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Color name
HEX #15C6A2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15C6A2 it is the complementary color #EA395D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15C6A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15C6A2 shade: #1AC69D, #2BD8B0, #3CEAC3, #4DFCD6 and #5EFFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15C6A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15C6A2 shade: #15C6A2, #04B48F, #00A27C, #009069 and #007E56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15C6A2 shade: #14C6A2, #14C672, #14C642, #17C614 and #46C614

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15C6A2 shade: #14C6A2, #14BAC6, #148AC6, #145AC6 and #142AC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15C6A2 shade matches the following richer shades: #14C6A2 and #03D8AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15C6A2 shade: #14C6A2, #26B497, #38A28D, #4A9182 and #5B7F78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15C6A2 shade: #14C641, #14C670, #14C69F, #14BDC6 and #148EC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15C6A2 shade: #0C7B65, #10A183, #14C6A2, #1DE7BE and #42EBC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15C6A2 shade: #15C6A2, #1417C6 and #C65814

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15C6A2 shade: #15C6A2, #9F14C6 and #C69F14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15C6A2 shade: #15C6A2, #1417C6, #C6143B and #C6C314

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15C6A2 shade: #15C6A2, #4714C6, #C6143B and #94C614

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 18 / 22

HEX #15C6A2

RGB 21 198 162

HSL 167.8, 0.81%, 0.43%

LAB 71.66, -49.06, 6.61

 

Complementary color

CMYK 0 / 76 / 60 / 8

HEX #EA395D

RGB 234 57 93

HSL 347.8, 0.81%, 0.57%

LAB 53.18, 68.12, 22.12

 

CMYK 87 / 0 / 21 / 22

HEX #1AC69D

RGB 26 198 157

HSL 165.7, 0.77%, 0.44%

LAB 71.58, -50.03, 9.21

 

CMYK 80 / 0 / 19 / 15

HEX #2BD8B0

RGB 43 216 176

HSL 166.13, 0.69%, 0.51%

LAB 77.73, -51.23, 7.83

 

CMYK 74 / 0 / 17 / 8

HEX #3CEAC3

RGB 60 234 195

HSL 166.55, 0.81%, 0.58%

LAB 83.83, -52.11, 6.57

 

CMYK 69 / 0 / 15 / 1

HEX #4DFCD6

RGB 77 252 214

HSL 166.97, 0.97%, 0.65%

LAB 89.88, -52.75, 5.41

 

CMYK 63 / 0 / 9 / 0

HEX #5EFFE9

RGB 94 255 233

HSL 171.8, 1%, 0.68%

LAB 91.59, -46.87, -1.91

 

CMYK 89 / 0 / 18 / 22

HEX #15C6A2

RGB 21 198 162

HSL 167.8, 0.81%, 0.43%

LAB 71.66, -49.06, 6.61

 

CMYK 98 / 0 / 21 / 29

HEX #04B48F

RGB 4 180 143

HSL 167.39, 0.96%, 0.36%

LAB 65.48, -47.35, 8.13

 

CMYK 100 / 0 / 23 / 36

HEX #00A27C

RGB 0 162 124

HSL 165.93, 1%, 0.32%

LAB 59.25, -45.09, 9.83

 

CMYK 100 / 0 / 27 / 44

HEX #009069

RGB 0 144 105

HSL 163.75, 1%, 0.28%

LAB 52.91, -42.61, 11.65

 

CMYK 100 / 0 / 32 / 51

HEX #007E56

RGB 0 126 86

HSL 160.95, 1%, 0.25%

LAB 46.44, -40.05, 13.57

 

CMYK 90 / 0 / 18 / 22

HEX #14C6A2

RGB 20 198 162

HSL 167.87, 0.82%, 0.43%

LAB 71.65, -49.12, 6.6

 

CMYK 90 / 0 / 42 / 22

HEX #14C672

RGB 20 198 114

HSL 151.69, 0.82%, 0.43%

LAB 70.7, -59.8, 30.82

 

