146.93, 0.98%, 0.45%

LAB 79.57, -71.74, 47.34

 

CMYK 90 / 0 / 50 / 18

HEX #14D069

RGB 20 208 105

HSL 147.13, 0.82%, 0.45%

LAB 73.73, -64.72, 39.22

 

CMYK 79 / 0 / 44 / 25

HEX #27BE6B

RGB 39 190 107

HSL 147.02, 0.66%, 0.45%

LAB 68.26, -56.62, 31.29

 

CMYK 67 / 0 / 36 / 33

HEX #39AB6D

RGB 57 171 109

HSL 147.37, 0.5%, 0.45%

LAB 62.59, -46.35, 22.83

 

CMYK 50 / 0 / 27 / 40

HEX #4C996F

RGB 76 153 111

HSL 147.27, 0.34%, 0.45%

LAB 57.53, -33.89, 14.92

 

CMYK 30 / 0 / 16 / 47

HEX #5E8670

RGB 94 134 112

HSL 147, 0.18%, 0.45%

LAB 52.51, -18.84, 7.43

 

CMYK 83 / 0 / 90 / 18

HEX #24D014

RGB 36 208 20

HSL 114.89, 0.82%, 0.45%

LAB 73.24, -71.26, 69.35

 

CMYK 90 / 0 / 74 / 18

HEX #14D037

RGB 20 208 55

HSL 131.17, 0.82%, 0.45%

LAB 73.24, -70.7, 60.26

 

CMYK 90 / 0 / 50 / 18

HEX #14D069

RGB 20 208 105

HSL 147.13, 0.82%, 0.45%

LAB 73.73, -64.72, 39.22

 

CMYK 90 / 0 / 25 / 18

HEX #14D09B

RGB 20 208 155

HSL 163.09, 0.82%, 0.45%

LAB 74.59, -54.79, 14.53

 

CMYK 90 / 0 / 1 / 18

HEX #14D0CD

RGB 20 208 205

HSL 179.04, 0.82%, 0.45%

LAB 75.87, -41.51, -10.5

 

CMYK 90 / 0 / 50 / 48

HEX #0D8543

RGB 13 133 67

HSL 147, 0.82%, 0.29%

LAB 48.59, -45.84, 27.12

 

CMYK 91 / 0 / 50 / 33

HEX #10AB56

RGB 16 171 86

HSL 147.1, 0.83%, 0.37%

LAB 61.57, -55.7, 33.51

 

CMYK 90 / 0 / 50 / 18

HEX #14D069

RGB 20 208 105

HSL 147.13, 0.82%, 0.45%

LAB 73.73, -64.72, 39.22

 

CMYK 84 / 0 / 46 / 9

HEX #25E97D

RGB 37 233 125

HSL 146.94, 0.82%, 0.53%

LAB 81.92, -68.52, 39.79

 

CMYK 69 / 0 / 38 / 7

HEX #4AED94

RGB 74 237 148

HSL 147.24, 0.82%, 0.61%

LAB 84.05, -61.45, 31.23

 

CMYK 90 / 0 / 50 / 18

HEX #14D069

RGB 20 208 105

HSL 147.13, 0.82%, 0.45%

LAB 73.73, -64.72, 39.22

 

CMYK 90 / 59 / 0 / 18

HEX #1456D0

RGB 20 86 208

HSL 218.94, 0.82%, 0.45%

LAB 40.18, 28.07, -68.09

 

CMYK 0 / 86 / 90 / 18

HEX #D01E14

RGB 208 30 20

HSL 3.19, 0.82%, 0.45%

LAB 44.79, 65.06, 51.71

 

CMYK 90 / 0 / 50 / 18

HEX #14D069

RGB 20 208 105

HSL 147.13, 0.82%, 0.45%

LAB 73.73, -64.72, 39.22

 

CMYK 50 / 90 / 0 / 18

HEX #6914D0

RGB 105 20 208

HSL 267.13, 0.82%, 0.45%

LAB 34.1, 68.28, -77.87

 

CMYK 0 / 50 / 90 / 18

HEX #D06914

RGB 208 105 20

HSL 27.13, 0.82%, 0.45%

LAB 55.65, 36.05, 59.54

 

CMYK 90 / 0 / 50 / 18

HEX #14D069

RGB 20 208 105

HSL 147.13, 0.82%, 0.45%

LAB 73.73, -64.72, 39.22

 

CMYK 90 / 59 / 0 / 18

HEX #1456D0

RGB 20 86 208

HSL 218.94, 0.82%, 0.45%

LAB 40.18, 28.07, -68.09

 

CMYK 0 / 90 / 40 / 18

HEX #D0147C

RGB 208 20 124

HSL 326.81, 0.82%, 0.45%

LAB 46.13, 72.25, -7.43

 

CMYK 0 / 32 / 90 / 18

HEX #D08E14

RGB 208 142 20

HSL 38.94, 0.82%, 0.45%

LAB 64, 16.29, 65.81

 

CMYK 90 / 0 / 50 / 18

HEX #14D069

RGB 20 208 105

HSL 147.13, 0.82%, 0.45%

LAB 73.73, -64.72, 39.22

 

CMYK 90 / 86 / 0 / 18

HEX #141ED0

RGB 20 30 208

HSL 236.81, 0.82%, 0.45%

LAB 28.46, 60.14, -87.42

 

CMYK 0 / 90 / 40 / 18

HEX #D0147C

RGB 208 20 124

HSL 326.81, 0.82%, 0.45%

LAB 46.13, 72.25, -7.43

 

CMYK 0 / 4 / 90 / 18

HEX #D0C714

RGB 208 199 20

HSL 57.13, 0.82%, 0.45%

LAB 78.64, -13.78, 77.06

 

Description

Color code: HEX #14D069 | qconv.com Color code: HEX #14D069 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 208 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 208 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 50 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 50% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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