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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #155417 it is the complementary color #EAABE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #155417. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #155417 shade: #1A5412, #2B6625, #3C7838, #4D8A4B and #5E9C5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #155417. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #155417 shade: #155417, #044204, #003000, #001E00 and #000C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #155417 shade: #155517, #245515, #365515, #475515 and #555215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #155417 shade: #155517, #155528, #15553A, #15554B and #154E55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #155417 shade matches the following richer shades: #155517, #0C5E0F and #046707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #155417 shade: #155517, #1E4D1F, #264427, #2F3B2F and #383337

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #155417 shade: #365515, #255515, #155516, #155527 and #155538

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #155417 shade: #041305, #0D340E, #155517, #1D7620 and #259729

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #155417 shade: #155417, #154755 and #55152E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #155417 shade: #155417, #161555 and #551615

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #155417 shade: #155417, #154755, #551554 and #552315

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #155417 shade: #155417, #153455, #551554 and #553615

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 73 / 67

HEX #155417

RGB 21 84 23

HSL 121.9, 0.6%, 0.21%

LAB 30.79, -33.23, 28.92

 

Complementary color

CMYK 0 / 27 / 1 / 8

HEX #EAABE8

RGB 234 171 232

HSL 301.9, 0.6%, 0.79%

LAB 77.55, 32.87, -21.52

 

CMYK 69 / 0 / 79 / 67

HEX #1A5412

RGB 26 84 18

HSL 112.73, 0.65%, 0.2%

LAB 30.89, -32.56, 31.33

 

CMYK 58 / 0 / 64 / 60

HEX #2B6625

RGB 43 102 37

HSL 114.46, 0.47%, 0.27%

LAB 38.11, -33.25, 30.38

 

CMYK 50 / 0 / 53 / 53

HEX #3C7838

RGB 60 120 56

HSL 116.25, 0.36%, 0.35%

LAB 45.19, -33.41, 29.04

 

CMYK 44 / 0 / 46 / 46

HEX #4D8A4B

RGB 77 138 75

HSL 118.1, 0.3%, 0.42%

LAB 52.13, -33.32, 27.66

 

CMYK 40 / 0 / 40 / 39

HEX #5E9C5E

RGB 94 156 94

HSL 120, 0.25%, 0.49%

LAB 58.94, -33.13, 26.34

 

CMYK 75 / 0 / 73 / 67

HEX #155417

RGB 21 84 23

HSL 121.9, 0.6%, 0.21%

LAB 30.79, -33.23, 28.92

 

CMYK 94 / 0 / 94 / 74

HEX #044204

RGB 4 66 4

HSL 120, 0.89%, 0.14%

LAB 23.44, -31.51, 29.44

 

CMYK 100 / 0 / 100 / 81

HEX #003000

RGB 0 48 0

HSL 120, 1%, 0.09%

LAB 16.07, -26.65, 22.67

 

CMYK 100 / 0 / 100 / 88

HEX #001E00

RGB 0 30 0

HSL 120, 1%, 0.06%

LAB 8.38, -17.11, 12.24

 

CMYK 100 / 0 / 100 / 95

HEX #000C00

RGB 0 12 0

HSL 120, 1%, 0.02%

LAB 2.38, -4.85, 3.47

 

CMYK 75 / 0 / 73 / 67

HEX #155517

RGB 21 85 23

HSL 121.88, 0.6%, 0.21%

LAB 31.16, -33.62, 29.32

 

CMYK 58 / 0 / 75 / 67

HEX #245515

RGB 36 85 21

HSL 105.94, 0.6%, 0.21%

LAB 31.64, -29.82, 30.91

 

CMYK 36 / 0 / 75 / 67

HEX #365515

RGB 54 85 21

HSL 89.06, 0.6%, 0.21%

LAB 32.56, -23.15, 32.15

 

CMYK 16 / 0 / 75 / 67

HEX #475515

RGB 71 85 21

HSL 73.13, 0.6%, 0.21%

LAB 33.75, -15.57, 33.75

 

CMYK 0 / 4 / 75 / 67

HEX #555215

RGB 85 82 21

HSL 57.19, 0.6%, 0.21%

LAB 34.02, -7.05, 34.43

 

CMYK 75 / 0 / 73 / 67

HEX #155517

RGB 21 85 23

HSL 121.88, 0.6%, 0.21%

LAB 31.16, -33.62, 29.32

 

CMYK 75 / 0 / 53 / 67

HEX #155528

RGB 21 85 40

HSL 137.81, 0.6%, 0.21%

LAB 31.37, -31.12, 20.51

 

CMYK 75 / 0 / 32 / 67

HEX #15553A

RGB 21 85 58

HSL 154.69, 0.6%, 0.21%

LAB 31.72, -27.23, 10.09

 

CMYK 75 / 0 / 12 / 67

HEX #15554B

RGB 21 85 75

HSL 170.63, 0.6%, 0.21%

LAB 32.18, -22.49, 0.06

 

CMYK 75 / 8 / 0 / 67

HEX #154E55

RGB 21 78 85

HSL 186.56, 0.6%, 0.21%

LAB 30.07, -15.4, -9.45

 

CMYK 75 / 0 / 73 / 67

HEX #155517

RGB 21 85 23

HSL 121.88, 0.6%, 0.21%

LAB 31.16, -33.62, 29.32

 

CMYK 87 / 0 / 84 / 63

HEX #0C5E0F

RGB 12 94 15

HSL 122.2, 0.77%, 0.21%

LAB 34.23, -39.16, 35.69

 

CMYK 96 / 0 / 93 / 60

HEX #046707

RGB 4 103 7

HSL 121.82, 0.93%, 0.21%

LAB 37.37, -43.49, 40.88

 

