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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #157768 it is the complementary color #EA8897. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #157768. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #157768 shade: #1A7763, #2B8976, #3C9B89, #4DAD9C and #5EBFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #157768. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #157768 shade: #157768, #046555, #005342, #00412F and #002F1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #157768 shade: #147566, #14754C, #147532, #147518 and #2A7514

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #157768 shade: #147566, #146975, #144F75, #143575 and #141B75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #157768 shade matches the following richer shades: #147566 and #09806E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #157768 shade: #147566, #1F695E, #2A5E56, #36534F and #414847

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #157768 shade: #147531, #14754B, #147564, #146B75 and #145175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #157768 shade: #082E28, #0E5147, #147566, #1A9884 and #21BBA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #157768 shade: #157768, #171475 and #753E14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #157768 shade: #157768, #641475 and #756414

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #157768 shade: #157768, #171475, #751424 and #717514

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #157768 shade: #157768, #341475, #751424 and #547514

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 13 / 53

HEX #157768

RGB 21 119 104

HSL 170.82, 0.7%, 0.27%

LAB 44.73, -30.52, 0.58

 

Complementary color

CMYK 0 / 42 / 35 / 8

HEX #EA8897

RGB 234 136 151

HSL 350.82, 0.7%, 0.73%

LAB 67.53, 39.03, 8.41

 

CMYK 78 / 0 / 17 / 53

HEX #1A7763

RGB 26 119 99

HSL 167.1, 0.64%, 0.28%

LAB 44.68, -31.36, 3.49

 

CMYK 69 / 0 / 14 / 46

HEX #2B8976

RGB 43 137 118

HSL 167.87, 0.52%, 0.35%

LAB 51.51, -31.99, 2.24

 

CMYK 61 / 0 / 12 / 39

HEX #3C9B89

RGB 60 155 137

HSL 168.63, 0.44%, 0.42%

LAB 58.24, -32.32, 1.16

 

CMYK 55 / 0 / 10 / 32

HEX #4DAD9C

RGB 77 173 156

HSL 169.38, 0.38%, 0.49%

LAB 64.86, -32.46, 0.19

 

CMYK 51 / 0 / 8 / 25

HEX #5EBFAF

RGB 94 191 175

HSL 170.1, 0.43%, 0.56%

LAB 71.38, -32.5, -0.69

 

CMYK 82 / 0 / 13 / 53

HEX #157768

RGB 21 119 104

HSL 170.82, 0.7%, 0.27%

LAB 44.73, -30.52, 0.58

 

CMYK 96 / 0 / 16 / 60

HEX #046555

RGB 4 101 85

HSL 170.1, 0.92%, 0.21%

LAB 37.82, -29.18, 2

 

CMYK 100 / 0 / 20 / 67

HEX #005342

RGB 0 83 66

HSL 167.71, 1%, 0.16%

LAB 30.83, -26.84, 3.76

 

CMYK 100 / 0 / 28 / 75

HEX #00412F

RGB 0 65 47

HSL 163.38, 1%, 0.13%

LAB 23.62, -24.04, 5.76

 

CMYK 100 / 0 / 40 / 82

HEX #002F1C

RGB 0 47 28

HSL 155.74, 1%, 0.09%

LAB 16.09, -21.05, 8

 

CMYK 83 / 0 / 13 / 54

HEX #147566

RGB 20 117 102

HSL 170.72, 0.71%, 0.27%

LAB 43.99, -30.27, 0.68

 

CMYK 83 / 0 / 35 / 54

HEX #14754C

RGB 20 117 76

HSL 154.64, 0.71%, 0.27%

LAB 43.35, -37.11, 15.19

 

CMYK 83 / 0 / 57 / 54

HEX #147532

RGB 20 117 50

HSL 138.56, 0.71%, 0.27%

LAB 42.92, -42.14, 29.18

 

CMYK 83 / 0 / 79 / 54

HEX #147518

RGB 20 117 24

HSL 122.47, 0.71%, 0.27%

LAB 42.67, -45.16, 40.73

 

CMYK 64 / 0 / 83 / 54

HEX #2A7514

RGB 42 117 20

HSL 106.39, 0.71%, 0.27%

LAB 43.16, -41.09, 42.76

 

CMYK 83 / 0 / 13 / 54

HEX #147566

RGB 20 117 102

HSL 170.72, 0.71%, 0.27%

LAB 43.99, -30.27, 0.68

 

CMYK 83 / 10 / 0 / 54

HEX #146975

RGB 20 105 117

HSL 187.42, 0.71%, 0.27%

LAB 40.47, -19.36, -13.62

 

CMYK 83 / 32 / 0 / 54

HEX #144F75

RGB 20 79 117

HSL 203.51, 0.71%, 0.27%

LAB 31.86, -4.01, -26.94

 

CMYK 83 / 55 / 0 / 54

HEX #143575

RGB 20 53 117

HSL 219.59, 0.71%, 0.27%

LAB 23.6, 13.76, -40.14

 

CMYK 83 / 77 / 0 / 54

HEX #141B75

RGB 20 27 117

HSL 235.67, 0.71%, 0.27%

LAB 16.59, 31.87, -51.62

 

CMYK 83 / 0 / 13 / 54

HEX #147566

RGB 20 117 102

HSL 170.72, 0.71%, 0.27%

LAB 43.99, -30.27, 0.68

 

CMYK 93 / 0 / 14 / 50

HEX #09806E

RGB 9 128 110

HSL 170.92, 0.87%, 0.27%

LAB 47.78, -33.89, 1.44

 

