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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #155615 it is the complementary color #EAA9EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #155615. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #155615 shade: #1A5610, #2B6823, #3C7A36, #4D8C49 and #5E9E5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #155615. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #155615 shade: #155615, #044402, #003200, #002000 and #000E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #155615 shade: #145614, #265614, #385614, #495614 and #565114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #155615 shade: #145614, #145626, #145638, #145649 and #145156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #155615 shade matches the following richer shades: #145614, #0C5E0C and #036703

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #155615 shade: #145614, #1D4D1D, #264426, #2E3C2E and #373337

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #155615 shade: #375614, #265614, #145614, #145626 and #145637

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #155615 shade: #041304, #0C350C, #145614, #1C771C and #249824

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #155615 shade: #155615, #144956 and #56142F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #155615 shade: #155615, #141456 and #561414

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #155615 shade: #155615, #144956, #561456 and #562114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #155615 shade: #155615, #143556, #561456 and #563514

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 76 / 66

HEX #155615

RGB 21 86 21

HSL 120, 0.61%, 0.21%

LAB 31.51, -34.22, 30.62

 

Complementary color

CMYK 0 / 28 / 0 / 8

HEX #EAA9EA

RGB 234 169 234

HSL 300, 0.61%, 0.79%

LAB 77.17, 34.3, -23.18

 

CMYK 70 / 0 / 81 / 66

HEX #1A5610

RGB 26 86 16

HSL 111.43, 0.69%, 0.2%

LAB 31.61, -33.53, 32.87

 

CMYK 59 / 0 / 66 / 59

HEX #2B6823

RGB 43 104 35

HSL 113.04, 0.5%, 0.27%

LAB 38.79, -34.34, 32.14

 

CMYK 51 / 0 / 56 / 52

HEX #3C7A36

RGB 60 122 54

HSL 114.71, 0.39%, 0.35%

LAB 45.83, -34.57, 30.87

 

CMYK 45 / 0 / 48 / 45

HEX #4D8C49

RGB 77 140 73

HSL 116.42, 0.31%, 0.42%

LAB 52.75, -34.54, 29.51

 

CMYK 41 / 0 / 42 / 38

HEX #5E9E5C

RGB 94 158 92

HSL 118.18, 0.26%, 0.49%

LAB 59.53, -34.37, 28.18

 

CMYK 76 / 0 / 76 / 66

HEX #155615

RGB 21 86 21

HSL 120, 0.61%, 0.21%

LAB 31.51, -34.22, 30.62

 

CMYK 94 / 0 / 97 / 73

HEX #044402

RGB 4 68 2

HSL 118.18, 0.94%, 0.14%

LAB 24.21, -32.38, 31.02

 

CMYK 100 / 0 / 100 / 80

HEX #003200

RGB 0 50 0

HSL 120, 1%, 0.1%

LAB 16.9, -27.33, 23.7

 

CMYK 100 / 0 / 100 / 87

HEX #002000

RGB 0 32 0

HSL 120, 1%, 0.06%

LAB 9.26, -18.77, 13.51

 

CMYK 100 / 0 / 100 / 95

HEX #000E00

RGB 0 14 0

HSL 120, 1%, 0.03%

LAB 2.84, -5.8, 4.14

 

CMYK 77 / 0 / 77 / 66

HEX #145614

RGB 20 86 20

HSL 120, 0.62%, 0.21%

LAB 31.47, -34.53, 31.02

 

CMYK 56 / 0 / 77 / 66

HEX #265614

RGB 38 86 20

HSL 103.64, 0.62%, 0.21%

LAB 32.07, -29.7, 31.83

 

CMYK 35 / 0 / 77 / 66

HEX #385614

RGB 56 86 20

HSL 87.27, 0.62%, 0.21%

LAB 33.02, -22.89, 33.1

 

CMYK 15 / 0 / 77 / 66

HEX #495614

RGB 73 86 20

HSL 71.82, 0.62%, 0.21%

LAB 34.24, -15.25, 34.71

 

CMYK 0 / 6 / 77 / 66

HEX #565114

RGB 86 81 20

HSL 55.45, 0.62%, 0.21%

LAB 33.8, -6.02, 34.68

 

CMYK 77 / 0 / 77 / 66

HEX #145614

RGB 20 86 20

HSL 120, 0.62%, 0.21%

LAB 31.47, -34.53, 31.02

 

CMYK 77 / 0 / 56 / 66

HEX #145626

RGB 20 86 38

HSL 136.36, 0.62%, 0.21%

LAB 31.68, -32.09, 22.04

 

CMYK 77 / 0 / 35 / 66

HEX #145638

RGB 20 86 56

HSL 152.73, 0.62%, 0.21%

LAB 32.01, -28.37, 11.73

 

CMYK 77 / 0 / 15 / 66

HEX #145649

RGB 20 86 73

HSL 168.18, 0.62%, 0.21%

LAB 32.45, -23.77, 1.71

 

CMYK 77 / 6 / 0 / 66

HEX #145156

RGB 20 81 86

HSL 184.55, 0.62%, 0.21%

LAB 31.13, -16.91, -8.5

 

CMYK 77 / 0 / 77 / 66

HEX #145614

RGB 20 86 20

HSL 120, 0.62%, 0.21%

LAB 31.47, -34.53, 31.02

 

CMYK 87 / 0 / 87 / 63

HEX #0C5E0C

RGB 12 94 12

HSL 120, 0.77%, 0.21%

LAB 34.21, -39.37, 36.67

 

CMYK 97 / 0 / 97 / 60

HEX #036703

RGB 3 103 3

HSL 120, 0.94%, 0.21%

LAB 37.35, -43.8, 41.94

 