CMYK 90 / 0 / 67 / 22

HEX #14C642

RGB 20 198 66

HSL 135.51, 0.82%, 0.43%

LAB 70.13, -66.75, 52.81

 

CMYK 88 / 0 / 90 / 22

HEX #17C614

RGB 23 198 20

HSL 118.99, 0.82%, 0.43%

LAB 69.91, -69.6, 66.45

 

CMYK 65 / 0 / 90 / 22

HEX #46C614

RGB 70 198 20

HSL 103.15, 0.82%, 0.43%

LAB 70.69, -62.79, 67.43

 

CMYK 90 / 0 / 18 / 22

HEX #14C6A2

RGB 20 198 162

HSL 167.87, 0.82%, 0.43%

LAB 71.65, -49.12, 6.6

 

CMYK 90 / 6 / 0 / 22

HEX #14BAC6

RGB 20 186 198

HSL 184.04, 0.82%, 0.43%

LAB 69, -33.52, -17

 

CMYK 90 / 30 / 0 / 22

HEX #148AC6

RGB 20 138 198

HSL 200.22, 0.82%, 0.43%

LAB 54.45, -8.42, -39.45

 

CMYK 90 / 55 / 0 / 22

HEX #145AC6

RGB 20 90 198

HSL 216.4, 0.82%, 0.43%

LAB 40.47, 21.5, -61.83

 

CMYK 90 / 79 / 0 / 22

HEX #142AC6

RGB 20 42 198

HSL 232.58, 0.82%, 0.43%

LAB 29.11, 51.48, -80.5

 

CMYK 90 / 0 / 18 / 22

HEX #14C6A2

RGB 20 198 162

HSL 167.87, 0.82%, 0.43%

LAB 71.65, -49.12, 6.6

 

CMYK 99 / 0 / 20 / 15

HEX #03D8AC

RGB 3 216 172

HSL 167.61, 0.97%, 0.43%

LAB 77.35, -54.38, 9.36

 

CMYK 90 / 0 / 18 / 22

HEX #14C6A2

RGB 20 198 162

HSL 167.87, 0.82%, 0.43%

LAB 71.65, -49.12, 6.6

 

CMYK 79 / 0 / 16 / 29

HEX #26B497

RGB 38 180 151

HSL 167.75, 0.65%, 0.43%

LAB 65.97, -43.09, 4.47

 

CMYK 65 / 0 / 13 / 36

HEX #38A28D

RGB 56 162 141

HSL 168.11, 0.49%, 0.43%

LAB 60.43, -35.26, 2.07

 

CMYK 49 / 0 / 10 / 43

HEX #4A9182

RGB 74 145 130

HSL 167.32, 0.32%, 0.43%

LAB 55.4, -26.16, 1.08

 

CMYK 28 / 0 / 6 / 50

HEX #5B7F78

RGB 91 127 120

HSL 168.33, 0.17%, 0.43%

LAB 50.4, -14.27, -0.3

 

CMYK 90 / 0 / 67 / 22

HEX #14C641

RGB 20 198 65

HSL 135.17, 0.82%, 0.43%

LAB 70.12, -66.85, 53.21

 

CMYK 90 / 0 / 43 / 22

HEX #14C670

RGB 20 198 112

HSL 151.01, 0.82%, 0.43%

LAB 70.67, -60.16, 31.81

 

CMYK 90 / 0 / 20 / 22

HEX #14C69F

RGB 20 198 159

HSL 166.85, 0.82%, 0.43%

LAB 71.58, -49.88, 8.12

 

CMYK 90 / 5 / 0 / 22

HEX #14BDC6

RGB 20 189 198

HSL 183.03, 0.82%, 0.43%

LAB 69.91, -34.94, -15.63

 

CMYK 90 / 28 / 0 / 22

HEX #148EC6

RGB 20 142 198

HSL 198.88, 0.82%, 0.43%

LAB 55.66, -10.71, -37.56

 