CMYK 83 / 0 / 13 / 54

HEX #147566

RGB 20 117 102

HSL 170.72, 0.71%, 0.27%

LAB 43.99, -30.27, 0.68

 

CMYK 70 / 0 / 10 / 59

HEX #1F695E

RGB 31 105 94

HSL 171.08, 0.54%, 0.27%

LAB 39.92, -25.28, -0.4

 

CMYK 55 / 0 / 9 / 63

HEX #2A5E56

RGB 42 94 86

HSL 170.77, 0.38%, 0.27%

LAB 36.31, -19.57, -0.72

 

CMYK 35 / 0 / 5 / 67

HEX #36534F

RGB 54 83 79

HSL 171.72, 0.21%, 0.27%

LAB 33, -11.82, -1.12

 

CMYK 10 / 0 / 1 / 72

HEX #414847

RGB 65 72 71

HSL 171.43, 0.05%, 0.27%

LAB 29.94, -3.08, -0.38

 

CMYK 83 / 0 / 58 / 54

HEX #147531

RGB 20 117 49

HSL 137.94, 0.71%, 0.27%

LAB 42.9, -42.29, 29.68

 

CMYK 83 / 0 / 36 / 54

HEX #14754B

RGB 20 117 75

HSL 154.02, 0.71%, 0.27%

LAB 43.33, -37.34, 15.75

 

CMYK 83 / 0 / 15 / 54

HEX #147564

RGB 20 117 100

HSL 169.48, 0.71%, 0.27%

LAB 43.93, -30.85, 1.8

 

CMYK 83 / 9 / 0 / 54

HEX #146B75

RGB 20 107 117

HSL 186.19, 0.71%, 0.27%

LAB 41.13, -20.44, -12.61

 

CMYK 83 / 31 / 0 / 54

HEX #145175

RGB 20 81 117

HSL 202.27, 0.71%, 0.27%

LAB 32.52, -5.28, -25.91

 

CMYK 83 / 0 / 13 / 82

HEX #082E28

RGB 8 46 40

HSL 170.53, 0.7%, 0.11%

LAB 16.3, -14.93, 0.03

 

CMYK 83 / 0 / 12 / 68

HEX #0E5147

RGB 14 81 71

HSL 171.04, 0.71%, 0.19%

LAB 30.48, -22.73, 0.1

 

CMYK 83 / 0 / 13 / 54

HEX #147566

RGB 20 117 102

HSL 170.72, 0.71%, 0.27%

LAB 43.99, -30.27, 0.68

 

CMYK 83 / 0 / 13 / 40

HEX #1A9884

RGB 26 152 132

HSL 170.48, 0.71%, 0.35%

LAB 56.43, -37.16, 1.28

 

CMYK 82 / 0 / 13 / 27

HEX #21BBA3

RGB 33 187 163

HSL 170.65, 0.7%, 0.43%

LAB 68.39, -43.37, 1.36

 

CMYK 82 / 0 / 13 / 53

HEX #157768

RGB 21 119 104

HSL 170.82, 0.7%, 0.27%

LAB 44.73, -30.52, 0.58

 

CMYK 80 / 83 / 0 / 54

HEX #171475

RGB 23 20 117

HSL 241.86, 0.71%, 0.27%

LAB 15.31, 36.22, -53.73

 

CMYK 0 / 47 / 83 / 54

HEX #753E14

RGB 117 62 20

HSL 25.98, 0.71%, 0.27%

LAB 32.43, 20.69, 34.69

 

CMYK 82 / 0 / 13 / 53

HEX #157768

RGB 21 119 104

HSL 170.82, 0.7%, 0.27%

LAB 44.73, -30.52, 0.58

 

CMYK 15 / 83 / 0 / 54

HEX #641475

RGB 100 20 117

HSL 289.48, 0.71%, 0.27%

LAB 25.24, 47.71, -37.09

 

CMYK 0 / 15 / 83 / 54

HEX #756414

RGB 117 100 20

HSL 49.48, 0.71%, 0.27%

LAB 42.68, -1.97, 44.13

 

CMYK 82 / 0 / 13 / 53

HEX #157768

RGB 21 119 104

HSL 170.82, 0.7%, 0.27%

LAB 44.73, -30.52, 0.58

 

CMYK 80 / 83 / 0 / 54

HEX #171475

RGB 23 20 117

HSL 241.86, 0.71%, 0.27%

LAB 15.31, 36.22, -53.73

 

CMYK 0 / 83 / 69 / 54

HEX #751424

RGB 117 20 36

HSL 350.1, 0.71%, 0.27%

LAB 24.98, 41.6, 16.99

 

CMYK 3 / 0 / 83 / 54

HEX #717514

RGB 113 117 20

HSL 62.47, 0.71%, 0.27%

LAB 47.34, -13.47, 48.12

 

CMYK 82 / 0 / 13 / 53

HEX #157768

RGB 21 119 104

HSL 170.82, 0.7%, 0.27%

LAB 44.73, -30.52, 0.58

 

CMYK 56 / 83 / 0 / 54

HEX #341475

RGB 52 20 117

HSL 259.79, 0.71%, 0.27%

LAB 17.99, 39.31, -49.22

 

CMYK 0 / 83 / 69 / 54

HEX #751424

RGB 117 20 36

HSL 350.1, 0.71%, 0.27%

LAB 24.98, 41.6, 16.99

 

CMYK 28 / 0 / 83 / 54

HEX #547514

RGB 84 117 20

HSL 80.41, 0.71%, 0.27%

LAB 45.16, -26.46, 45.34

 

Description

Color code: HEX #157768 | qconv.com Color code: HEX #157768 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 119 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 119 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 13 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 13% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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