CMYK 77 / 0 / 77 / 66

HEX #145614

RGB 20 86 20

HSL 120, 0.62%, 0.21%

LAB 31.47, -34.53, 31.02

 

CMYK 62 / 0 / 62 / 70

HEX #1D4D1D

RGB 29 77 29

HSL 120, 0.45%, 0.21%

LAB 28.53, -27.49, 23.35

 

CMYK 44 / 0 / 44 / 73

HEX #264426

RGB 38 68 38

HSL 120, 0.28%, 0.21%

LAB 25.82, -18.54, 14.75

 

CMYK 23 / 0 / 23 / 76

HEX #2E3C2E

RGB 46 60 46

HSL 120, 0.13%, 0.21%

LAB 23.7, -9.09, 6.81

 

CMYK 0 / 7 / 0 / 78

HEX #373337

RGB 55 51 55

HSL 300, 0.04%, 0.21%

LAB 21.78, 2.67, -1.89

 

CMYK 36 / 0 / 77 / 66

HEX #375614

RGB 55 86 20

HSL 88.18, 0.62%, 0.21%

LAB 32.96, -23.31, 33.01

 

CMYK 56 / 0 / 77 / 66

HEX #265614

RGB 38 86 20

HSL 103.64, 0.62%, 0.21%

LAB 32.07, -29.7, 31.83

 

CMYK 77 / 0 / 77 / 66

HEX #145614

RGB 20 86 20

HSL 120, 0.62%, 0.21%

LAB 31.47, -34.53, 31.02

 

CMYK 77 / 0 / 56 / 66

HEX #145626

RGB 20 86 38

HSL 136.36, 0.62%, 0.21%

LAB 31.68, -32.09, 22.04

 

CMYK 77 / 0 / 36 / 66

HEX #145637

RGB 20 86 55

HSL 151.82, 0.62%, 0.21%

LAB 31.99, -28.61, 12.31

 

CMYK 79 / 0 / 79 / 93

HEX #041304

RGB 4 19 4

HSL 120, 0.65%, 0.05%

LAB 4.52, -6.99, 5

 

CMYK 77 / 0 / 77 / 79

HEX #0C350C

RGB 12 53 12

HSL 120, 0.63%, 0.13%

LAB 18.59, -23.92, 20.88

 

CMYK 77 / 0 / 77 / 66

HEX #145614

RGB 20 86 20

HSL 120, 0.62%, 0.21%

LAB 31.47, -34.53, 31.02

 

CMYK 76 / 0 / 76 / 53

HEX #1C771C

RGB 28 119 28

HSL 120, 0.62%, 0.29%

LAB 43.54, -44.26, 40.15

 

CMYK 76 / 0 / 76 / 40

HEX #249824

RGB 36 152 36

HSL 120, 0.62%, 0.37%

LAB 55.03, -53.43, 48.74

 

CMYK 76 / 0 / 76 / 66

HEX #155615

RGB 21 86 21

HSL 120, 0.61%, 0.21%

LAB 31.51, -34.22, 30.62

 

CMYK 77 / 15 / 0 / 66

HEX #144956

RGB 20 73 86

HSL 191.82, 0.62%, 0.21%

LAB 28.34, -12.27, -12.73

 

CMYK 0 / 77 / 45 / 66

HEX #56142F

RGB 86 20 47

HSL 335.45, 0.62%, 0.21%

LAB 18.73, 32.52, -0.29

 

CMYK 76 / 0 / 76 / 66

HEX #155615

RGB 21 86 21

HSL 120, 0.61%, 0.21%

LAB 31.51, -34.22, 30.62

 

CMYK 77 / 77 / 0 / 66

HEX #141456

RGB 20 20 86

HSL 240, 0.62%, 0.21%

LAB 11.42, 24.7, -39.66

 

CMYK 0 / 77 / 77 / 66

HEX #561414

RGB 86 20 20

HSL 0, 0.62%, 0.21%

LAB 18.05, 30.2, 17.85

 

CMYK 76 / 0 / 76 / 66

HEX #155615

RGB 21 86 21

HSL 120, 0.61%, 0.21%

LAB 31.51, -34.22, 30.62

 

CMYK 77 / 15 / 0 / 66

HEX #144956

RGB 20 73 86

HSL 191.82, 0.62%, 0.21%

LAB 28.34, -12.27, -12.73

 

CMYK 0 / 77 / 0 / 66

HEX #561456

RGB 86 20 86

HSL 300, 0.62%, 0.21%

LAB 20.64, 38.56, -24.3

 

CMYK 0 / 62 / 77 / 66

HEX #562114

RGB 86 33 20

HSL 11.82, 0.62%, 0.21%

LAB 20.51, 23.64, 20.7

 

CMYK 76 / 0 / 76 / 66

HEX #155615

RGB 21 86 21

HSL 120, 0.61%, 0.21%

LAB 31.51, -34.22, 30.62

 

CMYK 77 / 38 / 0 / 66

HEX #143556

RGB 20 53 86

HSL 210, 0.62%, 0.21%

LAB 21.46, 0.69, -23.44

 

CMYK 0 / 77 / 0 / 66

HEX #561456

RGB 86 20 86

HSL 300, 0.62%, 0.21%

LAB 20.64, 38.56, -24.3

 

CMYK 0 / 38 / 77 / 66

HEX #563514

RGB 86 53 20

HSL 30, 0.62%, 0.21%

LAB 25.49, 11.43, 26.19

 

Description

Color code: HEX #155615 | qconv.com Color code: HEX #155615 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 86 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 86 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 76 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 76% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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