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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15A238 it is the complementary color #EA5DC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15A238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15A238 shade: #1AA233, #2BB446, #3CC659, #4DD86C and #5EEA7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15A238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15A238 shade: #15A238, #049025, #007E12, #006C00 and #005A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15A238 shade: #15A238, #18A215, #3EA215, #64A215 and #8AA215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15A238 shade: #15A238, #15A25E, #15A284, #159AA2 and #1574A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15A238 shade matches the following richer shades: #15A238 and #06B130

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15A238 shade: #15A238, #23933F, #328447, #41754E and #506756

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15A238 shade: #3FA215, #19A215, #15A236, #15A25B and #15A281

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15A238 shade: #0B591E, #107D2B, #15A238, #19C744 and #27E255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15A238 shade: #15A238, #1565A2 and #A2152C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15A238 shade: #15A238, #3615A2 and #A23615

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15A238 shade: #15A238, #1565A2, #A21581 and #A25215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15A238 shade: #15A238, #153AA2, #A21581 and #A27C15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 65 / 36

HEX #15A238

RGB 21 162 56

HSL 134.89, 0.77%, 0.36%

LAB 58.31, -56.59, 44.07

 

Complementary color

CMYK 0 / 60 / 15 / 8

HEX #EA5DC7

RGB 234 93 199

HSL 314.89, 0.77%, 0.64%

LAB 61.17, 65.96, -28.3

 

CMYK 84 / 0 / 69 / 36

HEX #1AA233

RGB 26 162 51

HSL 131.03, 0.72%, 0.37%

LAB 58.32, -56.64, 46.25

 

CMYK 76 / 0 / 61 / 29

HEX #2BB446

RGB 43 180 70

HSL 131.82, 0.61%, 0.44%

LAB 64.64, -58.23, 45.03

 

CMYK 70 / 0 / 55 / 22

HEX #3CC659

RGB 60 198 89

HSL 132.61, 0.55%, 0.51%

LAB 70.92, -59.23, 43.64

 

CMYK 64 / 0 / 50 / 15

HEX #4DD86C

RGB 77 216 108

HSL 133.38, 0.64%, 0.57%

LAB 77.14, -59.83, 42.21

 

CMYK 60 / 0 / 46 / 8

HEX #5EEA7F

RGB 94 234 127

HSL 134.14, 0.77%, 0.64%

LAB 83.31, -60.16, 40.81

 

CMYK 87 / 0 / 65 / 36

HEX #15A238

RGB 21 162 56

HSL 134.89, 0.77%, 0.36%

LAB 58.31, -56.59, 44.07

 

CMYK 97 / 0 / 74 / 44

HEX #049025

RGB 4 144 37

HSL 134.14, 0.95%, 0.29%

LAB 51.96, -54.1, 45.14

 

CMYK 100 / 0 / 86 / 51

HEX #007E12

RGB 0 126 18

HSL 128.57, 1%, 0.25%

LAB 45.59, -50.34, 45.36

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 87 / 0 / 65 / 36

HEX #15A238

RGB 21 162 56

HSL 134.89, 0.77%, 0.36%

LAB 58.31, -56.59, 44.07

 

CMYK 85 / 0 / 87 / 36

HEX #18A215

RGB 24 162 21

HSL 118.72, 0.77%, 0.36%

LAB 58.12, -59.05, 56

 

CMYK 62 / 0 / 87 / 36

HEX #3EA215

RGB 62 162 21

HSL 102.55, 0.77%, 0.36%

LAB 58.9, -52.39, 56.98

 

CMYK 38 / 0 / 87 / 36

HEX #64A215

RGB 100 162 21

HSL 86.38, 0.77%, 0.36%

LAB 60.43, -40.67, 58.91

 

CMYK 15 / 0 / 87 / 36

HEX #8AA215

RGB 138 162 21

HSL 70.21, 0.77%, 0.36%

LAB 62.76, -25.49, 61.81

 

CMYK 87 / 0 / 65 / 36

HEX #15A238

RGB 21 162 56

HSL 134.89, 0.77%, 0.36%

LAB 58.31, -56.59, 44.07

 

CMYK 87 / 0 / 42 / 36

HEX #15A25E

RGB 21 162 94

HSL 151.06, 0.77%, 0.36%

LAB 58.8, -50.7, 25.76

 

CMYK 87 / 0 / 19 / 36

HEX #15A284

RGB 21 162 132

HSL 167.23, 0.77%, 0.36%

LAB 59.59, -41.93, 5.84

 

CMYK 87 / 5 / 0 / 36

HEX #159AA2

RGB 21 154 162

HSL 183.4, 0.77%, 0.36%

LAB 57.92, -29.46, -13.62

 

CMYK 87 / 28 / 0 / 36

HEX #1574A2

RGB 21 116 162

HSL 199.57, 0.77%, 0.36%

LAB 45.99, -9.07, -31.98

 

CMYK 87 / 0 / 65 / 36

HEX #15A238

RGB 21 162 56

HSL 134.89, 0.77%, 0.36%

LAB 58.31, -56.59, 44.07

 

CMYK 97 / 0 / 73 / 31

HEX #06B130

RGB 6 177 48

HSL 134.74, 0.93%, 0.36%

LAB 63.09, -62.94, 52.41

 

CMYK 87 / 0 / 65 / 36

HEX #15A238

RGB 21 162 56

HSL 134.89, 0.77%, 0.36%

LAB 58.31, -56.59, 44.07

 

