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Color name
HEX #159227

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #159227 it is the complementary color #EA6DD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #159227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #159227 shade: #1A9222, #2BA435, #3CB648, #4DC85B and #5EDA6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #159227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #159227 shade: #159227, #048014, #006E01, #005C00 and #004A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #159227 shade: #159327, #249315, #469315, #689315 and #8B9315

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #159227 shade: #159327, #159349, #15936B, #15938D and #157793

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #159227 shade matches the following richer shades: #159327 and #07A01D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #159227 shade: #159327, #228530, #30783A, #3D6A44 and #4B5C4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #159227 shade: #479315, #259315, #159325, #159347 and #159369

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #159227 shade: #0A4B13, #0F6F1D, #159327, #1AB730 and #1FDB3A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #159227 shade: #159227, #156993 and #931536

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #159227 shade: #159227, #251593 and #932515

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #159227 shade: #159227, #156993, #931582 and #933F15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #159227 shade: #159227, #154393, #931582 and #936415

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 73 / 43

HEX #159227

RGB 21 146 39

HSL 128.64, 0.75%, 0.33%

LAB 52.8, -53.23, 45.28

 

Complementary color

CMYK 0 / 53 / 8 / 8

HEX #EA6DD8

RGB 234 109 216

HSL 308.64, 0.75%, 0.67%

LAB 64.47, 61.53, -32.77

 

CMYK 82 / 0 / 77 / 43

HEX #1A9222

RGB 26 146 34

HSL 124, 0.7%, 0.34%

LAB 52.83, -53.07, 47.22

 

CMYK 74 / 0 / 68 / 36

HEX #2BA435

RGB 43 164 53

HSL 124.96, 0.58%, 0.41%

LAB 59.27, -54.76, 46.52

 

CMYK 67 / 0 / 60 / 29

HEX #3CB648

RGB 60 182 72

HSL 125.9, 0.5%, 0.47%

LAB 65.66, -55.77, 45.38

 

CMYK 62 / 0 / 55 / 22

HEX #4DC85B

RGB 77 200 91

HSL 126.83, 0.53%, 0.54%

LAB 71.99, -56.34, 44.07

 

CMYK 57 / 0 / 50 / 15

HEX #5EDA6E

RGB 94 218 110

HSL 127.74, 0.63%, 0.61%

LAB 78.26, -56.63, 42.72

 

CMYK 86 / 0 / 73 / 43

HEX #159227

RGB 21 146 39

HSL 128.64, 0.75%, 0.33%

LAB 52.8, -53.23, 45.28

 

CMYK 97 / 0 / 84 / 50

HEX #048014

RGB 4 128 20

HSL 127.74, 0.94%, 0.26%

LAB 46.33, -50.5, 45.49

 

CMYK 100 / 0 / 99 / 57

HEX #006E01

RGB 0 110 1

HSL 120.55, 1%, 0.22%

LAB 39.84, -46.34, 44.51

 

CMYK 100 / 0 / 100 / 64

HEX #005C00

RGB 0 92 0

HSL 120, 1%, 0.18%

LAB 33.25, -40.92, 39.49

 

CMYK 100 / 0 / 100 / 71

HEX #004A00

RGB 0 74 0

HSL 120, 1%, 0.15%

LAB 26.44, -35.26, 33.91

 

CMYK 86 / 0 / 73 / 42

HEX #159327

RGB 21 147 39

HSL 128.57, 0.75%, 0.33%

LAB 53.14, -53.55, 45.63

 

CMYK 76 / 0 / 86 / 42

HEX #249315

RGB 36 147 21

HSL 112.86, 0.75%, 0.33%

LAB 53.27, -52.76, 51.73

 

CMYK 52 / 0 / 86 / 42

HEX #469315

RGB 70 147 21

HSL 96.67, 0.75%, 0.33%

LAB 54.26, -44.62, 52.99

 

CMYK 29 / 0 / 86 / 42

HEX #689315

RGB 104 147 21

HSL 80.48, 0.75%, 0.33%

LAB 55.95, -32.47, 55.12

 

CMYK 5 / 0 / 86 / 42

HEX #8B9315

RGB 139 147 21

HSL 63.81, 0.75%, 0.33%

LAB 58.42, -17.49, 58.22

 

CMYK 86 / 0 / 73 / 42

HEX #159327

RGB 21 147 39

HSL 128.57, 0.75%, 0.33%

LAB 53.14, -53.55, 45.63

 

CMYK 86 / 0 / 50 / 42

HEX #159349

RGB 21 147 73

HSL 144.76, 0.75%, 0.33%

LAB 53.5, -49.12, 30.12

 

CMYK 86 / 0 / 27 / 42

HEX #15936B

RGB 21 147 107

HSL 160.95, 0.75%, 0.33%

LAB 54.12, -42.03, 12.23

 

CMYK 86 / 0 / 4 / 42

HEX #15938D

RGB 21 147 141

HSL 177.14, 0.75%, 0.33%

LAB 55.02, -32.66, -5.95

 

CMYK 86 / 19 / 0 / 42

HEX #157793

RGB 21 119 147

HSL 193.33, 0.75%, 0.33%

LAB 46.26, -16.32, -22.72

 

CMYK 86 / 0 / 73 / 42

HEX #159327

RGB 21 147 39

HSL 128.57, 0.75%, 0.33%

LAB 53.14, -53.55, 45.63

 

CMYK 96 / 0 / 82 / 37

HEX #07A01D

RGB 7 160 29

HSL 128.63, 0.92%, 0.33%

LAB 57.34, -59.31, 53.14

 

