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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14DAB0 it is the complementary color #EB254F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14DAB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14DAB0 shade: #19DAAB, #2AECBE, #3BFED1, #4CFFE4 and #5DFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14DAB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14DAB0 shade: #14DAB0, #03C89D, #00B68A, #00A477 and #009264

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14DAB0 shade: #14DBB1, #14DB7B, #14DB45, #18DB14 and #4EDB14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14DAB0 shade: #14DBB1, #14CFDB, #149ADB, #1464DB and #142EDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14DAB0 shade matches the following richer shades: #14DBB1 and #00EEBC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14DAB0 shade: #14DBB1, #27C7A5, #3BB49A, #4EA18F and #618D84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14DAB0 shade: #14DB46, #14DB7B, #14DBB0, #14D1DB and #149CDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14DAB0 shade: #0D8F74, #10B592, #14DBB1, #2DEBC3 and #53EFCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14DAB0 shade: #14DAB0, #1417DB and #DB6014

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14DAB0 shade: #14DAB0, #B014DB and #DBB014

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14DAB0 shade: #14DAB0, #1417DB, #DB143F and #DBD814

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14DAB0 shade: #14DAB0, #4C14DB, #DB143F and #A2DB14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 19 / 15

HEX #14DAB0

RGB 20 218 176

HSL 167.27, 0.83%, 0.47%

LAB 78.13, -53.6, 8.36

 

Complementary color

CMYK 0 / 84 / 66 / 8

HEX #EB254F

RGB 235 37 79

HSL 347.27, 0.83%, 0.53%

LAB 51.32, 72.69, 28.14

 

CMYK 89 / 0 / 22 / 15

HEX #19DAAB

RGB 25 218 171

HSL 165.39, 0.79%, 0.48%

LAB 78.05, -54.58, 10.91

 

CMYK 82 / 0 / 19 / 7

HEX #2AECBE

RGB 42 236 190

HSL 165.77, 0.84%, 0.55%

LAB 84.07, -55.88, 9.5

 

CMYK 77 / 0 / 18 / 0

HEX #3BFED1

RGB 59 254 209

HSL 166.15, 0.99%, 0.61%

LAB 90.05, -56.88, 8.2

 

CMYK 70 / 0 / 11 / 0

HEX #4CFFE4

RGB 76 255 228

HSL 170.95, 1%, 0.65%

LAB 91.08, -50.67, -0.11

 

CMYK 64 / 0 / 3 / 0

HEX #5DFFF7

RGB 93 255 247

HSL 177.04, 1%, 0.68%

LAB 91.94, -43.44, -8.66

 

CMYK 91 / 0 / 19 / 15

HEX #14DAB0

RGB 20 218 176

HSL 167.27, 0.83%, 0.47%

LAB 78.13, -53.6, 8.36

 

CMYK 99 / 0 / 22 / 22

HEX #03C89D

RGB 3 200 157

HSL 166.9, 0.97%, 0.4%

LAB 72.07, -51.83, 9.89

 

CMYK 100 / 0 / 24 / 29

HEX #00B68A

RGB 0 182 138

HSL 165.49, 1%, 0.36%

LAB 65.97, -49.56, 11.58

 

CMYK 100 / 0 / 27 / 36

HEX #00A477

RGB 0 164 119

HSL 163.54, 1%, 0.32%

LAB 59.78, -47.13, 13.37

 

CMYK 100 / 0 / 32 / 43

HEX #009264

RGB 0 146 100

HSL 161.1, 1%, 0.29%

LAB 53.47, -44.63, 15.26

 

CMYK 91 / 0 / 19 / 14

HEX #14DBB1

RGB 20 219 177

HSL 167.34, 0.83%, 0.47%

LAB 78.45, -53.74, 8.3

 

CMYK 91 / 0 / 44 / 14

HEX #14DB7B

RGB 20 219 123

HSL 151.06, 0.83%, 0.47%

LAB 77.43, -65.33, 34.99

 

