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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15A956 it is the complementary color #EA56A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15A956. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15A956 shade: #1AA951, #2BBB64, #3CCD77, #4DDF8A and #5EF19D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15A956. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15A956 shade: #15A956, #049743, #008530, #00731D and #00610A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15A956 shade: #14A755, #14A72D, #23A714, #4BA714 and #72A714

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15A956 shade: #14A755, #14A77D, #14A7A4, #1483A7 and #145BA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15A956 shade matches the following richer shades: #14A755 and #05B753

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15A956 shade: #14A755, #249857, #338959, #427A5A and #516A5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15A956 shade: #23A714, #14A72D, #14A754, #14A77B and #14A7A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15A956 shade: #0B5E30, #108342, #14A755, #19CC68 and #2AE47C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15A956 shade: #15A956, #144AA7 and #A71914

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15A956 shade: #15A956, #5414A7 and #A75414

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15A956 shade: #15A956, #144AA7, #A71468 and #A77114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15A956 shade: #15A956, #141EA7, #A71468 and #A79E14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 49 / 34

HEX #15A956

RGB 21 169 86

HSL 146.35, 0.78%, 0.37%

LAB 60.96, -54.65, 32.75

 

Complementary color

CMYK 0 / 63 / 28 / 8

HEX #EA56A9

RGB 234 86 169

HSL 326.35, 0.78%, 0.63%

LAB 58.99, 64.8, -14.44

 

CMYK 85 / 0 / 52 / 34

HEX #1AA951

RGB 26 169 81

HSL 143.08, 0.73%, 0.38%

LAB 60.95, -55.03, 35.29

 

CMYK 77 / 0 / 47 / 27

HEX #2BBB64

RGB 43 187 100

HSL 143.75, 0.63%, 0.45%

LAB 67.26, -56.28, 33.61

 

CMYK 71 / 0 / 42 / 20

HEX #3CCD77

RGB 60 205 119

HSL 144.41, 0.59%, 0.52%

LAB 73.52, -57.06, 32.04

 

CMYK 65 / 0 / 38 / 13

HEX #4DDF8A

RGB 77 223 138

HSL 145.07, 0.7%, 0.59%

LAB 79.72, -57.53, 30.56

 

CMYK 61 / 0 / 35 / 5

HEX #5EF19D

RGB 94 241 157

HSL 145.71, 0.84%, 0.66%

LAB 85.87, -57.78, 29.19

 

CMYK 88 / 0 / 49 / 34

HEX #15A956

RGB 21 169 86

HSL 146.35, 0.78%, 0.37%

LAB 60.96, -54.65, 32.75

 

CMYK 97 / 0 / 56 / 41

HEX #049743

RGB 4 151 67

HSL 145.71, 0.95%, 0.3%

LAB 54.62, -52.67, 34.55

 

CMYK 100 / 0 / 64 / 48

HEX #008530

RGB 0 133 48

HSL 141.65, 1%, 0.26%

LAB 48.25, -49.69, 36.37

 

CMYK 100 / 0 / 75 / 55

HEX #00731D

RGB 0 115 29

HSL 135.13, 1%, 0.23%

LAB 41.77, -46.09, 37.81

 

CMYK 100 / 0 / 90 / 62

HEX #00610A

RGB 0 97 10

HSL 126.19, 1%, 0.19%

LAB 35.15, -41.89, 38.06

 

CMYK 88 / 0 / 49 / 35

HEX #14A755

RGB 20 167 85

HSL 146.53, 0.79%, 0.37%

LAB 60.29, -54.21, 32.41

 

CMYK 88 / 0 / 73 / 35

HEX #14A72D

RGB 20 167 45

HSL 130.2, 0.79%, 0.37%

LAB 59.87, -59.35, 50.25

 

CMYK 79 / 0 / 88 / 35

HEX #23A714

RGB 35 167 20

HSL 113.88, 0.79%, 0.37%

LAB 59.93, -59.27, 57.87

 

CMYK 55 / 0 / 88 / 35

HEX #4BA714

RGB 75 167 20

HSL 97.55, 0.79%, 0.37%

LAB 60.94, -50.79, 59.15

 

CMYK 32 / 0 / 88 / 35

HEX #72A714

RGB 114 167 20

HSL 81.63, 0.79%, 0.37%

LAB 62.73, -37.64, 61.38

 

CMYK 88 / 0 / 49 / 35

HEX #14A755

RGB 20 167 85

HSL 146.53, 0.79%, 0.37%

LAB 60.29, -54.21, 32.41

 

CMYK 88 / 0 / 25 / 35

HEX #14A77D

RGB 20 167 125

HSL 162.86, 0.79%, 0.37%

LAB 61.02, -45.86, 11.79

 

CMYK 88 / 0 / 2 / 35

HEX #14A7A4

RGB 20 167 164

HSL 178.78, 0.79%, 0.37%

LAB 62.05, -35.09, -8.55

 

CMYK 88 / 22 / 0 / 35

HEX #1483A7

RGB 20 131 167

HSL 194.69, 0.79%, 0.37%

LAB 50.89, -15.84, -27.26

 

CMYK 88 / 46 / 0 / 35

HEX #145BA7

RGB 20 91 167

HSL 211.02, 0.79%, 0.37%

LAB 38.59, 8.41, -46.68

 

CMYK 88 / 0 / 49 / 35

HEX #14A755

RGB 20 167 85

HSL 146.53, 0.79%, 0.37%

LAB 60.29, -54.21, 32.41

 

CMYK 97 / 0 / 55 / 28

HEX #05B753

RGB 5 183 83

HSL 146.29, 0.95%, 0.37%

LAB 65.38, -60.69, 39.67

 

