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Color name
HEX #1598AC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1598AC it is the complementary color #EA6753. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1598AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1598AC shade: #1A98A7, #2BAABA, #3CBCCD, #4DCEE0 and #5EE0F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1598AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1598AC shade: #1598AC, #048699, #007486, #006273 and #005060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1598AC shade: #1598AC, #156FAC, #1546AC, #151EAC and #3515AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1598AC shade: #1598AC, #156FAC, #1546AC, #151EAC and #1515AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1598AC shade matches the following richer shades: #1598AC and #05A3BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1598AC shade: #1598AC, #248C9C, #34818D, #44757D and #546A6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1598AC shade: #15AC6D, #15AC95, #159AAC, #1572AC and #154AAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1598AC shade: #0C5763, #107787, #1598AC, #19B8D1 and #2FCDE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1598AC shade: #1598AC, #4515AC and #AC8115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1598AC shade: #1598AC, #AC159A and #9AAC15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1598AC shade: #1598AC, #4515AC, #AC2615 and #7CAC15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1598AC shade: #1598AC, #7215AC, #AC2615 and #4FAC15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 12 / 0 / 33

HEX #1598AC

RGB 21 152 172

HSL 187.95, 0.78%, 0.38%

LAB 57.65, -25.19, -19.72

 

Complementary color

CMYK 0 / 56 / 65 / 8

HEX #EA6753

RGB 234 103 83

HSL 7.95, 0.78%, 0.62%

LAB 59.72, 49.37, 36.22

 

CMYK 84 / 9 / 0 / 35

HEX #1A98A7

RGB 26 152 167

HSL 186.38, 0.73%, 0.38%

LAB 57.53, -26.49, -17.06

 

CMYK 77 / 9 / 0 / 27

HEX #2BAABA

RGB 43 170 186

HSL 186.71, 0.62%, 0.45%

LAB 64.01, -27.8, -17.9

 

CMYK 71 / 8 / 0 / 20

HEX #3CBCCD

RGB 60 188 205

HSL 187.03, 0.59%, 0.52%

LAB 70.41, -28.78, -18.65

 

CMYK 66 / 8 / 0 / 12

HEX #4DCEE0

RGB 77 206 224

HSL 187.35, 0.7%, 0.59%

LAB 76.74, -29.52, -19.32

 

CMYK 61 / 8 / 0 / 5

HEX #5EE0F3

RGB 94 224 243

HSL 187.65, 0.86%, 0.66%

LAB 83, -30.08, -19.95

 

CMYK 88 / 12 / 0 / 33

HEX #1598AC

RGB 21 152 172

HSL 187.95, 0.78%, 0.38%

LAB 57.65, -25.19, -19.72

 

CMYK 97 / 12 / 0 / 40

HEX #048699

RGB 4 134 153

HSL 187.65, 0.95%, 0.31%

LAB 51.12, -23.24, -18.78

 

CMYK 100 / 13 / 0 / 47

HEX #007486

RGB 0 116 134

HSL 188.06, 1%, 0.26%

LAB 44.54, -20.65, -17.67

 

CMYK 100 / 15 / 0 / 55

HEX #006273

RGB 0 98 115

HSL 188.87, 1%, 0.23%

LAB 37.79, -17.77, -16.51

 

CMYK 100 / 17 / 0 / 62

HEX #005060

RGB 0 80 96

HSL 190, 1%, 0.19%

LAB 30.84, -14.78, -15.34

 

CMYK 88 / 12 / 0 / 33

HEX #1598AC

RGB 21 152 172

HSL 187.95, 0.78%, 0.38%

LAB 57.65, -25.19, -19.72

 

CMYK 88 / 35 / 0 / 33

HEX #156FAC

RGB 21 111 172

HSL 204.24, 0.78%, 0.38%

LAB 44.95, -2.23, -39.48

 