CMYK 86 / 0 / 73 / 42

HEX #159327

RGB 21 147 39

HSL 128.57, 0.75%, 0.33%

LAB 53.14, -53.55, 45.63

 

CMYK 74 / 0 / 64 / 48

HEX #228530

RGB 34 133 48

HSL 128.48, 0.59%, 0.33%

LAB 48.67, -46.06, 36.97

 

CMYK 60 / 0 / 52 / 53

HEX #30783A

RGB 48 120 58

HSL 128.33, 0.43%, 0.33%

LAB 44.75, -36.54, 27.32

 

CMYK 42 / 0 / 36 / 58

HEX #3D6A44

RGB 61 106 68

HSL 129.33, 0.27%, 0.33%

LAB 40.76, -24.44, 16.61

 

CMYK 18 / 0 / 16 / 64

HEX #4B5C4D

RGB 75 92 77

HSL 127.06, 0.1%, 0.33%

LAB 37.27, -9.88, 6.49

 

CMYK 52 / 0 / 86 / 42

HEX #479315

RGB 71 147 21

HSL 96.19, 0.75%, 0.33%

LAB 54.3, -44.31, 53.04

 

CMYK 75 / 0 / 86 / 42

HEX #259315

RGB 37 147 21

HSL 112.38, 0.75%, 0.33%

LAB 53.29, -52.58, 51.75

 

CMYK 86 / 0 / 75 / 42

HEX #159325

RGB 21 147 37

HSL 127.62, 0.75%, 0.33%

LAB 53.12, -53.72, 46.38

 

CMYK 86 / 0 / 52 / 42

HEX #159347

RGB 21 147 71

HSL 143.81, 0.75%, 0.33%

LAB 53.47, -49.46, 31.13

 

CMYK 86 / 0 / 29 / 42

HEX #159369

RGB 21 147 105

HSL 160, 0.75%, 0.33%

LAB 54.08, -42.52, 13.3

 

CMYK 87 / 0 / 75 / 71

HEX #0A4B13

RGB 10 75 19

HSL 128.31, 0.76%, 0.17%

LAB 27.14, -32.29, 26.83

 

CMYK 86 / 0 / 74 / 56

HEX #0F6F1D

RGB 15 111 29

HSL 128.75, 0.76%, 0.25%

LAB 40.51, -43.34, 36.54

 

CMYK 86 / 0 / 73 / 42

HEX #159327

RGB 21 147 39

HSL 128.57, 0.75%, 0.33%

LAB 53.14, -53.55, 45.63

 

CMYK 86 / 0 / 74 / 28

HEX #1AB730

RGB 26 183 48

HSL 128.41, 0.75%, 0.41%

LAB 65.2, -63.44, 54.61

 

CMYK 86 / 0 / 74 / 14

HEX #1FDB3A

RGB 31 219 58

HSL 128.62, 0.75%, 0.49%

LAB 76.84, -72.86, 62.88

 

CMYK 86 / 0 / 73 / 43

HEX #159227

RGB 21 146 39

HSL 128.64, 0.75%, 0.33%

LAB 52.8, -53.23, 45.28

 

CMYK 86 / 29 / 0 / 42

HEX #156993

RGB 21 105 147

HSL 200, 0.75%, 0.33%

LAB 41.8, -8.25, -29.66

 

CMYK 0 / 86 / 63 / 42

HEX #931536

RGB 147 21 54

HSL 344.29, 0.75%, 0.33%

LAB 31.82, 51.27, 15.09

 

CMYK 86 / 0 / 73 / 43

HEX #159227

RGB 21 146 39

HSL 128.64, 0.75%, 0.33%

LAB 52.8, -53.23, 45.28

 

CMYK 75 / 86 / 0 / 42

HEX #251593

RGB 37 21 147

HSL 247.62, 0.75%, 0.33%

LAB 20.19, 46.34, -64.57

 

CMYK 0 / 75 / 86 / 42

HEX #932515

RGB 147 37 21

HSL 7.62, 0.75%, 0.33%

LAB 33.09, 44.88, 36.74

 

CMYK 86 / 0 / 73 / 43

HEX #159227

RGB 21 146 39

HSL 128.64, 0.75%, 0.33%

LAB 52.8, -53.23, 45.28

 

CMYK 86 / 29 / 0 / 42

HEX #156993

RGB 21 105 147

HSL 200, 0.75%, 0.33%

LAB 41.8, -8.25, -29.66

 

CMYK 0 / 86 / 12 / 42

HEX #931582

RGB 147 21 130

HSL 308.1, 0.75%, 0.33%

LAB 34.7, 59.41, -29.71

 

CMYK 0 / 57 / 86 / 42

HEX #933F15

RGB 147 63 21

HSL 20, 0.75%, 0.33%

LAB 37.5, 33.1, 40.66

 

CMYK 86 / 0 / 73 / 43

HEX #159227

RGB 21 146 39

HSL 128.64, 0.75%, 0.33%

LAB 52.8, -53.23, 45.28

 

CMYK 86 / 54 / 0 / 42

HEX #154393

RGB 21 67 147

HSL 218.1, 0.75%, 0.33%

LAB 30.11, 16.5, -48.31

 

CMYK 0 / 86 / 12 / 42

HEX #931582

RGB 147 21 130

HSL 308.1, 0.75%, 0.33%

LAB 34.7, 59.41, -29.71

 

CMYK 0 / 32 / 86 / 42

HEX #936415

RGB 147 100 21

HSL 37.62, 0.75%, 0.33%

LAB 46.14, 12.35, 48.14

 

Description

Color code: HEX #159227 | qconv.com Color code: HEX #159227 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 146 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 146 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 73 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 73% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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