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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14D164 it is the complementary color #EB2E9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14D164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14D164 shade: #19D15F, #2AE372, #3BF585, #4CFF98 and #5DFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14D164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14D164 shade: #14D164, #03BF51, #00AD3E, #009B2B and #008918

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14D164 shade: #13D164, #13D130, #29D113, #5CD113 and #90D113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14D164 shade: #13D164, #13D197, #13D1CA, #13A5D1 and #1372D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14D164 shade matches the following richer shades: #13D164 and #00E461

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14D164 shade: #13D164, #26BF66, #38AC69, #4B9A6C and #5D876F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14D164 shade: #29D113, #13D130, #13D162, #13D195 and #13D1C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14D164 shade: #0C8640, #10AC52, #13D164, #24EA78 and #49EE8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14D164 shade: #14D164, #135CD1 and #D11613

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14D164 shade: #14D164, #6213D1 and #D16213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14D164 shade: #14D164, #135CD1, #D11382 and #D18813

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14D164 shade: #14D164, #1323D1, #D11382 and #D1C213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 52 / 18

HEX #14D164

RGB 20 209 100

HSL 145.4, 0.83%, 0.45%

LAB 73.98, -65.82, 41.97

 

Complementary color

CMYK 0 / 80 / 34 / 8

HEX #EB2E9B

RGB 235 46 155

HSL 325.4, 0.83%, 0.55%

LAB 54.01, 76.5, -13.75

 

CMYK 88 / 0 / 55 / 18

HEX #19D15F

RGB 25 209 95

HSL 142.83, 0.79%, 0.46%

LAB 73.95, -66.24, 44.33

 

CMYK 81 / 0 / 50 / 11

HEX #2AE372

RGB 42 227 114

HSL 143.35, 0.77%, 0.53%

LAB 79.98, -67.83, 42.7

 

CMYK 76 / 0 / 46 / 4

HEX #3BF585

RGB 59 245 133

HSL 143.87, 0.9%, 0.6%

LAB 85.97, -68.97, 41.11

 

CMYK 70 / 0 / 40 / 0

HEX #4CFF98

RGB 76 255 152

HSL 145.47, 1%, 0.65%

LAB 89.54, -66.95, 36.5

 

CMYK 64 / 0 / 33 / 0

HEX #5DFFAB

RGB 93 255 171

HSL 148.89, 1%, 0.68%

LAB 90.22, -60.73, 27.99

 

CMYK 90 / 0 / 52 / 18

HEX #14D164

RGB 20 209 100

HSL 145.4, 0.83%, 0.45%

LAB 73.98, -65.82, 41.97

 

CMYK 98 / 0 / 58 / 25

HEX #03BF51

RGB 3 191 81

HSL 144.89, 0.97%, 0.38%

LAB 67.93, -63.61, 43.68

 

CMYK 100 / 0 / 64 / 32

HEX #00AD3E

RGB 0 173 62

HSL 141.5, 1%, 0.34%

LAB 61.86, -60.59, 45.34

 

CMYK 100 / 0 / 72 / 39

HEX #009B2B

RGB 0 155 43

HSL 136.65, 1%, 0.3%

LAB 55.7, -57.14, 46.67

 

CMYK 100 / 0 / 82 / 46

HEX #008918

RGB 0 137 24

HSL 130.51, 1%, 0.27%

LAB 49.44, -53.26, 47.19

 

CMYK 91 / 0 / 52 / 18

HEX #13D164

RGB 19 209 100

HSL 145.58, 0.83%, 0.45%

LAB 73.97, -65.88, 41.96

 

CMYK 91 / 0 / 77 / 18

HEX #13D130

RGB 19 209 48

HSL 129.16, 0.83%, 0.45%

LAB 73.51, -71.56, 62.85

 

CMYK 80 / 0 / 91 / 18

HEX #29D113

RGB 41 209 19

HSL 113.05, 0.83%, 0.45%

LAB 73.62, -71.01, 69.85

 

CMYK 56 / 0 / 91 / 18

HEX #5CD113

RGB 92 209 19

HSL 96.95, 0.83%, 0.45%

LAB 74.78, -61.25, 71.28

 

CMYK 31 / 0 / 91 / 18

HEX #90D113

RGB 144 209 19

HSL 80.53, 0.83%, 0.45%

LAB 77.03, -44.59, 74.06

 

CMYK 91 / 0 / 52 / 18

HEX #13D164

RGB 19 209 100

HSL 145.58, 0.83%, 0.45%

LAB 73.97, -65.88, 41.96

 

CMYK 91 / 0 / 28 / 18

HEX #13D197

RGB 19 209 151

HSL 161.68, 0.83%, 0.45%

LAB 74.81, -56.15, 16.97

 

CMYK 91 / 0 / 3 / 18

HEX #13D1CA

RGB 19 209 202

HSL 177.79, 0.83%, 0.45%

LAB 76.07, -42.87, -8.57

 

CMYK 91 / 21 / 0 / 18

HEX #13A5D1

RGB 19 165 209

HSL 193.89, 0.83%, 0.45%

LAB 63.05, -19.4, -32.19

 

CMYK 91 / 45 / 0 / 18

HEX #1372D1

RGB 19 114 209

HSL 210, 0.83%, 0.45%

LAB 47.98, 10.27, -56.02

 

CMYK 91 / 0 / 52 / 18

HEX #13D164

RGB 19 209 100

HSL 145.58, 0.83%, 0.45%

LAB 73.97, -65.88, 41.96

 

CMYK 100 / 0 / 57 / 11

HEX #00E461

RGB 0 228 97

HSL 145.53, 1%, 0.45%

LAB 79.81, -72.93, 50.36

 