CMYK 91 / 0 / 68 / 14

HEX #14DB45

RGB 20 219 69

HSL 134.77, 0.83%, 0.47%

LAB 76.83, -72.67, 58.82

 

CMYK 89 / 0 / 91 / 14

HEX #18DB14

RGB 24 219 20

HSL 118.79, 0.83%, 0.47%

LAB 76.62, -75.35, 72.17

 

CMYK 64 / 0 / 91 / 14

HEX #4EDB14

RGB 78 219 20

HSL 102.51, 0.83%, 0.47%

LAB 77.48, -67.88, 73.23

 

CMYK 91 / 0 / 19 / 14

HEX #14DBB1

RGB 20 219 177

HSL 167.34, 0.83%, 0.47%

LAB 78.45, -53.74, 8.3

 

CMYK 91 / 5 / 0 / 14

HEX #14CFDB

RGB 20 207 219

HSL 183.62, 0.83%, 0.47%

LAB 76, -36.86, -17.84

 

CMYK 91 / 30 / 0 / 14

HEX #149ADB

RGB 20 154 219

HSL 199.6, 0.83%, 0.47%

LAB 60.23, -9.79, -42.17

 

CMYK 91 / 54 / 0 / 14

HEX #1464DB

RGB 20 100 219

HSL 215.88, 0.83%, 0.47%

LAB 44.77, 23.22, -66.9

 

CMYK 91 / 79 / 0 / 14

HEX #142EDB

RGB 20 46 219

HSL 232.16, 0.83%, 0.47%

LAB 32.3, 56.21, -87.41

 

CMYK 91 / 0 / 19 / 14

HEX #14DBB1

RGB 20 219 177

HSL 167.34, 0.83%, 0.47%

LAB 78.45, -53.74, 8.3

 

CMYK 100 / 0 / 21 / 7

HEX #00EEBC

RGB 0 238 188

HSL 167.39, 1%, 0.47%

LAB 84.37, -59.03, 10.93

 

CMYK 91 / 0 / 19 / 14

HEX #14DBB1

RGB 20 219 177

HSL 167.34, 0.83%, 0.47%

LAB 78.45, -53.74, 8.3

 

CMYK 80 / 0 / 17 / 22

HEX #27C7A5

RGB 39 199 165

HSL 167.25, 0.67%, 0.47%

LAB 72.23, -47.38, 5.82

 

CMYK 67 / 0 / 14 / 29

HEX #3BB49A

RGB 59 180 154

HSL 167.11, 0.51%, 0.47%

LAB 66.45, -39.53, 3.55

 

CMYK 52 / 0 / 11 / 37

HEX #4EA18F

RGB 78 161 143

HSL 166.99, 0.35%, 0.47%

LAB 60.86, -29.78, 1.66

 

CMYK 31 / 0 / 6 / 45

HEX #618D84

RGB 97 141 132

HSL 167.73, 0.18%, 0.47%

LAB 55.34, -17.09, -0.02

 

CMYK 91 / 0 / 68 / 14

HEX #14DB46

RGB 20 219 70

HSL 135.08, 0.83%, 0.47%

LAB 76.83, -72.57, 58.45

 

CMYK 91 / 0 / 44 / 14

HEX #14DB7B

RGB 20 219 123

HSL 151.06, 0.83%, 0.47%

LAB 77.43, -65.33, 34.99

 

CMYK 91 / 0 / 20 / 14

HEX #14DBB0

RGB 20 219 176

HSL 167.04, 0.83%, 0.47%

LAB 78.43, -53.99, 8.8

 

CMYK 91 / 5 / 0 / 14

HEX #14D1DB

RGB 20 209 219

HSL 183.02, 0.83%, 0.47%

LAB 76.6, -37.78, -16.94

 

CMYK 91 / 29 / 0 / 14

HEX #149CDB

RGB 20 156 219

HSL 198.99, 0.83%, 0.47%

LAB 60.82, -10.91, -41.24

 

