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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15535A it is the complementary color #EAACA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15535A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15535A shade: #1A5355, #2B6568, #3C777B, #4D898E and #5E9BA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15535A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15535A shade: #15535A, #044147, #002F34, #001D21 and #000B0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15535A shade: #15535A, #15415A, #152E5A, #151B5A and #21155A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15535A shade: #15535A, #15415A, #152E5A, #151B5A and #15155A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15535A shade matches the following richer shades: #15535A, #0C5B63 and #03626D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15535A shade: #15535A, #1E4C51, #274548, #303E3F and #393636

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15535A shade: #155A3C, #155A4F, #15535A, #15415A and #152E5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15535A shade: #051618, #0D3439, #15535A, #1D727C and #24919D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15535A shade: #15535A, #2A155A and #5A4615

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15535A shade: #15535A, #5A1553 and #535A15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15535A shade: #15535A, #2A155A, #5A1C15 and #465A15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15535A shade: #15535A, #3F155A, #5A1C15 and #315A15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 8 / 0 / 65

HEX #15535A

RGB 21 83 90

HSL 186.09, 0.62%, 0.22%

LAB 32, -16.49, -9.72

 

Complementary color

CMYK 0 / 26 / 29 / 8

HEX #EAACA5

RGB 234 172 165

HSL 6.09, 0.62%, 0.78%

LAB 75.89, 21.76, 12.54

 

CMYK 69 / 2 / 0 / 67

HEX #1A5355

RGB 26 83 85

HSL 182.03, 0.53%, 0.22%

LAB 31.95, -17.36, -6.61

 

CMYK 59 / 3 / 0 / 59

HEX #2B6568

RGB 43 101 104

HSL 182.95, 0.41%, 0.29%

LAB 39.28, -17.79, -7.43

 

CMYK 51 / 3 / 0 / 52

HEX #3C777B

RGB 60 119 123

HSL 183.81, 0.34%, 0.36%

LAB 46.42, -17.99, -8.13

 

CMYK 46 / 4 / 0 / 44

HEX #4D898E

RGB 77 137 142

HSL 184.62, 0.3%, 0.43%

LAB 53.41, -18.08, -8.77

 

CMYK 42 / 4 / 0 / 37

HEX #5E9BA1

RGB 94 155 161

HSL 185.37, 0.26%, 0.5%

LAB 60.24, -18.1, -9.35

 

CMYK 77 / 8 / 0 / 65

HEX #15535A

RGB 21 83 90

HSL 186.09, 0.62%, 0.22%

LAB 32, -16.49, -9.72

 

CMYK 94 / 8 / 0 / 72

HEX #044147

RGB 4 65 71

HSL 185.37, 0.89%, 0.15%

LAB 24.52, -15.28, -8.79

 

CMYK 100 / 10 / 0 / 80

HEX #002F34

RGB 0 47 52

HSL 185.77, 1%, 0.1%

LAB 16.9, -12.69, -7.49

 

CMYK 100 / 12 / 0 / 87

HEX #001D21

RGB 0 29 33

HSL 187.27, 1%, 0.06%

LAB 8.9, -9.1, -5.98

 

CMYK 100 / 21 / 0 / 95

HEX #000B0E

RGB 0 11 14

HSL 192.86, 1%, 0.03%

LAB 2.45, -2.4, -2.32

 

CMYK 77 / 8 / 0 / 65

HEX #15535A

RGB 21 83 90

HSL 186.09, 0.62%, 0.22%

LAB 32, -16.49, -9.72

 

CMYK 77 / 28 / 0 / 65

HEX #15415A

RGB 21 65 90

HSL 201.74, 0.62%, 0.22%

LAB 25.8, -5.59, -19.25

 

CMYK 77 / 49 / 0 / 65

HEX #152E5A

RGB 21 46 90

HSL 218.26, 0.62%, 0.22%

LAB 19.44, 7.54, -29.31

 

CMYK 77 / 70 / 0 / 65

HEX #151B5A

RGB 21 27 90

HSL 234.78, 0.62%, 0.22%

LAB 13.72, 21.52, -38.58

 

CMYK 63 / 77 / 0 / 65

HEX #21155A

RGB 33 21 90

HSL 250.43, 0.62%, 0.22%

LAB 13.22, 27.39, -39.37

 

CMYK 77 / 8 / 0 / 65

HEX #15535A

RGB 21 83 90

HSL 186.09, 0.62%, 0.22%

LAB 32, -16.49, -9.72

 

CMYK 77 / 28 / 0 / 65

HEX #15415A

RGB 21 65 90

HSL 201.74, 0.62%, 0.22%

LAB 25.8, -5.59, -19.25

 

CMYK 77 / 49 / 0 / 65

HEX #152E5A

RGB 21 46 90

HSL 218.26, 0.62%, 0.22%

LAB 19.44, 7.54, -29.31

 

CMYK 77 / 70 / 0 / 65

HEX #151B5A

RGB 21 27 90

HSL 234.78, 0.62%, 0.22%

LAB 13.72, 21.52, -38.58

 

CMYK 77 / 77 / 0 / 65

HEX #15155A

RGB 21 21 90

HSL 240, 0.62%, 0.22%

LAB 12.18, 25.68, -41.11

 

CMYK 77 / 8 / 0 / 65

HEX #15535A

RGB 21 83 90

HSL 186.09, 0.62%, 0.22%

LAB 32, -16.49, -9.72

 

CMYK 88 / 8 / 0 / 61

HEX #0C5B63

RGB 12 91 99

HSL 185.52, 0.78%, 0.22%

LAB 34.93, -18.83, -10.97

 

CMYK 97 / 10 / 0 / 57

HEX #03626D

RGB 3 98 109

HSL 186.23, 0.95%, 0.22%

LAB 37.59, -19.76, -13.13

 

