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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14EAC3 it is the complementary color #EB153C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14EAC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14EAC3 shade: #19EABE, #2AFCD1, #3BFFE4, #4CFFF7 and #5DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14EAC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14EAC3 shade: #14EAC3, #03D8B0, #00C69D, #00B48A and #00A277

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14EAC3 shade: #14EAC3, #14EA89, #14EA50, #14EA16 and #4CEA14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14EAC3 shade: #14EAC3, #14D7EA, #149EEA, #1464EA and #142AEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14EAC3 shade matches the following richer shades: #14EAC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14EAC3 shade: #14EAC3, #29D5B6, #3DC1A9, #52AC9C and #66988F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14EAC3 shade: #14EA51, #14EA8A, #14EAC3, #14D8EA and #149FEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14EAC3 shade: #0D9E84, #11C4A3, #14EAC3, #3AEDCD and #60F1D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14EAC3 shade: #14EAC3, #1714EA and #EA6D14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14EAC3 shade: #14EAC3, #C314EA and #EAC314

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14EAC3 shade: #14EAC3, #1714EA, #EA143B and #E7EA14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14EAC3 shade: #14EAC3, #5814EA, #EA143B and #A6EA14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 17 / 8

HEX #14EAC3

RGB 20 234 195

HSL 169.07, 0.84%, 0.5%

LAB 83.41, -55.16, 5.9

 

Complementary color

CMYK 0 / 91 / 74 / 8

HEX #EB153C

RGB 235 21 60

HSL 349.07, 0.84%, 0.5%

LAB 50.13, 74.53, 37.96

 

CMYK 89 / 0 / 19 / 8

HEX #19EABE

RGB 25 234 190

HSL 167.37, 0.83%, 0.51%

LAB 83.32, -56.19, 8.4

 

CMYK 83 / 0 / 17 / 1

HEX #2AFCD1

RGB 42 252 209

HSL 167.71, 0.97%, 0.58%

LAB 89.26, -57.55, 7.04

 

CMYK 77 / 0 / 11 / 0

HEX #3BFFE4

RGB 59 255 228

HSL 171.73, 1%, 0.62%

LAB 90.8, -52.56, -0.55

 

CMYK 70 / 0 / 3 / 0

HEX #4CFFF7

RGB 76 255 247

HSL 177.32, 1%, 0.65%

LAB 91.58, -45.73, -9.22

 

CMYK 64 / 0 / 0 / 0

HEX #5DFFFF

RGB 93 255 255

HSL 180, 1%, 0.68%

LAB 92.16, -41.33, -12.47

 

CMYK 91 / 0 / 17 / 8

HEX #14EAC3

RGB 20 234 195

HSL 169.07, 0.84%, 0.5%

LAB 83.41, -55.16, 5.9

 

CMYK 99 / 0 / 19 / 15

HEX #03D8B0

RGB 3 216 176

HSL 168.73, 0.97%, 0.43%

LAB 77.44, -53.37, 7.37

 

CMYK 100 / 0 / 21 / 22

HEX #00C69D

RGB 0 198 157

HSL 167.58, 1%, 0.39%

LAB 71.43, -51.14, 8.98

 

CMYK 100 / 0 / 23 / 29

HEX #00B48A

RGB 0 180 138

HSL 166, 1%, 0.35%

LAB 65.34, -48.77, 10.68

 

CMYK 100 / 0 / 27 / 36

HEX #00A277

RGB 0 162 119

HSL 164.07, 1%, 0.32%

LAB 59.13, -46.34, 12.46

 

CMYK 91 / 0 / 17 / 8

HEX #14EAC3

RGB 20 234 195

HSL 169.07, 0.84%, 0.5%

LAB 83.41, -55.16, 5.9

 

CMYK 91 / 0 / 41 / 8

HEX #14EA89

RGB 20 234 137

HSL 152.8, 0.84%, 0.5%

LAB 82.27, -67.86, 34.28

 

CMYK 91 / 0 / 66 / 8

HEX #14EA50

RGB 20 234 80

HSL 136.82, 0.84%, 0.5%

LAB 81.61, -75.95, 59.66

 

CMYK 91 / 0 / 91 / 8

HEX #14EA16

RGB 20 234 22

HSL 120.56, 0.84%, 0.5%

LAB 81.32, -79.6, 75.84

 

CMYK 68 / 0 / 91 / 8

HEX #4CEA14

RGB 76 234 20

HSL 104.3, 0.84%, 0.5%

LAB 82.07, -72.98, 77.05

 

CMYK 91 / 0 / 17 / 8

HEX #14EAC3

RGB 20 234 195

HSL 169.07, 0.84%, 0.5%

LAB 83.41, -55.16, 5.9

 

CMYK 91 / 8 / 0 / 8

HEX #14D7EA

RGB 20 215 234

HSL 185.33, 0.84%, 0.5%

LAB 78.86, -35.95, -21.55

 

CMYK 91 / 32 / 0 / 8

HEX #149EEA

RGB 20 158 234

HSL 201.31, 0.84%, 0.5%

LAB 62.12, -6.56, -47.49

 

CMYK 91 / 57 / 0 / 8

HEX #1464EA

RGB 20 100 234

HSL 217.57, 0.84%, 0.5%

LAB 45.91, 29.02, -73.53

 

CMYK 91 / 82 / 0 / 8

HEX #142AEA

RGB 20 42 234

HSL 233.83, 0.84%, 0.5%

LAB 33.45, 62.76, -94.08

 

CMYK 91 / 0 / 17 / 8

HEX #14EAC3

RGB 20 234 195

HSL 169.07, 0.84%, 0.5%

LAB 83.41, -55.16, 5.9

 