CMYK 88 / 0 / 49 / 35

HEX #14A755

RGB 20 167 85

HSL 146.53, 0.79%, 0.37%

LAB 60.29, -54.21, 32.41

 

CMYK 76 / 0 / 43 / 40

HEX #249857

RGB 36 152 87

HSL 146.38, 0.62%, 0.37%

LAB 55.6, -46.63, 25.39

 

CMYK 63 / 0 / 35 / 46

HEX #338959

RGB 51 137 89

HSL 146.51, 0.46%, 0.37%

LAB 51.06, -37.41, 18.3

 

CMYK 46 / 0 / 26 / 52

HEX #427A5A

RGB 66 122 90

HSL 145.71, 0.3%, 0.37%

LAB 46.73, -26.35, 11.89

 

CMYK 24 / 0 / 13 / 58

HEX #516A5C

RGB 81 106 92

HSL 146.4, 0.13%, 0.37%

LAB 42.51, -12.43, 4.85

 

CMYK 79 / 0 / 88 / 35

HEX #23A714

RGB 35 167 20

HSL 113.88, 0.79%, 0.37%

LAB 59.93, -59.27, 57.87

 

CMYK 88 / 0 / 73 / 35

HEX #14A72D

RGB 20 167 45

HSL 130.2, 0.79%, 0.37%

LAB 59.87, -59.35, 50.25

 

CMYK 88 / 0 / 50 / 35

HEX #14A754

RGB 20 167 84

HSL 146.12, 0.79%, 0.37%

LAB 60.27, -54.37, 32.9

 

CMYK 88 / 0 / 26 / 35

HEX #14A77B

RGB 20 167 123

HSL 162.04, 0.79%, 0.37%

LAB 60.97, -46.34, 12.83

 

CMYK 88 / 0 / 2 / 35

HEX #14A7A3

RGB 20 167 163

HSL 178.37, 0.79%, 0.37%

LAB 62.02, -35.4, -8.03

 

CMYK 88 / 0 / 49 / 63

HEX #0B5E30

RGB 11 94 48

HSL 146.75, 0.79%, 0.21%

LAB 34.58, -34.83, 19.9

 

CMYK 88 / 0 / 50 / 49

HEX #108342

RGB 16 131 66

HSL 146.09, 0.78%, 0.29%

LAB 47.93, -45.03, 26.82

 

CMYK 88 / 0 / 49 / 35

HEX #14A755

RGB 20 167 85

HSL 146.53, 0.79%, 0.37%

LAB 60.29, -54.21, 32.41

 

CMYK 88 / 0 / 49 / 20

HEX #19CC68

RGB 25 204 104

HSL 146.48, 0.78%, 0.45%

LAB 72.49, -63.24, 38.17

 

CMYK 82 / 0 / 46 / 11

HEX #2AE47C

RGB 42 228 124

HSL 146.45, 0.78%, 0.53%

LAB 80.42, -66.57, 38.39

 

CMYK 88 / 0 / 49 / 34

HEX #15A956

RGB 21 169 86

HSL 146.35, 0.78%, 0.37%

LAB 60.96, -54.65, 32.75

 

CMYK 88 / 56 / 0 / 35

HEX #144AA7

RGB 20 74 167

HSL 217.96, 0.79%, 0.37%

LAB 33.64, 19.79, -54.68

 

CMYK 0 / 85 / 88 / 35

HEX #A71914

RGB 167 25 20

HSL 2.04, 0.79%, 0.37%

LAB 35.91, 54.67, 41.27

 

CMYK 88 / 0 / 49 / 34

HEX #15A956

RGB 21 169 86

HSL 146.35, 0.78%, 0.37%

LAB 60.96, -54.65, 32.75

 

CMYK 50 / 88 / 0 / 35

HEX #5414A7

RGB 84 20 167

HSL 266.12, 0.79%, 0.37%

LAB 27.23, 56.46, -65.01

 

CMYK 0 / 50 / 88 / 35

HEX #A75414

RGB 167 84 20

HSL 26.12, 0.79%, 0.37%

LAB 45.09, 30.22, 48.73

 

CMYK 88 / 0 / 49 / 34

HEX #15A956

RGB 21 169 86

HSL 146.35, 0.78%, 0.37%

LAB 60.96, -54.65, 32.75

 

CMYK 88 / 56 / 0 / 35

HEX #144AA7

RGB 20 74 167

HSL 217.96, 0.79%, 0.37%

LAB 33.64, 19.79, -54.68

 

CMYK 0 / 88 / 38 / 35

HEX #A71468

RGB 167 20 104

HSL 325.71, 0.79%, 0.37%

LAB 37.33, 60.87, -8.97

 

CMYK 0 / 32 / 88 / 35

HEX #A77114

RGB 167 113 20

HSL 37.96, 0.79%, 0.37%

LAB 51.92, 14.07, 54.26

 

CMYK 88 / 0 / 49 / 34

HEX #15A956

RGB 21 169 86

HSL 146.35, 0.78%, 0.37%

LAB 60.96, -54.65, 32.75

 

CMYK 88 / 82 / 0 / 35

HEX #141EA7

RGB 20 30 167

HSL 235.92, 0.79%, 0.37%

LAB 23.23, 47.52, -71.8

 

CMYK 0 / 88 / 38 / 35

HEX #A71468

RGB 167 20 104

HSL 325.71, 0.79%, 0.37%

LAB 37.33, 60.87, -8.97

 

CMYK 0 / 5 / 88 / 35

HEX #A79E14

RGB 167 158 20

HSL 56.33, 0.79%, 0.37%

LAB 63.93, -10.7, 63.95

 

Description

Color code: HEX #15A956 | qconv.com Color code: HEX #15A956 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 169 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 169 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 49 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 49% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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