CMYK 91 / 0 / 52 / 18

HEX #13D164

RGB 19 209 100

HSL 145.58, 0.83%, 0.45%

LAB 73.97, -65.88, 41.96

 

CMYK 80 / 0 / 47 / 25

HEX #26BF66

RGB 38 191 102

HSL 145.1, 0.67%, 0.45%

LAB 68.48, -57.96, 34.14

 

CMYK 67 / 0 / 39 / 33

HEX #38AC69

RGB 56 172 105

HSL 145.34, 0.51%, 0.45%

LAB 62.82, -47.71, 25.27

 

CMYK 51 / 0 / 30 / 40

HEX #4B9A6C

RGB 75 154 108

HSL 145.06, 0.34%, 0.45%

LAB 57.74, -35.23, 16.89

 

CMYK 31 / 0 / 18 / 47

HEX #5D876F

RGB 93 135 111

HSL 145.71, 0.18%, 0.45%

LAB 52.73, -19.91, 8.32

 

CMYK 80 / 0 / 91 / 18

HEX #29D113

RGB 41 209 19

HSL 113.05, 0.83%, 0.45%

LAB 73.62, -71.01, 69.85

 

CMYK 91 / 0 / 77 / 18

HEX #13D130

RGB 19 209 48

HSL 129.16, 0.83%, 0.45%

LAB 73.51, -71.56, 62.85

 

CMYK 91 / 0 / 53 / 18

HEX #13D162

RGB 19 209 98

HSL 144.95, 0.83%, 0.45%

LAB 73.95, -66.18, 42.89

 

CMYK 91 / 0 / 29 / 18

HEX #13D195

RGB 19 209 149

HSL 161.05, 0.83%, 0.45%

LAB 74.77, -56.6, 17.97

 

CMYK 91 / 0 / 4 / 18

HEX #13D1C8

RGB 19 209 200

HSL 177.16, 0.83%, 0.45%

LAB 76.01, -43.44, -7.58

 

CMYK 91 / 0 / 52 / 47

HEX #0C8640

RGB 12 134 64

HSL 145.57, 0.84%, 0.29%

LAB 48.88, -46.79, 29.08

 

CMYK 91 / 0 / 52 / 33

HEX #10AC52

RGB 16 172 82

HSL 145.38, 0.83%, 0.37%

LAB 61.85, -56.69, 35.87

 

CMYK 91 / 0 / 52 / 18

HEX #13D164

RGB 19 209 100

HSL 145.58, 0.83%, 0.45%

LAB 73.97, -65.88, 41.96

 

CMYK 85 / 0 / 49 / 8

HEX #24EA78

RGB 36 234 120

HSL 145.45, 0.83%, 0.53%

LAB 82.15, -69.73, 42.51

 

CMYK 69 / 0 / 40 / 7

HEX #49EE8F

RGB 73 238 143

HSL 145.45, 0.83%, 0.61%

LAB 84.25, -62.87, 34

 

CMYK 90 / 0 / 52 / 18

HEX #14D164

RGB 20 209 100

HSL 145.4, 0.83%, 0.45%

LAB 73.98, -65.82, 41.97

 

CMYK 91 / 56 / 0 / 18

HEX #135CD1

RGB 19 92 209

HSL 216.95, 0.83%, 0.45%

LAB 41.84, 24.48, -65.95

 

CMYK 0 / 89 / 91 / 18

HEX #D11613

RGB 209 22 19

HSL 0.95, 0.83%, 0.45%

LAB 44.48, 66.75, 52

 

CMYK 90 / 0 / 52 / 18

HEX #14D164

RGB 20 209 100

HSL 145.4, 0.83%, 0.45%

LAB 73.98, -65.82, 41.97

 

CMYK 53 / 91 / 0 / 18

HEX #6213D1

RGB 98 19 209

HSL 264.95, 0.83%, 0.45%

LAB 33.28, 68.08, -79.84

 

CMYK 0 / 53 / 91 / 18

HEX #D16213

RGB 209 98 19

HSL 24.95, 0.83%, 0.45%

LAB 54.38, 39.98, 58.96

 

CMYK 90 / 0 / 52 / 18

HEX #14D164

RGB 20 209 100

HSL 145.4, 0.83%, 0.45%

LAB 73.98, -65.82, 41.97

 

CMYK 91 / 56 / 0 / 18

HEX #135CD1

RGB 19 92 209

HSL 216.95, 0.83%, 0.45%

LAB 41.84, 24.48, -65.95

 

CMYK 0 / 91 / 38 / 18

HEX #D11382

RGB 209 19 130

HSL 324.95, 0.83%, 0.45%

LAB 46.49, 73.18, -10.55

 

CMYK 0 / 35 / 91 / 18

HEX #D18813

RGB 209 136 19

HSL 36.95, 0.83%, 0.45%

LAB 62.69, 19.96, 65.09

 

CMYK 90 / 0 / 52 / 18

HEX #14D164

RGB 20 209 100

HSL 145.4, 0.83%, 0.45%

LAB 73.98, -65.82, 41.97

 

CMYK 91 / 83 / 0 / 18

HEX #1323D1

RGB 19 35 209

HSL 234.95, 0.83%, 0.45%

LAB 29.27, 58.31, -86.66

 

CMYK 0 / 91 / 38 / 18

HEX #D11382

RGB 209 19 130

HSL 324.95, 0.83%, 0.45%

LAB 46.49, 73.18, -10.55

 

CMYK 0 / 7 / 91 / 18

HEX #D1C213

RGB 209 194 19

HSL 55.26, 0.83%, 0.45%

LAB 77.39, -10.83, 76.29

 

Description

Color code: HEX #14D164 | qconv.com Color code: HEX #14D164 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 209 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 209 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 52 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 52% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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