CMYK 91 / 0 / 17 / 8

HEX #14EAC3

RGB 20 234 195

HSL 169.07, 0.84%, 0.5%

LAB 83.41, -55.16, 5.9

 

CMYK 81 / 0 / 15 / 16

HEX #29D5B6

RGB 41 213 182

HSL 169.19, 0.68%, 0.5%

LAB 76.94, -48.66, 3.48

 

CMYK 68 / 0 / 12 / 24

HEX #3DC1A9

RGB 61 193 169

HSL 169.09, 0.52%, 0.5%

LAB 70.87, -41.12, 1.73

 

CMYK 52 / 0 / 9 / 33

HEX #52AC9C

RGB 82 172 156

HSL 169.33, 0.35%, 0.5%

LAB 64.72, -30.9, 0.02

 

CMYK 33 / 0 / 6 / 40

HEX #66988F

RGB 102 152 143

HSL 169.2, 0.2%, 0.5%

LAB 59.22, -18.78, -0.61

 

CMYK 91 / 0 / 65 / 8

HEX #14EA51

RGB 20 234 81

HSL 137.1, 0.84%, 0.5%

LAB 81.61, -75.85, 59.27

 

CMYK 91 / 0 / 41 / 8

HEX #14EA8A

RGB 20 234 138

HSL 153.08, 0.84%, 0.5%

LAB 82.29, -67.68, 33.8

 

CMYK 91 / 0 / 17 / 8

HEX #14EAC3

RGB 20 234 195

HSL 169.07, 0.84%, 0.5%

LAB 83.41, -55.16, 5.9

 

CMYK 91 / 8 / 0 / 8

HEX #14D8EA

RGB 20 216 234

HSL 185.05, 0.84%, 0.5%

LAB 79.16, -36.42, -21.1

 

CMYK 91 / 32 / 0 / 8

HEX #149FEA

RGB 20 159 234

HSL 201.03, 0.84%, 0.5%

LAB 62.41, -7.13, -47.03

 

CMYK 92 / 0 / 16 / 38

HEX #0D9E84

RGB 13 158 132

HSL 169.24, 0.85%, 0.34%

LAB 58.23, -40.71, 3.88

 

CMYK 91 / 0 / 17 / 23

HEX #11C4A3

RGB 17 196 163

HSL 168.94, 0.84%, 0.42%

LAB 71.04, -48.19, 5.17

 

CMYK 91 / 0 / 17 / 8

HEX #14EAC3

RGB 20 234 195

HSL 169.07, 0.84%, 0.5%

LAB 83.41, -55.16, 5.9

 

CMYK 76 / 0 / 14 / 7

HEX #3AEDCD

RGB 58 237 205

HSL 169.27, 0.83%, 0.58%

LAB 84.93, -51.07, 2.9

 

CMYK 60 / 0 / 11 / 5

HEX #60F1D6

RGB 96 241 214

HSL 168.83, 0.84%, 0.66%

LAB 87.12, -45.16, 1.46

 

CMYK 91 / 0 / 17 / 8

HEX #14EAC3

RGB 20 234 195

HSL 169.07, 0.84%, 0.5%

LAB 83.41, -55.16, 5.9

 

CMYK 90 / 91 / 0 / 8

HEX #1714EA

RGB 23 20 234

HSL 240.84, 0.84%, 0.5%

LAB 30.93, 70.61, -98.27

 

CMYK 0 / 53 / 91 / 8

HEX #EA6D14

RGB 234 109 20

HSL 24.95, 0.84%, 0.5%

LAB 60.32, 44.24, 64.68

 

CMYK 91 / 0 / 17 / 8

HEX #14EAC3

RGB 20 234 195

HSL 169.07, 0.84%, 0.5%

LAB 83.41, -55.16, 5.9

 

CMYK 17 / 91 / 0 / 8

HEX #C314EA

RGB 195 20 234

HSL 289.07, 0.84%, 0.5%

LAB 49.55, 84.53, -66.96

 

CMYK 0 / 17 / 91 / 8

HEX #EAC314

RGB 234 195 20

HSL 49.07, 0.84%, 0.5%

LAB 79.94, -0.51, 79.08

 

CMYK 91 / 0 / 17 / 8

HEX #14EAC3

RGB 20 234 195

HSL 169.07, 0.84%, 0.5%

LAB 83.41, -55.16, 5.9

 

CMYK 90 / 91 / 0 / 8

HEX #1714EA

RGB 23 20 234

HSL 240.84, 0.84%, 0.5%

LAB 30.93, 70.61, -98.27

 

CMYK 0 / 91 / 75 / 8

HEX #EA143B

RGB 234 20 59

HSL 349.07, 0.84%, 0.5%

LAB 49.87, 74.37, 38.19

 

CMYK 1 / 0 / 91 / 8

HEX #E7EA14

RGB 231 234 20

HSL 60.84, 0.84%, 0.5%

LAB 89.81, -21.26, 86.5

 

CMYK 91 / 0 / 17 / 8

HEX #14EAC3

RGB 20 234 195

HSL 169.07, 0.84%, 0.5%

LAB 83.41, -55.16, 5.9

 

CMYK 62 / 91 / 0 / 8

HEX #5814EA

RGB 88 20 234

HSL 259.07, 0.84%, 0.5%

LAB 35.03, 73.02, -91.33

 

CMYK 0 / 91 / 75 / 8

HEX #EA143B

RGB 234 20 59

HSL 349.07, 0.84%, 0.5%

LAB 49.87, 74.37, 38.19

 

CMYK 29 / 0 / 91 / 8

HEX #A6EA14

RGB 166 234 20

HSL 79.07, 0.84%, 0.5%

LAB 85.51, -47.03, 81.28

 

Description

Color code: HEX #14EAC3 | qconv.com Color code: HEX #14EAC3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 234 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 234 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 17 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 17% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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