CMYK 90 / 0 / 18 / 52

HEX #0C7B65

RGB 12 123 101

HSL 168.11, 0.82%, 0.26%

LAB 45.88, -34.03, 4.01

 

CMYK 90 / 0 / 19 / 37

HEX #10A183

RGB 16 161 131

HSL 167.59, 0.82%, 0.35%

LAB 59.19, -42.1, 5.83

 

CMYK 90 / 0 / 18 / 22

HEX #14C6A2

RGB 20 198 162

HSL 167.87, 0.82%, 0.43%

LAB 71.65, -49.12, 6.6

 

CMYK 87 / 0 / 18 / 9

HEX #1DE7BE

RGB 29 231 190

HSL 167.82, 0.81%, 0.51%

LAB 82.45, -54.79, 7.16

 

CMYK 72 / 0 / 15 / 8

HEX #42EBC8

RGB 66 235 200

HSL 167.57, 0.81%, 0.59%

LAB 84.35, -50.57, 4.7

 

CMYK 89 / 0 / 18 / 22

HEX #15C6A2

RGB 21 198 162

HSL 167.8, 0.81%, 0.43%

LAB 71.66, -49.06, 6.61

 

CMYK 90 / 88 / 0 / 22

HEX #1417C6

RGB 20 23 198

HSL 238.99, 0.82%, 0.43%

LAB 26.27, 59.89, -85.23

 

CMYK 0 / 56 / 90 / 22

HEX #C65814

RGB 198 88 20

HSL 22.92, 0.82%, 0.43%

LAB 50.73, 40.67, 55.2

 

CMYK 89 / 0 / 18 / 22

HEX #15C6A2

RGB 21 198 162

HSL 167.8, 0.81%, 0.43%

LAB 71.66, -49.06, 6.61

 

CMYK 20 / 90 / 0 / 22

HEX #9F14C6

RGB 159 20 198

HSL 286.85, 0.82%, 0.43%

LAB 41.13, 72.98, -60.22

 

CMYK 0 / 20 / 90 / 22

HEX #C69F14

RGB 198 159 20

HSL 46.85, 0.82%, 0.43%

LAB 67.17, 2.66, 67.76

 

CMYK 89 / 0 / 18 / 22

HEX #15C6A2

RGB 21 198 162

HSL 167.8, 0.81%, 0.43%

LAB 71.66, -49.06, 6.61

 

CMYK 90 / 88 / 0 / 22

HEX #1417C6

RGB 20 23 198

HSL 238.99, 0.82%, 0.43%

LAB 26.27, 59.89, -85.23

 

CMYK 0 / 90 / 70 / 22

HEX #C6143B

RGB 198 20 59

HSL 346.85, 0.82%, 0.43%

LAB 42.49, 65.34, 27.69

 

CMYK 0 / 2 / 90 / 22

HEX #C6C314

RGB 198 195 20

HSL 58.99, 0.82%, 0.43%

LAB 76.73, -16.08, 75.22

 

CMYK 89 / 0 / 18 / 22

HEX #15C6A2

RGB 21 198 162

HSL 167.8, 0.81%, 0.43%

LAB 71.66, -49.06, 6.61

 

CMYK 64 / 90 / 0 / 22

HEX #4714C6

RGB 71 20 198

HSL 257.19, 0.82%, 0.43%

LAB 29.2, 63.05, -80.26

 

CMYK 0 / 90 / 70 / 22

HEX #C6143B

RGB 198 20 59

HSL 346.85, 0.82%, 0.43%

LAB 42.49, 65.34, 27.69

 

CMYK 25 / 0 / 90 / 22

HEX #94C614

RGB 148 198 20

HSL 76.85, 0.82%, 0.43%

LAB 74.02, -38.26, 71.55

 

Description

Color code: HEX #15C6A2 | qconv.com Color code: HEX #15C6A2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 198 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 198 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 18 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 18% 22% C M Y K

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Provide designers and agencies with accurate color values.

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