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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #153755 it is the complementary color #EAC8AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #153755. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #153755 shade: #1A3750, #2B4963, #3C5B76, #4D6D89 and #5E7F9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #153755. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #153755 shade: #153755, #042542, #00132F, #00011C and #000009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #153755 shade: #153755, #152655, #151555, #271555 and #381555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #153755 shade: #153755, #152655 and #151555

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #153755 shade matches the following richer shades: #153755, #0C385E and #043867

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #153755 shade: #153755, #1E374D, #263644, #2F353B and #383533

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #153755 shade: #155551, #154855, #153755, #152655 and #151555

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #153755 shade: #040C13, #0D2234, #153755, #1D4C76 and #256297

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #153755 shade: #153755, #401555 and #515515

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #153755 shade: #153755, #551537 and #375515

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #153755 shade: #153755, #401555, #553315 and #2A5515

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #153755 shade: #153755, #531555, #553315 and #175515

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 35 / 0 / 67

HEX #153755

RGB 21 55 85

HSL 208.13, 0.6%, 0.21%

LAB 22.12, -0.93, -21.74

 

Complementary color

CMYK 0 / 15 / 27 / 8

HEX #EAC8AA

RGB 234 200 170

HSL 28.13, 0.6%, 0.79%

LAB 82.76, 7.59, 19.46

 

CMYK 68 / 31 / 0 / 69

HEX #1A3750

RGB 26 55 80

HSL 207.78, 0.51%, 0.21%

LAB 22.06, -1.91, -18.5

 

CMYK 57 / 26 / 0 / 61

HEX #2B4963

RGB 43 73 99

HSL 207.86, 0.39%, 0.28%

LAB 29.86, -2.76, -18.65

 

CMYK 49 / 23 / 0 / 54

HEX #3C5B76

RGB 60 91 118

HSL 207.93, 0.33%, 0.35%

LAB 37.39, -3.3, -18.83

 

CMYK 44 / 20 / 0 / 46

HEX #4D6D89

RGB 77 109 137

HSL 208, 0.28%, 0.42%

LAB 44.69, -3.69, -19.03

 

CMYK 40 / 19 / 0 / 39

HEX #5E7F9C

RGB 94 127 156

HSL 208.06, 0.25%, 0.49%

LAB 51.79, -3.98, -19.26

 

CMYK 75 / 35 / 0 / 67

HEX #153755

RGB 21 55 85

HSL 208.13, 0.6%, 0.21%

LAB 22.12, -0.93, -21.74

 

CMYK 94 / 44 / 0 / 74

HEX #042542

RGB 4 37 66

HSL 208.06, 0.89%, 0.14%

LAB 14.07, 1.01, -21.64

 

CMYK 100 / 60 / 0 / 82

HEX #00132F

RGB 0 19 47

HSL 215.74, 1%, 0.09%

LAB 6.06, 4.43, -20.85

 

CMYK 100 / 96 / 0 / 89

HEX #00011C

RGB 0 1 28

HSL 237.86, 1%, 0.05%

LAB 0.95, 4.92, -14.1

 

CMYK 100 / 100 / 0 / 96

HEX #000009

RGB 0 0 9

HSL 240, 1%, 0.02%

LAB 0.18, 1.25, -3.41

 

CMYK 75 / 35 / 0 / 67

HEX #153755

RGB 21 55 85

HSL 208.13, 0.6%, 0.21%

LAB 22.12, -0.93, -21.74

 

CMYK 75 / 55 / 0 / 67

HEX #152655

RGB 21 38 85

HSL 224.06, 0.6%, 0.21%

LAB 16.51, 11.33, -30.68

 

CMYK 75 / 75 / 0 / 67

HEX #151555

RGB 21 21 85

HSL 240, 0.6%, 0.21%

LAB 11.63, 23.76, -38.63

 

CMYK 54 / 75 / 0 / 67

HEX #271555

RGB 39 21 85

HSL 256.88, 0.6%, 0.21%

LAB 13.37, 26.79, -35.71

 

CMYK 34 / 75 / 0 / 67

HEX #381555

RGB 56 21 85

HSL 272.81, 0.6%, 0.21%

LAB 15.66, 30.5, -31.89

 

CMYK 75 / 35 / 0 / 67

HEX #153755

RGB 21 55 85

HSL 208.13, 0.6%, 0.21%

LAB 22.12, -0.93, -21.74

 

CMYK 75 / 55 / 0 / 67

HEX #152655

RGB 21 38 85

HSL 224.06, 0.6%, 0.21%

LAB 16.51, 11.33, -30.68

 

CMYK 75 / 75 / 0 / 67

HEX #151555

RGB 21 21 85

HSL 240, 0.6%, 0.21%

LAB 11.63, 23.76, -38.63

 

CMYK 75 / 35 / 0 / 67

HEX #153755

RGB 21 55 85

HSL 208.13, 0.6%, 0.21%

LAB 22.12, -0.93, -21.74

 

CMYK 87 / 40 / 0 / 63

HEX #0C385E

RGB 12 56 94

HSL 207.8, 0.77%, 0.21%

LAB 22.7, 0.87, -26.75

 

CMYK 96 / 46 / 0 / 60

HEX #043867

RGB 4 56 103

HSL 208.48, 0.93%, 0.21%

LAB 23.11, 4.05, -31.96

 

CMYK 75 / 35 / 0 / 67

HEX #153755

RGB 21 55 85

HSL 208.13, 0.6%, 0.21%

LAB 22.12, -0.93, -21.74

 

