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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1576C5 it is the complementary color #EA893A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1576C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1576C5 shade: #1A76C0, #2B88D3, #3C9AE6, #4DACF9 and #5EBEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1576C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1576C5 shade: #1576C5, #0464B2, #00529F, #00408C and #002E79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1576C5 shade: #1476C6, #1446C6, #1416C6, #4214C6 and #7214C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1576C5 shade: #1476C6, #1446C6, #1416C6 and #1414C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1576C5 shade matches the following richer shades: #1476C6 and #0378D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1576C5 shade: #1476C6, #2674B4, #3873A2, #4A7191 and #5B6F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1576C5 shade: #14C6B4, #14A8C6, #1479C6, #144AC6 and #141AC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1576C5 shade: #0C4A7B, #1060A1, #1476C6, #1D8CE7 and #429FEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1576C5 shade: #1576C5, #8514C6 and #C0C614

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1576C5 shade: #1576C5, #C61479 and #79C614

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1576C5 shade: #1576C5, #8514C6, #C66114 and #55C614

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1576C5 shade: #1576C5, #BA14C6, #C66114 and #20C614

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 40 / 0 / 23

HEX #1576C5

RGB 21 118 197

HSL 206.93, 0.81%, 0.43%

LAB 48.45, 3.19, -48.4

 

Complementary color

CMYK 0 / 41 / 75 / 8

HEX #EA893A

RGB 234 137 58

HSL 26.93, 0.81%, 0.57%

LAB 66.28, 31.07, 56.08

 

CMYK 86 / 39 / 0 / 25

HEX #1A76C0

RGB 26 118 192

HSL 206.75, 0.76%, 0.43%

LAB 48.24, 1.58, -45.86

 

CMYK 80 / 36 / 0 / 17

HEX #2B88D3

RGB 43 136 211

HSL 206.79, 0.66%, 0.5%

LAB 54.89, -0.64, -46.09

 

CMYK 74 / 33 / 0 / 10

HEX #3C9AE6

RGB 60 154 230

HSL 206.82, 0.77%, 0.57%

LAB 61.47, -2.41, -46.26

 

CMYK 69 / 31 / 0 / 2

HEX #4DACF9

RGB 77 172 249

HSL 206.86, 0.93%, 0.64%

LAB 67.96, -3.83, -46.41

 

CMYK 63 / 25 / 0 / 0

HEX #5EBEFF

RGB 94 190 255

HSL 204.22, 1%, 0.68%

LAB 73.82, -9.13, -40.45

 

CMYK 89 / 40 / 0 / 23

HEX #1576C5

RGB 21 118 197

HSL 206.93, 0.81%, 0.43%

LAB 48.45, 3.19, -48.4

 

CMYK 98 / 44 / 0 / 30

HEX #0464B2

RGB 4 100 178

HSL 206.9, 0.96%, 0.36%

LAB 41.77, 6.21, -48.07

 

CMYK 100 / 48 / 0 / 38

HEX #00529F

RGB 0 82 159

HSL 209.06, 1%, 0.31%

LAB 35.08, 10.03, -47.57

 

CMYK 100 / 54 / 0 / 45

HEX #00408C

RGB 0 64 140

HSL 212.57, 1%, 0.27%

LAB 28.27, 14.33, -47

 

CMYK 100 / 62 / 0 / 53

HEX #002E79

RGB 0 46 121

HSL 217.19, 1%, 0.24%

LAB 21.34, 18.98, -46.4

 

CMYK 90 / 40 / 0 / 22

HEX #1476C6

RGB 20 118 198

HSL 206.97, 0.82%, 0.43%

LAB 48.49, 3.52, -48.91

 

CMYK 90 / 65 / 0 / 22

HEX #1446C6

RGB 20 70 198

HSL 223.15, 0.82%, 0.43%

LAB 35.21, 34.67, -70.42

 

CMYK 90 / 89 / 0 / 22

HEX #1416C6

RGB 20 22 198

HSL 239.33, 0.82%, 0.43%

LAB 26.16, 60.23, -85.42

 

CMYK 67 / 90 / 0 / 22

HEX #4214C6

RGB 66 20 198

HSL 255.51, 0.82%, 0.43%

LAB 28.74, 62.72, -81.05

 

CMYK 42 / 90 / 0 / 22

HEX #7214C6

RGB 114 20 198

HSL 271.69, 0.82%, 0.43%

LAB 34.3, 66.99, -71.66

 

CMYK 90 / 40 / 0 / 22

HEX #1476C6

RGB 20 118 198

HSL 206.97, 0.82%, 0.43%

LAB 48.49, 3.52, -48.91

 

CMYK 90 / 65 / 0 / 22

HEX #1446C6

RGB 20 70 198

HSL 223.15, 0.82%, 0.43%

LAB 35.21, 34.67, -70.42

 

CMYK 90 / 89 / 0 / 22

HEX #1416C6

RGB 20 22 198

HSL 239.33, 0.82%, 0.43%

LAB 26.16, 60.23, -85.42

 

CMYK 90 / 90 / 0 / 22

HEX #1414C6

RGB 20 20 198

HSL 240, 0.82%, 0.43%

LAB 25.94, 60.89, -85.78

 

CMYK 90 / 40 / 0 / 22

HEX #1476C6

RGB 20 118 198

HSL 206.97, 0.82%, 0.43%

LAB 48.49, 3.52, -48.91

 

CMYK 99 / 44 / 0 / 15

HEX #0378D8

RGB 3 120 216

HSL 207.04, 0.97%, 0.43%

LAB 49.99, 8.68, -56.77

 

CMYK 90 / 40 / 0 / 22

HEX #1476C6

RGB 20 118 198

HSL 206.97, 0.82%, 0.43%

LAB 48.49, 3.52, -48.91

 