CMYK 91 / 0 / 19 / 44

HEX #0D8F74

RGB 13 143 116

HSL 167.54, 0.83%, 0.31%

LAB 52.94, -38.61, 5.4

 

CMYK 91 / 0 / 19 / 29

HEX #10B592

RGB 16 181 146

HSL 167.27, 0.84%, 0.39%

LAB 65.93, -46.5, 7.13

 

CMYK 91 / 0 / 19 / 14

HEX #14DBB1

RGB 20 219 177

HSL 167.34, 0.83%, 0.47%

LAB 78.45, -53.74, 8.3

 

CMYK 81 / 0 / 17 / 8

HEX #2DEBC3

RGB 45 235 195

HSL 167.37, 0.83%, 0.55%

LAB 83.92, -54.01, 6.66

 

CMYK 65 / 0 / 14 / 6

HEX #53EFCD

RGB 83 239 205

HSL 166.92, 0.83%, 0.63%

LAB 86, -48.64, 4.5

 

CMYK 91 / 0 / 19 / 15

HEX #14DAB0

RGB 20 218 176

HSL 167.27, 0.83%, 0.47%

LAB 78.13, -53.6, 8.36

 

CMYK 91 / 89 / 0 / 14

HEX #1417DB

RGB 20 23 219

HSL 239.1, 0.83%, 0.47%

LAB 29.1, 65.72, -92.74

 

CMYK 0 / 56 / 91 / 14

HEX #DB6014

RGB 219 96 20

HSL 22.91, 0.83%, 0.47%

LAB 55.56, 44.82, 60.24

 

CMYK 91 / 0 / 19 / 15

HEX #14DAB0

RGB 20 218 176

HSL 167.27, 0.83%, 0.47%

LAB 78.13, -53.6, 8.36

 

CMYK 20 / 91 / 0 / 14

HEX #B014DB

RGB 176 20 219

HSL 287.04, 0.83%, 0.47%

LAB 45.42, 79.21, -65.27

 

CMYK 0 / 20 / 91 / 14

HEX #DBB014

RGB 219 176 20

HSL 47.04, 0.83%, 0.47%

LAB 73.65, 2.89, 73.67

 

CMYK 91 / 0 / 19 / 15

HEX #14DAB0

RGB 20 218 176

HSL 167.27, 0.83%, 0.47%

LAB 78.13, -53.6, 8.36

 

CMYK 91 / 89 / 0 / 14

HEX #1417DB

RGB 20 23 219

HSL 239.1, 0.83%, 0.47%

LAB 29.1, 65.72, -92.74

 

CMYK 0 / 91 / 71 / 14

HEX #DB143F

RGB 219 20 63

HSL 347.04, 0.83%, 0.47%

LAB 46.87, 70.81, 31.55

 

CMYK 0 / 1 / 91 / 14

HEX #DBD814

RGB 219 216 20

HSL 59.1, 0.83%, 0.47%

LAB 84.08, -17.54, 81.67

 

CMYK 91 / 0 / 19 / 15

HEX #14DAB0

RGB 20 218 176

HSL 167.27, 0.83%, 0.47%

LAB 78.13, -53.6, 8.36

 

CMYK 65 / 91 / 0 / 14

HEX #4C14DB

RGB 76 20 219

HSL 256.88, 0.83%, 0.47%

LAB 32.15, 68.64, -87.56

 

CMYK 0 / 91 / 71 / 14

HEX #DB143F

RGB 219 20 63

HSL 347.04, 0.83%, 0.47%

LAB 46.87, 70.81, 31.55

 

CMYK 26 / 0 / 91 / 14

HEX #A2DB14

RGB 162 219 20

HSL 77.19, 0.83%, 0.47%

LAB 80.96, -42.11, 77.52

 

Description

Color code: HEX #14DAB0 | qconv.com Color code: HEX #14DAB0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 218 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 218 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 19 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 19% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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