CMYK 77 / 8 / 0 / 65

HEX #15535A

RGB 21 83 90

HSL 186.09, 0.62%, 0.22%

LAB 32, -16.49, -9.72

 

CMYK 63 / 6 / 0 / 68

HEX #1E4C51

RGB 30 76 81

HSL 185.88, 0.46%, 0.22%

LAB 29.51, -13.89, -7.7

 

CMYK 46 / 4 / 0 / 72

HEX #274548

RGB 39 69 72

HSL 185.45, 0.3%, 0.22%

LAB 27.17, -10.25, -5.33

 

CMYK 24 / 2 / 0 / 75

HEX #303E3F

RGB 48 62 63

HSL 184, 0.14%, 0.22%

LAB 25.05, -5.4, -2.5

 

CMYK 0 / 5 / 5 / 78

HEX #393636

RGB 57 54 54

HSL 0, 0.03%, 0.22%

LAB 22.91, 1.31, 0.46

 

CMYK 77 / 0 / 33 / 65

HEX #155A3C

RGB 21 90 60

HSL 153.91, 0.62%, 0.22%

LAB 33.56, -29.04, 11.39

 

CMYK 77 / 0 / 12 / 65

HEX #155A4F

RGB 21 90 79

HSL 170.43, 0.62%, 0.22%

LAB 34.06, -23.83, 0.28

 

CMYK 77 / 8 / 0 / 65

HEX #15535A

RGB 21 83 90

HSL 186.09, 0.62%, 0.22%

LAB 32, -16.49, -9.72

 

CMYK 77 / 28 / 0 / 65

HEX #15415A

RGB 21 65 90

HSL 201.74, 0.62%, 0.22%

LAB 25.8, -5.59, -19.25

 

CMYK 77 / 49 / 0 / 65

HEX #152E5A

RGB 21 46 90

HSL 218.26, 0.62%, 0.22%

LAB 19.44, 7.54, -29.31

 

CMYK 79 / 8 / 0 / 91

HEX #051618

RGB 5 22 24

HSL 186.32, 0.66%, 0.06%

LAB 6.07, -5.1, -3.36

 

CMYK 77 / 9 / 0 / 78

HEX #0D3439

RGB 13 52 57

HSL 186.82, 0.63%, 0.14%

LAB 19.38, -11.47, -7.14

 

CMYK 77 / 8 / 0 / 65

HEX #15535A

RGB 21 83 90

HSL 186.09, 0.62%, 0.22%

LAB 32, -16.49, -9.72

 

CMYK 77 / 8 / 0 / 51

HEX #1D727C

RGB 29 114 124

HSL 186.32, 0.62%, 0.3%

LAB 43.87, -20.77, -12.67

 

CMYK 77 / 8 / 0 / 38

HEX #24919D

RGB 36 145 157

HSL 185.95, 0.63%, 0.38%

LAB 55.13, -25.24, -14.95

 

CMYK 77 / 8 / 0 / 65

HEX #15535A

RGB 21 83 90

HSL 186.09, 0.62%, 0.22%

LAB 32, -16.49, -9.72

 

CMYK 53 / 77 / 0 / 65

HEX #2A155A

RGB 42 21 90

HSL 258.26, 0.62%, 0.22%

LAB 14.21, 28.98, -37.7

 

CMYK 0 / 22 / 77 / 65

HEX #5A4615

RGB 90 70 21

HSL 42.61, 0.62%, 0.22%

LAB 30.9, 2.76, 31.46

 

CMYK 77 / 8 / 0 / 65

HEX #15535A

RGB 21 83 90

HSL 186.09, 0.62%, 0.22%

LAB 32, -16.49, -9.72

 

CMYK 0 / 77 / 8 / 65

HEX #5A1553

RGB 90 21 83

HSL 306.09, 0.62%, 0.22%

LAB 21.34, 38.66, -21.13

 

CMYK 8 / 0 / 77 / 65

HEX #535A15

RGB 83 90 21

HSL 66.09, 0.62%, 0.22%

LAB 36.38, -12.66, 36.68

 

CMYK 77 / 8 / 0 / 65

HEX #15535A

RGB 21 83 90

HSL 186.09, 0.62%, 0.22%

LAB 32, -16.49, -9.72

 

CMYK 53 / 77 / 0 / 65

HEX #2A155A

RGB 42 21 90

HSL 258.26, 0.62%, 0.22%

LAB 14.21, 28.98, -37.7

 

CMYK 0 / 69 / 77 / 65

HEX #5A1C15

RGB 90 28 21

HSL 6.09, 0.62%, 0.22%

LAB 20.28, 28.03, 19.99

 

CMYK 22 / 0 / 77 / 65

HEX #465A15

RGB 70 90 21

HSL 77.39, 0.62%, 0.22%

LAB 35.34, -18.75, 35.31

 

CMYK 77 / 8 / 0 / 65

HEX #15535A

RGB 21 83 90

HSL 186.09, 0.62%, 0.22%

LAB 32, -16.49, -9.72

 

CMYK 30 / 77 / 0 / 65

HEX #3F155A

RGB 63 21 90

HSL 276.52, 0.62%, 0.22%

LAB 17.14, 33.42, -32.81

 

CMYK 0 / 69 / 77 / 65

HEX #5A1C15

RGB 90 28 21

HSL 6.09, 0.62%, 0.22%

LAB 20.28, 28.03, 19.99

 

CMYK 46 / 0 / 77 / 65

HEX #315A15

RGB 49 90 21

HSL 95.65, 0.62%, 0.22%

LAB 34.02, -27.55, 33.56

 

Description

Color code: HEX #15535A | qconv.com Color code: HEX #15535A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 83 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 83 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 8 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 8% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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