CMYK 88 / 59 / 0 / 33

HEX #1546AC

RGB 21 70 172

HSL 220.53, 0.78%, 0.38%

LAB 32.96, 24.59, -58.78

 

CMYK 88 / 83 / 0 / 33

HEX #151EAC

RGB 21 30 172

HSL 236.42, 0.78%, 0.38%

LAB 23.89, 49.17, -73.72

 

CMYK 69 / 88 / 0 / 33

HEX #3515AC

RGB 53 21 172

HSL 252.72, 0.78%, 0.38%

LAB 24.55, 54.64, -72.57

 

CMYK 88 / 12 / 0 / 33

HEX #1598AC

RGB 21 152 172

HSL 187.95, 0.78%, 0.38%

LAB 57.65, -25.19, -19.72

 

CMYK 88 / 35 / 0 / 33

HEX #156FAC

RGB 21 111 172

HSL 204.24, 0.78%, 0.38%

LAB 44.95, -2.23, -39.48

 

CMYK 88 / 59 / 0 / 33

HEX #1546AC

RGB 21 70 172

HSL 220.53, 0.78%, 0.38%

LAB 32.96, 24.59, -58.78

 

CMYK 88 / 83 / 0 / 33

HEX #151EAC

RGB 21 30 172

HSL 236.42, 0.78%, 0.38%

LAB 23.89, 49.17, -73.72

 

CMYK 88 / 88 / 0 / 33

HEX #1515AC

RGB 21 21 172

HSL 240, 0.78%, 0.38%

LAB 22.56, 53.12, -75.93

 

CMYK 88 / 12 / 0 / 33

HEX #1598AC

RGB 21 152 172

HSL 187.95, 0.78%, 0.38%

LAB 57.65, -25.19, -19.72

 

CMYK 97 / 13 / 0 / 26

HEX #05A3BC

RGB 5 163 188

HSL 188.2, 0.95%, 0.38%

LAB 61.53, -26.09, -22.82

 

CMYK 88 / 12 / 0 / 33

HEX #1598AC

RGB 21 152 172

HSL 187.95, 0.78%, 0.38%

LAB 57.65, -25.19, -19.72

 

CMYK 77 / 10 / 0 / 39

HEX #248C9C

RGB 36 140 156

HSL 188, 0.63%, 0.38%

LAB 53.53, -22.99, -16.82

 

CMYK 63 / 9 / 0 / 45

HEX #34818D

RGB 52 129 141

HSL 188.09, 0.46%, 0.38%

LAB 49.92, -19.62, -13.52

 

CMYK 46 / 6 / 0 / 51

HEX #44757D

RGB 68 117 125

HSL 188.42, 0.3%, 0.38%

LAB 46.22, -14.28, -9.59

 

CMYK 23 / 3 / 0 / 57

HEX #546A6D

RGB 84 106 109

HSL 187.2, 0.13%, 0.38%

LAB 43.21, -7.4, -4.38

 

CMYK 88 / 0 / 37 / 33

HEX #15AC6D

RGB 21 172 109

HSL 154.97, 0.78%, 0.38%

LAB 62.31, -51.37, 22.35

 

CMYK 88 / 0 / 13 / 33

HEX #15AC95

RGB 21 172 149

HSL 170.86, 0.78%, 0.38%

LAB 63.21, -41.62, 1.55

 

CMYK 88 / 10 / 0 / 33

HEX #159AAC

RGB 21 154 172

HSL 187.15, 0.78%, 0.38%

LAB 58.27, -26.2, -18.77

 

CMYK 88 / 34 / 0 / 33

HEX #1572AC

RGB 21 114 172

HSL 203.05, 0.78%, 0.38%

LAB 45.87, -4.06, -38.02

 

CMYK 88 / 57 / 0 / 33

HEX #154AAC

RGB 21 74 172

HSL 218.94, 0.78%, 0.38%

LAB 34.06, 21.88, -56.99

 

