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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #154019 it is the complementary color #EABFE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #154019. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #154019 shade: #1A4014, #2B5227, #3C643A, #4D764D and #5E8860

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #154019. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #154019 shade: #154019, #042E06, #001C00 and #000A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #154019 shade: #154119, #1D4115, #284115, #344115 and #404115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #154019 shade: #154119, #154125, #154131, #15413D and #153941

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #154019 shade matches the following richer shades: #154119, #0E4813, #074F0D and #005608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #154019 shade: #154119, #1C3A1F, #233324, #2A2C2A and #312530

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #154019 shade: #294115, #1D4115, #154118, #154124 and #154130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #154019 shade: #010301, #0B220D, #154119, #1F6025 and #297F31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #154019 shade: #154019, #153441 and #411523

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #154019 shade: #154019, #181541 and #411815

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #154019 shade: #154019, #153441, #41153D and #412115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #154019 shade: #154019, #152741, #41153D and #412F15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 61 / 75

HEX #154019

RGB 21 64 25

HSL 125.58, 0.51%, 0.17%

LAB 23.33, -24.51, 19.34

 

Complementary color

CMYK 0 / 18 / 2 / 8

HEX #EABFE6

RGB 234 191 230

HSL 305.58, 0.51%, 0.83%

LAB 82.09, 21.84, -13.58

 

CMYK 59 / 0 / 69 / 75

HEX #1A4014

RGB 26 64 20

HSL 111.82, 0.52%, 0.16%

LAB 23.46, -23.7, 22.37

 

CMYK 48 / 0 / 52 / 68

HEX #2B5227

RGB 43 82 39

HSL 114.42, 0.36%, 0.24%

LAB 31.1, -23.77, 20.93

 

CMYK 40 / 0 / 42 / 61

HEX #3C643A

RGB 60 100 58

HSL 117.14, 0.27%, 0.31%

LAB 38.52, -23.58, 19.49

 

CMYK 35 / 0 / 35 / 54

HEX #4D764D

RGB 77 118 77

HSL 120, 0.21%, 0.38%

LAB 45.73, -23.32, 18.17

 

CMYK 31 / 0 / 29 / 47

HEX #5E8860

RGB 94 136 96

HSL 122.86, 0.18%, 0.45%

LAB 52.77, -23.05, 16.97

 

CMYK 67 / 0 / 61 / 75

HEX #154019

RGB 21 64 25

HSL 125.58, 0.51%, 0.17%

LAB 23.33, -24.51, 19.34

 

CMYK 91 / 0 / 87 / 82

HEX #042E06

RGB 4 46 6

HSL 122.86, 0.84%, 0.1%

LAB 15.45, -23.85, 19.47

 

CMYK 100 / 0 / 100 / 89

HEX #001C00

RGB 0 28 0

HSL 120, 1%, 0.05%

LAB 7.5, -15.33, 10.95

 

CMYK 100 / 0 / 100 / 96

HEX #000A00

RGB 0 10 0

HSL 120, 1%, 0.02%

LAB 1.96, -4.01, 2.86

 

CMYK 68 / 0 / 62 / 75

HEX #154119

RGB 21 65 25

HSL 125.45, 0.51%, 0.17%

LAB 23.71, -24.97, 19.79

 

CMYK 55 / 0 / 68 / 75

HEX #1D4115

RGB 29 65 21

HSL 109.09, 0.51%, 0.17%

LAB 23.99, -23.02, 22.46

 

CMYK 38 / 0 / 68 / 75

HEX #284115

RGB 40 65 21

HSL 94.09, 0.51%, 0.17%

LAB 24.59, -18.73, 23.32

 

CMYK 20 / 0 / 68 / 75

HEX #344115

RGB 52 65 21

HSL 77.73, 0.51%, 0.17%

LAB 25.46, -13.27, 24.52

 

CMYK 2 / 0 / 68 / 75

HEX #404115

RGB 64 65 21

HSL 61.36, 0.51%, 0.17%

LAB 26.52, -7.35, 25.99

 

CMYK 68 / 0 / 62 / 75

HEX #154119

RGB 21 65 25

HSL 125.45, 0.51%, 0.17%

LAB 23.71, -24.97, 19.79

 

CMYK 68 / 0 / 43 / 75

HEX #154125

RGB 21 65 37

HSL 141.82, 0.51%, 0.17%

LAB 23.91, -22.68, 12.72

 

CMYK 68 / 0 / 25 / 75

HEX #154131

RGB 21 65 49

HSL 158.18, 0.51%, 0.17%

LAB 24.2, -19.7, 5.33

 

CMYK 68 / 0 / 6 / 75

HEX #15413D

RGB 21 65 61

HSL 174.55, 0.51%, 0.17%

LAB 24.57, -16.11, -2.06

 

CMYK 68 / 12 / 0 / 75

HEX #153941

RGB 21 57 65

HSL 190.91, 0.51%, 0.17%

LAB 21.83, -9.98, -8.83

 

CMYK 68 / 0 / 62 / 75

HEX #154119

RGB 21 65 25

HSL 125.45, 0.51%, 0.17%

LAB 23.71, -24.97, 19.79

 

CMYK 81 / 0 / 74 / 72

HEX #0E4813

RGB 14 72 19

HSL 125.17, 0.67%, 0.17%

LAB 26.08, -30.43, 25.71

 

CMYK 91 / 0 / 84 / 69

HEX #074F0D

RGB 7 79 13

HSL 125, 0.84%, 0.17%

LAB 28.55, -34.8, 30.89

 

CMYK 100 / 0 / 91 / 66

HEX #005608

RGB 0 86 8

HSL 125.58, 1%, 0.17%

LAB 31.05, -38.52, 34.95

 

