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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #158365 it is the complementary color #EA7C9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #158365. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #158365 shade: #1A8360, #2B9573, #3CA786, #4DB999 and #5ECBAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #158365. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #158365 shade: #158365, #047152, #005F3F, #004D2C and #003B19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #158365 shade: #158365, #158347, #15832A, #1E8315 and #3C8315

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #158365 shade: #158365, #158383, #156683, #154883 and #152A83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #158365 shade matches the following richer shades: #158365 and #098F6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #158365 shade: #158365, #21775F, #2E6A5A, #3A5E54 and #46524F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #158365 shade: #158329, #158346, #158364, #158381 and #156883

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #158365 shade: #093C2E, #0F604A, #158365, #1BA780 and #20CA9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #158365 shade: #158365, #151E83 and #833815

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #158365 shade: #158365, #641583 and #836415

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #158365 shade: #158365, #151E83, #831534 and #837A15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #158365 shade: #158365, #2D1583, #831534 and #6B8315

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 23 / 49

HEX #158365

RGB 21 131 101

HSL 163.64, 0.72%, 0.3%

LAB 48.68, -36.79, 8.01

 

Complementary color

CMYK 0 / 47 / 34 / 8

HEX #EA7C9A

RGB 234 124 154

HSL 343.64, 0.72%, 0.7%

LAB 65.15, 45.51, 3.3

 

CMYK 80 / 0 / 27 / 49

HEX #1A8360

RGB 26 131 96

HSL 160, 0.67%, 0.31%

LAB 48.63, -37.51, 10.87

 

CMYK 71 / 0 / 23 / 42

HEX #2B9573

RGB 43 149 115

HSL 160.75, 0.55%, 0.38%

LAB 55.33, -38.21, 9.43

 

CMYK 64 / 0 / 20 / 35

HEX #3CA786

RGB 60 167 134

HSL 161.5, 0.47%, 0.45%

LAB 61.93, -38.58, 8.16

 

CMYK 58 / 0 / 17 / 27

HEX #4DB999

RGB 77 185 153

HSL 162.22, 0.44%, 0.51%

LAB 68.44, -38.74, 7.03

 

CMYK 54 / 0 / 15 / 20

HEX #5ECBAC

RGB 94 203 172

HSL 162.94, 0.51%, 0.58%

LAB 74.87, -38.78, 6.01

 

CMYK 84 / 0 / 23 / 49

HEX #158365

RGB 21 131 101

HSL 163.64, 0.72%, 0.3%

LAB 48.68, -36.79, 8.01

 

CMYK 96 / 0 / 27 / 56

HEX #047152

RGB 4 113 82

HSL 162.94, 0.93%, 0.23%

LAB 41.92, -35.38, 9.65

 

CMYK 100 / 0 / 34 / 63

HEX #005F3F

RGB 0 95 63

HSL 159.79, 1%, 0.19%

LAB 35.09, -33, 11.61

 

CMYK 100 / 0 / 43 / 70

HEX #004D2C

RGB 0 77 44

HSL 154.29, 1%, 0.15%

LAB 28.09, -30.13, 13.79

 

CMYK 100 / 0 / 58 / 77

HEX #003B19

RGB 0 59 25

HSL 145.42, 1%, 0.12%

LAB 20.82, -26.95, 16.13

 

CMYK 84 / 0 / 23 / 49

HEX #158365

RGB 21 131 101

HSL 163.64, 0.72%, 0.3%

LAB 48.68, -36.79, 8.01

 

CMYK 84 / 0 / 46 / 49

HEX #158347

RGB 21 131 71

HSL 147.27, 0.72%, 0.3%

LAB 48.07, -43.6, 24.29

 

CMYK 84 / 0 / 68 / 49

HEX #15832A

RGB 21 131 42

HSL 131.45, 0.72%, 0.3%

LAB 47.7, -48, 38.59

 

CMYK 77 / 0 / 84 / 49

HEX #1E8315

RGB 30 131 21

HSL 115.09, 0.72%, 0.3%

LAB 47.7, -48.5, 46.59

 

CMYK 54 / 0 / 84 / 49

HEX #3C8315

RGB 60 131 21

HSL 98.73, 0.72%, 0.3%

LAB 48.57, -41.37, 47.7

 

CMYK 84 / 0 / 23 / 49

HEX #158365

RGB 21 131 101

HSL 163.64, 0.72%, 0.3%

LAB 48.68, -36.79, 8.01

 

CMYK 84 / 0 / 0 / 49

HEX #158383

RGB 21 131 131

HSL 180, 0.72%, 0.3%

LAB 49.53, -28.05, -8.31

 

CMYK 84 / 22 / 0 / 49

HEX #156683

RGB 21 102 131

HSL 195.82, 0.72%, 0.3%

LAB 40.08, -12.52, -22.71

 

CMYK 84 / 45 / 0 / 49

HEX #154883

RGB 21 72 131

HSL 212.18, 0.72%, 0.3%

LAB 30.48, 6.44, -37.86

 

CMYK 84 / 68 / 0 / 49

HEX #152A83

RGB 21 42 131

HSL 228.55, 0.72%, 0.3%

LAB 21.78, 27.39, -51.98

 

CMYK 84 / 0 / 23 / 49

HEX #158365

RGB 21 131 101

HSL 163.64, 0.72%, 0.3%

LAB 48.68, -36.79, 8.01

 

CMYK 94 / 0 / 25 / 44

HEX #098F6B

RGB 9 143 107

HSL 163.88, 0.88%, 0.3%

LAB 52.69, -41.21, 10.2

 