CMYK 88 / 12 / 0 / 61

HEX #0C5763

RGB 12 87 99

HSL 188.28, 0.78%, 0.22%

LAB 33.55, -16.61, -13.05

 

CMYK 88 / 12 / 0 / 47

HEX #107787

RGB 16 119 135

HSL 188.07, 0.79%, 0.3%

LAB 45.71, -20.97, -16.46

 

CMYK 88 / 12 / 0 / 33

HEX #1598AC

RGB 21 152 172

HSL 187.95, 0.78%, 0.38%

LAB 57.65, -25.19, -19.72

 

CMYK 88 / 12 / 0 / 18

HEX #19B8D1

RGB 25 184 209

HSL 188.15, 0.79%, 0.46%

LAB 68.82, -28.79, -23.31

 

CMYK 79 / 10 / 0 / 10

HEX #2FCDE5

RGB 47 205 229

HSL 187.91, 0.78%, 0.54%

LAB 76.02, -31.09, -23.16

 

CMYK 88 / 12 / 0 / 33

HEX #1598AC

RGB 21 152 172

HSL 187.95, 0.78%, 0.38%

LAB 57.65, -25.19, -19.72

 

CMYK 60 / 88 / 0 / 33

HEX #4515AC

RGB 69 21 172

HSL 259.07, 0.78%, 0.38%

LAB 26.1, 55.9, -69.96

 

CMYK 0 / 25 / 88 / 33

HEX #AC8115

RGB 172 129 21

HSL 42.91, 0.78%, 0.38%

LAB 56.61, 7.38, 58.01

 

CMYK 88 / 12 / 0 / 33

HEX #1598AC

RGB 21 152 172

HSL 187.95, 0.78%, 0.38%

LAB 57.65, -25.19, -19.72

 

CMYK 0 / 88 / 10 / 33

HEX #AC159A

RGB 172 21 154

HSL 307.15, 0.78%, 0.38%

LAB 40.64, 67.96, -34.76

 

CMYK 10 / 0 / 88 / 33

HEX #9AAC15

RGB 154 172 21

HSL 67.15, 0.78%, 0.38%

LAB 66.85, -23.56, 65.67

 

CMYK 88 / 12 / 0 / 33

HEX #1598AC

RGB 21 152 172

HSL 187.95, 0.78%, 0.38%

LAB 57.65, -25.19, -19.72

 

CMYK 60 / 88 / 0 / 33

HEX #4515AC

RGB 69 21 172

HSL 259.07, 0.78%, 0.38%

LAB 26.1, 55.9, -69.96

 

CMYK 0 / 78 / 88 / 33

HEX #AC2615

RGB 172 38 21

HSL 6.75, 0.78%, 0.38%

LAB 38.22, 52.59, 43.1

 

CMYK 28 / 0 / 88 / 33

HEX #7CAC15

RGB 124 172 21

HSL 79.07, 0.78%, 0.38%

LAB 64.84, -35.96, 63.19

 

CMYK 88 / 12 / 0 / 33

HEX #1598AC

RGB 21 152 172

HSL 187.95, 0.78%, 0.38%

LAB 57.65, -25.19, -19.72

 

CMYK 34 / 88 / 0 / 33

HEX #7215AC

RGB 114 21 172

HSL 276.95, 0.78%, 0.38%

LAB 32.02, 61.14, -60.01

 

CMYK 0 / 78 / 88 / 33

HEX #AC2615

RGB 172 38 21

HSL 6.75, 0.78%, 0.38%

LAB 38.22, 52.59, 43.1

 

CMYK 54 / 0 / 88 / 33

HEX #4FAC15

RGB 79 172 21

HSL 96.95, 0.78%, 0.38%

LAB 62.69, -51.47, 60.51

 

Description

Color code: HEX #1598AC | qconv.com Color code: HEX #1598AC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 152 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 152 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 12 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 12% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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