CMYK 68 / 0 / 62 / 75

HEX #154119

RGB 21 65 25

HSL 125.45, 0.51%, 0.17%

LAB 23.71, -24.97, 19.79

 

CMYK 52 / 0 / 47 / 77

HEX #1C3A1F

RGB 28 58 31

HSL 126, 0.35%, 0.17%

LAB 21.48, -18.2, 13.39

 

CMYK 31 / 0 / 29 / 80

HEX #233324

RGB 35 51 36

HSL 123.75, 0.19%, 0.17%

LAB 19.44, -10.37, 7.44

 

CMYK 5 / 0 / 5 / 83

HEX #2A2C2A

RGB 42 44 42

HSL 120, 0.02%, 0.17%

LAB 17.74, -1.37, 0.98

 

CMYK 0 / 24 / 2 / 81

HEX #312530

RGB 49 37 48

HSL 305, 0.14%, 0.17%

LAB 16.45, 8.06, -5.05

 

CMYK 37 / 0 / 68 / 75

HEX #294115

RGB 41 65 21

HSL 92.73, 0.51%, 0.17%

LAB 24.66, -18.3, 23.41

 

CMYK 55 / 0 / 68 / 75

HEX #1D4115

RGB 29 65 21

HSL 109.09, 0.51%, 0.17%

LAB 23.99, -23.02, 22.46

 

CMYK 68 / 0 / 63 / 75

HEX #154118

RGB 21 65 24

HSL 124.09, 0.51%, 0.17%

LAB 23.69, -25.12, 20.35

 

CMYK 68 / 0 / 45 / 75

HEX #154124

RGB 21 65 36

HSL 140.45, 0.51%, 0.17%

LAB 23.89, -22.9, 13.32

 

CMYK 68 / 0 / 26 / 75

HEX #154130

RGB 21 65 48

HSL 156.82, 0.51%, 0.17%

LAB 24.17, -19.97, 5.95

 

CMYK 67 / 0 / 67 / 99

HEX #010301

RGB 1 3 1

HSL 120, 0.5%, 0.01%

LAB 0.67, -0.8, 0.57

 

CMYK 68 / 0 / 62 / 87

HEX #0B220D

RGB 11 34 13

HSL 125.22, 0.51%, 0.09%

LAB 10.88, -14.83, 10.47

 

CMYK 68 / 0 / 62 / 75

HEX #154119

RGB 21 65 25

HSL 125.45, 0.51%, 0.17%

LAB 23.71, -24.97, 19.79

 

CMYK 68 / 0 / 61 / 62

HEX #1F6025

RGB 31 96 37

HSL 125.54, 0.51%, 0.25%

LAB 35.58, -33.95, 27.34

 

CMYK 68 / 0 / 61 / 50

HEX #297F31

RGB 41 127 49

HSL 125.58, 0.51%, 0.33%

LAB 46.81, -42.33, 34.39

 

CMYK 67 / 0 / 61 / 75

HEX #154019

RGB 21 64 25

HSL 125.58, 0.51%, 0.17%

LAB 23.33, -24.51, 19.34

 

CMYK 68 / 20 / 0 / 75

HEX #153441

RGB 21 52 65

HSL 197.73, 0.51%, 0.17%

LAB 20.03, -6.78, -11.57

 

CMYK 0 / 68 / 46 / 75

HEX #411523

RGB 65 21 35

HSL 340.91, 0.51%, 0.17%

LAB 14.3, 22.94, 1.39

 

CMYK 67 / 0 / 61 / 75

HEX #154019

RGB 21 64 25

HSL 125.58, 0.51%, 0.17%

LAB 23.33, -24.51, 19.34

 

CMYK 63 / 68 / 0 / 75

HEX #181541

RGB 24 21 65

HSL 244.09, 0.51%, 0.17%

LAB 9.89, 16.51, -27.6

 

CMYK 0 / 63 / 68 / 75

HEX #411815

RGB 65 24 21

HSL 4.09, 0.51%, 0.17%

LAB 14.58, 19.67, 11.92

 

CMYK 67 / 0 / 61 / 75

HEX #154019

RGB 21 64 25

HSL 125.58, 0.51%, 0.17%

LAB 23.33, -24.51, 19.34

 

CMYK 68 / 20 / 0 / 75

HEX #153441

RGB 21 52 65

HSL 197.73, 0.51%, 0.17%

LAB 20.03, -6.78, -11.57

 

CMYK 0 / 68 / 6 / 75

HEX #41153D

RGB 65 21 61

HSL 305.45, 0.51%, 0.17%

LAB 15.47, 27.3, -15.53

 

CMYK 0 / 49 / 68 / 75

HEX #412115

RGB 65 33 21

HSL 16.36, 0.51%, 0.17%

LAB 16.82, 14.02, 14.76

 

CMYK 67 / 0 / 61 / 75

HEX #154019

RGB 21 64 25

HSL 125.58, 0.51%, 0.17%

LAB 23.33, -24.51, 19.34

 

CMYK 68 / 40 / 0 / 75

HEX #152741

RGB 21 39 65

HSL 215.45, 0.51%, 0.17%

LAB 15.45, 2.24, -18.72

 

CMYK 0 / 68 / 6 / 75

HEX #41153D

RGB 65 21 61

HSL 305.45, 0.51%, 0.17%

LAB 15.47, 27.3, -15.53

 

CMYK 0 / 28 / 68 / 75

HEX #412F15

RGB 65 47 21

HSL 35.45, 0.51%, 0.17%

LAB 20.87, 4.72, 19.64

 

Description

Color code: HEX #154019 | qconv.com Color code: HEX #154019 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 64 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 64 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 61 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 61% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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