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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #158334 it is the complementary color #EA7CCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #158334. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #158334 shade: #1A832F, #2B9542, #3CA755, #4DB968 and #5ECB7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #158334. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #158334 shade: #158334, #047121, #005F0E, #004D00 and #003B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #158334 shade: #158334, #158316, #318315, #4F8315 and #6D8315

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #158334 shade: #158334, #158352, #15836F, #157983 and #155B83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #158334 shade matches the following richer shades: #158334 and #098F2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #158334 shade: #158334, #217739, #2E6A3F, #3A5E44 and #46524A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #158334 shade: #328315, #158315, #158332, #158350 and #15836D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #158334 shade: #093C18, #0F6026, #158334, #1BA742 and #20CA50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #158334 shade: #158334, #155083 and #831524

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #158334 shade: #158334, #321583 and #833215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #158334 shade: #158334, #155083, #831566 and #834815

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #158334 shade: #158334, #152F83, #831566 and #836915

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 60 / 49

HEX #158334

RGB 21 131 52

HSL 136.91, 0.72%, 0.3%

LAB 47.8, -46.73, 33.97

 

Complementary color

CMYK 0 / 47 / 13 / 8

HEX #EA7CCB

RGB 234 124 203

HSL 316.91, 0.72%, 0.7%

LAB 66.69, 52.32, -22.09

 

CMYK 80 / 0 / 64 / 49

HEX #1A832F

RGB 26 131 47

HSL 132, 0.67%, 0.31%

LAB 47.83, -46.75, 36.44

 

CMYK 71 / 0 / 56 / 42

HEX #2B9542

RGB 43 149 66

HSL 133.02, 0.55%, 0.38%

LAB 54.45, -47.87, 34.97

 

CMYK 64 / 0 / 49 / 35

HEX #3CA755

RGB 60 167 85

HSL 134.02, 0.47%, 0.45%

LAB 61.01, -48.44, 33.46

 

CMYK 58 / 0 / 44 / 27

HEX #4DB968

RGB 77 185 104

HSL 135, 0.44%, 0.51%

LAB 67.48, -48.68, 32.01

 

CMYK 54 / 0 / 39 / 20

HEX #5ECB7B

RGB 94 203 123

HSL 135.96, 0.51%, 0.58%

LAB 73.88, -48.71, 30.63

 

CMYK 84 / 0 / 60 / 49

HEX #158334

RGB 21 131 52

HSL 136.91, 0.72%, 0.3%

LAB 47.8, -46.73, 33.97

 

CMYK 96 / 0 / 71 / 56

HEX #047121

RGB 4 113 33

HSL 135.96, 0.93%, 0.23%

LAB 41.13, -44.65, 35.42

 

CMYK 100 / 0 / 85 / 63

HEX #005F0E

RGB 0 95 14

HSL 128.84, 1%, 0.19%

LAB 34.43, -41, 36.17

 

CMYK 100 / 0 / 100 / 70

HEX #004D00

RGB 0 77 0

HSL 120, 1%, 0.15%

LAB 27.59, -36.22, 34.92

 

CMYK 100 / 0 / 100 / 77

HEX #003B00

RGB 0 59 0

HSL 120, 1%, 0.12%

LAB 20.55, -30.36, 27.97

 

CMYK 84 / 0 / 60 / 49

HEX #158334

RGB 21 131 52

HSL 136.91, 0.72%, 0.3%

LAB 47.8, -46.73, 33.97

 

CMYK 84 / 0 / 83 / 49

HEX #158316

RGB 21 131 22

HSL 120.55, 0.72%, 0.3%

LAB 47.56, -49.75, 46.1

 

CMYK 63 / 0 / 84 / 49

HEX #318315

RGB 49 131 21

HSL 104.73, 0.72%, 0.3%

LAB 48.18, -44.47, 47.21

 

CMYK 40 / 0 / 84 / 49

HEX #4F8315

RGB 79 131 21

HSL 88.36, 0.72%, 0.3%

LAB 49.43, -34.92, 48.81

 

CMYK 17 / 0 / 84 / 49

HEX #6D8315

RGB 109 131 21

HSL 72, 0.72%, 0.3%

LAB 51.31, -22.61, 51.19

 

CMYK 84 / 0 / 60 / 49

HEX #158334

RGB 21 131 52

HSL 136.91, 0.72%, 0.3%

LAB 47.8, -46.73, 33.97

 

CMYK 84 / 0 / 37 / 49

HEX #158352

RGB 21 131 82

HSL 153.27, 0.72%, 0.3%

LAB 48.26, -41.35, 18.39

 

CMYK 84 / 0 / 15 / 49

HEX #15836F

RGB 21 131 111

HSL 169.09, 0.72%, 0.3%

LAB 48.93, -34.06, 2.54

 

CMYK 84 / 8 / 0 / 49

HEX #157983

RGB 21 121 131

HSL 185.45, 0.72%, 0.3%

LAB 46.28, -22.98, -13.22

 

CMYK 84 / 31 / 0 / 49

HEX #155B83

RGB 21 91 131

HSL 201.82, 0.72%, 0.3%

LAB 36.52, -5.92, -28.28

 

CMYK 84 / 0 / 60 / 49

HEX #158334

RGB 21 131 52

HSL 136.91, 0.72%, 0.3%

LAB 47.8, -46.73, 33.97

 

CMYK 94 / 0 / 67 / 44

HEX #098F2F

RGB 9 143 47

HSL 137.01, 0.88%, 0.3%

LAB 51.73, -52.44, 40.75

 

