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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15A254 it is the complementary color #EA5DAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15A254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15A254 shade: #1AA24F, #2BB462, #3CC675, #4DD888 and #5EEA9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15A254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15A254 shade: #15A254, #049041, #007E2E, #006C1B and #005A08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15A254 shade: #15A254, #15A22E, #22A215, #48A215 and #6EA215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15A254 shade: #15A254, #15A27A, #15A2A0, #157EA2 and #1558A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15A254 shade matches the following richer shades: #15A254 and #06B152

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15A254 shade: #15A254, #239355, #328457, #417559 and #50675A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15A254 shade: #23A215, #15A22C, #15A252, #15A278 and #15A29D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15A254 shade: #0B592E, #107D41, #15A254, #19C767 and #27E27B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15A254 shade: #15A254, #1548A2 and #A21915

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15A254 shade: #15A254, #5215A2 and #A25215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15A254 shade: #15A254, #1548A2, #A21565 and #A26E15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15A254 shade: #15A254, #151EA2, #A21565 and #A29915

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 48 / 36

HEX #15A254

RGB 21 162 84

HSL 146.81, 0.77%, 0.36%

LAB 58.64, -52.55, 30.85

 

Complementary color

CMYK 0 / 60 / 27 / 8

HEX #EA5DAB

RGB 234 93 171

HSL 326.81, 0.77%, 0.64%

LAB 60.12, 62.14, -13.88

 

CMYK 84 / 0 / 51 / 36

HEX #1AA24F

RGB 26 162 79

HSL 143.38, 0.72%, 0.37%

LAB 58.63, -52.92, 33.42

 

CMYK 76 / 0 / 46 / 29

HEX #2BB462

RGB 43 180 98

HSL 144.09, 0.61%, 0.44%

LAB 64.99, -54.1, 31.75

 

CMYK 70 / 0 / 41 / 22

HEX #3CC675

RGB 60 198 117

HSL 144.78, 0.55%, 0.51%

LAB 71.31, -54.81, 30.17

 

CMYK 64 / 0 / 37 / 15

HEX #4DD888

RGB 77 216 136

HSL 145.47, 0.64%, 0.57%

LAB 77.56, -55.22, 28.71

 

CMYK 60 / 0 / 34 / 8

HEX #5EEA9B

RGB 94 234 155

HSL 146.14, 0.77%, 0.64%

LAB 83.75, -55.41, 27.35

 

CMYK 87 / 0 / 48 / 36

HEX #15A254

RGB 21 162 84

HSL 146.81, 0.77%, 0.36%

LAB 58.64, -52.55, 30.85

 

CMYK 97 / 0 / 55 / 44

HEX #049041

RGB 4 144 65

HSL 146.14, 0.95%, 0.29%

LAB 52.24, -50.62, 32.67

 

CMYK 100 / 0 / 63 / 51

HEX #007E2E

RGB 0 126 46

HSL 141.9, 1%, 0.25%

LAB 45.8, -47.66, 34.53

 

CMYK 100 / 0 / 75 / 58

HEX #006C1B

RGB 0 108 27

HSL 135, 1%, 0.21%

LAB 39.25, -44.04, 36.02

 

CMYK 100 / 0 / 91 / 65

HEX #005A08

RGB 0 90 8

HSL 125.33, 1%, 0.18%

LAB 32.55, -39.8, 36.3

 

CMYK 87 / 0 / 48 / 36

HEX #15A254

RGB 21 162 84

HSL 146.81, 0.77%, 0.36%

LAB 58.64, -52.55, 30.85

 

CMYK 87 / 0 / 72 / 36

HEX #15A22E

RGB 21 162 46

HSL 130.64, 0.77%, 0.36%

LAB 58.22, -57.63, 48.17

 

CMYK 79 / 0 / 87 / 36

HEX #22A215

RGB 34 162 21

HSL 114.47, 0.77%, 0.36%

LAB 58.26, -57.83, 56.17

 

CMYK 56 / 0 / 87 / 36

HEX #48A215

RGB 72 162 21

HSL 98.3, 0.77%, 0.36%

LAB 59.23, -49.74, 57.4

 

CMYK 32 / 0 / 87 / 36

HEX #6EA215

RGB 110 162 21

HSL 82.13, 0.77%, 0.36%

LAB 60.97, -36.93, 59.58

 

CMYK 87 / 0 / 48 / 36

HEX #15A254

RGB 21 162 84

HSL 146.81, 0.77%, 0.36%

LAB 58.64, -52.55, 30.85

 

CMYK 87 / 0 / 25 / 36

HEX #15A27A

RGB 21 162 122

HSL 162.98, 0.77%, 0.36%

LAB 59.35, -44.49, 11.11

 

CMYK 87 / 0 / 1 / 36

HEX #15A2A0

RGB 21 162 160

HSL 179.15, 0.77%, 0.36%

LAB 60.37, -33.92, -8.81

 

CMYK 87 / 22 / 0 / 36

HEX #157EA2

RGB 21 126 162

HSL 195.32, 0.77%, 0.36%

LAB 49.12, -14.8, -27.1

 

CMYK 87 / 46 / 0 / 36

HEX #1558A2

RGB 21 88 162

HSL 211.49, 0.77%, 0.36%

LAB 37.39, 8.43, -45.64

 

CMYK 87 / 0 / 48 / 36

HEX #15A254

RGB 21 162 84

HSL 146.81, 0.77%, 0.36%

LAB 58.64, -52.55, 30.85

 

CMYK 97 / 0 / 54 / 31

HEX #06B152

RGB 6 177 82

HSL 146.67, 0.93%, 0.36%

LAB 63.42, -58.85, 37.78

 

