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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15335F it is the complementary color #EACCA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15335F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15335F shade: #1A335A, #2B456D, #3C5780, #4D6993 and #5E7BA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15335F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15335F shade: #15335F, #04214C, #000F39, #000026 and #000013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15335F shade: #153360, #151F60, #1F1560, #331560 and #471560

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15335F shade: #153360, #151F60 and #151560

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15335F shade matches the following richer shades: #153360, #0B3169 and #022F73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15335F shade: #153360, #1E3556, #28374D, #313843 and #3B3A3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15335F shade: #155C60, #154860, #153460, #152060 and #1D1560

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15335F shade: #060F1C, #0D213E, #153360, #1C4582 and #2357A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15335F shade: #15335F, #4F1560 and #526015

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15335F shade: #15335F, #601534 and #346015

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15335F shade: #15335F, #4F1560, #604015 and #256015

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15335F shade: #15335F, #601559, #604015 and #15601B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 46 / 0 / 63

HEX #15335F

RGB 21 51 95

HSL 215.68, 0.64%, 0.23%

LAB 21.41, 6.03, -29.45

 

Complementary color

CMYK 0 / 13 / 32 / 8

HEX #EACCA0

RGB 234 204 160

HSL 35.68, 0.64%, 0.77%

LAB 83.56, 4.21, 25.83

 

CMYK 71 / 43 / 0 / 65

HEX #1A335A

RGB 26 51 90

HSL 216.56, 0.55%, 0.23%

LAB 21.3, 4.85, -26.32

 

CMYK 61 / 37 / 0 / 57

HEX #2B456D

RGB 43 69 109

HSL 216.36, 0.43%, 0.3%

LAB 29.09, 3.44, -26.21

 

CMYK 53 / 32 / 0 / 50

HEX #3C5780

RGB 60 87 128

HSL 216.18, 0.36%, 0.37%

LAB 36.62, 2.48, -26.17

 

CMYK 48 / 29 / 0 / 42

HEX #4D6993

RGB 77 105 147

HSL 216, 0.31%, 0.44%

LAB 43.93, 1.79, -26.18

 

CMYK 43 / 26 / 0 / 35

HEX #5E7BA6

RGB 94 123 166

HSL 215.83, 0.29%, 0.51%

LAB 51.03, 1.25, -26.24

 

CMYK 78 / 46 / 0 / 63

HEX #15335F

RGB 21 51 95

HSL 215.68, 0.64%, 0.23%

LAB 21.41, 6.03, -29.45

 

CMYK 95 / 57 / 0 / 70

HEX #04214C

RGB 4 33 76

HSL 215.83, 0.9%, 0.16%

LAB 13.44, 8.75, -29.56

 

CMYK 100 / 74 / 0 / 78

HEX #000F39

RGB 0 15 57

HSL 224.21, 1%, 0.11%

LAB 5.75, 12.38, -28.68

 

CMYK 100 / 100 / 0 / 85

HEX #000026

RGB 0 0 38

HSL 240, 1%, 0.07%

LAB 1.26, 8.88, -21.58

 

CMYK 100 / 100 / 0 / 93

HEX #000013

RGB 0 0 19

HSL 240, 1%, 0.04%

LAB 0.42, 2.98, -8.12

 

CMYK 78 / 47 / 0 / 62

HEX #153360

RGB 21 51 96

HSL 216, 0.64%, 0.23%

LAB 21.47, 6.46, -30

 

CMYK 78 / 68 / 0 / 62

HEX #151F60

RGB 21 31 96

HSL 232, 0.64%, 0.23%

LAB 15.4, 21.07, -39.83

 

CMYK 68 / 78 / 0 / 62

HEX #1F1560

RGB 31 21 96

HSL 248, 0.64%, 0.23%

LAB 13.66, 29.18, -42.66

 

CMYK 47 / 78 / 0 / 62

HEX #331560

RGB 51 21 96

HSL 264, 0.64%, 0.23%

LAB 15.93, 32.53, -38.86

 

CMYK 26 / 78 / 0 / 62

HEX #471560

RGB 71 21 96

HSL 280, 0.64%, 0.23%

LAB 18.89, 36.69, -33.92

 

CMYK 78 / 47 / 0 / 62

HEX #153360

RGB 21 51 96

HSL 216, 0.64%, 0.23%

LAB 21.47, 6.46, -30

 

CMYK 78 / 68 / 0 / 62

HEX #151F60

RGB 21 31 96

HSL 232, 0.64%, 0.23%

LAB 15.4, 21.07, -39.83

 

CMYK 78 / 78 / 0 / 62

HEX #151560

RGB 21 21 96

HSL 240, 0.64%, 0.23%

LAB 12.86, 27.94, -44.01

 

CMYK 78 / 47 / 0 / 62

HEX #153360

RGB 21 51 96

HSL 216, 0.64%, 0.23%

LAB 21.47, 6.46, -30

 

CMYK 90 / 53 / 0 / 59

HEX #0B3169

RGB 11 49 105

HSL 215.74, 0.81%, 0.23%

LAB 21.16, 10.58, -36.39

 

CMYK 98 / 59 / 0 / 55

HEX #022F73

RGB 2 47 115

HSL 216.11, 0.97%, 0.23%

LAB 21.15, 15.75, -42.87

 

CMYK 78 / 47 / 0 / 62

HEX #153360

RGB 21 51 96

HSL 216, 0.64%, 0.23%

LAB 21.47, 6.46, -30

 