CMYK 84 / 0 / 23 / 49

HEX #158365

RGB 21 131 101

HSL 163.64, 0.72%, 0.3%

LAB 48.68, -36.79, 8.01

 

CMYK 72 / 0 / 20 / 53

HEX #21775F

RGB 33 119 95

HSL 163.26, 0.57%, 0.3%

LAB 44.72, -31.41, 5.94

 

CMYK 57 / 0 / 15 / 58

HEX #2E6A5A

RGB 46 106 90

HSL 164, 0.39%, 0.3%

LAB 40.62, -23.77, 3.11

 

CMYK 38 / 0 / 11 / 63

HEX #3A5E54

RGB 58 94 84

HSL 163.33, 0.24%, 0.3%

LAB 37.01, -15.51, 1.64

 

CMYK 15 / 0 / 4 / 68

HEX #46524F

RGB 70 82 79

HSL 165, 0.08%, 0.3%

LAB 33.78, -5.43, 0.16

 

CMYK 84 / 0 / 69 / 49

HEX #158329

RGB 21 131 41

HSL 130.91, 0.72%, 0.3%

LAB 47.69, -48.11, 39.02

 

CMYK 84 / 0 / 47 / 49

HEX #158346

RGB 21 131 70

HSL 146.73, 0.72%, 0.3%

LAB 48.05, -43.79, 24.82

 

CMYK 84 / 0 / 24 / 49

HEX #158364

RGB 21 131 100

HSL 163.09, 0.72%, 0.3%

LAB 48.65, -37.05, 8.56

 

CMYK 84 / 0 / 2 / 49

HEX #158381

RGB 21 131 129

HSL 178.91, 0.72%, 0.3%

LAB 49.47, -28.68, -7.24

 

CMYK 84 / 21 / 0 / 49

HEX #156883

RGB 21 104 131

HSL 194.73, 0.72%, 0.3%

LAB 40.73, -13.67, -21.7

 

CMYK 85 / 0 / 23 / 76

HEX #093C2E

RGB 9 60 46

HSL 163.53, 0.74%, 0.14%

LAB 21.9, -20.39, 4

 

CMYK 84 / 0 / 23 / 62

HEX #0F604A

RGB 15 96 74

HSL 163.7, 0.73%, 0.22%

LAB 35.91, -29.01, 6.04

 

CMYK 84 / 0 / 23 / 49

HEX #158365

RGB 21 131 101

HSL 163.64, 0.72%, 0.3%

LAB 48.68, -36.79, 8.01

 

CMYK 84 / 0 / 23 / 35

HEX #1BA780

RGB 27 167 128

HSL 163.29, 0.72%, 0.38%

LAB 61.16, -44.56, 10.33

 

CMYK 84 / 0 / 23 / 21

HEX #20CA9C

RGB 32 202 156

HSL 163.76, 0.73%, 0.46%

LAB 72.86, -51.44, 11.57

 

CMYK 84 / 0 / 23 / 49

HEX #158365

RGB 21 131 101

HSL 163.64, 0.72%, 0.3%

LAB 48.68, -36.79, 8.01

 

CMYK 84 / 77 / 0 / 49

HEX #151E83

RGB 21 30 131

HSL 235.09, 0.72%, 0.3%

LAB 18.91, 35.22, -56.7

 

CMYK 0 / 57 / 84 / 49

HEX #833815

RGB 131 56 21

HSL 19.09, 0.72%, 0.3%

LAB 33.37, 30.21, 35.9

 

CMYK 84 / 0 / 23 / 49

HEX #158365

RGB 21 131 101

HSL 163.64, 0.72%, 0.3%

LAB 48.68, -36.79, 8.01

 

CMYK 24 / 84 / 0 / 49

HEX #641583

RGB 100 21 131

HSL 283.09, 0.72%, 0.3%

LAB 26.4, 50.25, -44.09

 

CMYK 0 / 24 / 84 / 49

HEX #836415

RGB 131 100 21

HSL 43.09, 0.72%, 0.3%

LAB 44.22, 4.8, 45.73

 

CMYK 84 / 0 / 23 / 49

HEX #158365

RGB 21 131 101

HSL 163.64, 0.72%, 0.3%

LAB 48.68, -36.79, 8.01

 

CMYK 84 / 77 / 0 / 49

HEX #151E83

RGB 21 30 131

HSL 235.09, 0.72%, 0.3%

LAB 18.91, 35.22, -56.7

 

CMYK 0 / 84 / 60 / 49

HEX #831534

RGB 131 21 52

HSL 343.09, 0.72%, 0.3%

LAB 28.41, 46.58, 11.25

 

CMYK 0 / 7 / 84 / 49

HEX #837A15

RGB 131 122 21

HSL 55.09, 0.72%, 0.3%

LAB 50.45, -7.76, 51.16

 

CMYK 84 / 0 / 23 / 49

HEX #158365

RGB 21 131 101

HSL 163.64, 0.72%, 0.3%

LAB 48.68, -36.79, 8.01

 

CMYK 66 / 84 / 0 / 49

HEX #2D1583

RGB 45 21 131

HSL 253.09, 0.72%, 0.3%

LAB 18.94, 42.17, -56.6

 

CMYK 0 / 84 / 60 / 49

HEX #831534

RGB 131 21 52

HSL 343.09, 0.72%, 0.3%

LAB 28.41, 46.58, 11.25

 

CMYK 18 / 0 / 84 / 49

HEX #6B8315

RGB 107 131 21

HSL 73.09, 0.72%, 0.3%

LAB 51.17, -23.49, 51.01

 

Description

Color code: HEX #158365 | qconv.com Color code: HEX #158365 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 131 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 131 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 23 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 23% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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