CMYK 87 / 0 / 48 / 36

HEX #15A254

RGB 21 162 84

HSL 146.81, 0.77%, 0.36%

LAB 58.64, -52.55, 30.85

 

CMYK 76 / 0 / 42 / 42

HEX #239355

RGB 35 147 85

HSL 146.79, 0.62%, 0.36%

LAB 53.9, -45.23, 24.24

 

CMYK 62 / 0 / 34 / 48

HEX #328457

RGB 50 132 87

HSL 147.07, 0.45%, 0.36%

LAB 49.34, -35.86, 17.1

 

CMYK 44 / 0 / 24 / 54

HEX #417559

RGB 65 117 89

HSL 147.69, 0.29%, 0.36%

LAB 45.04, -24.37, 10.1

 

CMYK 22 / 0 / 13 / 60

HEX #50675A

RGB 80 103 90

HSL 146.09, 0.13%, 0.36%

LAB 41.44, -11.53, 4.53

 

CMYK 78 / 0 / 87 / 36

HEX #23A215

RGB 35 162 21

HSL 114.04, 0.77%, 0.36%

LAB 58.28, -57.68, 56.19

 

CMYK 87 / 0 / 73 / 36

HEX #15A22C

RGB 21 162 44

HSL 129.79, 0.77%, 0.36%

LAB 58.21, -57.81, 48.93

 

CMYK 87 / 0 / 49 / 36

HEX #15A252

RGB 21 162 82

HSL 145.96, 0.77%, 0.36%

LAB 58.61, -52.89, 31.85

 

CMYK 87 / 0 / 26 / 36

HEX #15A278

RGB 21 162 120

HSL 162.13, 0.77%, 0.36%

LAB 59.3, -44.98, 12.16

 

CMYK 87 / 0 / 3 / 36

HEX #15A29D

RGB 21 162 157

HSL 177.87, 0.77%, 0.36%

LAB 60.28, -34.83, -7.25

 

CMYK 88 / 0 / 48 / 65

HEX #0B592E

RGB 11 89 46

HSL 146.92, 0.78%, 0.2%

LAB 32.73, -33.22, 18.69

 

CMYK 87 / 0 / 48 / 51

HEX #107D41

RGB 16 125 65

HSL 146.97, 0.77%, 0.28%

LAB 45.85, -42.99, 24.73

 

CMYK 87 / 0 / 48 / 36

HEX #15A254

RGB 21 162 84

HSL 146.81, 0.77%, 0.36%

LAB 58.64, -52.55, 30.85

 

CMYK 87 / 0 / 48 / 22

HEX #19C767

RGB 25 199 103

HSL 146.9, 0.78%, 0.44%

LAB 70.89, -61.74, 36.66

 

CMYK 83 / 0 / 46 / 11

HEX #27E27B

RGB 39 226 123

HSL 146.95, 0.76%, 0.52%

LAB 79.76, -66.34, 38.02

 

CMYK 87 / 0 / 48 / 36

HEX #15A254

RGB 21 162 84

HSL 146.81, 0.77%, 0.36%

LAB 58.64, -52.55, 30.85

 

CMYK 87 / 56 / 0 / 36

HEX #1548A2

RGB 21 72 162

HSL 218.3, 0.77%, 0.36%

LAB 32.71, 19.2, -53.19

 

CMYK 0 / 85 / 87 / 36

HEX #A21915

RGB 162 25 21

HSL 1.7, 0.77%, 0.36%

LAB 34.86, 53.24, 39.48

 

CMYK 87 / 0 / 48 / 36

HEX #15A254

RGB 21 162 84

HSL 146.81, 0.77%, 0.36%

LAB 58.64, -52.55, 30.85

 

CMYK 49 / 87 / 0 / 36

HEX #5215A2

RGB 82 21 162

HSL 265.96, 0.77%, 0.36%

LAB 26.56, 54.7, -63.09

 

CMYK 0 / 49 / 87 / 36

HEX #A25215

RGB 162 82 21

HSL 25.96, 0.77%, 0.36%

LAB 43.9, 29.22, 47.08

 

CMYK 87 / 0 / 48 / 36

HEX #15A254

RGB 21 162 84

HSL 146.81, 0.77%, 0.36%

LAB 58.64, -52.55, 30.85

 

CMYK 87 / 56 / 0 / 36

HEX #1548A2

RGB 21 72 162

HSL 218.3, 0.77%, 0.36%

LAB 32.71, 19.2, -53.19

 

CMYK 0 / 87 / 38 / 36

HEX #A21565

RGB 162 21 101

HSL 325.96, 0.77%, 0.36%

LAB 36.29, 59.17, -8.73

 

CMYK 0 / 32 / 87 / 36

HEX #A26E15

RGB 162 110 21

HSL 37.87, 0.77%, 0.36%

LAB 50.56, 13.52, 52.59

 

CMYK 87 / 0 / 48 / 36

HEX #15A254

RGB 21 162 84

HSL 146.81, 0.77%, 0.36%

LAB 58.64, -52.55, 30.85

 

CMYK 87 / 81 / 0 / 36

HEX #151EA2

RGB 21 30 162

HSL 236.17, 0.77%, 0.36%

LAB 22.64, 45.93, -69.74

 

CMYK 0 / 87 / 38 / 36

HEX #A21565

RGB 162 21 101

HSL 325.96, 0.77%, 0.36%

LAB 36.29, 59.17, -8.73

 

CMYK 0 / 6 / 87 / 36

HEX #A29915

RGB 162 153 21

HSL 56.17, 0.77%, 0.36%

LAB 62.1, -10.29, 62.06

 

Description

Color code: HEX #15A254 | qconv.com Color code: HEX #15A254 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 162 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 162 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 48 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 48% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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