CMYK 76 / 0 / 57 / 42

HEX #23933F

RGB 35 147 63

HSL 135, 0.62%, 0.36%

LAB 53.58, -48.92, 35.39

 

CMYK 62 / 0 / 46 / 48

HEX #328447

RGB 50 132 71

HSL 135.37, 0.45%, 0.36%

LAB 49.05, -38.94, 25.68

 

CMYK 44 / 0 / 33 / 54

HEX #41754E

RGB 65 117 78

HSL 135, 0.29%, 0.36%

LAB 44.8, -26.67, 16.23

 

CMYK 22 / 0 / 17 / 60

HEX #506756

RGB 80 103 86

HSL 135.65, 0.13%, 0.36%

LAB 41.34, -12.39, 6.81

 

CMYK 61 / 0 / 87 / 36

HEX #3FA215

RGB 63 162 21

HSL 102.13, 0.77%, 0.36%

LAB 58.93, -52.14, 57.02

 

CMYK 85 / 0 / 87 / 36

HEX #19A215

RGB 25 162 21

HSL 118.3, 0.77%, 0.36%

LAB 58.13, -58.94, 56.01

 

CMYK 87 / 0 / 67 / 36

HEX #15A236

RGB 21 162 54

HSL 134.04, 0.77%, 0.36%

LAB 58.29, -56.81, 44.92

 

CMYK 87 / 0 / 44 / 36

HEX #15A25B

RGB 21 162 91

HSL 149.79, 0.77%, 0.36%

LAB 58.75, -51.28, 27.3

 

CMYK 87 / 0 / 20 / 36

HEX #15A281

RGB 21 162 129

HSL 165.96, 0.77%, 0.36%

LAB 59.51, -42.71, 7.42

 

CMYK 88 / 0 / 66 / 65

HEX #0B591E

RGB 11 89 30

HSL 134.62, 0.78%, 0.2%

LAB 32.5, -35.95, 27.3

 

CMYK 87 / 0 / 66 / 51

HEX #107D2B

RGB 16 125 43

HSL 134.86, 0.77%, 0.28%

LAB 45.57, -46.41, 35.74

 

CMYK 87 / 0 / 65 / 36

HEX #15A238

RGB 21 162 56

HSL 134.89, 0.77%, 0.36%

LAB 58.31, -56.59, 44.07

 

CMYK 87 / 0 / 66 / 22

HEX #19C744

RGB 25 199 68

HSL 134.83, 0.78%, 0.44%

LAB 70.5, -66.49, 52.41

 

CMYK 83 / 0 / 62 / 11

HEX #27E255

RGB 39 226 85

HSL 134.76, 0.76%, 0.52%

LAB 79.32, -71.66, 55.11

 

CMYK 87 / 0 / 65 / 36

HEX #15A238

RGB 21 162 56

HSL 134.89, 0.77%, 0.36%

LAB 58.31, -56.59, 44.07

 

CMYK 87 / 38 / 0 / 36

HEX #1565A2

RGB 21 101 162

HSL 205.96, 0.77%, 0.36%

LAB 41.34, 0.05, -39.32

 

CMYK 0 / 87 / 73 / 36

HEX #A2152C

RGB 162 21 44

HSL 350.21, 0.77%, 0.36%

LAB 34.8, 54.92, 25.99

 

CMYK 87 / 0 / 65 / 36

HEX #15A238

RGB 21 162 56

HSL 134.89, 0.77%, 0.36%

LAB 58.31, -56.59, 44.07

 

CMYK 67 / 87 / 0 / 36

HEX #3615A2

RGB 54 21 162

HSL 254.04, 0.77%, 0.36%

LAB 23.44, 51.94, -68.36

 

CMYK 0 / 67 / 87 / 36

HEX #A23615

RGB 162 54 21

HSL 14.04, 0.77%, 0.36%

LAB 38.51, 43.17, 42.56

 

CMYK 87 / 0 / 65 / 36

HEX #15A238

RGB 21 162 56

HSL 134.89, 0.77%, 0.36%

LAB 58.31, -56.59, 44.07

 

CMYK 87 / 38 / 0 / 36

HEX #1565A2

RGB 21 101 162

HSL 205.96, 0.77%, 0.36%

LAB 41.34, 0.05, -39.32

 

CMYK 0 / 87 / 20 / 36

HEX #A21581

RGB 162 21 129

HSL 314.04, 0.77%, 0.36%

LAB 37.49, 62.48, -24.52

 

CMYK 0 / 49 / 87 / 36

HEX #A25215

RGB 162 82 21

HSL 25.96, 0.77%, 0.36%

LAB 43.9, 29.22, 47.08

 

CMYK 87 / 0 / 65 / 36

HEX #15A238

RGB 21 162 56

HSL 134.89, 0.77%, 0.36%

LAB 58.31, -56.59, 44.07

 

CMYK 87 / 64 / 0 / 36

HEX #153AA2

RGB 21 58 162

HSL 224.26, 0.77%, 0.36%

LAB 28.89, 28.74, -59.43

 

CMYK 0 / 87 / 20 / 36

HEX #A21581

RGB 162 21 129

HSL 314.04, 0.77%, 0.36%

LAB 37.49, 62.48, -24.52

 

CMYK 0 / 23 / 87 / 36

HEX #A27C15

RGB 162 124 21

HSL 43.83, 0.77%, 0.36%

LAB 54.19, 5.59, 55.58

 

Description

Color code: HEX #15A238 | qconv.com Color code: HEX #15A238 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 162 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 162 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 65 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 65% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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