CMYK 65 / 38 / 0 / 66

HEX #1E3556

RGB 30 53 86

HSL 215.36, 0.48%, 0.23%

LAB 21.92, 2.7, -22.68

 

CMYK 48 / 29 / 0 / 70

HEX #28374D

RGB 40 55 77

HSL 215.68, 0.32%, 0.23%

LAB 22.72, 0.72, -15.41

 

CMYK 27 / 16 / 0 / 74

HEX #313843

RGB 49 56 67

HSL 216.67, 0.16%, 0.23%

LAB 23.29, -0, -7.79

 

CMYK 0 / 2 / 2 / 77

HEX #3B3A3A

RGB 59 58 58

HSL 0, 0.01%, 0.23%

LAB 24.52, 0.43, 0.15

 

CMYK 78 / 4 / 0 / 62

HEX #155C60

RGB 21 92 96

HSL 183.2, 0.64%, 0.23%

LAB 35.32, -19.41, -8.49

 

CMYK 78 / 25 / 0 / 62

HEX #154860

RGB 21 72 96

HSL 199.2, 0.64%, 0.23%

LAB 28.48, -7.72, -18.94

 

CMYK 78 / 46 / 0 / 62

HEX #153460

RGB 21 52 96

HSL 215.2, 0.64%, 0.23%

LAB 21.8, 5.74, -29.48

 

CMYK 78 / 67 / 0 / 62

HEX #152060

RGB 21 32 96

HSL 231.2, 0.64%, 0.23%

LAB 15.68, 20.35, -39.38

 

CMYK 70 / 78 / 0 / 62

HEX #1D1560

RGB 29 21 96

HSL 246.4, 0.64%, 0.23%

LAB 13.48, 28.9, -42.96

 

CMYK 79 / 46 / 0 / 89

HEX #060F1C

RGB 6 15 28

HSL 215.45, 0.65%, 0.07%

LAB 4.19, 0.59, -9.25

 

CMYK 79 / 47 / 0 / 76

HEX #0D213E

RGB 13 33 62

HSL 215.51, 0.65%, 0.15%

LAB 12.74, 3.7, -20.94

 

CMYK 78 / 47 / 0 / 62

HEX #153360

RGB 21 51 96

HSL 216, 0.64%, 0.23%

LAB 21.47, 6.46, -30

 

CMYK 78 / 47 / 0 / 49

HEX #1C4582

RGB 28 69 130

HSL 215.88, 0.65%, 0.31%

LAB 29.7, 8.9, -38.48

 

CMYK 79 / 47 / 0 / 36

HEX #2357A3

RGB 35 87 163

HSL 215.63, 0.65%, 0.39%

LAB 37.51, 10.85, -46.01

 

CMYK 78 / 46 / 0 / 63

HEX #15335F

RGB 21 51 95

HSL 215.68, 0.64%, 0.23%

LAB 21.41, 6.03, -29.45

 

CMYK 18 / 78 / 0 / 62

HEX #4F1560

RGB 79 21 96

HSL 286.4, 0.64%, 0.23%

LAB 20.22, 38.5, -31.71

 

CMYK 15 / 0 / 78 / 62

HEX #526015

RGB 82 96 21

HSL 71.2, 0.64%, 0.23%

LAB 38.22, -16.46, 38.44

 

CMYK 78 / 46 / 0 / 63

HEX #15335F

RGB 21 51 95

HSL 215.68, 0.64%, 0.23%

LAB 21.41, 6.03, -29.45

 

CMYK 0 / 78 / 46 / 62

HEX #601534

RGB 96 21 52

HSL 335.2, 0.64%, 0.23%

LAB 21.1, 35.94, -0.1

 

CMYK 46 / 0 / 78 / 62

HEX #346015

RGB 52 96 21

HSL 95.2, 0.64%, 0.23%

LAB 36.27, -29.2, 35.87

 

CMYK 78 / 46 / 0 / 63

HEX #15335F

RGB 21 51 95

HSL 215.68, 0.64%, 0.23%

LAB 21.41, 6.03, -29.45

 

CMYK 18 / 78 / 0 / 62

HEX #4F1560

RGB 79 21 96

HSL 286.4, 0.64%, 0.23%

LAB 20.22, 38.5, -31.71

 

CMYK 0 / 33 / 78 / 62

HEX #604015

RGB 96 64 21

HSL 34.4, 0.64%, 0.23%

LAB 29.93, 9.52, 30.72

 

CMYK 61 / 0 / 78 / 62

HEX #256015

RGB 37 96 21

HSL 107.2, 0.64%, 0.23%

LAB 35.62, -34.15, 35.01

 

CMYK 78 / 46 / 0 / 63

HEX #15335F

RGB 21 51 95

HSL 215.68, 0.64%, 0.23%

LAB 21.41, 6.03, -29.45

 

CMYK 0 / 78 / 7 / 62

HEX #601559

RGB 96 21 89

HSL 305.6, 0.64%, 0.23%

LAB 22.81, 41.26, -22.75

 

CMYK 0 / 33 / 78 / 62

HEX #604015

RGB 96 64 21

HSL 34.4, 0.64%, 0.23%

LAB 29.93, 9.52, 30.72

 

CMYK 78 / 0 / 72 / 62

HEX #15601B

RGB 21 96 27

HSL 124.8, 0.64%, 0.23%

LAB 35.21, -37.35, 31.83

 

Description

Color code: HEX #15335F | qconv.com Color code: HEX #15335F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 51 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 51 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 46 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 46% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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