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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14EF91 it is the complementary color #EB106E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14EF91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14EF91 shade: #19EF8C, #2AFF9F, #3BFFB2, #4CFFC5 and #5DFFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14EF91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14EF91 shade: #14EF91, #03DD7E, #00CB6B, #00B958 and #00A745

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14EF91 shade: #15EE91, #15EE56, #15EE1C, #49EE15 and #83EE15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14EF91 shade: #15EE91, #15EECC, #15D6EE, #159CEE and #1561EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14EF91 shade matches the following richer shades: #15EE91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14EF91 shade: #15EE91, #29DA8E, #3DC68B, #51B288 and #669D85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14EF91 shade: #15EE1C, #15EE56, #15EE90, #15EECA and #15D9EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14EF91 shade: #0BA663, #0ECC7A, #15EE91, #3BF1A3 and #62F4B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14EF91 shade: #14EF91, #1548EE and #EE3915

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14EF91 shade: #14EF91, #9015EE and #EE9015

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14EF91 shade: #14EF91, #1548EE, #EE1573 and #EEBC15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14EF91 shade: #14EF91, #2315EE, #EE1573 and #E0EE15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 39 / 6

HEX #14EF91

RGB 20 239 145

HSL 154.25, 0.87%, 0.51%

LAB 83.93, -68.07, 32.45

 

Complementary color

CMYK 0 / 93 / 53 / 8

HEX #EB106E

RGB 235 16 110

HSL 334.25, 0.87%, 0.49%

LAB 50.87, 77.7, 8.7

 

CMYK 90 / 0 / 41 / 6

HEX #19EF8C

RGB 25 239 140

HSL 152.24, 0.87%, 0.52%

LAB 83.88, -68.75, 34.9

 

CMYK 84 / 0 / 38 / 0

HEX #2AFF9F

RGB 42 255 159

HSL 152.96, 1%, 0.58%

LAB 89.17, -69.54, 32.43

 

CMYK 77 / 0 / 30 / 0

HEX #3BFFB2

RGB 59 255 178

HSL 156.43, 1%, 0.62%

LAB 89.7, -64.2, 23.62

 

CMYK 70 / 0 / 23 / 0

HEX #4CFFC5

RGB 76 255 197

HSL 160.56, 1%, 0.65%

LAB 90.36, -58.03, 14.87

 

CMYK 64 / 0 / 15 / 0

HEX #5DFFD8

RGB 93 255 216

HSL 165.56, 1%, 0.68%

LAB 91.15, -51.15, 6.24

 

CMYK 92 / 0 / 39 / 6

HEX #14EF91

RGB 20 239 145

HSL 154.25, 0.87%, 0.51%

LAB 83.93, -68.07, 32.45

 

CMYK 99 / 0 / 43 / 13

HEX #03DD7E

RGB 3 221 126

HSL 153.85, 0.97%, 0.44%

LAB 78.02, -66.1, 34.23

 

CMYK 100 / 0 / 47 / 20

HEX #00CB6B

RGB 0 203 107

HSL 151.63, 1%, 0.4%

LAB 72.08, -63.57, 36.13

 

CMYK 100 / 0 / 52 / 27

HEX #00B958

RGB 0 185 88

HSL 148.54, 1%, 0.36%

LAB 66.06, -60.79, 38.06

 

CMYK 100 / 0 / 59 / 35

HEX #00A745

RGB 0 167 69

HSL 144.79, 1%, 0.33%

LAB 59.95, -57.81, 39.93

 

CMYK 91 / 0 / 39 / 7

HEX #15EE91

RGB 21 238 145

HSL 154.29, 0.86%, 0.51%

LAB 83.63, -67.68, 32.06

 

CMYK 91 / 0 / 64 / 7

HEX #15EE56

RGB 21 238 86

HSL 137.97, 0.86%, 0.51%

LAB 82.9, -76.44, 58.66

 

CMYK 91 / 0 / 88 / 7

HEX #15EE1C

RGB 21 238 28

HSL 121.94, 0.86%, 0.51%

LAB 82.59, -80.43, 75.97

 

CMYK 69 / 0 / 91 / 7

HEX #49EE15

RGB 73 238 21

HSL 105.62, 0.86%, 0.51%

LAB 83.24, -74.73, 77.87

 

CMYK 45 / 0 / 91 / 7

HEX #83EE15

RGB 131 238 21

HSL 89.59, 0.86%, 0.51%

LAB 85.01, -60.48, 80.05

 

CMYK 91 / 0 / 39 / 7

HEX #15EE91

RGB 21 238 145

HSL 154.29, 0.86%, 0.51%

LAB 83.63, -67.68, 32.06

 

CMYK 91 / 0 / 14 / 7

HEX #15EECC

RGB 21 238 204

HSL 170.6, 0.86%, 0.51%

LAB 84.83, -54.42, 3.22

 

CMYK 91 / 10 / 0 / 7

HEX #15D6EE

RGB 21 214 238

HSL 186.64, 0.86%, 0.51%

LAB 78.71, -34.2, -23.92

 

CMYK 91 / 34 / 0 / 7

HEX #159CEE

RGB 21 156 238

HSL 202.67, 0.86%, 0.51%

LAB 61.75, -3.9, -50.28

 

CMYK 91 / 59 / 0 / 7

HEX #1561EE

RGB 21 97 238

HSL 218.99, 0.86%, 0.51%

LAB 45.47, 32.51, -76.5

 

CMYK 91 / 0 / 39 / 7

HEX #15EE91

RGB 21 238 145

HSL 154.29, 0.86%, 0.51%

LAB 83.63, -67.68, 32.06

 

CMYK 91 / 0 / 39 / 7

HEX #15EE91

RGB 21 238 145

HSL 154.29, 0.86%, 0.51%

LAB 83.63, -67.68, 32.06

 