CMYK 75 / 0 / 73 / 67

HEX #155517

RGB 21 85 23

HSL 121.88, 0.6%, 0.21%

LAB 31.16, -33.62, 29.32

 

CMYK 61 / 0 / 60 / 70

HEX #1E4D1F

RGB 30 77 31

HSL 121.28, 0.44%, 0.21%

LAB 28.6, -26.89, 22.32

 

CMYK 44 / 0 / 43 / 73

HEX #264427

RGB 38 68 39

HSL 122, 0.28%, 0.21%

LAB 25.84, -18.35, 14.14

 

CMYK 20 / 0 / 20 / 77

HEX #2F3B2F

RGB 47 59 47

HSL 120, 0.11%, 0.21%

LAB 23.46, -7.83, 5.82

 

CMYK 0 / 9 / 2 / 78

HEX #383337

RGB 56 51 55

HSL 312, 0.05%, 0.21%

LAB 21.89, 3.11, -1.72

 

CMYK 36 / 0 / 75 / 67

HEX #365515

RGB 54 85 21

HSL 89.06, 0.6%, 0.21%

LAB 32.56, -23.15, 32.15

 

CMYK 56 / 0 / 75 / 67

HEX #255515

RGB 37 85 21

HSL 105, 0.6%, 0.21%

LAB 31.68, -29.5, 30.96

 

CMYK 75 / 0 / 74 / 67

HEX #155516

RGB 21 85 22

HSL 120.94, 0.6%, 0.21%

LAB 31.15, -33.73, 29.78

 

CMYK 75 / 0 / 54 / 67

HEX #155527

RGB 21 85 39

HSL 136.88, 0.6%, 0.21%

LAB 31.35, -31.3, 21.07

 

CMYK 75 / 0 / 34 / 67

HEX #155538

RGB 21 85 56

HSL 152.81, 0.6%, 0.21%

LAB 31.67, -27.73, 11.27

 

CMYK 79 / 0 / 74 / 93

HEX #041305

RGB 4 19 5

HSL 124, 0.65%, 0.05%

LAB 4.54, -6.85, 4.62

 

CMYK 75 / 0 / 73 / 80

HEX #0D340E

RGB 13 52 14

HSL 121.54, 0.6%, 0.13%

LAB 18.25, -22.95, 19.52

 

CMYK 75 / 0 / 73 / 67

HEX #155517

RGB 21 85 23

HSL 121.88, 0.6%, 0.21%

LAB 31.16, -33.62, 29.32

 

CMYK 75 / 0 / 73 / 54

HEX #1D7620

RGB 29 118 32

HSL 122.02, 0.61%, 0.29%

LAB 43.25, -43.36, 38.22

 

CMYK 75 / 0 / 73 / 41

HEX #259729

RGB 37 151 41

HSL 122.11, 0.61%, 0.37%

LAB 54.75, -52.52, 46.59

 

CMYK 75 / 0 / 73 / 67

HEX #155417

RGB 21 84 23

HSL 121.9, 0.6%, 0.21%

LAB 30.79, -33.23, 28.92

 

CMYK 75 / 16 / 0 / 67

HEX #154755

RGB 21 71 85

HSL 193.13, 0.6%, 0.21%

LAB 27.63, -11.27, -13.16

 

CMYK 0 / 75 / 46 / 67

HEX #55152E

RGB 85 21 46

HSL 336.56, 0.6%, 0.21%

LAB 18.65, 31.64, 0.28

 

CMYK 75 / 0 / 73 / 67

HEX #155417

RGB 21 84 23

HSL 121.9, 0.6%, 0.21%

LAB 30.79, -33.23, 28.92

 

CMYK 74 / 75 / 0 / 67

HEX #161555

RGB 22 21 85

HSL 240.94, 0.6%, 0.21%

LAB 11.71, 23.9, -38.5

 

CMYK 0 / 74 / 75 / 67

HEX #551615

RGB 85 22 21

HSL 0.94, 0.6%, 0.21%

LAB 18.18, 28.98, 17.28

 

CMYK 75 / 0 / 73 / 67

HEX #155417

RGB 21 84 23

HSL 121.9, 0.6%, 0.21%

LAB 30.79, -33.23, 28.92

 

CMYK 75 / 16 / 0 / 67

HEX #154755

RGB 21 71 85

HSL 193.13, 0.6%, 0.21%

LAB 27.63, -11.27, -13.16

 

CMYK 0 / 75 / 1 / 67

HEX #551554

RGB 85 21 84

HSL 300.94, 0.6%, 0.21%

LAB 20.47, 37.53, -23.23

 

CMYK 0 / 59 / 75 / 67

HEX #552315

RGB 85 35 21

HSL 13.13, 0.6%, 0.21%

LAB 20.78, 22.12, 20.33

 

CMYK 75 / 0 / 73 / 67

HEX #155417

RGB 21 84 23

HSL 121.9, 0.6%, 0.21%

LAB 30.79, -33.23, 28.92

 

CMYK 75 / 39 / 0 / 67

HEX #153455

RGB 21 52 85

HSL 210.94, 0.6%, 0.21%

LAB 21.1, 1.15, -23.34

 

CMYK 0 / 75 / 1 / 67

HEX #551554

RGB 85 21 84

HSL 300.94, 0.6%, 0.21%

LAB 20.47, 37.53, -23.23

 

CMYK 0 / 36 / 75 / 67

HEX #553615

RGB 85 54 21

HSL 30.94, 0.6%, 0.21%

LAB 25.63, 10.36, 25.75

 

Description

Color code: HEX #155417 | qconv.com Color code: HEX #155417 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 84 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 84 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 73 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 73% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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