CMYK 84 / 0 / 60 / 49

HEX #158334

RGB 21 131 52

HSL 136.91, 0.72%, 0.3%

LAB 47.8, -46.73, 33.97

 

CMYK 72 / 0 / 52 / 53

HEX #217739

RGB 33 119 57

HSL 136.74, 0.57%, 0.3%

LAB 43.96, -39.68, 26.78

 

CMYK 57 / 0 / 41 / 58

HEX #2E6A3F

RGB 46 106 63

HSL 137, 0.39%, 0.3%

LAB 39.99, -30.01, 18.4

 

CMYK 38 / 0 / 28 / 63

HEX #3A5E44

RGB 58 94 68

HSL 136.67, 0.24%, 0.3%

LAB 36.6, -19.24, 10.91

 

CMYK 15 / 0 / 10 / 68

HEX #46524A

RGB 70 82 74

HSL 140, 0.08%, 0.3%

LAB 33.63, -6.56, 3.1

 

CMYK 62 / 0 / 84 / 49

HEX #328315

RGB 50 131 21

HSL 104.18, 0.72%, 0.3%

LAB 48.22, -44.21, 47.25

 

CMYK 84 / 0 / 84 / 49

HEX #158315

RGB 21 131 21

HSL 120, 0.72%, 0.3%

LAB 47.55, -49.81, 46.4

 

CMYK 84 / 0 / 62 / 49

HEX #158332

RGB 21 131 50

HSL 135.82, 0.72%, 0.3%

LAB 47.78, -47.01, 34.92

 

CMYK 84 / 0 / 39 / 49

HEX #158350

RGB 21 131 80

HSL 152.18, 0.72%, 0.3%

LAB 48.22, -41.78, 19.47

 

CMYK 84 / 0 / 17 / 49

HEX #15836D

RGB 21 131 109

HSL 168, 0.72%, 0.3%

LAB 48.88, -34.62, 3.63

 

CMYK 85 / 0 / 60 / 76

HEX #093C18

RGB 9 60 24

HSL 137.65, 0.74%, 0.14%

LAB 21.42, -25.73, 17.52

 

CMYK 84 / 0 / 60 / 62

HEX #0F6026

RGB 15 96 38

HSL 137.04, 0.73%, 0.22%

LAB 35.22, -36.85, 26.29

 

CMYK 84 / 0 / 60 / 49

HEX #158334

RGB 21 131 52

HSL 136.91, 0.72%, 0.3%

LAB 47.8, -46.73, 33.97

 

CMYK 84 / 0 / 60 / 35

HEX #1BA742

RGB 27 167 66

HSL 136.71, 0.72%, 0.38%

LAB 60.13, -56.41, 41.61

 

CMYK 84 / 0 / 60 / 21

HEX #20CA50

RGB 32 202 80

HSL 136.94, 0.73%, 0.46%

LAB 71.64, -65.45, 48.52

 

CMYK 84 / 0 / 60 / 49

HEX #158334

RGB 21 131 52

HSL 136.91, 0.72%, 0.3%

LAB 47.8, -46.73, 33.97

 

CMYK 84 / 39 / 0 / 49

HEX #155083

RGB 21 80 131

HSL 207.82, 0.72%, 0.3%

LAB 33, 1.1, -33.84

 

CMYK 0 / 84 / 73 / 49

HEX #831524

RGB 131 21 36

HSL 351.82, 0.72%, 0.3%

LAB 28.08, 45.6, 21.5

 

CMYK 84 / 0 / 60 / 49

HEX #158334

RGB 21 131 52

HSL 136.91, 0.72%, 0.3%

LAB 47.8, -46.73, 33.97

 

CMYK 62 / 84 / 0 / 49

HEX #321583

RGB 50 21 131

HSL 255.82, 0.72%, 0.3%

LAB 19.45, 42.7, -55.75

 

CMYK 0 / 62 / 84 / 49

HEX #833215

RGB 131 50 21

HSL 15.82, 0.72%, 0.3%

LAB 32.17, 33.32, 34.78

 

CMYK 84 / 0 / 60 / 49

HEX #158334

RGB 21 131 52

HSL 136.91, 0.72%, 0.3%

LAB 47.8, -46.73, 33.97

 

CMYK 84 / 39 / 0 / 49

HEX #155083

RGB 21 80 131

HSL 207.82, 0.72%, 0.3%

LAB 33, 1.1, -33.84

 

CMYK 0 / 84 / 22 / 49

HEX #831566

RGB 131 21 102

HSL 315.82, 0.72%, 0.3%

LAB 30.21, 51.84, -19.21

 

CMYK 0 / 45 / 84 / 49

HEX #834815

RGB 131 72 21

HSL 27.82, 0.72%, 0.3%

LAB 36.96, 21.26, 39.22

 

CMYK 84 / 0 / 60 / 49

HEX #158334

RGB 21 131 52

HSL 136.91, 0.72%, 0.3%

LAB 47.8, -46.73, 33.97

 

CMYK 84 / 64 / 0 / 49

HEX #152F83

RGB 21 47 131

HSL 225.82, 0.72%, 0.3%

LAB 23.11, 23.93, -49.81

 

CMYK 0 / 84 / 22 / 49

HEX #831566

RGB 131 21 102

HSL 315.82, 0.72%, 0.3%

LAB 30.21, 51.84, -19.21

 

CMYK 0 / 20 / 84 / 49

HEX #836915

RGB 131 105 21

HSL 45.82, 0.72%, 0.3%

LAB 45.61, 1.89, 46.95

 

Description

Color code: HEX #158334 | qconv.com Color code: HEX #158334 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 131 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 131 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 60 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 60% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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