CMYK 79 / 36 / 0 / 29

HEX #2674B4

RGB 38 116 180

HSL 207.04, 0.65%, 0.43%

LAB 47.23, -0.67, -40.5

 

CMYK 65 / 29 / 0 / 36

HEX #3873A2

RGB 56 115 162

HSL 206.6, 0.49%, 0.43%

LAB 46.59, -3.97, -30.97

 

CMYK 49 / 22 / 0 / 43

HEX #4A7191

RGB 74 113 145

HSL 207.04, 0.32%, 0.43%

LAB 46.06, -4.44, -21.71

 

CMYK 28 / 13 / 0 / 50

HEX #5B6F7F

RGB 91 111 127

HSL 206.67, 0.17%, 0.43%

LAB 45.81, -3.42, -11.28

 

CMYK 90 / 0 / 9 / 22

HEX #14C6B4

RGB 20 198 180

HSL 173.93, 0.82%, 0.43%

LAB 72.12, -44.29, -2.51

 

CMYK 90 / 15 / 0 / 22

HEX #14A8C6

RGB 20 168 198

HSL 190.11, 0.82%, 0.43%

LAB 63.53, -24.68, -25.33

 

CMYK 90 / 39 / 0 / 22

HEX #1479C6

RGB 20 121 198

HSL 205.96, 0.82%, 0.43%

LAB 49.38, 1.67, -47.49

 

CMYK 90 / 63 / 0 / 22

HEX #144AC6

RGB 20 74 198

HSL 221.8, 0.82%, 0.43%

LAB 36.22, 32.06, -68.77

 

CMYK 90 / 87 / 0 / 22

HEX #141AC6

RGB 20 26 198

HSL 237.98, 0.82%, 0.43%

LAB 26.63, 58.79, -84.62

 

CMYK 90 / 40 / 0 / 52

HEX #0C4A7B

RGB 12 74 123

HSL 206.49, 0.82%, 0.26%

LAB 30.41, 0.95, -33

 

CMYK 90 / 40 / 0 / 37

HEX #1060A1

RGB 16 96 161

HSL 206.9, 0.82%, 0.35%

LAB 39.66, 2.47, -41.4

 

CMYK 90 / 40 / 0 / 22

HEX #1476C6

RGB 20 118 198

HSL 206.97, 0.82%, 0.43%

LAB 48.49, 3.52, -48.91

 

CMYK 87 / 39 / 0 / 9

HEX #1D8CE7

RGB 29 140 231

HSL 207.03, 0.81%, 0.51%

LAB 56.87, 3.3, -54.16

 

CMYK 72 / 32 / 0 / 8

HEX #429FEB

RGB 66 159 235

HSL 206.98, 0.81%, 0.59%

LAB 63.3, -2.76, -46.12

 

CMYK 89 / 40 / 0 / 23

HEX #1576C5

RGB 21 118 197

HSL 206.93, 0.81%, 0.43%

LAB 48.45, 3.19, -48.4

 

CMYK 33 / 90 / 0 / 22

HEX #8514C6

RGB 133 20 198

HSL 278.09, 0.82%, 0.43%

LAB 37.05, 69.31, -67.05

 

CMYK 3 / 0 / 90 / 22

HEX #C0C614

RGB 192 198 20

HSL 62.02, 0.82%, 0.43%

LAB 77.07, -20.14, 75.28

 

CMYK 89 / 40 / 0 / 23

HEX #1576C5

RGB 21 118 197

HSL 206.93, 0.81%, 0.43%

LAB 48.45, 3.19, -48.4

 

CMYK 0 / 90 / 39 / 22

HEX #C61479

RGB 198 20 121

HSL 325.96, 0.82%, 0.43%

LAB 44.07, 69.72, -8.87

 

CMYK 39 / 0 / 90 / 22

HEX #79C614

RGB 121 198 20

HSL 85.96, 0.82%, 0.43%

LAB 72.56, -48.24, 69.76

 

CMYK 89 / 40 / 0 / 23

HEX #1576C5

RGB 21 118 197

HSL 206.93, 0.81%, 0.43%

LAB 48.45, 3.19, -48.4

 

CMYK 33 / 90 / 0 / 22

HEX #8514C6

RGB 133 20 198

HSL 278.09, 0.82%, 0.43%

LAB 37.05, 69.31, -67.05

 

CMYK 0 / 51 / 90 / 22

HEX #C66114

RGB 198 97 20

HSL 25.96, 0.82%, 0.43%

LAB 52.52, 36.13, 56.54

 

CMYK 57 / 0 / 90 / 22

HEX #55C614

RGB 85 198 20

HSL 98.09, 0.82%, 0.43%

LAB 71.13, -59.22, 67.97

 

CMYK 89 / 40 / 0 / 23

HEX #1576C5

RGB 21 118 197

HSL 206.93, 0.81%, 0.43%

LAB 48.45, 3.19, -48.4

 

CMYK 6 / 90 / 0 / 22

HEX #BA14C6

RGB 186 20 198

HSL 295.96, 0.82%, 0.43%

LAB 45.66, 77.27, -52.69

 

CMYK 0 / 51 / 90 / 22

HEX #C66114

RGB 198 97 20

HSL 25.96, 0.82%, 0.43%

LAB 52.52, 36.13, 56.54

 

CMYK 84 / 0 / 90 / 22

HEX #20C614

RGB 32 198 20

HSL 115.96, 0.82%, 0.43%

LAB 70, -68.81, 66.56

 

Description

Color code: HEX #1576C5 | qconv.com Color code: HEX #1576C5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 118 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 118 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 40 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 40% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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