CMYK 61 / 29 / 0 / 70

HEX #1E374D

RGB 30 55 77

HSL 208.09, 0.44%, 0.21%

LAB 22.1, -2.1, -16.41

 

CMYK 44 / 21 / 0 / 73

HEX #263644

RGB 38 54 68

HSL 208, 0.28%, 0.21%

LAB 21.83, -2.24, -10.77

 

CMYK 20 / 10 / 0 / 77

HEX #2F353B

RGB 47 53 59

HSL 210, 0.11%, 0.21%

LAB 21.82, -0.99, -4.63

HEX #2F353B

CMYK 0 / 5 / 9 / 78

HEX #383533

RGB 56 53 51

HSL 24, 0.05%, 0.21%

LAB 22.39, 0.88, 1.73

HEX #383533

CMYK 75 / 0 / 5 / 67

HEX #155551

RGB 21 85 81

HSL 176.25, 0.6%, 0.21%

LAB 32.37, -20.61, -3.46

 

CMYK 75 / 15 / 0 / 67

HEX #154855

RGB 21 72 85

HSL 192.19, 0.6%, 0.21%

LAB 27.98, -11.88, -12.63

 

CMYK 75 / 35 / 0 / 67

HEX #153755

RGB 21 55 85

HSL 208.13, 0.6%, 0.21%

LAB 22.12, -0.93, -21.74

 

CMYK 75 / 55 / 0 / 67

HEX #152655

RGB 21 38 85

HSL 224.06, 0.6%, 0.21%

LAB 16.51, 11.33, -30.68

 

CMYK 75 / 75 / 0 / 67

HEX #151555

RGB 21 21 85

HSL 240, 0.6%, 0.21%

LAB 11.63, 23.76, -38.63

 

CMYK 79 / 37 / 0 / 93

HEX #040C13

RGB 4 12 19

HSL 208, 0.65%, 0.05%

LAB 3.03, -0.82, -4.28

 

CMYK 75 / 35 / 0 / 80

HEX #0D2234

RGB 13 34 52

HSL 207.69, 0.6%, 0.13%

LAB 12.46, -1.37, -14.29

 

CMYK 75 / 35 / 0 / 67

HEX #153755

RGB 21 55 85

HSL 208.13, 0.6%, 0.21%

LAB 22.12, -0.93, -21.74

 

CMYK 75 / 36 / 0 / 54

HEX #1D4C76

RGB 29 76 118

HSL 208.31, 0.61%, 0.29%

LAB 31.2, -0.46, -28.59

 

CMYK 75 / 35 / 0 / 41

HEX #256297

RGB 37 98 151

HSL 207.89, 0.61%, 0.37%

LAB 40.19, -0.63, -34.57

 

CMYK 75 / 35 / 0 / 67

HEX #153755

RGB 21 55 85

HSL 208.13, 0.6%, 0.21%

LAB 22.12, -0.93, -21.74

 

CMYK 25 / 75 / 0 / 67

HEX #401555

RGB 64 21 85

HSL 280.31, 0.6%, 0.21%

LAB 16.9, 32.41, -29.82

 

CMYK 5 / 0 / 75 / 67

HEX #515515

RGB 81 85 21

HSL 63.75, 0.6%, 0.21%

LAB 34.6, -10.77, 34.88

 

CMYK 75 / 35 / 0 / 67

HEX #153755

RGB 21 55 85

HSL 208.13, 0.6%, 0.21%

LAB 22.12, -0.93, -21.74

 

CMYK 0 / 75 / 35 / 67

HEX #551537

RGB 85 21 55

HSL 328.13, 0.6%, 0.21%

LAB 18.99, 32.78, -5.58

 

CMYK 35 / 0 / 75 / 67

HEX #375515

RGB 55 85 21

HSL 88.13, 0.6%, 0.21%

LAB 32.62, -22.73, 32.23

 

CMYK 75 / 35 / 0 / 67

HEX #153755

RGB 21 55 85

HSL 208.13, 0.6%, 0.21%

LAB 22.12, -0.93, -21.74

 

CMYK 25 / 75 / 0 / 67

HEX #401555

RGB 64 21 85

HSL 280.31, 0.6%, 0.21%

LAB 16.9, 32.41, -29.82

 

CMYK 0 / 40 / 75 / 67

HEX #553315

RGB 85 51 21

HSL 28.13, 0.6%, 0.21%

LAB 24.81, 12.27, 24.85

 

CMYK 51 / 0 / 75 / 67

HEX #2A5515

RGB 42 85 21

HSL 100.31, 0.6%, 0.21%

LAB 31.91, -27.79, 31.27

 

CMYK 75 / 35 / 0 / 67

HEX #153755

RGB 21 55 85

HSL 208.13, 0.6%, 0.21%

LAB 22.12, -0.93, -21.74

 

CMYK 2 / 75 / 0 / 67

HEX #531555

RGB 83 21 85

HSL 298.13, 0.6%, 0.21%

LAB 20.17, 37.2, -24.41

 

CMYK 0 / 40 / 75 / 67

HEX #553315

RGB 85 51 21

HSL 28.13, 0.6%, 0.21%

LAB 24.81, 12.27, 24.85

 

CMYK 73 / 0 / 75 / 67

HEX #175515

RGB 23 85 21

HSL 118.13, 0.6%, 0.21%

LAB 31.19, -33.39, 30.3

 

Description

Color code: HEX #153755 | qconv.com Color code: HEX #153755 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 55 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 55 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 35 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 35% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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