CMYK 81 / 0 / 35 / 15

HEX #29DA8E

RGB 41 218 142

HSL 154.24, 0.71%, 0.51%

LAB 77.62, -59.84, 25.58

 

CMYK 69 / 0 / 30 / 22

HEX #3DC68B

RGB 61 198 139

HSL 154.16, 0.55%, 0.51%

LAB 71.72, -50.32, 19.16

 

CMYK 54 / 0 / 24 / 30

HEX #51B288

RGB 81 178 136

HSL 154.02, 0.39%, 0.51%

LAB 66.03, -38.63, 12.96

 

CMYK 35 / 0 / 15 / 38

HEX #669D85

RGB 102 157 133

HSL 153.82, 0.22%, 0.51%

LAB 60.46, -23.63, 6.84

 

CMYK 91 / 0 / 88 / 7

HEX #15EE1C

RGB 21 238 28

HSL 121.94, 0.86%, 0.51%

LAB 82.59, -80.43, 75.97

 

CMYK 91 / 0 / 64 / 7

HEX #15EE56

RGB 21 238 86

HSL 137.97, 0.86%, 0.51%

LAB 82.9, -76.44, 58.66

 

CMYK 91 / 0 / 39 / 7

HEX #15EE90

RGB 21 238 144

HSL 154.01, 0.86%, 0.51%

LAB 83.61, -67.87, 32.54

 

CMYK 91 / 0 / 15 / 7

HEX #15EECA

RGB 21 238 202

HSL 170.05, 0.86%, 0.51%

LAB 84.78, -54.93, 4.2

 

CMYK 91 / 9 / 0 / 7

HEX #15D9EE

RGB 21 217 238

HSL 185.81, 0.86%, 0.51%

LAB 79.59, -35.61, -22.58

 

CMYK 93 / 0 / 40 / 35

HEX #0BA663

RGB 11 166 99

HSL 154.06, 0.88%, 0.35%

LAB 60.11, -51.83, 24.79

 

CMYK 93 / 0 / 40 / 20

HEX #0ECC7A

RGB 14 204 122

HSL 154.11, 0.87%, 0.43%

LAB 72.68, -60.68, 29.29

 

CMYK 91 / 0 / 39 / 7

HEX #15EE91

RGB 21 238 145

HSL 154.29, 0.86%, 0.51%

LAB 83.63, -67.68, 32.06

 

CMYK 76 / 0 / 32 / 5

HEX #3BF1A3

RGB 59 241 163

HSL 154.29, 0.87%, 0.59%

LAB 85.24, -62.11, 25.16

 

CMYK 60 / 0 / 26 / 4

HEX #62F4B5

RGB 98 244 181

HSL 154.11, 0.87%, 0.67%

LAB 87.31, -53.5, 18.89

 

CMYK 92 / 0 / 39 / 6

HEX #14EF91

RGB 20 239 145

HSL 154.25, 0.87%, 0.51%

LAB 83.93, -68.07, 32.45

 

CMYK 91 / 70 / 0 / 7

HEX #1548EE

RGB 21 72 238

HSL 225.9, 0.86%, 0.51%

LAB 39.53, 48.11, -86.27

 

CMYK 0 / 76 / 91 / 7

HEX #EE3915

RGB 238 57 21

HSL 9.95, 0.86%, 0.51%

LAB 53.12, 66.68, 59.79

 

CMYK 92 / 0 / 39 / 6

HEX #14EF91

RGB 20 239 145

HSL 154.25, 0.87%, 0.51%

LAB 83.93, -68.07, 32.45

 

CMYK 39 / 91 / 0 / 7

HEX #9015EE

RGB 144 21 238

HSL 274.01, 0.86%, 0.51%

LAB 42.21, 78.58, -81.52

 

CMYK 0 / 39 / 91 / 7

HEX #EE9015

RGB 238 144 21

HSL 34.01, 0.86%, 0.51%

LAB 68.15, 28.04, 70.33

 

CMYK 92 / 0 / 39 / 6

HEX #14EF91

RGB 20 239 145

HSL 154.25, 0.87%, 0.51%

LAB 83.93, -68.07, 32.45

 

CMYK 91 / 70 / 0 / 7

HEX #1548EE

RGB 21 72 238

HSL 225.9, 0.86%, 0.51%

LAB 39.53, 48.11, -86.27

 

CMYK 0 / 91 / 52 / 7

HEX #EE1573

RGB 238 21 115

HSL 334.01, 0.86%, 0.51%

LAB 51.78, 78.18, 7.03

 

CMYK 0 / 21 / 91 / 7

HEX #EEBC15

RGB 238 188 21

HSL 46.18, 0.86%, 0.51%

LAB 78.58, 4.86, 78.07

 

CMYK 92 / 0 / 39 / 6

HEX #14EF91

RGB 20 239 145

HSL 154.25, 0.87%, 0.51%

LAB 83.93, -68.07, 32.45

 

CMYK 85 / 91 / 0 / 7

HEX #2315EE

RGB 35 21 238

HSL 243.87, 0.86%, 0.51%

LAB 31.96, 71.61, -98.82

 

CMYK 0 / 91 / 52 / 7

HEX #EE1573

RGB 238 21 115

HSL 334.01, 0.86%, 0.51%

LAB 51.78, 78.18, 7.03

 

CMYK 6 / 0 / 91 / 7

HEX #E0EE15

RGB 224 238 21

HSL 63.87, 0.86%, 0.51%

LAB 90.34, -26.04, 86.56

 

Description

Color code: HEX #14EF91 | qconv.com Color code: HEX #14EF91 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 239 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 239 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 39 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 39% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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